DOCSLIB.ORG

List of Candidates for Medium Tet(Lp) on 01.02.2014 After District Verification

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
List of Candidates for Medium Tet(Lp) on 01.02.2014 After District Verification LIST OF CANDIDATES FOR MEDIUM TET(LP) ON 01.02.2014 AFTER DISTRICT VERIFICATION Sl No District Application No Name of candidate Medium as per MIL 1 01-BAKSA 178422 BABITA GHIMIRE NEPALI 2 01-BAKSA 208578 BADRI NEOPANE NEPALI 3 01-BAKSA 166149 BANDANA SWARGIARY HINDI 4 01-BAKSA 133835 BHABANI KHATIODA NEPALI 5 01-BAKSA 128168 BHISHMA BHATTARAI NEPALI 6 01-BAKSA 187029 BHUMA PRADHAN NEPALI 7 01-BAKSA 180703 BIJU BHATTARAI NEPALI 8 01-BAKSA 169483 BIKASH BHANDARY NEPALI 9 01-BAKSA 185789 DEBAKA POKHREL NEPALI 10 01-BAKSA 196250 DIGANTA DAS HINDI 11 01-BAKSA 144251 DILLI RAM BARAL NEPALI 12 01-BAKSA 208086 DIPIKA ADHIKARI NEPALI 13 01-BAKSA 189233 DRONA POUDYAL NEPALI 14 01-BAKSA 121847 GOMA DAHAL NEPALI 15 01-BAKSA 165954 HEMANTA GAUTAM NEPALI 16 01-BAKSA 196497 IGAMAYA DEVI NEPALI 17 01-BAKSA 199791 JAMUNA CHETRY NEPALI 18 01-BAKSA 171069 JAMUNA PATHAK NEPALI 19 01-BAKSA 169092 JANKI DEVI HINDI 20 01-BAKSA 165999 JAYANTA KOIRALA NEPALI 21 01-BAKSA 165515 JIBAN BARAL NEPALI 22 01-BAKSA 204965 JOYTISH DAS HINDI 23 01-BAKSA 196737 KAMAL BARAL NEPALI 24 01-BAKSA 189243 KAMAL DARJEE NEPALI 25 01-BAKSA 166099 KANMANI BARO HINDI 26 01-BAKSA 143865 KARAN CHETRY NEPALI 27 01-BAKSA 196685 KHARGA BDR PRADHAN NEPALI 28 01-BAKSA 196578 KHINAMAYA DEVI NEPALI 29 01-BAKSA 112605 KIRAN SARMA NEPALI 30 01-BAKSA 180460 KSHIROD DAHAL NEPALI 31 01-BAKSA 152869 LALIT POKHREL NEPALI 32 01-BAKSA 186113 MUKTI NATH BARAKOTI NEPALI 33 01-BAKSA 206591 NABA KR. DEKA HINDI 34 01-BAKSA 195455 NABIN BHANDARI NEPALI 35 01-BAKSA 185713 PANKAJ POKHREL NEPALI 36 01-BAKSA 199431 PRAKASH KOIRALA NEPALI 37 01-BAKSA 107915 PUJA NEPAL NEPALI 38 01-BAKSA 114906 RADHA SWARGIARY HINDI 39 01-BAKSA 181452 RAJU BHATTARAI NEPALI 40 01-BAKSA 157243 RAMAN ADHIKARI NEPALI 41 01-BAKSA 165599 REENA POKHREL NEPALI 42 01-BAKSA 189374 RIJU MANI CHETRY NEPALI 43 01-BAKSA 195293 ROSHAN PARAJULI NEPALI 44 01-BAKSA 101303 RUPAN BHOWMICK BANGLA 45 01-BAKSA 167340 SABITRA CHHETRY NEPALI 46 01-BAKSA 182009 SHEELA BARAL NEPALI 47 01-BAKSA 155638 SHYAM BHATTARAI NEPALI 48 01-BAKSA 208305 SONU CHHETRY NEPALI 49 01-BAKSA 189561 SUMAN KHADKA NEPALI 50 01-BAKSA 200615 SUNIL MAGAR NEPALI 51 01-BAKSA 189081 SUNITA BHATTARAI NEPALI 52 01-BAKSA 166035 SUNITA KOIRALA NEPALI 53 01-BAKSA 194102 SUNITA SUBEDI NEPALI 1/475 LIST OF CANDIDATES FOR MEDIUM TET(LP) ON 01.02.2014 AFTER DISTRICT VERIFICATION Sl No District Application No Name of candidate Medium as per MIL 54 01-BAKSA 194208 SURAJ BARAL NEPALI 55 01-BAKSA 127981 SUSHANTA KUMAR PAUL HINDI 56 01-BAKSA 101247 SUSHOBHAN CHAKRABORTY BANGLA 57 01-BAKSA 186798 TARA RIMAL NEPALI 58 01-BAKSA 186036 TIKA DAHAL NEPALI 59 01-BAKSA 160542 TIKENDRA GAUTAM NEPALI 60 01-BAKSA 165651 TRILOCHON BHATTARAI NEPALI 61 01-BAKSA 101459 Ranju Basumatary Hindi 62 02-BARPETA 100489 ABHIJIT NATH BANGLA 63 02-BARPETA 137886 AJOY DEB NATH BANGLA 64 02-BARPETA 183771 AMAR SAHA BANGLA 65 02-BARPETA 135287 ANANTA SUTRADHAR BANGLA 66 02-BARPETA 177376 ANINDITA SAHA BANGLA 67 02-BARPETA 149947 ANIRBAN SAHA BANGLA 68 02-BARPETA 194401 ANUP KUMAR KANU HINDI 69 02-BARPETA 169651 ANUPAMA NATH BANGLA 70 02-BARPETA 202012 ASHOK PANDIT BANGLA 71 02-BARPETA 161674 BABLI DAS BANGLA 72 02-BARPETA 165020 BAKUL CHANDRA PANDIT BANGLA 73 02-BARPETA 199225 BAMPI CHOWDHURY BANGLA 74 02-BARPETA 165361 BEAUTY SAHA BANGLA 75 02-BARPETA 148007 BHUSAN ROY BANGLA 76 02-BARPETA 150407 BIDHAN SAHA BANGLA 77 02-BARPETA 120227 BIDUSHI BISWAS BANGLA 78 02-BARPETA 196744 BIJAY KUMAR KUNDU BANGLA 79 02-BARPETA 102151 BIJU SAHA BANGLA 80 02-BARPETA 119430 BIJU SAHA BANGLA 81 02-BARPETA 156764 BIKRAM BHOWMIK BANGLA 82 02-BARPETA 147500 BIKRAM CHAUHAN HINDI 83 02-BARPETA 142652 BIMAL MANDAL BANGLA 84 02-BARPETA 100189 BINOD KARMAKAR BANGLA 85 02-BARPETA 108478 BIPLAB PANDIT BANGLA 86 02-BARPETA 134695 BISWAJIT ADITYA BANGLA 87 02-BARPETA 157993 BISWAJIT GHOSH BANGLA 88 02-BARPETA 121442 BISWAJIT MANDAL BANGLA 89 02-BARPETA 198009 CHAINA SAHA BANGLA 90 02-BARPETA 178938 CHINMOY BAGCHI BANGLA 91 02-BARPETA 173868 DEBAJIT KAR BANGLA 92 02-BARPETA 143652 DEBAJIT SAHA BANGLA 93 02-BARPETA 108690 DEEPA SAHA BANGLA 94 02-BARPETA 173568 DIBYENDU ROY BANGLA 95 02-BARPETA 163600 DILIP KUMAR SAHA BANGLA 96 02-BARPETA 128142 DILIP PAUL BANGLA 97 02-BARPETA 149461 DIPAK ROY BANGLA 98 02-BARPETA 167952 DIPAK SAHA BANGLA 99 02-BARPETA 118116 DIPANKAR BARMAN BANGLA 100 02-BARPETA 170855 DIPIKA BARMAN BANGLA 101 02-BARPETA 158180 DIPIKA SUTRADHAR BANGLA 102 02-BARPETA 154893 GANESH ACHARJEE BANGLA 103 02-BARPETA 187110 GANGA SAHA BANGLA 104 02-BARPETA 145108 GAUTAM KUMAR SAHU HINDI 105 02-BARPETA 165147 GAUTAM SAHA BANGLA 106 02-BARPETA 197213 GEETANJALI CHOUDHARY BANGLA 2/475 LIST OF CANDIDATES FOR MEDIUM TET(LP) ON 01.02.2014 AFTER DISTRICT VERIFICATION Sl No District Application No Name of candidate Medium as per MIL 107 02-BARPETA 192670 GOBINDA BARMAN BANGLA 108 02-BARPETA 124255 GOBINDA SARKAR BANGLA 109 02-BARPETA 117129 GOKUL BASAK BANGLA 110 02-BARPETA 113248 GOPAL MAJUMDER BANGLA 111 02-BARPETA 167666 GOURAB KUMAR DAS BANGLA 112 02-BARPETA 151114 GOURAV GHOSH BANGLA 113 02-BARPETA 164029 GOURI BASAK BANGLA 114 02-BARPETA 101378 HIRANMAY BARMAN BANGLA 115 02-BARPETA 116549 JABA SAHA BANGLA 116 02-BARPETA 184332 JAGANNATH ROY BANGLA 117 02-BARPETA 191656 JAGOT KUMAR SAHA BANGLA 118 02-BARPETA 198702 JAY PRAKASH SHARMA HINDI 119 02-BARPETA 121266 JHARNA BARMAN DAS BANGLA 120 02-BARPETA 197267 JHUMKI SAHA BANGLA 121 02-BARPETA 175434 JUGAL KISHORE ROY BANGLA 122 02-BARPETA 187131 JYOTI PRAMANIK BANGLA 123 02-BARPETA 199938 KANAN SARKAR BANGLA 124 02-BARPETA 128607 KRISHNA KARMAKAR BANGLA 125 02-BARPETA 149900 LOTAN KIRITY BANGLA 126 02-BARPETA 172347 LOVELY PANDIT BANGLA 127 02-BARPETA 136637 LUNA GOPE HINDI 128 02-BARPETA 143984 MAHENDRA KUMAR BISWAS BANGLA 129 02-BARPETA 117431 MALAY SAHA BANGLA 130 02-BARPETA 188674 MAMONI SAHA BANGLA 131 02-BARPETA 194297 MAMPI DEB NATH BANGLA 132 02-BARPETA 124773 MAMPI GHOSH BANGLA 133 02-BARPETA 150511 MANABENDRA BARMAN BANGLA 134 02-BARPETA 133711 MANIK DEV NATH BANGLA 135 02-BARPETA 196612 MANOJ BASAK BANGLA 136 02-BARPETA 164473 MANOMITA SAHA BANGLA 137 02-BARPETA 207607 MANORAMA MAHANTA BANGLA 138 02-BARPETA 128214 MATHURA BARMAN BANGLA 139 02-BARPETA 115061 MINU SAMANTA SARKAR BANGLA 140 02-BARPETA 154175 MITA BARMAN BANGLA 141 02-BARPETA 192407 MITALI SARKAR BANGLA 142 02-BARPETA 159925 MITHUN CHAKRABORTY BANGLA 143 02-BARPETA 104268 MOUSUMI BISWAS BANGLA 144 02-BARPETA 163589 MRIDUL BARMAN BANGLA 145 02-BARPETA 151005 MRIDUL DEV NATH BANGLA 146 02-BARPETA 138713 MRITTUNJOY SARKAR BANGLA 147 02-BARPETA 164427 MUDRA BARMAN BANGLA 148 02-BARPETA 188910 MUNU ACHARJEE BANGLA 149 02-BARPETA 198902 NABANITA SUTRADHAR BANGLA 150 02-BARPETA 111176 NAMITA NATH ROY BANGLA 151 02-BARPETA 169902 NARAYAN SUTRADHAR BANGLA 152 02-BARPETA 192557 NEHA DAS HINDI 153 02-BARPETA 201984 NILIMA KUMARI PRASAD HINDI 154 02-BARPETA 192819 NILIMA SAHA BANGLA 155 02-BARPETA 118768 NILKANTHA SAHA BANGLA 156 02-BARPETA 130549 NIPEN KARMAKAR BANGLA 157 02-BARPETA 163859 NIRMAL SINGHA BANGLA 158 02-BARPETA 105075 NIRUPAM BASAK BANGLA 159 02-BARPETA 143179 NITISH DEB NATH BANGLA 3/475 LIST OF CANDIDATES FOR MEDIUM TET(LP) ON 01.02.2014 AFTER DISTRICT VERIFICATION Sl No District Application No Name of candidate Medium as per MIL 160 02-BARPETA 163413 NITUMANI DAS BANGLA 161 02-BARPETA 119895 PABAN GOPE BANGLA 162 02-BARPETA 153000 PALLABI PANDIT BANGLA 163 02-BARPETA 113827 PAMPI SAHA BANGLA 164 02-BARPETA 178104 PAPIYA ACHARJEE BANGLA 165 02-BARPETA 160135 PARIMAL MANDAL BANGLA 166 02-BARPETA 177942 PINKI ACHARJEE BANGLA 167 02-BARPETA 181517 PINKI GHOSH BANGLA 168 02-BARPETA 140914 PINKI SUTRADHAR BANGLA 169 02-BARPETA 148492 PINKU SAHA BANGLA 170 02-BARPETA 203228 PINTU SAHA BANGLA 171 02-BARPETA 101212 PRABIR SUTRADHAR BANGLA 172 02-BARPETA 103297 PRAKASH BASAK BANGLA 173 02-BARPETA 150954 PRAKASH GUPTA HINDI 174 02-BARPETA 183437 PRAMILA SAHA BANGLA 175 02-BARPETA 147414 PRAMILA SARKAR BANGLA 176 02-BARPETA 184431 PRAMOD KUMAR SHARMA HINDI 177 02-BARPETA 168099 PRANAB SAHA BANGLA 178 02-BARPETA 144056 PRANAY KARMAKAR BANGLA 179 02-BARPETA 164076 PRASANJIT SHOME BANGLA 180 02-BARPETA 123959 PRASENJIT SAHA BANGLA 181 02-BARPETA 192422 PRIYANKA DAS BANGLA 182 02-BARPETA 127440 PRIYARANJAN BARMAN BANGLA 183 02-BARPETA 200552 PUJA SAHA BANGLA 184 02-BARPETA 104622 PUSPITA NATH BANGLA 185 02-BARPETA 195069 RADHA KUMARI MISHRA HINDI 186 02-BARPETA 143289 RAJA SAHA BANGLA 187 02-BARPETA 153668 RAJAT KUMAR BHOWMIK BANGLA 188 02-BARPETA 128426 RAJDEEP DUTTA BANGLA 189 02-BARPETA 162159 RAJIB PANDIT BANGLA 190 02-BARPETA 177421 RAJU SAHA BANGLA 191 02-BARPETA 148848 RAKESH KARMAKAR BANGLA 192 02-BARPETA 189590 RAKESH KR CHAUDHURY HINDI 193 02-BARPETA 187453 RAKESH ROY BANGLA 194 02-BARPETA 198983 RAKESH SAHA BANGLA 195 02-BARPETA 164792 RAKHI NATH BANGLA 196 02-BARPETA 115942 RAMKRISHNA KUNDA BANGLA 197 02-BARPETA 175682 RANJIT ADITYA BANGLA 198 02-BARPETA 169849 RANJITA GOPE BANGLA 199 02-BARPETA 197967 RATNA RANI SAHA BANGLA 200 02-BARPETA 155730 REKHA ACHARJEE BANGLA 201 02-BARPETA 192500 RINA ADITYA BANGLA 202 02-BARPETA 147643 RINA ROY BANGLA 203 02-BARPETA 105543 RITA KARMAKAR BANGLA 204 02-BARPETA 148109 RITA PANDIT BANGLA 205 02-BARPETA 147784 RITA ROY BANGLA 206 02-BARPETA 162777 RITAM SUTRADHAR BANGLA 207 02-BARPETA 202891 RITU KUMARI HINDI 208 02-BARPETA 148514 RUMA SUTRADHAR BANGLA 209 02-BARPETA 127633 RUPAM BARMAN BANGLA 210 02-BARPETA 149127 SABITA SAHA BANGLA 211 02-BARPETA 141813 SABITA SUTRADHAR BANGLA 212 02-BARPETA 187807 SABITRY PANDIT BANGLA 4/475 LIST OF CANDIDATES FOR MEDIUM TET(LP)
Load more

Recommended publications
  • Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
    oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani
    [Show full text]
  • Cambridge University Press 978-1-107-19605-6 — Boundaries of Belonging Sarah Ansari , William Gould Index More Information
    Cambridge University Press 978-1-107-19605-6 — Boundaries of Belonging Sarah Ansari , William Gould Index More Information Index 18th Amendment, 280 All-India Muslim Ladies’ Conference, 183 All-India Radio, 159 Aam Aadmi (Ordinary Man) Party, 273 All-India Refugee Association, 87–88 abducted women, 1–2, 12, 202, 204, 206 All-India Refugee Conference, 88 abwab, 251 All-India Save the Children Committee, Acid Control and Acid Crime Prevention 200–201 Act, 2011, 279 All-India Scheduled Castes Federation, 241 Adityanath, Yogi, 281 All-India Women’s Conference, 183–185, adivasis, 9, 200, 239, 261, 263, 266–267, 190–191, 193–202 286 All-India Women’s Food Council, 128 Administration of Evacuee Property Act, All-Pakistan Barbers’ Association, 120 1950, 93 All-Pakistan Confederation of Labour, 256 Administration of Evacuee Property All-Pakistan Joint Refugees Council, 78 Amendment Bill, 1952, 93 All-Pakistan Minorities Alliance, 269 Administration of Evacuee Property Bill, All-Pakistan Women’s Association 1950, 230 (APWA), 121, 202–203, 208–210, administrative officers, 47, 49–50, 69, 101, 212, 214, 218, 276 122, 173, 176, 196, 237, 252 Alwa, Arshia, 215 suspicions surrounding, 99–101 Ambedkar, B.R., 159, 185, 198, 240, 246, affirmative action, 265 257, 262, 267 Aga Khan, 212 Anandpur Sahib, 1–2 Agra, 128, 187, 233 Andhra Pradesh, 161, 195 Ahmad, Iqbal, 233 Anjuman Muhajir Khawateen, 218 Ahmad, Maulana Bashir, 233 Anjuman-i Khawateen-i Islam, 183 Ahmadis, 210, 268 Anjuman-i Tahafuuz Huqooq-i Niswan, Ahmed, Begum Anwar Ghulam, 212–213, 216 215, 220
    [Show full text]
  • This Article Has Been Made Available to SAWF by Dr. Veena Nayak. Dr. Nayak Has Translated It from the Original Marathi Article Written by Ramkrishna Baakre
    This article has been made available to SAWF by Dr. Veena Nayak. Dr. Nayak has translated it from the original Marathi article written by Ramkrishna Baakre. From: Veena Nayak Subject: Dr. Vasantrao Deshpande - Part Two (Long!) Newsgroups: rec.music.indian.classical, rec.music.indian.misc Date: 2000/03/12 Presenting the second in a three-part series on this vocalist par excellence. It has been translated from a Marathi article by Ramkrishna Baakre. Baakre is also the author of 'Buzurg', a compilation of sketches of some of the grand old masters of music. In Part One, we got a glimpse of Vasantrao's childhood years and his early musical training. The article below takes up from the point where the first one ended (although there is some overlap). It discusses his influences and associations, his musical career and more importantly, reveals the generous and graceful spirit that lay behind the talent. The original article is rather desultory. I have, therefore, taken editorial liberties in the translation and rearranged some parts to smoothen the flow of ideas. I am very grateful to Aruna Donde and Ajay Nerurkar for their invaluable suggestions and corrections. Veena THE MUSICAL 'BRAHMAKAMAL' - Ramkrishna Baakre (translated by Dr. Veena Nayak) It was 1941. Despite the onset of November, winter had not made even a passing visit to Pune. In fact, during the evenings, one got the impression of a lazy October still lingering around. Pune has been described in many ways by many people, but to me it is the city of people with the habit of going for strolls in the morning and evening.
    [Show full text]
  • To Download the Advance Information Sheet
    NEW TITLE AUGUST 2015 MUSIC ISBN: 978-93-83098-98-9 `595/£14.99/$20 PB Published by Fine publishing within reach D-78, Okhla Industrial Area, Phase-I, New Delhi-110 020, INDIA Tel: 91-11-26816301, 49327000; Fax: 91-11-26810483, 26813830 email: [email protected]; website: www.niyogibooksindia.com MUSIC `595/£14.99/$20 PB ISBN: 978-93-83098-98-9 Size:229 x 152mm, 324pp, 26 b/w photographs Interviewers Black and white, 80gsm bookprint Geeta Sahai & Shrinkhla Sahai Paperback Ever wondered how late Pandit Ravi Shankar went beyond cultural boundaries to Geeta Sahai is a writer, propagate Hindustani classical music and impact the global music scene? How did broadcaster and documentary Ustad Amjad Ali Khan fight emotional and financial setbacks to settle into musical filmmaker. Her short stories harmony with destiny? How did Begum Akhtar’s soulful voice inspire a reluctant have won international awards percussionist to dedicate his life to vocal music and emerge as the legendary Pandit and have been included in Jasraj? How did late Dr Gangubai Hangal break away from the shackles of social an international anthology– ostracism to emerge as a legend of her times? Undiscovered Gems. She was associated with Worldspace Satellite Radio for nearly ten years Beyond Music – Maestros in Conversation delves into candid opinions on issues, as Programme Director - Radio Gandharv-24X7 revealing thoughts on music-making and emotional sagas of some of the most Hindustani Classical Music Station. She has made accomplished, revered classical musicians—Dr Prabha Atre, Pandit Vishwa Mohan many introspective documentary films. Currently, Bhatt, Dr N.
    [Show full text]
  • "Improvised" Music
    The University of Manchester Research Formulas and the building blocks of humr style: a study in "improvised" music Document Version Final published version Link to publication record in Manchester Research Explorer Citation for published version (APA): Alaghband-Zadeh, C. (2012). Formulas and the building blocks of humr style: a study in "improvised" music. Analytical Approaches to World Music Journal, 2(1), 1-48. Published in: Analytical Approaches to World Music Journal Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and
    [Show full text]
  • Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music
    Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and teenage backpackers alike speak of “improvisation” in M modern-day Indian classical music.1 Musicians use the term to draw attention to differences between different portions of a performance, distinguishing between the “composition” of a particular performance (in vocal music, a short melody, setting a couple of lines of lyrics) and the rest of the performance, which involves musical material that is different in each performance and that musicians often claim to have made up on the spur of the moment.2 In their article “Improvisation in Iranian and Indian music,” Richard Widdess and Laudan Nooshin draw attention to modern-day Indian terminology which reflects a conceptual distinction between improvised and pre-composed sections of a performance (2006, 2–4). The concept of improvisation has also been central to Western imaginings of North Indian classical music in the twentieth century. John Napier has discussed the long history of Western descriptions of Indian music as “improvised” or “extemporized,” which he dates back to the work of Fox Strangways in 1914. He points out the importance the concept took on, for example, in the way in which Indian music was introduced to mainstream Western audiences in the 1960s; he notes that the belief that the performance of Indian music 1 I am very grateful to Richard Widdess and Peter Manuel for their comments on draft versions of this article. 2 The relationship between those parts of the performance that musicians label the “composition” and the rest of the performance is actually slightly more complicated than this; throughout, a performance of North Indian classical music is normally punctuated by a refrain, or mukhra, which is a part of the composition.
    [Show full text]
  • States of Affect: Trauma in Partition/Post-Partition South Asia
    STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English – Doctor of Philosophy 2015 ABSTRACT STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra The Partition of the Indian subcontinent – into India and Pakistan in 1947 – was one of the crucial moments marking the break between the colonial and postcolonial era. My project is invested in exploring the Partition not merely in terms of the events of August 1947, but as an ongoing process that continues to splinter political, cultural, emotional and sexual life-worlds in South Asia. My dissertation seeks to map analytical pathways to locate the Partition and the attendant formations of minoritization and sectarian violence as continuing, unfolding processes that constitute postcolonial nation-building. It examines the far-reaching presence of these formations in current configurations of politics, culture and subjectivity by mobilizing the interdisciplinary scope of affect-mediated Trauma and Memory Studies and Postcolonial Studies, in conjunction with literary analysis. My project draws on a wide range of cultural artifacts such as poetry, cantillatory performance, mourning rituals, testimonials, archaeological ruins, short stories and novels to develop a heuristic and affective re-organization of post-Partition South Asia. It seeks to illuminate through frameworks of memory, melancholia, trauma, affect and postcoloniality how the ongoing effects of the past shape the present, which in turn, offers us ways to reimagine the future. This dissertation reaches out to recent work developing a vernacular framework to analyze violence, trauma and loss in South Asia.
    [Show full text]
  • Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
    Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B.
    [Show full text]
  • Kashmiriyat, Featured Culture of Bhakti-Sufi-Rishi Singhs, and an Junoon and the Music Concert India/Pakistan Artists
    KASHMIRIYAT couv Janv 09:Layout 1 8/04/09 11:58 Page 1 Madanjeet Singh The two unique and memorable events that South Asia Foundation (SAF) organized in Srinagar to commemorate the Bhakti-Sufi-Rishi culture of Kashmiriyat, featured a jointly held India/Pakistan music concert Junoon and the Singhs, and an unprecedented exhibition of paintings by South Asian women artists. Madanjeet Singh narrates an account of these events, providing insights into age-old links between the music and art of South Asia and the pluralist culture and legacy of Kashmiriyat. KASHMIRIYAT Madanjeet Singh was born on 16 April 1924 in Lahore, present-day Pakistan. A well-known painter and a distinguished photographer, he is an internationally known author of several books on art and other subjects, closely interwoven with UNESCO’s programmes, principles and ideals. During Mahatma Gandhi’s ‘Quit India’ movement in 1942 against colonial rule, Madanjeet Singh was imprisoned. He later migrated to newly partitioned India in 1947 and worked in a refugee camp. He joined the Indian Foreign Service in 1953 and served as Ambassador of India in Asia, South America, Africa and Europe before joining UNESCO in1982, based in Paris. South Asia Foundation At the inaugural ceremony of the Institute of Kashmir Studies on 26 May 2008, Madanjeet Singh presented President Pratibha In 1995, in recognition of his lifelong devotion to the cause of Patil with a copy of his book, This My People, to which Prime communal harmony and peace, the UNESCO Executive Board Minister Jawaharlal Nehru handwrote a preface, shortly after created the biennial ‘UNESCO-Madanjeet Singh Prize for the India’s Partition in 1947.
    [Show full text]
  • 1 the Discourse of Colonial Enterprise and Its Representation of the Other Through the Expanded Cultural Critique
    Notes 1 The discourse of colonial enterprise and its representation of the other through the expanded cultural critique 1. I use the term “enterprise” in a delimited manner to specifically denote the colonial enterprise of capitalism and corporate enterprise of multi-nationals under global capitalism. I also examine the subversion of the colonialist capitalist enterprise through the deployment of indigenous enterprise in Chapter 4. It is not within the purview of my project to examine the history of the usage of the term “enterprise” in its medieval and military context. 2. Syed Hussein Alatas in a 1977 study documents and analyses the origins and function of what he calls the myth of the lazy native from the sixteenth to the twentieth century in Malaysia, Philippines, and Indonesia. See his The Myth of the Lazy Native (1977). I pay tribute to this excellent study; however, my own work differs from Alatas in the following respects. Alatas treats colonialist labour practices as an ideology or a patently false “myth” not as discourse. Unlike Alatas my own study of labour practices is oriented towards discourse analysis. This difference in tools leads to a more fundamental theoretical divergence: Alatas foregrounds the myth of the lazy native without investigating the binary half of the industrious European that sustains the former. Contrarily I argue that the colonized native’s unproductive work and play within the expanded cultural critique cannot be discussed without taking into account the normative labour and leisure practices in post-Enlightenment enterprise. 3. My choice of the Defoe text, as well as my locating the colonial capitalist discourses of labour in the English Enlightenment is influenced by Marx’s brief but intriguing interpretation of Defoe’s Crusoe.
    [Show full text]
  • Music/Singers
    DESIZN CIRCLE , DELHI I NOIDA WWW.DESIZNCIRCLE.COM Music/Singers There are two major styles of classical music unique to India- 1. The Hindustani style popular in North India and 2. The Carnatic style popular in South India. BhaKti/devotion to God is the main purpose of classical music and hence the theme and content of the songs sung/played are heavily religious or spiritual. The songs/kritis/kirtans are set to melodious tunes called ‘ragas’ and time beats/rhythms called taal/taalas’. • Great poets and holy men liKe Tulsidas, Surdas, Meera Bhai, Namdev, Ek Nath, Kabir have contributed the lyrics of the songs in the Hindustani style. • Thyagaraja, Muthuswamy Dikshitar, and Shyma Sastrigal are considered the big three among composers (lyrics and music) in the carnatic style. • Some of the other composers are Purandara dasa, Annamacharya, Narayana Tirthar and Swati Thirunal. • In the Hindustani style, Pandit Bhimsen Joshi, Pt. Jasraj, Rajan Mishra and Sajan Mishra, Kishori Amolkar, Prabha Apte, Girija devi, Parveen Sultana, Shubha Mudgal are some of the vocalists famous for their vocal recitals both within our country and abroad. • In the Carnatic Style, Dr. Bal Murali Krishna Madurai Shesha Gopalan are two of the many veterans who inspire the youth to learn classical music and Keep the tradition alive. • Late M. S Subbulakshmi’s voice had the power to mesmerize any number of listeners during her recitals. • Vocalists who are now popular are Sudha Raghunathan, Aruna Sairam, Sowmya, Nithyasree Mahadevan, Unnikrishnan, T.N. Krishna. Hyderabad bothers, Sanjay Subramanian, Neyveli Santanam Hyderabad bothers, Jesudas. • Here is a list of exponents of some of the Indian musical instruments.
    [Show full text]
  • Sankeet Natak Akademy Awards from 1952 to 2016
    All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi
    [Show full text]