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Sony Recorder
Sony Recorder www.ctlny.com 24 All prices subject to change DVCAM, J-Series, Portable & Betacam Recorders DVCAM Recorders J-Series Betacam Recorders SP Betacam Recorders Sony Model# DSR1500A Sony Model# J1/901 Sony Model# PVW2600 Sales price $5,680.08 Sales price $5,735.80 Sales price $12,183.36 Editing recorder also play Beta/SP/SX Player w/ Betacam SP Video Editing DVCPRO,SDI-YUV Component Output Player with TBC & TC optional 8-3/8 x 5-1/8 x 16-5/8 16-7/8 x 7-5/8 x 19-3/8 Model # List Sales price Model # List Sales price Model # List Sales price DSR1500A $7,245.00 $5,680.08 J1/901 $6,025.00 $5,735.80 PVW2600 $15,540.00 $12,183.3 Editing recorder also play DVCPRO,SDI-YUV optional Beta/SP/SX Player w/ Component Output Betacam SP Video Editing Player with TBC & TC 6 DSR1600 $6,975.00 $5,468.40 J1/902 $7,050.00 $6,711.60 PVW2650 $22,089.00 $17,317.7 Edit Player w/ DVCPRO playback, RS-422 & DV Output Beta/SP/SX Editing Player w/ SDI Output Betacam SP Editing Player w. Dynamic Tracking, TBC & TC8 DSR1800 $9,970.00 $7,816.48 J2/901 $10,175.00 $9,686.60 PVW2800 $23,199.00 $18,188.0 Edit Recorder w/DVCPRO playback,RS422 & DV Output IMX/SP/SX Editing Player w/ Component Output Betacam SP Video Editing Recorder with TBC & TC 2 DSR2000 $15,750.00 $13,229.4 J2/902 $11,400.00 $10,852.8 UVW1200 $6,634.00 $5,572.56 DVCAM/DVCPRO Recorder w/Motion Control,SDI/RS422 4 IMX/SP/SX Editing Player w/ SDI Output 0 Betacam Player w/ RGB & Auto Repeat Function DSR2000P $1,770.00 $14,868.0 J3/901 $12,400.00 $11,804.8 UVW1400A $8,988.00 $7,549.92 PAL DVCAM/DVCPRO -
DV-983H 1080P Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio
DV-983H 1080p Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio DV-983H is the new flagship model in OPPO's line of award-winning up-converting DVD players. Featuring Anchor Bay's leading video processing technologies, 7.1-channel audio, and 1080p HDMI up-conversion, the DV-983H Universal DVD Player delivers the breath-taking audio and video performance needed to make standard DVDs look their best on today's large screen, high resolution displays. The DV-983H provides a rich array of features for serious home theater enthusiasts. By applying source-adaptive, motion-adaptive, and edge-adaptive techniques, the DV-983H produces an outstanding image for any DVD, whether it’s mastered from an original theatrical release film or from a TV series. Aspect ratio conversion and multi-level zooming enable users to take full control of the viewing experience – maintain the original aspect ratio, stretch to full screen, or crop the unsightly black borders. Special stretch modes make it possible to utilize the full resolution of ultra high-end projectors with anamorphic lens. For users with an international taste, the frame rate conversion feature converts PAL movies for NTSC output without any loss of resolution or tearing. Custom home theater installers will find the DV-983H easy to integrate into whole-house control systems, thanks to its RS-232 and IR IN/OUT control ports. To complete the home theatre experience, the DV-983H produces stunning sound quality. Its 7.1 channel audio with Dolby Digital Surround EX decoding offers more depth, spacious ambience, and sound localization. -
Blu-Ray Disc™ HDD Recorder
sr1500-1250_sales_guide.qxd 10.1.27 7:40 PM Page 1 Glossary Blu-ray Disc™ HDD Recorder G1080i GHDMI (High-definition Multimedia Interface) (500GB HDD) In a single high-definition image, 1080 (1125) alternating scan lines pass every 1/60th (NTSC) Established in Dec. 2002, HDMI is an interface for digital electronic equipment that acts as the SR-HD1500 or 1/50th (PAL) of a second to create an interlace image. And because 1080i (1125i) more than connection standard between PCs and displays. It transmits uncompressed HD digital audio doubles the current scan lines of 480i (525i) found on television broadcasts, it helps to ensure and video signals on a single cable without distortion. The DVI interface was its predecessor, (250GB HDD) that details are much clearer, enabling the creation of more realistic and richer images. and HDMI has been enhanced for AV equipment by adding functions such as audio SR-HD1250 transmission capability, copy protection of digital content and other intellectual properties, as well as the ability to transfer color-variation information. GAVCHD (Advanced Video Codec High Definition) AVCHD is an acronym for Advanced Video Codec High Definition, and it is the format for HD GMPEG-2 (Moving Picture Experts Group 2) camcorders used to record and playback high-definition video images. AVCHD uses the MPEG-2 is a standard for efficient data compression and color video expansion that is widely H.264/MPEG-4 AVC compression format for video to enable highly efficient encoding, the Dolby used for media such as DVDs and satellite-based digital broadcastings. Digital (AC-3) format with LPCM option for audio, and MPEG-2-TS for multiplexing. -
Minimum Charqe F25.00 Minimum Charqe €20.00
We have specialisedin the preservationof familymemories since 1988.We are dedicated to reproducing your precious memories to the highest standard possiblefor you and your future generationsto enjoy. We are consciousof the responsibilityentrusted to us and take this responsibility seriously.All prices includeVAT. All ordersare processedto the U.K. PAL FromStandard Bmm, Super Bmm, 9.5mm & 16mmwith or withoutsound. format(except where the USA NTSCformat is requested). Standard Film Transfer to DVD: Each film is assessed, repaired(if needed) and transferredto DVD. The DVD will contain a basic menu pagewith chaplerbuttons that link to the startof each reel of film. Premium Film Transfer to DVD or Blu-rav: Each film is assessed, These DVD's are for playback on DVD-R compatible players. Your cleaned,repaired (if needed),colour corrected and edited as necessary. DVD'swill containregular chapter points throughout. DVD or Blu-raymenu pages and chapterbuttons are createdspecific to your production. FROM:VHS -VHS-C - S-VHS-VideoB - HiB- DigitalB- MiniDV Editinq. Streaminq and Storaqe Formats: Cine can be transferredto MinimumCharqe €20.00 computerfile formatsfor Editing,Storage and Streaming.The file format Firsthour of order....€20.00 - Additionalhours.... €7.00 per hour we supply is MP4, if you require a differenttype of file format simply informus when you place your order. Note: Additional to the Telecine price below will be the the Hard Drive Memory FROM:Mini DVD - DVD RAM - MicroMV - Hard DriveCamcorder - High cost of or Stick that your Definition- BelacamSP - DVCPRO- DVCAM- U-Matic- Betamax- V2000. files can be delivered on. You will be advised of this cost once we have received your order and calculated the data space needed. -
Betacam Sp One-Piece Camcorder (Ntsc)
BETACAM SP ONE-PIECE CAMCORDER (NTSC) . Contents 1. INTRODUCTION 2. HISTORY OF FIELD SHOOTING 2-1. Early Days of ENG 2-2. The Introduction of BetacamTM System 2-3. The Introduction of Betacam SP System 2-4. The Introduction of BVW-200 One-piece Camcorder 3. INNOVATION IN THE BVW-200/300/400 3-1. One-piece Camcorder Internal Layout 3-2. VTR Mechanical Features 3-2-1. Small drum design 3-2-2. Miniaturized tape transport mechanism 3-3. VTR Electronic Features 3-3-1. Plug-in PC board construction 3-3-2. Software servo control IC 3-3-3. Serial interface among CPU's 3-3-4. High density circuit board 3-3-5. LCD multiple displays 3.4. Camera Technical Features 3-4-1. Camera head construction 3-4-2. Advanced Sony's CCD technology 4. EASY OPERATION 4-1. Refined Ergonomics 4-2. Rain and Dust-proof Structure 4-3. Quick Start Viewfinder 4-3-1. Optical/CRT 4-3-2. Viewfinder mechanism 4-3-3. Operational facilities 4-4. Detachable Microphone 4-5. Tally Lamp 4-6. Battery for Time Code Back-up 4-7. Other Operational Facilities 4-7-1. VTR section 4-7-2. Camera section 4-7-3. Exclusive features for BVW-400 5. EASY MAINTENANCE AND ADVANCED SERVICEABILITY 6. EXCELLENT EXPANDABILITY 7. EXPLANATION OF BVW-200/300/400 FUNCTION KEYS AND BUTTONS 8. SPECIFICATIONS Before delving into the technical and operational issues, let us briefly review the history of news coverage and Single Camera Production in the television industry. 2.1. -
Capturing Video from U-Matic, Betacam SP, Digibeta and Dvcpro
Capturing Video from U-matic, Betacam SP, Digibeta and DVCPro Station Setup (When switching formats) 1. Power Up All Equipment a. Restart computer b. Check vRecord settings (“vrecord -e”), then open vRecord (“vrecord -p”) c. Check Blackmagic Desktop Video settings, then open Blackmagic Media Express d. Clean the deck e. Play a test tape until signal chain and sync are complete 2. Connect the Signal Chain a. Deck → Monitor b. Deck → TBC → Capture Card* → Monitor c. TBC → Video Scope d. Deck → Audio Mixer** → Capture Card → Audio Scope e. Deck (Remote) → Capture Card (Remote) 3. Synchronize the Signals a. Sync/Blackburst Generator → All equipment via Ext Sync/Ref/Gen Lock b. Rewind test tape c. Clean the deck Video Capture (Daily Workflow) 1. Power Up All Equipment a. Restart computer (daily) b. Open vRecord (“vrecord -p”) and Blackmagic Media Express c. Clean the deck 2. Set Levels (for analog tapes only) a. Play Bars and Tone tape b. Bring bars within broadcast range (Black, Luma, Chroma, Hue) c. Use audio mixer to set audio level (approximately -18 in Blackmagic) d. Clean the deck e. Play tape to be captured f. Adjust levels to content of tape g. Pack tape (fast forward to the tail, then back to the head of the tape) 3. Capture the File a. Clean the deck b. Insert tape to be captured c. Switch on deck’s remote (if connected to the capture card remote) d. Fill in the fields in Blackmagic for your file (“YourFileName_Try1”) e. Hit “Capture” in Blackmagic to start, then spacebar to activate remote on deck f. -
HDV Workflow
Whitepaper Author: Jon Thorn, Field Systems Engineer—AJA Video Systems, Inc. HDV Workfl ow JVC HDV and Sony HDV Workfl ow Using the AJA KonaLH or KonaLHe with Final Cut Pro 5 Introduction With the introduction of the HDV format, a broader era of HD acquisition has grown from the portable camcorder sized devices that could record compressed HD on inexpensive MiniDV tapes. However, akin to the beginning of the DV era in the late 1990s, this format is still early in its development and deployment. Though support for the format has grown quickly by comparison to its digital forerunner—DV, the format’s very structure has proven to be somewhat problematic in a conventional post-production workfl ow. The Format What makes HDV such an amazing format is that it manages to capture HD images via MPEG2 compression and allow for record- ing the signal to a MiniDV tape (thankfully a tape format already ubiquitous in the marketplace among all major camera manu- facturers and tape stock providers.) This MPEG2 compression is similar to a DVD (although DVD is a program stream vs. HDV’s transport stream and HDV uses a constant bit rate whereas DVDs use variable bit rates). The issue for post production is that the HDV transport stream is based around a long-GOP structure (group of pictures) which produces images based on information over a section of time, via I, P and B frames; Intraframes, predicted frames and bi-direction- al frames. Formats that do not use this scheme treat frames as individual units, as in the progressive formats where a frame truly is a frame, or as interlaced frames where two fi elds create the image. -
Sony HD Digital Video Cassette Player Linear/Nonlinear Editing Systems © 2003 Sony Corporation
J-H1/J-H3 Specifications High Definition Video System J-H1 J-H3 General Power requirements AC 100 V to 240 V 50/60 Hz Power consumption 50 W 60 W Operating temperature +41 ˚F to +104 ˚F (+5 ˚C to +40 ˚C) Storage temperature -4 ˚F to +140 ˚F (-20 ˚C to +60 ˚C) Humidity 25 % to 80 % (relative humidity) Weight 16 lb 9 oz (7.5 kg) Dimensions (W x H x D) 12 1/8 x 4 x 15 3/4 inches (307 x 100 x 397 mm) Tape speed HDCAM 96.7 mm/s (29.97 Hz) , 80.7 mm/s (25 Hz) 96.7 mm/s (29.97 Hz) , 80.7 mm/s (25 Hz), 77.4 mm/s (24 Hz) 124 min (29.97 Hz, with BCT-124HDL) 124 min (29.97 Hz, with BCT-124HDL) Playback time 149 min (25 Hz, with BCT-124HDL) 149 min (25 Hz, with BCT-124HDL) 155 min (24 Hz, with BCT-124HDL) Fast forward / Rewind time Approx. 6 min with BCT-124HD ® Shuttle mode Still to ±21 times normal speed playback Search speed Jog mode Still to ±1 time normal speed playback Servo lock time 1 sec or less (from standby on) Load/unload time 7 sec or less ---- Input/Output Digital HD video ---- BNC x 1, SMPTE-292M Digital SD Video ---- BNC x 1, SMPTE-259M BNC (x 3) Y: 0.7 vp-p, Pb/Pr: +/-0.7vp-p 75 Ω Analog HD video EIAJ RC-5237 connector, EIAJ CP-4120 standard Analog SD video BNC (x 1), Pin jack (x 1), 1.0 Vp-p, 75 Ω Computer display D-sub 15 pin, XGA (1024 x 768 dots), RGB, 0.7 V i.LINK (Optional) IEEE1394 Timecode ---- BNC x 1, SMPTE 12M Pin jack (x 2): -10 dBu at 47 k Ω load, unbalanced Audio monitoring XLR (male x 2) +4 dBm, 600 Ω load, low impedance, balanced Headphone JM-60 stereo phone jack, -∞ to -12 dBu at 8 Ω, unbalanced RS-232C D-sub 9 pin -
Media Report – Videotape
Media Report – Videotape Year-month-day Object Identification Component Number Artist Title Date Tape Status Channel Information (If part of a multi-channel work, please state which channel this component relates to) Technical Specifications Duration of total recording on tape (including bars, titles, etc): Duration of artwork: ☐ Not Looped ☐ Looped; total number of cycles on tape: Tape Format: ☐ 1“ videotape ☐ 2“ videotape ☐ ¾“ U-matic ☐ ¾“ U-matic SP ☐ ½“ Open reel ☐ VHS ☐ Super-VHS ☐ VHS-C ☐ D2 ☐ Betamax ☐ Betacam ☐ Betacam SP ☐ Betacam SX ☐ Digital Betacam ☐ 8mm videotape ☐ Hi-8 ☐ Video8 ☐Digtial8 ☐MiniDV ☐ DVCAM ☐ HDCAM ☐HDCAM SR ☐ DVCPRO ☐DVCPRO-50 ☐DVCPRO HD ☐ Other: Tape Brand/Capacity: Recording Speed: SD - TV Standard: Audio (track configuration): ☐ SP (Standard Play) ☐ NTSC ☐ No sound ☐ Channel 1 ☐ LP (Long Play) ☐ PAL ☐ Mono ☐ Channel 2 ☐ SLP (Super Long Play) ☐ SECAM ☐ Stereo ☐ Channel 3 ☐ EP (Extended Play) ☐ Other: ☐ Unspecified ☐ Channel 4 ☐ EX (Extended Mode) Audio (encoding): ☐ Longitudinal ☐ (A)FM ☐ PCM Transfer from film: HD ☐ Noise Reduction: Dolby A / ☐ Copy from mm film Framerate: Dolby B / Dolby C Resolution: Color: Aspect Ratio: Time Code (TC): ☐ Black & White ☐ 4:3 ☐ Unknown ☐ Color ☐ 16:9 ☐ None ☐ Letterbox ☐ Yes, on: ☐ Anamorphic ☐ TC Track (VITC or LTC) ☐ Other: ☐ Audio Channel 1 ☐ Audio Channel 2 Recording Information Source Tape: AV Studio (Address, Contact): ☐ Whitney source; Component No. : ☐ Unknown ☐ Other Date of Recording: Transfer Supervisor: Signal Path: Cassette Label (only use for Artist-provided -
Pbcore Handbook Section 7
Controlled Vocabularies PBCore Controlled Vocabularies are sets of predefined, community-standardized terms for concepts related to audiovisual and broadcast collections. These terms can be used as drop-down value lists in a database or spreadsheet to ensure consistency in terminology, formatting and spelling, both internally and when exchanging information with outside organizations. PBCore Controlled Vocabularies include the agreed-upon spelling and formatting for each term, a definition, and a Unique Resource Identifier (or URI). The vocabularies provide only the terms that the community has determined are most widely used and shared, and are not 100% comprehensive. PBCore does not maintain controlled vocabularies for elements that have strong vocabulary options maintained by other authorities. Element definitions contain references to relevant external vocabularies, where applicable. pbcoreAssetTypeVocabulary Usage: for pbcoreAssetType Album Definition: A collection of recordings issued as a single item on CD, record, or another medium. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Album Animation Definition: A moving image production element created from static drawings or objects. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Animation Clip Definition: A short excerpt taken from a moving image or audio resource. A clip may not convey a complete intellectual concept. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Clip Collection Definition: A group of materials with some unifying characteristic. – 2. Materials assembled by a person, organization, or repository from a variety of sources; an artificial collection. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Collection Compilation Definition: A single asset containing multiple different sub-assets; for example, a reel with programs, clips, and raw footage. -
DV-D6500 DVD Player
» D00697100A DV-D6500 Introduction 2 DVD Player Getting started 6 Basic operations 12 VIDEO Advanced 22 operations MP3 disc playback 39 JPEG disc playback 42 OWNER’S MANUAL Changing the initial settings 47 CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS Ü INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. Additional 56 information The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure ÿ that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the pres- ence of important operating and maintenance (servicing) instructions in the literature Ÿ accompanying the appliance. This appliance has a serial number located on the rear panel. Please record WARNING: TO PREVENT FIRE OR SHOCK the model number and serial number and retain them for your records. HAZARD, DO NOT EXPOSE THIS Model number Serial number APPLIANCE TO RAIN OR MOISTURE. Important Safety Precautions For U.S.A IMPORTANT (for U.K. Customers) TO THE USER DO NOT cut off the mains plug from this equipment. This equipment has been tested and found to comply with If the plug fitted is not suitable for the power points in your home or the limits for a Class A digital device, pursuant to Part 15 the cable is too short to reach a power point, then obtain an of the FCC Rules. -
Full Inventory Report
THE DATA MEDIA SOURCE, INC. - Full Inventory Report N= New / R or C= Certified / DL= Dual-life / U= Used / UT= Used-Tested / UC= Used Cosmetic Damage Item ID Part Number Item Description Qty on Hand 05-BCCLSNY-N BCT-5CLN Betacam/Betacam SP Cleaning Cassette, Small Cassette, Sony # BCT-5CLN 2 05-BCSP10MXL-N B-10MBQ Betacam SP, 10 Min. Small Cassette, Maxell Brand # B-10MBQ 140 05-BCSP10SNY-N BCT-10MANP Betacam SP, 10 Min. Small Cassette, Sony Brand # BCT-10MANP 410 05-BCSP10SNY-NS BCT-10MANP Betacam SP, 10 Min. Small Cassette, Sony Brand # BCT-10MANP 41 05-BCSP20MXL-N B-20MBQ Betacam SP, 20 Min. Small Cassette, Maxell Brand # B-20MBQ 189 05-BCSP20SNY-N BCT-20MA Betacam SP, 20 Min. Small Cassette, Sony Brand # BCT-20MA 300 05-BCSP30FUJ-N 600002556 Betacam SP, 30 Min. Small Cassette, Fujifilm # M321SP-30M/600002556 1,000 05-BCSP30LFUJ-N 600002567 Betacam SP, 30 Min. Large Cassette, Fujifilm # M321SP-30L/600002567 460 05-BCSP30MXL-N B-30MBQ Betacam SP, 30 Min. Small Cassette, Maxell Brand # B-30MBQ 160 05-BCSP30MXLB-N B-30MBQCN Betacam SP, 30 Min. Small Cassette, No Album Case, Maxell Brand 70 05-BCSP30SNY-N BCT-30MA/3 Betacam SP, 30 Min. Small Cassette, Sony Brand # BCT-30MA/3 60 05-BCSP30SNY-NS BCT-30MA/3 Betacam SP, 30 Min. Small Cassette, Sony Brand # BCT-30MA/3 51 05-BCSP5MXL-N B-5M BQ Betacam SP, 5 Min. Small Cassette, Maxell Brand # B-5M BQ 70 05-BCSP5SNY-N BCT-5MA/3 Betacam SP, 5 Min. Small Cassette, Sony Brand # BCT-5MA/3 170 05-BCSP60FUJ-N 600002557 Betacam SP, 60 Min.