Professional Disc Drive Unit
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Epson Discproducer™ PP-100AP
DATASHEET / BROCHURE Epson Discproducer™ PP-100AP Professional CD, DVD and BD autoprinter KEY FEATURES The Epson PP-100AP Autoprinter delivers professional prints on CDs, DVDs or High print speed BDs. The PP-100AP processes up to 95 discs per hour and is therefore ideally Up to 95 media per hour produced suited for quick and efficient large batch production of professionally designed automatically TM digital media. The new Discproducer delivers high quality printing while Six units per PC keeping costs low. Connect up to 6 units to one PC for high volumes up to 570 per hour CDs, DVDs and Blu-ray discs are frequently used in the entertainment and Low TCO imaging industries but there also is an increasing need for businesses, agencies >1000 Media with one ink cartridge set and public organisations, who need discs with a professional look and finish for 6-colour micro piezo their digital handouts. Today, marketing departments prefer sending images and Outstanding print quality movies on CDs and DVDs to customers and partners. AcuGrip media handling Saves the drives for high reliability The fully automatic Autoprinter has four trays, allowing up to 100 discs in two trays to be processed continuously in one print run. It combines superb print quality and convincing speed. The Epson PP-100AP processes up to 95 discs per hour in fast printing mode, and 50 discs in photo quality mode. If you need to print higher volumes-for example, when duplicating discs professionally-the system can be scaled to match your requirements: you can control up to six Epson PP-100 AP Autoprinters from one computer and process up to 570 fully printed discs (45 mm - 116 mm) per hour. -
Secure Data Storage – White Paper Storage Technologies 2008
1 Secure Data Storage – White Paper Storage Technologies 2008 Secure Data Storage - An overview of storage technology - Long time archiving from extensive data supplies requires more then only big storage capacity to be economical. Different requirements need different solutions! A technology comparison repays. Author: Dr. Klaus Engelhardt Dr. K. Engelhardt 2 Secure Data Storage – White Paper Storage Technologies 2008 Secure Data Storage - An overview of storage technology - Author: Dr. Klaus Engelhardt Audit-compliant storage of large amounts of data is a key task in the modern business world. It is a mistake to see this task merely as a matter of storage technology. Instead, companies must take account of essential strategic and economic parameters as well as legal regulations. Often one single technology alone is not sufficient to cover all needs. Thus storage management is seldom a question of one solution verses another, but a combination of solutions to achieve the best possible result. This can frequently be seen in the overly narrow emphasis in many projects on hard disk-based solutions, an approach that is heavily promoted in advertising, and one that imprudently neglects the considerable application benefits of optical storage media (as well as those of tape-based solutions). This overly simplistic perspective has caused many professional users, particularly in the field of long-term archiving, to encounter unnecessary technical difficulties and economic consequences. Even a simple energy efficiency analysis would provide many users with helpful insights. Within the ongoing energy debate there is a simple truth: it is one thing to talk about ‘green IT’, but finding and implementing a solution is a completely different matter. -
Vcube User Manual
Table of Contents Table of Contents Welcome 1 What's New in VCube 2? 2 VCube Overview 5 How to Update 6 VCube User Interface 7 Tool and Transport Bars 11 Tool Bar 12 Transport Bar 16 Quick Settings for SD and HD Video Formats 19 Quick Settings for SD 21 Quick Settings for HD 23 Control Pages 25 Files 26 VCube Compositions 29 OMF Compositions 32 AAF and Apple XML Compositions 34 Media Files 36 Import Composition and Export Changes 38 Import Layer 39 Convert Still Images 40 Locators 42 View 44 Clips Information 45 Shortcuts 49 Workspace 50 ii Table of Contents Edit 52 Main 53 Clips 54 Layers 56 Tracks 58 Settings 59 Presets 60 Formats & Synchro 62 Video I/O 67 Xena LS Plug-in 68 Xena LH Plug-in 70 Xena 2 Plug-in 72 Overlay 74 Preview 76 Composition 78 Disk & Network Cache Buffers 81 User Interface 82 Isis 83 Encryption 84 Media Settings 90 Timeline 91 Video Engine 92 Output View 93 Script View 95 Recording and Editing 96 Recording 97 Editing 103 Timeline 104 Editing Functions 106 Layer Controls 110 iii Table of Contents Motion Rectangles (PiP) 111 Selections and Groups 114 Watermark and Text 115 Watermark 116 Text Clip 117 Utility Clips 119 Countdown Clip 120 Wipe Clip 122 Video Test Patern Clip 123 Audio Tone Clip 124 Conforming and Reconforming 125 Conversions 134 Export 135 Convert Media Files 136 Render 140 Import Images Sequence 144 Media Wrapper 146 Frame Rate Management 147 Using the QuickTime File Format 148 Using the MXF File Format 150 Using the MPEG Codec 151 Basic Settings 153 Video Settings 154 Advanced Video Settings 157 Audio Settings 164 Multiplexer Settings 167 Synchronization 171 Connections for synchronization 174 iv Table of Contents The USB Sync Board Oprtion 175 USB Sync Board Installation 176 Specific Control Panels 177 Virtual Transport 180 Network 183 VCube Chasing Pyramix through Virtual Transport. -
Color Handout
Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape and Optical Media Identification and Preservation Webinar October 23, 2013 Linda Tadic Audiovisual Archive Network [email protected] 1 What Will be Covered Physical properties of media Preservation issues Formats and identification 2 Heritage Preservation: Caring for Yesterday's Treasures--Today 1 Caring for Audiovisual Material: Webinar 10/23/13 3 What Will Not be Covered Digitization (that’s the webinar on October 30) Cataloging and metadata 3 Additional Resources Bibliography of web-based readings Archival video preservation labs vendor list (USA) List of current video formats 4 Heritage Preservation: Caring for Yesterday's Treasures--Today 2 Caring for Audiovisual Material: Webinar 10/23/13 3 VIDEO 5 Videotape in Brief If it has sprockets, it’s film – not video. 6 Heritage Preservation: Caring for Yesterday's Treasures--Today 3 Caring for Audiovisual Material: Webinar 10/23/13 3 Videotape in Brief Like audiotape, videotape is magnetic media. Video can come in reel or cassette form – like audiotape. It can carry both analog and digital signals – like audiotape. 7 Primary Concerns Multitude of formats (identification can be difficult) Format obsolescence Short Life Expectancy (LE) Environmental, organic, and human factors contributing to signal degradation 8 Heritage Preservation: Caring for Yesterday's Treasures--Today 4 Caring for Audiovisual Material: Webinar 10/23/13 3 How Videotape Started Thank Bing Crosby. First funded development of audiotape. In 1950 gave $50,000 to a start-up called Ampex to develop magnetic videotape. 9 How Videotape Started Original market/users: broadcasting Like other time-based media, formats for the consumer market quickly followed. -
69 IASA RESEARCH GRANT REPORT: a STUDY on the CHANGING PRICES of AUDIOVISUAL DIGITIZATION, 2006–2015 Rebecca Chandler, Avpres
ARTICLE IASA RESEARCH GRANT REPORT: A STUDY ON THE CHANGING PRICES OF AUDIOVISUAL DIGITIZATION, 2006–2015 Rebecca Chandler, AVPreserve, USA Introduction Over the past five years in the United States and Europe there has been a decisive decline in the cost of digitization, resulting in historically low prices. This has been due to a variety of rea- sons, ranging from innovation to marketplace competition. With a shortening window of time in which to act, this economic advantage has been a boon to organizations with holdings of legacy audiovisual media. This is widely recognized and discussed among managers and budget holders within organizations. However, what has not been evaluated effectively is whether or not we are currently in a digitization market bubble. We hypothesize that obsolescence, degradation, and market factors will begin to place the cost of digitization back on an upward trajectory. What we do not know is how the curve will look. Our experience indicates that organizations are unwilling to believe that prices will increase at the same rate that they decreased, or that they will ever again reach even 50% of what they were just five years ago. However, these discussions are often emotionally-driven and take place without a well-laid foundation of data from which to judge. With the support of an IASA Research Grant, we set out to design a project that would begin to amass a shared and computable dataset that can help us ask questions and provide projections about our hypothesis. The goal of this project is to quantify and chart in detail the historical pricing trends for digitization over the past 10–15 years. -
Professional Disc Products
PROFESSIONAL DISC PRODUCTS ™ XDCAM Decks Sony Professional Disc Systems PDW-V1 PDW-1500 Mobile Deck Compact Deck Power requirements AC 100 to 240 V, 50 / 60 Hz, DC (with battery) AC 100 to 240 V, 50/60 Hz ™ Power consumption 43 W 75 W The XDCAM Series – Changing Workflow Operating temperature +32 to +104°F (0 to 40°C) +42 to +104°F (+5 to 40°C) Storage temperature -4 to +140°F (-20 to +60°C) Humidity 10 to 90% (relative humidity) Weight 7.7 lb (3.5 kg) 16 lb 5 oz (7.4 kg) 8 3/8 x 3 5/8 x 12 5/8 inches 8 3/8 x 5 1/8 x 16 3/8 inches Dimensions (W x H x D) In the past decade, advancements in IT technologies have served to break the traditional (210 x 90 x 320 mm) (210 x 130 x 415 mm) Video — MPEG IMX (50/40/30 Mb/s), DVCAM (25 Mb/s) barriers between current AV and IT infrastructures. The advent of nonlinear editing systems, Proxy Video MPEG-4 General Recording format MPEG IMX: 8 ch/16 bit/48 kHz or 4 ch/24 bit/48 kHz Audio — news servers, and Sony e-VTRs has clearly demonstrated the benefits of bringing these two DVCAM: 4 ch/16 bit/48 kHz Proxy Audio A-law (8/4 ch, 8 bit, 8 kHz) worlds together. While technologies such as random access, file transfers, central storage and Video MPEG IMX (50/40/30 Mb/s), DVCAM (25 Mb/s) Proxy Video MPEG-4 Playback format metadata have introduced major benefits to production workflows in broadcasting, a media Audio MPEG IMX: 8 ch/16 bit/48 kHz or 4 ch/24 bit/48 kHz, DVCAM: 4 ch/16 bit/48 kHz Proxy Audio A-law (8/4ch, 8 bit, 8 kHz) MPEG IMX 50 Mb/s: 45 min., 40 Mb/s: 55 min., 30 Mb/s: 68 min. -
XDCAM EX Family XDCAM EX Camcorder PMW-350 PMW-EX3 PMW-EX1R
XDCAM EX Family XDCAM EX Camcorder PMW-350 PMW-EX3 PMW-EX1R XDCAM EX Recording Deck PMW-EX30 XDCAM EX Series – Comprehensive Line-up Opens New Horizons of Visual Expression, Delivers New Levels of Convenience Since 2007 and the introduction of the first camcorder in this line-up, the SONY XDCAM EX™ Series has achieved wide acclaim among creative professionals, and now grows from strength to strength, opening up new horizons of visual expression and delivering new levels of convenience. The series already includes two outstanding camcorders – the PMW-EX1 and PMW-EX3 – which realize full-HD pictures of amazingly high quality by adopting three 1/2-inch-type “Exmor™” full-HD CMOS sensors in a compact body. An advanced workflow, based on “SxS PRO™” memory card as the recording media, ensures effective file-base operation. Now Sony evolves this XDCAM EX line-up with the introduction of two new camcorders. The PMW-350 is the first and long-awaited shoulder camcorder in the family. It comes equipped with the cutting-edge imaging technology of three 2/3-inch-type “Exmor” full-HD CMOS sensors, and it uses SxS memory card as the recording media. The other new camcorder is the PMW-EX1R, the direct successor of the PMW-EX1. It includes as standard an SD recording and playback function, as well as numerous improvements over the PMW-EX1. Both new camcorders support not just SxS PRO memory card but also more affordable “SxS-1™” media. There is also an innovative on-site backup solution with PXU-MS240 – enhancements which improve workflow and expand user convenience. -
Professional Disc for DATA
Professional Disc for DATA Blue Laser Recording Technology for High-Density Archival Storage Michael Hall Sony Electronics Inc, 1 Overlook Dr, Bldg B-6, Amherst NH 03031-2800 Phone: +1-603-672-5483, FAX: +1-603-672-5495 e-mail: [email protected] Presented at the THIC Meeting at the Raytheon ITS Auditorium 1616 McCormick Drive, Upper Marlboro MD 20774-5301 October 26-27, 2004 Professional Disc for DATA BlueBlue LaserLaser RecordingRecording TechnologyTechnology forfor HighHigh--DensityDensity ArchivalArchival StorageStorage THIC meeting October 26th-27th Mike Hall Sony Electronics Business Development Manager Component Solution Business Division Hiroyuki Takemoto Sony Electronics Marketing Manager Media Recording Division Professional Disc for DATA Presentation Outline Optical Storage Revolution Long-Term Archive Best Practices Professional Disc for DATA Technology Overview OSTA and GIPWoG organizations Q&A Anytime! Professional Disc for DATA The Optical Storage Revolution 120mm recordable media consumption exceeds 15 billion a year Many companies are supporting 120mm blue laser technology Blu-ray Alliance Companies Blu-ray Specifications ¾ Dell ¾ 2 hrs digital HD video ¾ Hitachi, Ltd. ¾ 13 hrs standard broadcast ¾ HP ¾ 405nm (blue-violet laser) ¾ LG Electronics Inc. ¾ Matsushita Electric Ind. ¾ 0.85 NA lens Co., Ltd. ¾ Phase change recording ¾ Pioneer Corporation ¾ 120mm CD/DVD size disc ¾ Royal Philips Electronics ¾ Single sided, single layer ¾ Samsung Electronics ¾ Sharp Corporation ¾ Protective disc cartridge ¾ Sony Corporation ¾ Thomson Multimedia Professional Disc for DATA Sony’s Blue Laser Products Blu-ray Disc Professional Disc Professional Disc for DATA Data Storage Pro Home AV Data Storage Pro Consumer PC Broadcast Home AV Consumer PC Broadcast Blu-ray set-top video Sony Professional Professional data PC Blu-ray recorder for home storage products cameras and video BD-IT consumer market. -
Sony PXW-Z150 User Manual
4-586-803-11(1) Identifying Parts and Solid-State Memory Controls Camcorder Getting Started Recording Operating Guide Playback Using Network Functions Editing Using the Menu Troubleshooting Additional Information ® PXW-Z150 Read this first Before operating this unit, please read this manual thoroughly, and retain it for future reference. Precautions when using the the LCD screen. This is not a malfunction. These points are normal results of the camcorder manufacturing process and do not affect the • Do not hold the camcorder by the following recording in any way. parts, and also do not hold the camcorder by the jack covers. Lens cover with LCD screen hood White, red, blue or green point Black point On sunlight • Do not record the sun or leave the camcorder under the sun for a long time. The internal parts of the camcorder may be damaged. If sunlight is Microphone (sold Viewfinder focused on a nearby object, it may cause a fire. separately) or •Do not expose your camcorder’s viewfinder, Microphone holder lens, or LCD screen to the sun or strong light source for extended periods. Doing so may cause a malfunction of the camcorder. b Notes • Do not attempt to record the sun directly. Doing • The camcorder is not dustproof, dripproof or so may cause a malfunction of the camcorder. waterproof. See “About handling of your • Do not expose the lens to beams, such as laser camcorder” (p. 139). beams. • When connecting the camcorder to another That may damage the image sensor and cause device with communication cables, be sure to the camera to malfunction. -
XDCAM HD422 Family
XDCAM HD422 Family PDW-F800/PDW-700 XDCAM HD422 Camcorder PDW-F1600/PDW-HD1500 XDCAM HD422 Recording Deck PDW-HR1 XDCAM HD422 Field Station PDW-U2/PDW-U1 XDCAM Drive Unit Setting a New Benchmark: XDCAM HD422 Takes the Lead in File-based Production Since its introduction in 2003, Sony’s XDCAM™ Series has been embraced around the world for its file-based recording capability utilizing high-capacity and reliable Professional Disc™ media. Within this series, top-of-the-line XDCAM HD422 products were introduced in 2008; today, they represent an ever-expanding range that delivers a brilliant image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio. With fast file-based operation and outstanding picture quality, XDCAM HD422 products are ideal for applications such as news gathering, when speed is a key concern, and invaluable when a high-quality impression is crucial, for example in the production of TV dramas, documentaries, and mainstream entertainment programs. In 2010, file-based operation was further enhanced with SxS Pro and SxS-1 memory media, while file interoperability was also maintained. XDCAM HD422 Series PDW-F800 PDW-F1600 PDW-700 PDW-HR1 PDW-HD1500 Professional Disc Camcorder Field Station Recording Deck XDCAM Archive XDS-PD2000 PDW-U2 XDS-PD1000 PDJ-A640 PMW-500 PDW-U1 XDS-1000 PDJ-C1080 SxS Memory Camcorder Drive Unit Professional Media Station Cart PFD50DLA/PFD23A PFD128QLW Professional Disc Professional Disc Write Once Acquisition Ingest Edit Playout Archive 2 XDCAM HD422 XDCAM HD422 - At the Top of the XDCAM Series Sony is proud to introduce the XDCAM HD422 lineup as its top-of-the-line products in the XDCAM Series. -
Mastering Sony's PMW-200, 160, 150, 100 XDCAM Cameras” Instructional DVD
“Mastering Sony's PMW-200, 160, 150, 100 XDCAM Cameras” Instructional DVD DVD Specifications: 3 hours 2 discs DVD-Video NTSC English Ordering Details: Item Number: XD422DVD Title: "Mastering Sony's PMW-200, 160, 150, 100 XDCAM Cameras” MSRP: $65 Wholesale: $40 (subject to minimum order reQuirements) Available: November 28, 2012 Product Description: "Mastering Sony's PMW-200, 160, 150, 100 XDCAM Cameras” training DVD is the Quickest way to learn both the fundAmentals and advanced features of the new HD422 camcorders and their state-of-the-art tapeless XDCAM workflow. This is not a superficial review of the camcorders nor a quick look at the various functions. This training video not only tells you "what" a feature does, it also tells you "why", "when", And "how" to use it. This is As close to A one-on-one trAining session with Doug Jensen As you cAn get without Actually hiring him yourself for personal instruction. How much is your time worth? For A smAll investment, you cAn get up to speed on All of the camera’s features and functions -- plus Doug shares his favorite tips and tricks for getting greAt shooting results. "Mastering Sony's PMW-200, 160, 150, 100 XDCAM Cameras” includes tutorials, step-by-step examples, and detAiled instructions covering the most important aspects of camera setup, menus, shooting techniques, choosing a video formAt, clip naming, file management, clip importing, Picture Profiles, time-code, programming the assign buttons, customizing the viewfinder display, freeze-mix, white bAlAnce, multi-matrix, proper use of ZebrAs, jAm-syncing, focus assist functions, shutter speed, gain, time-lapse, slow-motion, cAmerA dAtA files, best prActices for importing And Archiving footAge, And much more. -
Pdw-530 / Pdw-510
XDCAM Camcorder PDW-530 / PDW-510 XDCAM Studio Recorder PDW-1500 XDCAM Field Recorder PDW-R1 XDCAM Field Viewer PDW-V1 XDCAM Drive Unit PDW-U1 / PDW-D1 Sony Professional Disc Systems The XDCAM – Changing Workflow Paradigms In 2003, Sony introduced a new generation of video recording for standard-definition (SD) video production – the XDCAM™ Series optical disc-based recording system. The XDCAM Series utilizes optical disc media, otherwise known as Professional Disc™ media, with state-of-the-art blue violet technology for recording. The XDCAM’s disc-based recording offers users a number of tremendous benefits such as split-second random-access capability, no overwriting on existing footage, and network capability. The Professional Disc media itself is highly robust, reliable, inexpensive, and reusable – ideal for practical day-to-day operations. This media is also extremely flexible, and overcomes the limitations of proprietary footprints, thus enabling XDCAM devices to record a wide assortment of data such as MPEG IMX™ and DVCAM™ format video, metadata, and low-resolution versions of footage onto a single disc. Since its introduction, the XDCAM Series of products for SD programming has been widely adopted by many different users all over the world, from broadcasters and production facilities to professional sports teams and corporations. Sony has been continuously enhancing the functions available on its current products, as well as developing new products to fulfill the customers’ diverse operational requirements. The latest XDCAM system offers a variety of powerful functions such as enhanced clip operations, high- resolution clip viewer software, and plug-in software for Apple Final Cut Pro nonlinear editing systems.