Jack Delano Papers

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Jack Delano papers Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Jack Delano papers AAA.delajack Collection Overview Repository: Archives of American Art Title: Jack Delano papers Identifier: AAA.delajack Date: 1939-1943 Creator: Delano, Jack Extent: 75 Items ((on 1 microfilm reel)) Language: English . Administrative Information Acquisition Information Lent for microfilming 1965 by Jack Delano. Location of Originals Originals returned to the lender, Jack Delano, after microfilming. Some of the papers were subsequently donated to the Library of Congress; some are on deposit at the Luis Munoz Marin Foundation, San Juan, Puerto Rico. Available Formats 35mm microfilm reel NDA 21 available at Archives of American Art offices and through interlibrary loan. Restrictions The Archives of American Art does not own the original papers. Use is limited to the microfilm copy. Biographical / Historical Illustrator, photographer; New York, N.Y. Born 1914. Delano was a photographer for the Farm Security Administration photography project which documented urban and rural America during the Depression. Scope and Contents Correspondence, mostly with Roy Stryker, Chief of the Historical Section of the Farm Security Administration. Stryker gives Delano his field assignments as a traveling photographer; discusses FSA policy, photographic techniques; his own philosophy about the work; change in budget and focus because of defense emphases; the war; subjects to photograph; activities of other personnel; and personal matters. Page 1 of 2 Jack Delano papers AAA.delajack Names and Subject Terms This collection is indexed in the online catalog of the Smithsonian Institution under the following terms: Subjects: Art and state New Deal, 1933-1939 Photography Names: Stryker, Roy Emerson, 1893-1975 United States. Farm Security Administration. Historical Section Occupations: Photographers Places: United States -- Economic conditions -- 1918-1945 Page 2 of 2.

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Bibliography
Annotated Bibliography Works Cited Primary Sources: Archival Collections "Archives of American Art." Oral History Interview with Dorothea Lange, 1964 May 22. Smithsonian Institution, n.d. Web. 08 Feb. 2016. The Archives of American Art proved to be an extremely useful resource for our project due to the mass collection of oral and transcribed interviews, as well as the stark images that accompanied them. The transcribed interview with FSA photographer, Dorothea Lange was the most beneficial to our group because we were able to see a new side of her and the true honesty that she held throughout the culmination of the FSA photography project. "Documenting America, 19351943: The Farm Security Administration/Office of War Information Photo Collection with Carl Fleischhauer." Journeys and Crossings, Library of Congress Digital Reference Section, n.d. Web. 27 Feb. 2016. This source provided our group with numerous images of not only the Farm Security Administration's collection of photographs, but also with some of the Office Of War photographs. The photographs that were taken under the Office of War Information's supervision are in color because during this time period when the United States was entering World War Two, color photography became increasingly popular. Our group used a couple of these images in our documentary to describe the transformation of the FSA photographers to the OWI initiatives. "FSA Years." Arthur Rothstein Archive. Ann RothsteinSegan, Brodie Hefner, n.d. Web. 8 Feb. 2016. This online archive was helpful to our group because we were able browse through a wide variety of FSA photography project images and select the most useful ones to use in our documentary.
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