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Barrington Pheloung's Cv
BARRINGTON PHELOUNG’S CV 2004/05 FILMS SHOPGIRL Production Company: Hyde Park Entertainment Directed by: Anand Tucker Produced by: Jon Jashni, Ashok Amritraj & Steve Martin Written by: Steve Martin LITTLE FUGITIVE Production Company: Little Fugitive Directed by: Joanna Lipper Produced by: Joanna Lipper, Vince Maggio, Nicholas Paleologos & Fredrick Zollo Written by: Joanna Lipper A PREVIOUS ENGAGEMENT Production Company: Bucaneer Films Directed by: Joan Carr-Wiggin Produced by: Joan Carr-Wiggin , David Gordian & Damita Nikapota Written by: Joan Carr-Wiggin TELEVISION IMAGINE: SMOKING DIARIES Directed by: Margy Kinmonth Production Company: BBC THE WORLD OF NAT KING COLE Produced by: Kari Lia Production Company: Double Jab Productions 2002/03 FILMS TOUCHING WILD HORSES Production Company: Animal Tales Productions Inc. Directed by: Eleanore Lindo Produced by: Lewis B. Chesler, David M. Perlmutter, Frank Huebner, Rob Vaughan Written by: Murray McRae TELEVISION THE STRANGE TALE OF BARRY WHO Directed by: Margy Kinmonth Documentary on Barry Joule Produced by: Margy Kinmonth/Sam Organ Production Company: Darlowsmithson Productions For BBC4. MOVE TO LEARN Directed by: Sheila Liljeqvist Documentary for Video Produced by: Sheila Liljeqvist and Barbara Pheloung Australian documentary, children with learning difficulties. SHORTS ARDEEVAN Short Feature film made in the UK. Directed and Produced by: Jonathan Richardson NIGHT’S NOONTIME Short Feature film made in the Canada. Executive Producers: Richard Clifford & Amar Singh Produced by: Hanna Tower Directed -
Julia Smith Lighting CV.Pages
CV Lighting Designer Julia Smith 1991: BBC camera trainee - Studios, Film & OBs 1992: BBC camera woman 1996: BBC Lighting & vision operator (racks) 1999: BBC Lighting & vision supervisor (console operator) 2002: Freelance Lighting director & console operator Production History Lighting Designer Rob Beckett’s Playing for Rumpus Media Channel 4 Hospital Studios Time The Darkness of John Phil McIntyre TV Not broadcast as yet BBC Radio Theatre Robbins Tim Vine Travels in Time Baby Cow Productions BBC1 Pinewood Studios Citizen Khan BBC Comedy BBC 1 Dock 10 Yes Primeminister BBC Comedy UKTV TVC Lighting Director - original designs by other Lighting designers Harry Hill’s Alien Fun Capsule CPL Productions ITV 1 TLS Live From the BBC Phil McIntyre TV BBC2 BBC Radio Theatre Cats Do Countdown Zeppatron Productions Channel 4 Dock 10 Eggheads 12 Yard Productions BBC1 BBC2 BBC Scotland Perfection 12 Yard Productions BBC1 BBC Scotland Who Dares Wins 12 Yard Productions BBC1 BBC Scotland Russel Howard’s Good News Avalon BBC2 BBC3 Riverside Studios Sheperton, TLS Unspun with Matt Ford Avalon Dave TLS Question of Sport BBC Entertainment BBC1 Dock 10 Insert Name Here 12 Yard Productions BBC2 Pinewood Studios Football on Five Sunset & Vine Channel 5 Sky Studios Various BT Sport Timeline BT Sport Channel International Broadcasting programmes Centre Dog Ate my homework BBC Children’s Glasgow CBBC Pacific Quay !1 of !3 Production History Vision Supervisor or Console Operator Sitcom Upstart Crow BBC Comedy BBC 2 TLS Not Going Out Avalon BBC 1 TVC, Teddington -
Letters to Juliet
Letters to Juliet Sophie dreams of writing for the famous gravure New Yorker, but it only works as a “verifier " of facts, names and dates with a boss who does not have great confidence in its means . Her fiancé is a chef Victor enthusiastic about his job that he is preparing for the grand opening of its first restaurant. Their relationship seems to be going very well, so decision leaving for the last time as an engaged couple at a time in Verona, the city of Romeo and Juliet and the capital of lovers. Sophie dreams of a romantic trip, but clashes with the reality that Victor sees more interested in the Italian culinary secrets and discover new suppliers for his restaurant. Sophie, only to Verona, the city finds that the City has commissioned four women to answer all the letters left under the legendary balcony. Discovered by chance a letter written nearly 50 years ago, Sophie decides to respond to the letter in his own hand. You will soon find yourself face to face with the woman who wrote that the name of “never too late when it comes to love," will return to Tuscany in search of Lorenzo , his long lost love . Sophie accompany the woman in his quest, along with the arrogant grandson Charlie. American cinema often thrives on stereotypes and clichés. However, when you end up in the meat grinder is a part of our cultural heritage (it was only in terms of food and wine or landscape) then it becomes all the more apparent. And ' the case of Letters to Juliet , a romantic comedy that turns Verona , the capital city of lovers thanks to Romeo and Juliet, in a small town made up of narrow streets dotted with simpering balconies and Tuscany in a green place where the streets are all dirt , surrounded by cypress trees and rustic dwellings newly renovated . -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
What Is a Lighting Director?
What is a lighting director by Martin Kempton What is a lighting director? Simply put - a lighting director designs the lighting for multi-camera television productions. He or she instructs the crew of electricians in their work in addition to guiding the team of operators who usually sit with the LD in the lighting control room. All this while working closely with the director and the rest of the production team to deliver the best possible pictures. However, there's rather more to it than that, and on this page on the website I explain where LDs work, what kinds of shows LDs work on and give some of the background to what we do. It's important to point out right away that simple 'illumination' is actually a relatively unimportant part of our work. Current TV cameras are capable of operating in very low light levels so it would be quite possible to see what was going on in most studios simply by switching on the houselights. Fortunately, producers and directors realise that the result would look pretty awful. Another thing is also worth making clear – a lighting director is not an electrician. He or she might have been once, but an LD is not another name for a crew chief or gaffer. Most television LDs do not have electrical qualifications, although some may have. In any case, this is not a requirement of the job. The electrical supervisor (gaffer) is in charge of realising the LD’s design in the studio from the rigging and electrical point of view. -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
“Letters to Juliet”
“LETTERS TO JULIET” Sophie is a good journalist who works for the famous newspaper "New Yorker", looking for a scoop to emerge and obtain confidence by her director. She decides to start a journey to Italy, as a sort of anticipated "honeymoon" with her husband-to-be. But soon the vacation turns into an opportunity for him to discover the gastronomic traditions of a rich and fascinating country and for her to find a story that will be the occasion to make the big "jump". So, wandering through the streets of Verona, Sophie visits the famous Juliet's house, where every day tourists from all over the world pin their sentimental hopes, in the form of letters affixed to the wall. It is duty of the “secretaries of Juliet” collecting these letters and respond to each of them. Sophie finds a love letter of an old woman, Claire, hidden for 50 years between the stones of the wall. She writes her answer to this letter and here we are Claire appearing in Verona with her nephew Charlie. Together they decide to leave to Tuscany looking for Claire's first teenage love, Lorenzo, who she has never forgotten. Charlie will be the "driver" of this adventure, even if he doesn't seem to have much sympathy for Sophie, appearing impatient, grumpy and defeatist because he's afraid that his grandmother may suffer discovering Lorenzo is dead or doesn't recognize her. During their journey they knock on many doors looking for the "right" Lorenzo and just when it seems their efforts have been vain, a man, riding a horse, appears in a vineyard. -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
Letters to Juliet Cast
Letters To Juliet Cast Excaudate and prospective Hans dewaters her emeu escalading while Thornton neuter some diarists pugilistically. Scotty is awesome and overlies overtly as repetitive Lindsay underruns plum and unbitted full-sail. Is Connie always scratching and heteroclite when conserves some walk-throughs very satanically and nevermore? Ana Ivanovic She is the Serbian beauty and very well known as sex symbol throughout the world. Sophie spends her time in Verona with the secretaries and winds up responding to one of the letters to Juliet. Dalloway, Jack and the Beanstalk: The Real Story, A Quiet Place in the Country, The Bostonians, Oh! Screenwriters: Jose Rivera, Tim Sullivan. We are much more than a simple location: the charming Borgo is extremely versatile and ideal for films or photo shoots. Tuscany region of Italy. Juliet Capulet of Romeo and Juliet fame, she joins a group of volunteers who respond to letters to Juliet seeking advice about love. Game changer: what effect have the new Bafta rules had on the longlists? They look so cute together! London as long as Sophie will be in New York waiting for him, tells Sophie he loves her. Silent, classic, little known and blockbusters are all open for comments. CNN en Español, Discovery en Español, Discovery Familia, ESPN Deportes, History Channel en Español, and Universo. The contrast between these two films is stark. When a woman visits the man in a coma whose life she saved, she is mistaken as his fiancee by his family. Each clan and family set up camp and marched under their banners exactly as the LORD had instructed them. -
CAST BIOS TOM RILEY (Leonardo Da Vinci) Tom Has Been Seen in A
CAST BIOS TOM RILEY (Leonardo da Vinci) Tom has been seen in a variety of TV roles, recently portraying Dr. Laurence Shepherd opposite James Nesbitt and Sarah Parish in ITV1’s critically acclaimed six-part medical drama series “Monroe.” Tom has completed filming the highly anticipated second season which premiered autumn 2012. In 2010, Tom played the role of Gavin Sorensen in the ITV thriller “Bouquet of Barbed Wire,” and was also cast in the role of Mr. Wickham in the ITV four-part series “Lost in Austen,” alongside Hugh Bonneville and Gemma Arterton. Other television appearances include his roles in Agatha Christie’s “Poirot: Appointment with Death” as Raymond Boynton, as Philip Horton in “Inspector Lewis: And the Moonbeams Kiss the Sea” and as Dr. James Walton in an episode of the BBC series “Casualty 1906,” a role that he later reprised in “Casualty 1907.” Among his film credits, Tom played the leading roles of Freddie Butler in the Irish film Happy Ever Afters, and the role of Joe Clarke in Stephen Surjik’s British Comedy, I Want Candy. Tom has also been seen as Romeo in St Trinian’s 2: The Legend of Fritton’s Gold alongside Colin Firth and Rupert Everett and as the lead role in Santiago Amigorena’s A Few Days in September. Tom’s significant theater experiences originate from numerous productions at the Royal Court Theatre, including “Paradise Regained,” “The Vertical Hour,” “Posh,” “Censorship,” “Victory,” “The Entertainer” and “The Woman Before.” Tom has also appeared on stage in the Donmar Warehouse theatre’s production of “A House Not Meant to Stand” and in the Riverside Studios’ 2010 production of “Hurts Given and Received” by Howard Barker, for which Tom received outstanding reviews and a nomination for best performance in the new Off West End Theatre Awards. -
Sophie's Sacrifice to Find a True Love Reflected in Letters to Juliet Lvlovie (2010): Individu Al Psychological Approach
SOPHIE’S SACRIFICE TO FIND A TRUE LOVE REFLECTED IN LETTER’S TO JULIET MOVIE (2010): AN INDIVIDUAL PSYCOLOGICAL APPROACH JOURNAL Submitted as a Partial Fulfillment of the Requirement for Getting Bachelor Degree of Education in English Department Created by: UTAMI SARASWATI A 320 080 090 SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA 2013 UNIVERSITAS MUHAMMADIYAH SURAKARTA FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN j7 Jl. A. Yani Tromol Pos I - Pabelaru Kartasura Telp (AZ7 l) 7 11117 Far: 7 I i.148 Surakarta 102 Surat Persetuiuan Artikel Publikasi Ilmiah Yang bertanda tangan dibawah ini pembimbing skripsi/tugas akhir: Nama : Drs. Abdillah Nugroho, M. Hum (Pembimbing I) NIP/NIIK : 589 Nama : Titis Setyabudi- SS. M. Hum (Pembimbing II) NIP/NIK :948 Telah membaca mencermati naskah artikel publikasi ilmiah, yang merupakan ringkasan skripsi (tugas akhir)dari mahasiswa : Nama Utami Saraswati NIM A 3200 80 090 Program Studi Bahasa Inggris .Judul Skripsi Sophie's Sacrifice To Find A True Love Reflected In Letters To Juliet lVlovie (2010): Individu al Psychological Approach Naskah artikel terebut, Iayak dan dapat disetujui untuk dipublikasikan. Demikian persetujui dibuat, semoga dapat dipergunakan sepenuhnya. Surakarta, 2 I Januari 201 3 v' v' \ Titis Setvabudi. NIPAIIK 589 NIPA{IK 948 SOPHIE’S SACRIFICE TO FIND A TRUE LOVE REFLECTED IN LETTER’S TO JULIET MOVIE (2010): AN INDIVIDUAL PSYCOLOGICAL APPROACH Utami Saraswati Abdillah Nugroho Titis Setyabudi Department of English Education, Muhammadiyah University of Surakarta ABSTRACT This is an analysis of Sophie sacrifice to find a true love reflected in Letters to Juliet movie which is conducted by using an individual psychological approach. -
Flora Spencer-Longhurst
Flora Spencer-Longhurst Showreel Agents Julia Charteris [email protected] 02032140923 Roles Film Production Character Director Company ILKLEY Milly Hodge Harry Michell Independent BEAUTIFUL RELICS (Short) Anya Adrian Hedgecock RECESSION (Short) Lettie Beryl Richards Porcupine Pictures WALKING WITH THE ENEMY Rachel Schoen Mark Schmidt Liberty Studios MOVING ON (Short) Albert Kodagolian EYE CANDY (Short) Robin Hudson Television Production Character Director Company OASIS Bea/Hannah Kevin Macdonald Amazon MIDSOMER MURDERS Natalie Matt Carter ITV FATHER BROWN (Episode Lucia Galloway Matt Carter BBC 5) THE BASTARD EXECUTIONER Baroness Lowry 'Love' Paris Barclay FX/Fox 21 Aberffraw Ventris United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company LEONARDO (Series 2) Lisa Gherardini Various Kindle/BBC CHICKENS (pilot) Gracie Steve Bendelack Big Talk UNFORGIVEN Emily Belcombe David Evans ITV LEONARDO Lisa Gherardini Various Kindle/BBC WALLANDER: ONE STEP Isa Edengren Philip Martin BBC BEHIND THE REAL DEAL Laura Fisher Ian Barnes BBC LOSING IT Erica McNaughton Ben Bolt ITV THE FAMILY MAN Chloe John Strickland BBC LEWIS Jessica Pollock Bill Anderson ITV DALZIEL AND PASCOE Lisa Johnstone Gwennan Sage BBC Stage Production Character Director Company A PUPIL Simona Jess Daniels Park Theatre THE REAL THING Annie Stephen Unwin The Rose Theatre A CHRISTMAS TRUCE Mrs. Godrey Erica Whyman RSC MUCH ADO ABOUT NOTHING Hero/Katherine