DOCSLIB.ORG

Recording Media Product and Reference Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Recording Media Product and Reference Guide RECORDING MEDIA PRODUCT AND REFERENCE GUIDE FUJIFILM Recording Media U.S.A., Inc. Sales Headquarters 200 Summit Lake Drive Valhalla, NY 10595 Phone: 800-488-3854 Fax: 914-789-7930 Customer Service 200 Summit Lake Drive Valhalla, NY 10595 Phone: 800-488-3854 Fax: 914-789-7930 Email: [email protected] Manufacturing and Finance Headquarters 45 Crosby Drive Bedford, MA 01730 Phone: 781-271-4400 The following are trademarks or registered trademarks of the companies as noted: DVCPRO, DVCPRO HD and P2 are trademarks of Matsushita Electric Industrial Co., Ltd. Betacam, Betacam SP, XDCAM and Professional Disc are trademarks of Sony Corporation. HDV is a trademark of Sony Corporation and Victor Company of Japan, Ltd. Linear Tape-Open, LTO, the LTO Logo, Ultrium and the Ultrium logo are registered trademarks of HP, IBM and Quantum in the US and other countries. IBM and System Storage are trademarks of International Business Machines Corporation. Other company, product, or service names may be trademarks or service marks of others. 3 Table of Contents About FUJIFILM Recording Media U.S.A., Inc. ........ 5 Professional Video PD711 and PD711DL ................................................. 8 P2 Memory Cards ...................................................... 10 HD331 ........................................................................ 12 DP1001 ...................................................................... 14 DP121 ........................................................................ 16 MX321 ....................................................................... 18 D321 .......................................................................... 20 M321SP ..................................................................... 22 Data Storage Media LTO Ultrium 6 and 6 WORM ....................................... 26 LTO Ultrium 5 and 5 WORM ....................................... 28 LTO Ultrium 4 and 4 WORM ....................................... 30 LTO Ultrium 1, 2, 3 and LTO UCC .............................. 32 3592 Data, 3592 Economy and 3592 Cleaning .......... 34 CD-R and DVD-R Printable Discs ............................... 36 Blu-ray Discs .............................................................. 38 Services & Accessories Dternity ....................................................................... 42 Dternity Archive Media ................................................ 43 Dternity NAS................................................................ 43 Dternity Media Cloud .................................................. 43 StorageIQ ................................................................... 44 Archive Verification Service .......................................... 45 Library Overview Analysis ............................................ 45 Tape Tracker™ .............................................................. 46 Barcode Labeling ........................................................ 47 Custom Cartridge Printing ........................................... 47 Data Recovery and Migration ...................................... 47 DC Analyser™ ............................................................... 48 Data Tape Courier™ Professional Cases ...................... 48 Data Tape Carousel ...................................................... 49 Gemtrac ....................................................................... 49 Material Numbers Professional Video Material Numbers ......................... 52 Data Storage Media Material Numbers ....................... 54 Services & Accessories Material Numbers .................. 58 4 The Story of FUJIFILM Recording Media U.S.A., Inc. FUJIFILM Recording Media U.S.A., Inc. is the US-based manufacturing, marketing and sales operations of professional broadcast video and data tape recording media for FUJIFILM Corporation. Based on a history of thin-film engineering and magnetic particle science such as Fujifilm NANOCUBIC technology, now including barium-ferrite particles, Fujifilm creates breakthrough products for partners and end users. Fujifilm is a leader in supplying the IT industry with advanced storage media including LTO Ultrium and enterprise-class data tape featuring the lowest cost per GB for mass storage applications while requiring very low power. Fujifilm provides broadcast and data center customers and industry partners with a wide range of unique data center accessories, value-added services and archival solutions, including Dternity. For more information on FUJIFILM Recording Media products, customers can call 800-488-3854 or go to www.fujifilmusa.com. To receive news and information direct from Fujifilm via RSS, subscribe free at www.fujifilmusa.com/rss 5 PROFESSIONAL VIDEO PROFESSIONAL VIDEO Professional Disc TM PROFESSIONAL VIDEO PD711 and PD711DL Ideal Recording Media for Today’s XDCAM and XDCAM HD Systems Fujifilm’s PD711 Professional Discs are the ideal recording media solution for the popular XDCAM and XDCAM HD systems and are now available in single layer (23GB) and dual layer (50GB) versions. As with all Fujifilm professional video products, these products have been precision-designed to provide outstanding performance under a wide range of conditions, both in the field and in the studio. A Proven Reputation for Quality and Reliability As the developer of Japan’s first broadcast-use videotape in 1959, Fujifilm has long been a leader in the production of high-performance, high-reliability recording media for the broadcast industry. In 1990, Fujifilm received an Emmy Engineering Award for the significant contribution the company’s advanced metal tape technology made to the broadcast industry. With Fujifilm PD711 and PD711DL, Fujifilm brings the same high level of quality and reliability to a new generation of recording media. 8 Outstanding Durability Under Heavy Professional Use High-quality materials and advanced production technologies assure outstanding disc durability and rewriting stability, with ultra-low error rates even after 10,000 overwrites. Superior Dust- and Scratch-Resistance Advanced hard-coating technologies protect sensitive high-density recordings from scratches and dust that can degrade performance, ensuring maximum durability under the rigors of professional use. Precision-Engineered Cartridges Fujifilm PD711 and PD711DL cartridges are engineered to the highest standard of precision, and the shutter and bottom half of the cartridge shell are treated with anti-static coating to protect discs from dust and other airborne contaminants. Superior Long-Term Storage Characteristics Fujifilm PD711 and PD711DL Professional Discs have demonstrated excellent data integrity and a potential archival storage life of over 50 years. 9 P2 Memory Cards 100% Compatibility with Today’s Advanced Panasonic P2 System Hardware Fujifilm has long been recognized as a leading supplier of high-performance, high-reliability video tape and other media to broadcasters and video professional worldwide. Now Fujifilm’s product portfolio includes a line of solid state P2 cards that are 100% compatible with the Panasonic P2 system hardware. This next-generation media delivers the same outstanding performance as all other Fujifilm recording media products. Long Recording Times and High-Speed Transfers Fujifilm’s P2 cards are available in 32GB and 64GB capacities. A single 64GB card is capable of recording about 128 minutes of HD data (using AVC-Intra 50 compression) at a maximum transfer rate of 1.2Gbps. 10 High Reliability for Resistance to Temperature changes, Vibrations and Sudden Impact Shooting in the field, particularly in extreme environments, can result in problems such as condensation, vibration or shock. Fujifilm P2 cards utilize all the inherent advan- tages of solid-state memory to protect your footage from degradation or loss. Fujifilm P2 cards can be operated in temperatures from -20ºC and 80ºC. These are specifi- cations developed specifically for video professionals who require the utmost in reliability. Fujifilm P2 cards can be rewritten thousands of times, and the connectors, which have passed 30,000-cycle insertion and removal tests, are built to withstand repetitive use. 11 HD331 The Advanced Technology that HD Broadcasting Demands Fujifilm HD331 has earned a solid reputation in the marketplace as a dependable performer in the world of high-density recording. Featuring the consistency and reliability that has become Fujifilm’s hallmark, HD331 is the ideal solution for the video professional looking for the ultimate in High Definition videotape performance. Stable Tape Transport and High Durability Designed to meet the complex demands of ENG/EFP professionals, Fujifilm HD331 features a specially developed binder with strong adhesion characteristics and an optimized lubricant to help keep heads clean. These qualities assure stable tape transport and exceptional durability, even when editing. 12 Proprietary Super Calendering Technology Fujifilm’s proprietary Super Calendering technology gives the magnetic layer an ultra-smooth surface ensuring stable head-to-tape contact. This provides an extremely high C/N ratio and low error rate, even for the short- wavelength digital recording of HDCAM systems. Archival Quality Storage Characteristics An extremely thin and uniform layer of special anti-oxidant material is applied to the surface of each metal magnetic particle to prevent deterioration during long-term storage. In addition, proprietary Fujifilm technologies are used, adding durability and archival stability to
Load more

Recommended publications
  • Sony Recorder
    Sony Recorder www.ctlny.com 24 All prices subject to change DVCAM, J-Series, Portable & Betacam Recorders DVCAM Recorders J-Series Betacam Recorders SP Betacam Recorders Sony Model# DSR1500A Sony Model# J1/901 Sony Model# PVW2600 Sales price $5,680.08 Sales price $5,735.80 Sales price $12,183.36 Editing recorder also play Beta/SP/SX Player w/ Betacam SP Video Editing DVCPRO,SDI-YUV Component Output Player with TBC & TC optional 8-3/8 x 5-1/8 x 16-5/8 16-7/8 x 7-5/8 x 19-3/8 Model # List Sales price Model # List Sales price Model # List Sales price DSR1500A $7,245.00 $5,680.08 J1/901 $6,025.00 $5,735.80 PVW2600 $15,540.00 $12,183.3 Editing recorder also play DVCPRO,SDI-YUV optional Beta/SP/SX Player w/ Component Output Betacam SP Video Editing Player with TBC & TC 6 DSR1600 $6,975.00 $5,468.40 J1/902 $7,050.00 $6,711.60 PVW2650 $22,089.00 $17,317.7 Edit Player w/ DVCPRO playback, RS-422 & DV Output Beta/SP/SX Editing Player w/ SDI Output Betacam SP Editing Player w. Dynamic Tracking, TBC & TC8 DSR1800 $9,970.00 $7,816.48 J2/901 $10,175.00 $9,686.60 PVW2800 $23,199.00 $18,188.0 Edit Recorder w/DVCPRO playback,RS422 & DV Output IMX/SP/SX Editing Player w/ Component Output Betacam SP Video Editing Recorder with TBC & TC 2 DSR2000 $15,750.00 $13,229.4 J2/902 $11,400.00 $10,852.8 UVW1200 $6,634.00 $5,572.56 DVCAM/DVCPRO Recorder w/Motion Control,SDI/RS422 4 IMX/SP/SX Editing Player w/ SDI Output 0 Betacam Player w/ RGB & Auto Repeat Function DSR2000P $1,770.00 $14,868.0 J3/901 $12,400.00 $11,804.8 UVW1400A $8,988.00 $7,549.92 PAL DVCAM/DVCPRO
    [Show full text]
  • Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
    HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output.
    [Show full text]
  • Minimum Charqe F25.00 Minimum Charqe €20.00
    We have specialisedin the preservationof familymemories since 1988.We are dedicated to reproducing your precious memories to the highest standard possiblefor you and your future generationsto enjoy. We are consciousof the responsibilityentrusted to us and take this responsibility seriously.All prices includeVAT. All ordersare processedto the U.K. PAL FromStandard Bmm, Super Bmm, 9.5mm & 16mmwith or withoutsound. format(except where the USA NTSCformat is requested). Standard Film Transfer to DVD: Each film is assessed, repaired(if needed) and transferredto DVD. The DVD will contain a basic menu pagewith chaplerbuttons that link to the startof each reel of film. Premium Film Transfer to DVD or Blu-rav: Each film is assessed, These DVD's are for playback on DVD-R compatible players. Your cleaned,repaired (if needed),colour corrected and edited as necessary. DVD'swill containregular chapter points throughout. DVD or Blu-raymenu pages and chapterbuttons are createdspecific to your production. FROM:VHS -VHS-C - S-VHS-VideoB - HiB- DigitalB- MiniDV Editinq. Streaminq and Storaqe Formats: Cine can be transferredto MinimumCharqe €20.00 computerfile formatsfor Editing,Storage and Streaming.The file format Firsthour of order....€20.00 - Additionalhours.... €7.00 per hour we supply is MP4, if you require a differenttype of file format simply informus when you place your order. Note: Additional to the Telecine price below will be the the Hard Drive Memory FROM:Mini DVD - DVD RAM - MicroMV - Hard DriveCamcorder - High cost of or Stick that your Definition- BelacamSP - DVCPRO- DVCAM- U-Matic- Betamax- V2000. files can be delivered on. You will be advised of this cost once we have received your order and calculated the data space needed.
    [Show full text]
  • Operating Guide Version 7.5
    35 Operating Guide Version 7.5 W1014HM8057 -YI VQT5K88A-8(E) f SDXC logo is a trademark of SD-3C, LLC. f MMC (Multi Media Card) is a registered trademark of InfineonTechnologies AG. f Microsoft® and Windows® are registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. f Screenshots are used according to Microsoft Corporation guidelines. f Apple, Macintosh, Mac OS, QuickTime, iPad, iPhone, and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries. f Java and all Java-based trademarks are trademarks or registered trademarks of Sun Microsystems, Inc. in the United States. f All other names, company names, product names, etc., contained in this document are trademarks or registered trademarks of their respective owners. f This product is licensed under the AVC Patent Portfolio License. All other acts are not licensed except private use for personal and non-profit purposes such as what are described below. - To record video in compliance with the AVC standard (AVC Video) - To play back AVC Video that was recorded by a consumer engaged in a personal and non-commercial activity - To play back AVC Video that was obtained from a video provider licensed to provide the video Visit the MPEG LA, LLC website (http://www.mpegla.com/) for details. f Use of DCF Technologies under license from Multi-Format, Inc. f The Apple ProRes codec module is used under license from Atomos. f Atomos is a trademark or registered trademark of Atomos Global Pty. Ltd. How to read this document r Illustrations f Screenshots or illustrations may differ from the actual product.
    [Show full text]
  • 10 Questions-Portable Disk Recorders
    10 Questions : Portable Digital Disk Recorders 3/2011 1. Is the codec being captured to post-production friendly? Acquisition is the beginning of the work!ow and decisions made at this point in the process affect all that follows. For the easiest possible post-production work!ow, the footage would be immediately ready for editorial and would not require transcoding or intensive processing to make it ready for editing. The AJA Ki Pro and Ki Pro Mini record to the high quality Apple ProRes 422 codecs to produce full raster 10-bit 4:2:2 HD and SD #les ready for immediate edit. Apple ProRes 422 is supported in all of the Apple Final Cut Studio applications making it an ideal codec for ease of use in post-production. Perhaps most importantly, Apple ProRes codecs have been designed to handle the harsh rigors of Post production through rendering and effects cycles. Comparison 1440 x 1080 1920 x 1080 1280 x 1080 DVCPRO HD@50Hz Uncompressed HDCAM D5 DVCPRO HD@60Hz XDCAM HDCAM-SR HDV ProRes422 @145Mbps 1080 ProRes422 HQ HD @220Mbps 1280/1920 = 2/3 1440/1920 = 3/4 1920/1920 = 1/1 8 bit 8 bit 10 bit 10 Questions : Portable Digital Disk Recorders 3/2011 2. Is the storage module itself computer friendly ? Ki Pro offers removable spinning disk or SSD modules with FireWire 800 support for direct connection to an Apple Mac Pro or MacBook Pro. Ki Pro formats its media as OSX-native HFS+, so that the Storage Module will mount instantly on your Mac desktop as easily as any other Mac-formatted drive would.
    [Show full text]
  • Paramount Theatre Sherry Lansing Theatre Screening Room #5 Marathon Theatre Gower Theatre
    PARAMOUNT THEATRE SHERRY LANSING THEATRE SCREENING ROOM #5 MARATHON THEATRE GOWER THEATRE ith rooms that seat from 33 to 516 people, The Studios at Paramount has a screening room to accommodate an intimate screening with your production team, a full premiere gala, or anything in between. We also offer a complete range of projection and audio equipment to handle any feature, including 2K, 4K DLP projection in 2D and 3D, as well as 35mm and 70mm film projection. On top of that, all our theaters are staffed with skilled projectionists and exceptional engineering teams, to give you a perfect presentation every time. 2 PARAMOUNT THEATRE CUTTING-EDGE FEATURES, LAVISH DESIGN, PERFECT FOR PREMIERES FEATURES • VIP Green Room • Multimedia Capabilities • Huge Rotunda Lobby • Performance Stage in front of Screen • Reception Area • Ample Parking and Valet Service SPECIFICATIONS • 4K – Barco DP4K-60L • 2K – Christie CP2230 • 35mm and 70mm Norelco AA II Film Projection • Dolby Surround 7.1 • 16-Channel Mackie Mixer 1604-VLZ4 • Screen: 51’ x 24’ - Stewart White Ultra Matt 150-SP CAPACITY • Seats 516 DIGITAL CINEMA PROJECTION • DCP - Barco Alchemy ICMP • DCP – Doremi DCP-2K4 • XpanD Active 3D System • Barco Passive 3D System • Avid Media Composer • HDCAM SR and D5 • Blu-ray and DVD • 8 Sennheiser Wireless Microphones – Hand-held and Lavalier • 10 Clear-Com Tempest 2400 RF PL • PIX ADDITIONAL SERVICES AVAILABLE • Catering • Event Planning POST PRODUCTION SERVICES 10 • SecurityScreening Rooms 3 SCREENING ROOMS SHERRY LANSING THEATRE THE ULTIMATE REFERENCE
    [Show full text]
  • P2hdxag-Hpx500 Practical Guidebook P2hdxag-Hpx500 Practical Guidebook
    P2HDXAG-HPX500 PRACTICAL GUIDEBOOK P2HDXAG-HPX500 PRACTICAL GUIDEBOOK The Next Generation of camcorder media is aimed at the professional market where with its use of Information Technology (IT) centric technologies including Solid State Recording, Hard Disk drives (HDD) and Blu-ray discs(BD) is proving to enhance the post-production workflow greatly. The main advantage in the IT domain is that the recording does not need to be digitized; meaning that it is ready for immediate use in non-linear editing (NLE) systems. Whereas HDD and BD choices both require specialized input devices (docking stations or dedicated drives), the solid-state recording system, P2 (Professional Plug-in), proposed by Panasonic provides the benefits of durability, portability and freedom from mechanical issues. This concept of no moving parts gives it numerous advantages over other media as a recording system for professionals because other systems can be impacted by the environment; P2 is robust in any environmental condition. In recent years, a key issue for all production has been insuring that their recording media works smoothly with their PC systems. P2 integrates almost seamlessly into PC and Mac systems alike. The recordings show up as files in the import windows and thus easily brought in a placed on a timeline. Panasonic's P2 cards offer an extremely convenient and efficient media system in comparison with other non-contact media as the files can be quickly accessed dynamically worked with either in the camera or on the desk-top. The 16 GB P2 card will hold approximately 16 minutes of High Definition 1080i signals using the DVCPRO HD codec, which was designed from the ground up for high end professional use.
    [Show full text]
  • Acquisition Form
    ACQUISITION FORM PROGRAM INFORMATION DATE: _____________________ Program Title: Year Produced: Date of broadcast availability: Format: One episode or Series: # of episodes: _______ Length: 22:00 minutes 45:00 minutes 77:00 minutes 94:00 minutes Other: __________ If your show does not meet these lengths, are you willing to edit? Yes No Original Language Produced in: English French Aboriginal Language: ____________ Other: ____________ Version(s) Available: English French Aboriginal Language: ____________ Other: ____________ Is this program sub-titled? Yes No GENERAL INFORMATION Genre: Target Audience: Children Children (2-11 years) Youth Youth (12-17 years) Documentary Specific Identifiable Group: ______________ Drama General Audience Comedy Feature Film Other: ______________________ Country of Origin: Canada United States United Kingdom France Other: _______________________ If Canadian Content, please specify: CRTC Certification # or CAVCO Certification All Canadian submissions over 5:00 minutes in length requires CRTC or CAVCO Certification Page 1 of 5 TECHNICAL Is the program closed captioned for the hearing impaired? Yes No All programs must be closed captioned per our CRTC Condition of License Is the program Video Described for the visually impaired? Yes No What was the shooting format? Beta SX/SP HD 16mm film 35mm film Other: _____________________ Is the program available in HD? Yes No If yes, what make and model of camera was used _____________________________ HD Broadcast Master Specification: HD PRODUCTION FORMAT All HD programs must be produced with an aspect ratio of 16:9, however, it must be produced in 4:3 safe, as per section 1.7 in the APTN Technical Program Delivery Standards. The video signals whether originating from video cameras or Telecines must comply with either SMPTE 274M or SMPTE-296M-1997 standards for HD Programs.
    [Show full text]
  • Betacam Sp One-Piece Camcorder (Ntsc)
    BETACAM SP ONE-PIECE CAMCORDER (NTSC) . Contents 1. INTRODUCTION 2. HISTORY OF FIELD SHOOTING 2-1. Early Days of ENG 2-2. The Introduction of BetacamTM System 2-3. The Introduction of Betacam SP System 2-4. The Introduction of BVW-200 One-piece Camcorder 3. INNOVATION IN THE BVW-200/300/400 3-1. One-piece Camcorder Internal Layout 3-2. VTR Mechanical Features 3-2-1. Small drum design 3-2-2. Miniaturized tape transport mechanism 3-3. VTR Electronic Features 3-3-1. Plug-in PC board construction 3-3-2. Software servo control IC 3-3-3. Serial interface among CPU's 3-3-4. High density circuit board 3-3-5. LCD multiple displays 3.4. Camera Technical Features 3-4-1. Camera head construction 3-4-2. Advanced Sony's CCD technology 4. EASY OPERATION 4-1. Refined Ergonomics 4-2. Rain and Dust-proof Structure 4-3. Quick Start Viewfinder 4-3-1. Optical/CRT 4-3-2. Viewfinder mechanism 4-3-3. Operational facilities 4-4. Detachable Microphone 4-5. Tally Lamp 4-6. Battery for Time Code Back-up 4-7. Other Operational Facilities 4-7-1. VTR section 4-7-2. Camera section 4-7-3. Exclusive features for BVW-400 5. EASY MAINTENANCE AND ADVANCED SERVICEABILITY 6. EXCELLENT EXPANDABILITY 7. EXPLANATION OF BVW-200/300/400 FUNCTION KEYS AND BUTTONS 8. SPECIFICATIONS Before delving into the technical and operational issues, let us briefly review the history of news coverage and Single Camera Production in the television industry. 2.1.
    [Show full text]
  • IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60I: JUST LOOK at the FACTS
    IF HD IS COMING TOMORROW, WHY DO YOU NEED HDCAM TODAY? HDCAM 1080/60i: JUST LOOK AT THE FACTS. It’s a fact that Sony’s HDCAM® 1080/60i system has This enhanced SDTV programming will increase your established itself as the world’s first proven, practical, revenue today. You’ll have an HD master for additional standardized, and field-tested approach to high defini- revenue tomorrow. You’ll even have built-in legacy play- tion program origination for digital broadcasting. back of your entire BETACAM archive -- including analog It’s a fact that Sony HDCAM camcorders and decks have BETACAM®, BETACAM SP®, BETACAM SX®, DIGITAL BETACAM® been out in the field for nearly five years. Thousands and MPEG IMX™ 1/2" format recordings. have been deployed worldwide. They’ve handled hun- And you’ll have all the tools you need: a complete all- dreds of sophisticated, multi-camera productions -- and Sony system, or select Sony HDCAM components that created uncompromising masters to form the basis of a integrate seamlessly with other systems. valuable digital HD archive for the future. It’s a fact that Sony HDCAM equipment is built on the M OVING AHEAD, OR MISSING HDW-750 industry-leading 1/2" platform, with robust performance and plenty of headroom -- plus the crucially important AN OPPORTUNITY? ability to protect a 15-year legacy of 1/2" BETACAM® Budgets are tight for everyone -- broadcasters, produc- format recordings. ers, corporations, rental houses. Sony understands. So And it’s a fact that now, Sony’s HDCAM 1080/60i your 2nd-generation HDCAM 1080/60i system is specifi- approach is already in its 2nd generation.
    [Show full text]
  • Dvcpro P2 Series
    DVCPRO P2 SERIES ING — A REVOLUTION, IT NEWS GATHERING Get ready to take a leap beyond the conventional, a leap beyond today's limits. Get ready for Panasonic's DVCPRO P2 Series – broadcast equipment that brings unprecedented mobility, performance and convenience to news gathering. The host broadcaster for the Torino Olympic Games has selected Panasonic as its supplier of standard and high definition recording equipment for the 2006 Olympic Winter Games. Panasonic DVCPRO P2 solid-state memory as well as DVCPRO HD and DVCPRO50 recording equipment will be used for the Games. 1 At the heart of the P2 Series is Panasonic's innovative plug-in PC card type media. Called P2 ("Professional Plug-in"), these solid-state cards are neither tape nor disc and require no moving parts. P2 cards fit neatly in the slots of P2 Series equipment and record DVCPRO HD*/ DVCPRO 50/DVCPRO/DV data. The P2 card is extremely rugged, and it assures outstanding anti- vibration and anti-shock performance to the P2 camera-recorder. Most importantly, the P2 card's high data transfer speed, ruggedness and expandability brings an entirely new era of mobility to news gathering. P2 Series equipment records in MXF – a file format whose exceptional PC versatility is transforming the news production workflow. The P2 provides random access to thumbnail- displayed scenes for instant playback and on-air transmission. The P2 card mounts directly into the PC card slot on a PC, so you have instant access for nonlinear editing and for faster data transferring into the network The P2 Series is a fusion of the very best in AV and IT worlds, while also offering compatibility with today's studio equipment.
    [Show full text]
  • Panasonic AJ-HPM200 P2 Mobile Special Trade-Up Offer
    Panasonic AJ-HPM200 P2 Mobile Special trade-up Offer Panasonic's AJ-HPM200 P2 Mobile is the key workflow tool on any production because its HD-SDI connectivity lets you record from any camera or device in 10-bit, 4:2:2 independent frame AVC-Intra 100, 10-bit / storage efficient AVC-Intra 50, or industry standard DVCPRO HD/50/25 to a P2 card. Even better, the HPM200 offers long record times, including 8 hrs of 1080/24p, 16 hrs of 720/24p or 6 hours of other master quality HD formats (with six 64GB P2 cards). In addition, the HPM200 is perfect for on-set shot continuity and HD assist applications, including the ability to review shots in full frame rate playback from P2 cards and disk drives. With the growth of 3D, there are now new opportunities to record high-quality video from studio cameras and other cameras in 3D rigs, including the Panasonic AK-HC1500G and AK-HC1800N cameras. These high-quality cameras have an HD-SDI output. You can use two HPM200s to record two separate 1080p / 720p signals for master-quality 3D applications (including genlock and frame-accurate time code). The HPM200 offers your customer not only the ability to record two separate HD signals for 3D, but, also as part of a playback system, including the ability to watch full 1920 x 1200 3D on the upcoming Panasonic BT-3DL2550 25.5-inch 3D LCD production monitor (shipping in September 2010). Panasonic is now excited to announce the AJ-HPM200 P2 Mobile Special trade-up offer.
    [Show full text]