Edinburgh University Press Chapter Title: From the ‘Angry’ Fifties to the ‘Swinging’ Sixties Book Title: Censorship in Theatre and Cinema Book Author(s): Anthony Aldgate and James C. Robertson Published by: Edinburgh University Press. (2005) Stable URL: https://www.jstor.org/stable/10.3366/j.ctvxcrmh4.12 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Edinburgh University Press is collaborating with JSTOR to digitize, preserve and extend access to Censorship in Theatre and Cinema This content downloaded from 95.85.255.163 on Sat, 18 Apr 2020 12:36:10 UTC All use subject to https://about.jstor.org/terms CHAPTER 7 From the ‘Angry’ Fifties to the ‘Swinging’ Sixties ‘ “Cultural revolution” seems not a bad description’ is Arthur Marwick’s apt summary comment on the sea changes in British society between the 1950s and 1960s. ‘The key acts of the period,’ he continues, ‘were not part of some political blueprint for society but resulted from pressures generated from within society.’ Hence, there was the Betting and Gaming Act in 1960 – acknowledging gambling habits across the board; in 1967, the Abortion Act, National Health Service