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Sony Recorder
Sony Recorder www.ctlny.com 24 All prices subject to change DVCAM, J-Series, Portable & Betacam Recorders DVCAM Recorders J-Series Betacam Recorders SP Betacam Recorders Sony Model# DSR1500A Sony Model# J1/901 Sony Model# PVW2600 Sales price $5,680.08 Sales price $5,735.80 Sales price $12,183.36 Editing recorder also play Beta/SP/SX Player w/ Betacam SP Video Editing DVCPRO,SDI-YUV Component Output Player with TBC & TC optional 8-3/8 x 5-1/8 x 16-5/8 16-7/8 x 7-5/8 x 19-3/8 Model # List Sales price Model # List Sales price Model # List Sales price DSR1500A $7,245.00 $5,680.08 J1/901 $6,025.00 $5,735.80 PVW2600 $15,540.00 $12,183.3 Editing recorder also play DVCPRO,SDI-YUV optional Beta/SP/SX Player w/ Component Output Betacam SP Video Editing Player with TBC & TC 6 DSR1600 $6,975.00 $5,468.40 J1/902 $7,050.00 $6,711.60 PVW2650 $22,089.00 $17,317.7 Edit Player w/ DVCPRO playback, RS-422 & DV Output Beta/SP/SX Editing Player w/ SDI Output Betacam SP Editing Player w. Dynamic Tracking, TBC & TC8 DSR1800 $9,970.00 $7,816.48 J2/901 $10,175.00 $9,686.60 PVW2800 $23,199.00 $18,188.0 Edit Recorder w/DVCPRO playback,RS422 & DV Output IMX/SP/SX Editing Player w/ Component Output Betacam SP Video Editing Recorder with TBC & TC 2 DSR2000 $15,750.00 $13,229.4 J2/902 $11,400.00 $10,852.8 UVW1200 $6,634.00 $5,572.56 DVCAM/DVCPRO Recorder w/Motion Control,SDI/RS422 4 IMX/SP/SX Editing Player w/ SDI Output 0 Betacam Player w/ RGB & Auto Repeat Function DSR2000P $1,770.00 $14,868.0 J3/901 $12,400.00 $11,804.8 UVW1400A $8,988.00 $7,549.92 PAL DVCAM/DVCPRO -
DV-983H 1080P Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio
DV-983H 1080p Up-Converting Universal DVD Player with VRS by Anchor Bay Video Processing and 7.1CH Audio DV-983H is the new flagship model in OPPO's line of award-winning up-converting DVD players. Featuring Anchor Bay's leading video processing technologies, 7.1-channel audio, and 1080p HDMI up-conversion, the DV-983H Universal DVD Player delivers the breath-taking audio and video performance needed to make standard DVDs look their best on today's large screen, high resolution displays. The DV-983H provides a rich array of features for serious home theater enthusiasts. By applying source-adaptive, motion-adaptive, and edge-adaptive techniques, the DV-983H produces an outstanding image for any DVD, whether it’s mastered from an original theatrical release film or from a TV series. Aspect ratio conversion and multi-level zooming enable users to take full control of the viewing experience – maintain the original aspect ratio, stretch to full screen, or crop the unsightly black borders. Special stretch modes make it possible to utilize the full resolution of ultra high-end projectors with anamorphic lens. For users with an international taste, the frame rate conversion feature converts PAL movies for NTSC output without any loss of resolution or tearing. Custom home theater installers will find the DV-983H easy to integrate into whole-house control systems, thanks to its RS-232 and IR IN/OUT control ports. To complete the home theatre experience, the DV-983H produces stunning sound quality. Its 7.1 channel audio with Dolby Digital Surround EX decoding offers more depth, spacious ambience, and sound localization. -
Solid-State Memory Camcorder
4-588-305-13(2) Solid-State Memory Camcorder PMW-F55 PMW-F5 Operating Instructions Software Version 9.0 Before operating the unit, please read this manual thoroughly and retain it for future reference. © 2013 Sony Corporation Table of Contents Overview Features ...................................................................................... 6 System Configuration ............................................................... 9 Location and Function of Parts ............................................. 11 On-Screen Indications ............................................................ 17 Sub Display Screen ...................................................... 17 Viewfinder Screen ........................................................ 20 Preparations Power Supply ........................................................................... 23 Using a Battery Pack .................................................... 23 Using AC Power (DC IN Power) ................................. 24 Setting the Clock ..................................................................... 24 Attaching Optional Devices .................................................... 25 Attaching a Lens .......................................................... 25 Attaching a Viewfinder ................................................ 26 Setting the Basic Action .......................................................... 27 System Frequency ........................................................ 27 Shooting Mode ............................................................ -
Sony : Product Information : PMW-EX30
PMW-EX30 An HD SxS PRO compact memory recorder for an Evolving Era of HD XDCAM EX - New Generation HD Recording System professional content creation applications. The SxS PRO memory card is an ultra-compact nonlinear me- dium that uses flash memory with a number of key features: • Compatible with ExpressCard3/4 interface slot which is common on modern Windows PCs and Macs • Uses PCI Express interface and achieves an ex- tremely high "read" speed of 800 Mb/s* • Large storage capacity: SBP-8 (8 GB) and SBP-16 Offering two SxS PRO memory card slots, a 3.5inch (16 GB) memory cards are available high resolution LCD screen and a wide range of ana- • Can record up to 70 minutes of HD video and au- logue and digital interfaces including HD-SDI input, dio (using one 16-GB memory card) the PMW-EX30 has been designed to be the ideal • Compact size: approx. 75 × 34 × 5 mm companion to not only the existing EX line up of cam- (excluding the projecting parts) - half the size of corders, but also as a low-cost HD recorder for the the older PC Card standard live event and entry-level studio market. • Low power consumption With the ability to dub to other HD formats such as • Highly reliable: can resist shocks (up to 1500 G) HDV, XDCAM HD or HDCAM and with the addition of and vibrations (up to 15 G) down-conversion of HD content to SD formats includ- ing DVCAM, the PMW-EX30 offers an ideal solution for those customers wanting to integrate XDCAM EX foot- age into a wide range of existing SD or HD tape- *This data-transfer speed is a theoretical value. -
Blu-Ray Disc™ HDD Recorder
sr1500-1250_sales_guide.qxd 10.1.27 7:40 PM Page 1 Glossary Blu-ray Disc™ HDD Recorder G1080i GHDMI (High-definition Multimedia Interface) (500GB HDD) In a single high-definition image, 1080 (1125) alternating scan lines pass every 1/60th (NTSC) Established in Dec. 2002, HDMI is an interface for digital electronic equipment that acts as the SR-HD1500 or 1/50th (PAL) of a second to create an interlace image. And because 1080i (1125i) more than connection standard between PCs and displays. It transmits uncompressed HD digital audio doubles the current scan lines of 480i (525i) found on television broadcasts, it helps to ensure and video signals on a single cable without distortion. The DVI interface was its predecessor, (250GB HDD) that details are much clearer, enabling the creation of more realistic and richer images. and HDMI has been enhanced for AV equipment by adding functions such as audio SR-HD1250 transmission capability, copy protection of digital content and other intellectual properties, as well as the ability to transfer color-variation information. GAVCHD (Advanced Video Codec High Definition) AVCHD is an acronym for Advanced Video Codec High Definition, and it is the format for HD GMPEG-2 (Moving Picture Experts Group 2) camcorders used to record and playback high-definition video images. AVCHD uses the MPEG-2 is a standard for efficient data compression and color video expansion that is widely H.264/MPEG-4 AVC compression format for video to enable highly efficient encoding, the Dolby used for media such as DVDs and satellite-based digital broadcastings. Digital (AC-3) format with LPCM option for audio, and MPEG-2-TS for multiplexing. -
Professional Disc Drive Unit
5-019-793-11 (1) Professional Disc Drive Unit Operating Instructions Before operating the unit, please read this manual thoroughly and retain it for future reference. PDW-U4 © 2020 Sony Corporation Table of Contents Overview .............................................................. 3 Features .......................................................................... 3 Example of Use............................................................... 3 Recommended Software ............................................... 4 Names and Functions of Parts .............................. 5 Front Panel...................................................................... 5 Rear Panel....................................................................... 6 Preparations......................................................... 7 Installation of the Unit.................................................... 7 Software Installation ...................................................... 7 Connections and Settings .............................................. 7 Power Preparations........................................................ 7 Handling Discs................................................................ 8 Using the Software............................................. 10 Starting and Exiting the Utility Software.......................10 Specifications ..................................................... 10 Open Source Software Licenses ..........................12 2 Overview Features The features of the unit include the following. • Supported -
Business and Professional Products Group SONY
DATE: DECEMBER 1, 2012 12-0398 TO: DIRECT SALES PERSONNEL FROM: CYNDI LEE AND CHRIS TSAI SUBJECT: INTRODUCTION OF THE PMW-50 XDCAM® HD422 SXS MEMORY FIELD GEAR AND SBAC-US20 USB 3.0 SXS CARD READER – DISCONTINUATION OF PMW-EX30 AND SBAC-US10 TYPE: INTRODUCTION Sony is pleased to introduce two new products for the XDCAM HD422 Memory Family, the PMW-50 portable XDCAM® HD422 SxS Memory Field Gear and the SBAC-US20 SXS USB 3.0 Card Reader. The PMW-50 is a dual SxS card slot recorder/player which can be used to play or record baseband video like our the current HD422 memory products at our high quality 50 Mbps MPEG HD422 codec on SxS™ memory cards as MXF files. As in the case of our current switchable XDCAM HD422 camcorders (PMW- 100/160/200/500), the operator has the choice of using the PMW-50 to record in either UDF/MXF mode which is compatible with existing Professional Disc XDCAM workflows or in FAT/.MP4 mode which is fully compatible with XDCAM EX workflows. The SBAC-US20 is a single slot SxS Card Reader which can be bus powered over the USB cable, provides faster transfer speeds using a USB 3.0 interface, and also enables the user to also read SD, MS, and XQD memory by using the appropriate ExpressCard adapter (i.e. MEAD adaptors for SD and MS media and the QDA-EX1 for XQD memory). PLANNED TO PRODUCT SUGGESTED BRIEF DESCRIPTION BE NAME LIST PRICE AVAILABLE PMW-50 XDCAM HD422 PMW-50 Portable SxS Card $5,740.00 Dec 15, 2012 Recorder/Player USB 3.0 SxS Memory Card SBAC-US20 $350.00 January 2013 Reader Please see the following pages for a brief description of the new capabilities. -
Vcube User Manual
Table of Contents Table of Contents Welcome 1 What's New in VCube 2? 2 VCube Overview 5 How to Update 6 VCube User Interface 7 Tool and Transport Bars 11 Tool Bar 12 Transport Bar 16 Quick Settings for SD and HD Video Formats 19 Quick Settings for SD 21 Quick Settings for HD 23 Control Pages 25 Files 26 VCube Compositions 29 OMF Compositions 32 AAF and Apple XML Compositions 34 Media Files 36 Import Composition and Export Changes 38 Import Layer 39 Convert Still Images 40 Locators 42 View 44 Clips Information 45 Shortcuts 49 Workspace 50 ii Table of Contents Edit 52 Main 53 Clips 54 Layers 56 Tracks 58 Settings 59 Presets 60 Formats & Synchro 62 Video I/O 67 Xena LS Plug-in 68 Xena LH Plug-in 70 Xena 2 Plug-in 72 Overlay 74 Preview 76 Composition 78 Disk & Network Cache Buffers 81 User Interface 82 Isis 83 Encryption 84 Media Settings 90 Timeline 91 Video Engine 92 Output View 93 Script View 95 Recording and Editing 96 Recording 97 Editing 103 Timeline 104 Editing Functions 106 Layer Controls 110 iii Table of Contents Motion Rectangles (PiP) 111 Selections and Groups 114 Watermark and Text 115 Watermark 116 Text Clip 117 Utility Clips 119 Countdown Clip 120 Wipe Clip 122 Video Test Patern Clip 123 Audio Tone Clip 124 Conforming and Reconforming 125 Conversions 134 Export 135 Convert Media Files 136 Render 140 Import Images Sequence 144 Media Wrapper 146 Frame Rate Management 147 Using the QuickTime File Format 148 Using the MXF File Format 150 Using the MPEG Codec 151 Basic Settings 153 Video Settings 154 Advanced Video Settings 157 Audio Settings 164 Multiplexer Settings 167 Synchronization 171 Connections for synchronization 174 iv Table of Contents The USB Sync Board Oprtion 175 USB Sync Board Installation 176 Specific Control Panels 177 Virtual Transport 180 Network 183 VCube Chasing Pyramix through Virtual Transport. -
Color Handout
Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape and Optical Media Identification and Preservation Webinar October 23, 2013 Linda Tadic Audiovisual Archive Network [email protected] 1 What Will be Covered Physical properties of media Preservation issues Formats and identification 2 Heritage Preservation: Caring for Yesterday's Treasures--Today 1 Caring for Audiovisual Material: Webinar 10/23/13 3 What Will Not be Covered Digitization (that’s the webinar on October 30) Cataloging and metadata 3 Additional Resources Bibliography of web-based readings Archival video preservation labs vendor list (USA) List of current video formats 4 Heritage Preservation: Caring for Yesterday's Treasures--Today 2 Caring for Audiovisual Material: Webinar 10/23/13 3 VIDEO 5 Videotape in Brief If it has sprockets, it’s film – not video. 6 Heritage Preservation: Caring for Yesterday's Treasures--Today 3 Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape in Brief Like audiotape, videotape is magnetic media. Video can come in reel or cassette form – like audiotape. It can carry both analog and digital signals – like audiotape. 7 Primary Concerns Multitude of formats (identification can be difficult) Format obsolescence Short Life Expectancy (LE) Environmental, organic, and human factors contributing to signal degradation 8 Heritage Preservation: Caring for Yesterday's Treasures--Today 4 Caring for Audiovisual Material: Webinar 10/23/13 3 How Videotape Started Thank Bing Crosby. First funded development of audiotape. In 1950 gave $50,000 to a start-up called Ampex to develop magnetic videotape. 9 How Videotape Started Original market/users: broadcasting Like other time-based media, formats for the consumer market quickly followed. -
69 IASA RESEARCH GRANT REPORT: a STUDY on the CHANGING PRICES of AUDIOVISUAL DIGITIZATION, 2006–2015 Rebecca Chandler, Avpres
ARTICLE IASA RESEARCH GRANT REPORT: A STUDY ON THE CHANGING PRICES OF AUDIOVISUAL DIGITIZATION, 2006–2015 Rebecca Chandler, AVPreserve, USA Introduction Over the past five years in the United States and Europe there has been a decisive decline in the cost of digitization, resulting in historically low prices. This has been due to a variety of rea- sons, ranging from innovation to marketplace competition. With a shortening window of time in which to act, this economic advantage has been a boon to organizations with holdings of legacy audiovisual media. This is widely recognized and discussed among managers and budget holders within organizations. However, what has not been evaluated effectively is whether or not we are currently in a digitization market bubble. We hypothesize that obsolescence, degradation, and market factors will begin to place the cost of digitization back on an upward trajectory. What we do not know is how the curve will look. Our experience indicates that organizations are unwilling to believe that prices will increase at the same rate that they decreased, or that they will ever again reach even 50% of what they were just five years ago. However, these discussions are often emotionally-driven and take place without a well-laid foundation of data from which to judge. With the support of an IASA Research Grant, we set out to design a project that would begin to amass a shared and computable dataset that can help us ask questions and provide projections about our hypothesis. The goal of this project is to quantify and chart in detail the historical pricing trends for digitization over the past 10–15 years. -
The Prohd 2009 Report: the Transition to Live HD
The ProHD 2009 Report NAB-2009 THE 2009 REPORT Top-100 DMA Markets Transition to Live HD ENG: Fast Workflow High Picture Quality Affordable Investment Low Operating Costs Already in over 50 DMA Markets Covering more than 55 Million Viewers Live HD ENG: Executive Overview Page 3 What is ProHD? For Decision Makers Page 12 Higher Ratings – Lower Investment Page 23 Case Study: Live HD ENG Transition Page 39 US TV Markets – DMA Top-100 Page 42 JVC Professional Products Group Page 1 of 44 Copyright 2009 All rights reserved The ProHD 2009 Report NAB-2009 Table of Content Page EXECUTIVE OVERVIEW 3 Live HD ENG . Your most important competitive edge 3 Get more local eyeballs 4 Fast "Go-to-Air" Workflow 4 High Professional Picture Quality 5 Affordable Investment 5 HD News Studio Camera 7 Low Operating Cost 7 Even more local eyeballs 8 The new economy of local news 8 HDTV Household Penetration 9 Value of Demographic Segments 10 The TV Station-to-Home Delivery Chain 11 WHAT IS ProHD? 12 ProHD On-Board Recording Exclusive 13 Professional Flash Memory Storage Media 14 Super-fast SxS is now ProHD 15 Super-economical SDHC is also ProHD 15 Cost-effective Memory Card Archive 16 Native File (Fast-to-Air) Acquisition 17 GY-HM700 Solid State Media Camcorder 18 ProHD is full resolution choice: 720p and 1080i 18 Professional Docking SxS Memory Card Media Recorder 19 GY-HM100 Solid State Media Camcorder 20 LIBRE Microwave Camera-back System 20 SxS & SDHC -- Interface to any Laptop, any Desktop 21 ProHD is: Local HD Studio Live 22 HIGHER RATINGS -- LOWER INVESTMENT -
XDCAM EX Family XDCAM EX Camcorder PMW-350 PMW-EX3 PMW-EX1R
XDCAM EX Family XDCAM EX Camcorder PMW-350 PMW-EX3 PMW-EX1R XDCAM EX Recording Deck PMW-EX30 XDCAM EX Series – Comprehensive Line-up Opens New Horizons of Visual Expression, Delivers New Levels of Convenience Since 2007 and the introduction of the first camcorder in this line-up, the SONY XDCAM EX™ Series has achieved wide acclaim among creative professionals, and now grows from strength to strength, opening up new horizons of visual expression and delivering new levels of convenience. The series already includes two outstanding camcorders – the PMW-EX1 and PMW-EX3 – which realize full-HD pictures of amazingly high quality by adopting three 1/2-inch-type “Exmor™” full-HD CMOS sensors in a compact body. An advanced workflow, based on “SxS PRO™” memory card as the recording media, ensures effective file-base operation. Now Sony evolves this XDCAM EX line-up with the introduction of two new camcorders. The PMW-350 is the first and long-awaited shoulder camcorder in the family. It comes equipped with the cutting-edge imaging technology of three 2/3-inch-type “Exmor” full-HD CMOS sensors, and it uses SxS memory card as the recording media. The other new camcorder is the PMW-EX1R, the direct successor of the PMW-EX1. It includes as standard an SD recording and playback function, as well as numerous improvements over the PMW-EX1. Both new camcorders support not just SxS PRO memory card but also more affordable “SxS-1™” media. There is also an innovative on-site backup solution with PXU-MS240 – enhancements which improve workflow and expand user convenience.