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Sports Quiz When Were the First Tokyo Olympic Games Held?
Sports Quiz When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 When were the first Tokyo Olympic Games held? ① 1956 ② 1964 ③ 1972 ④ 1988 What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata What is the city in which the Winter Olympic Games were held in 1998? ① Nagano ② Sapporo ③ Iwate ④ Niigata Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō Where do sumo wrestlers have their matches? ① sunaba ② dodai ③ doma ④ dohyō What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What do sumo wrestlers sprinkle before a match? ① salt ② soil ③ sand ④ sugar What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What is the action wrestlers take before a match? ① shiko ② ashiage ③ kusshin ④ tsuppari What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What do wrestlers wear for a match? ① dōgi ② obi ③ mawashi ④ hakama What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan What is the second highest ranking in sumo following yokozuna? ① sekiwake ② ōzeki ③ komusubi ④ jonidan On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat On what do judo wrestlers have matches? ① sand ② board ③ tatami ④ mat What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari What is the decision of the match in judo called? ① ippon ② koka ③ yuko ④ waza-ari Which of these is not included in the waza techniques of -
The Making of Modern Japan
The Making of Modern Japan The MAKING of MODERN JAPAN Marius B. Jansen the belknap press of harvard university press Cambridge, Massachusetts London, England Copyright © 2000 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Third printing, 2002 First Harvard University Press paperback edition, 2002 Book design by Marianne Perlak Library of Congress Cataloging-in-Publication Data Jansen, Marius B. The making of modern Japan / Marius B. Jansen. p. cm. Includes bibliographical references and index. isbn 0-674-00334-9 (cloth) isbn 0-674-00991-6 (pbk.) 1. Japan—History—Tokugawa period, 1600–1868. 2. Japan—History—Meiji period, 1868– I. Title. ds871.j35 2000 952′.025—dc21 00-041352 CONTENTS Preface xiii Acknowledgments xvii Note on Names and Romanization xviii 1. SEKIGAHARA 1 1. The Sengoku Background 2 2. The New Sengoku Daimyo 8 3. The Unifiers: Oda Nobunaga 11 4. Toyotomi Hideyoshi 17 5. Azuchi-Momoyama Culture 24 6. The Spoils of Sekigahara: Tokugawa Ieyasu 29 2. THE TOKUGAWA STATE 32 1. Taking Control 33 2. Ranking the Daimyo 37 3. The Structure of the Tokugawa Bakufu 43 4. The Domains (han) 49 5. Center and Periphery: Bakufu-Han Relations 54 6. The Tokugawa “State” 60 3. FOREIGN RELATIONS 63 1. The Setting 64 2. Relations with Korea 68 3. The Countries of the West 72 4. To the Seclusion Decrees 75 5. The Dutch at Nagasaki 80 6. Relations with China 85 7. The Question of the “Closed Country” 91 vi Contents 4. STATUS GROUPS 96 1. The Imperial Court 97 2. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
EVOLUTION of JAPANESE WOMEN's KIMONO from A.D. 200 to 1960
THE EVOUTCION OF JAPANESE WOMEN'S KIMONO FEOK A.D. 200 TO 1960 *"> MASAKO TOYOSHMA B. S., Fukuoka Women's University, 1963 A MASTER'S REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE General Home Economics College of Home Eoonomios KANSAS STATE UNIVERSITY Manhattan, Kansas 1967 Approved byi Major Professor TABLE OF CONTENTS CHAPTER PAGE I. INTRODUCTION 1 II. HU-STYLE PERIOD (A.D. 200-552) 7 Political Situation 7 Dress of tha Period 9 III. T'ANG-STYLE PERIOD (552-894) 13 Politioal Situation 13 Dress of T'ang-stylo Period 18 IV. OS0DE-FASHI0N PERIOD (894-1477) 26 Political Situation 26 Dress of the OBode-Fashion Period 33 V. KOSODE-FASHION PERIOD (1477-1868) 44 Politioal Situation 44 Dress of Kosode-fashion Period •• 52 VI. JAPANESE-WESTERN PERIOD (1868-1960) 68 Politioal Situation 68 Dress of Japanese -'Western Period • 75 VII. SUMMARY AND RECOMMENDATIONS 83 Summary ............. 83 Recommendations •• •• 87 88 BIBLIOGRAPHY • • • ii LIST OF PLATES PLATE PAGE I Dress of Hu-style Period ..... ... 11 II Dress of T'ang-style Period 21 III Dress of Osode-fashion Period 37 17 Dress of Kosode-fashion Period 54 V Dress of Japanese -We stern Period. ............ 82 iii CHAPTER I INTRODUCTION Costume expresses a relationship to the ideals and the spirit - of the country during a particular time. Hurlock states in The Psych ology of Pre s s : In every age, some ideal is developed which predominates over all others. This ideal may be religious or political; it may re- late to the crown or to the people; it may be purely social or artistic, conservative or radical. -
Japanese Costume
JAPANESE COSTUME BY HELEN C. GUNSAULUS Assistant Curator of Japanese Ethnology FIELD MUSEUM OF NATURAL HISTORY CHICAGO 1923 Field Museum of Natural History DEPARTMENT OF ANTHROPOLOGY Chicago, 1923 Leaflet Number 12 Japanese Costume Though European influence is strongly marked in many of the costumes seen today in the larger sea- coast cities of Japan, there is fortunately little change to be noted in the dress of the people of the interior, even the old court costumes are worn at a few formal functions and ceremonies in the palace. From the careful scrutinizing of certain prints, particularly those known as surimono, a good idea may be gained of the appearance of all classes of people prior to the in- troduction of foreign civilization. A special selection of these prints (Series II), chosen with this idea in mind, may be viewed each year in Field Museum in Gunsaulus Hall (Room 30, Second Floor) from April 1st to July 1st at which time it is succeeded by another selection. Since surimono were cards of greeting exchanged by the more highly educated classes of Japan, many times the figures portrayed are those known through the history and literature of the country, and as such they show forth the costumes worn by historical char- acters whose lives date back several centuries. Scenes from daily life during the years between 1760 and 1860, that period just preceding the opening up of the coun- try when surimono had their vogue, also decorate these cards and thus depict the garments worn by the great middle class and the military ( samurai ) class, the ma- jority of whose descendents still cling to the national costume. -
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn CONTENTS 1 IN A JAPANESE GARDEN …........................................P3 2 THE HOUSEHOLD SHRINE ….....................................P23 3 OF WOMEN'S HAIR …................................................P36 4 FROM THE DIARY OF AN ENGLISH TEACHER …..........P43 5 TWO STRANGE FESTIVALS …....................................P73 6 BY THE JAPANESE SEA …..........................................P79 7 OF A DANCING-GIRL …..............................................P89 8 FROM HOKI TO OKI …................................................P102 9 OF SOULS ….............................................................P137 10 OF GHOSTS AND GOBLINS …...................................P142 11 THE JAPANESE SMILE …..........................................P152 12 SAYONARA! …........................................................P165 NOTES …....................................................................P170 CHAPTERONE In a Japanese Garden Sec. 1 MY little two-story house by the Ohashigawa, although dainty as a bird- cage, proved much too small for comfort at the approach of the hot season—the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet Street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a look-out window, heavily barred, like a big wooden cage. Thence, in feudal days, armed retainers kept keen watch on all who passed by—invisible watch, for the bars are set so closely that a face behind them cannot be seen from the roadway. -
Japanese Folk Tale
The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai." T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1. -
Japanesecostume12guns.Pdf
-s-t JAPANESE COSTUME BY HELEN C. GUNSAULUS Assistant Curator of Japanese Ethnology WQStTY OF IUR0IS L . MCI 5 1923 FIELD MUSEUM OF NATURAL HISTORY CHICAGO 1923 >7£ VtT3f 7^ Field Museum of Natural History DEPARTMENT OF ANTHROPOLOGY Chicago. 1923 Leaflet Number 12 Japanese Costume Though European influence is strongly marked in many of the costumes seen today in the larger sea- coast cities of Japan, there is fortunately little change to be noted in the dress of the people of the interior, even the old court costumes are worn at a few formal functions and ceremonies in the palace. From the careful scrutinizing of certain prints, particularly those known as surimono, a good idea may be gained of the appearance of all classes of people prior to the in- troduction of foreign civilization. A special selection of these prints (Series II), chosen with this idea in mind, may be viewed each year in Field Museum in Gunsaulus Hall (Room 30, Second Floor) from April 1st to July 1st at which time it is succeeded by another selection. Since surimono were cards of greeting exchanged by the more highly educated classes of Japan, many times the figures portrayed are those known through the history and literature of the country, and as such they show forth the costumes worn by historical char- acters whose lives date back several centuries. Scenes from daily life during the years between 1760 and 1860, that period just preceding the opening up of the coun- try when surimono had their vogue, also decorate these cards and thus depict the garments worn by the great middle class and the military (samurai) class, the ma- jority of whose descendents still cling to the national costume. -
194 | Japanese Journal of Religious Studies 40/ 1 (2013) Hosoi Hiroshi
194 | Japanese Journal of Religious Studies 40/1 (2013) Hosoi Hiroshi 細井浩志, Kodai no tenmon ihen to shisho 古代の天文異変と史書 [Official chronicles and astronomical anomalies of ancient Japan] Tokyo: Yoshikawa Kōbunkan, 2007. 376 pages. Cloth, ¥12,075. isbn 9784642024624. Historians of ancient Japan, from Japan or from the West, have been relying on the six official records (rikkokushi) since the dawn of the discipline. These compila- tions, which started with the establishment of an administrative system inspired by Tang China’s codes, present events relevant to the state that occurred within the reign of each emperor and are arranged in chronological order. The first of the six, the Nihon Shoki (720), which deals with the mythical origins of the land and with legendary sovereigns for most of its first half, appears clearly as an attempt to legiti- mize and promote imperial power, taking Japanese aristocrats as well as the Chinese empire as its targets. As such, the recorded events that are said to have occurred prior to the beginning of the eighth century are now widely regarded by scholars as wielding little historical accuracy. Thus, common sense dictates using these accounts with care and with a critical mind. If the remaining five official records (Shoku Nihongi, Nihon kōki, Shoku Nihon kōki, Nihon buntoku tennō jitsuroku, San- dai jitsuroku), which cover almost two centuries, are not usually treated in the same way, of late Japanese historians have shown distrust toward these sources, and have tended to focus rather on “new” primary documents such as manuscripts that were preserved in temples in Nara, or wooden tablets (mokkan) excavated from the soil of the old capital. -
(Red Suit of Armor), 309. Ake No Tamagaki 朱の
INDEX A Azuchi 安土 (also Azuchiyama 安土山; castle), Aizen Myōō 愛染明王 (Wisdom King), 164/fn. 19, 28, 130, 130/fn. 289, 144–147, 225, 250, 386, 205. 291, 291/fn. 805, 295, 303, 303/fn. 832. akazonae 赤備え (red suit of armor), 309. Azuchi nikki 安土日記 (Diary of Azuchi), 145/fn. 331. ake no tamagaki 朱の玉垣 (“cinnabar fence”), Azuma kagami 吾妻鏡 (The Mirror of the East), 174/fn. 416. 218/fn. 577. Amaterasu Ōmikami天照大御神 (deity), 190, 214, fn. 551, 217. B Amida 阿弥陀 (Buddha), 121, 124, 125, 160/fn. basabasa ni naru バサバサニ成る (“to be cha- 377, 183–184, 186, 205/fn. 510, 227/fn. 614, otic,” “to degenerate”), 310/fn. 859. 330/fn. 896. basara 婆娑羅, 波佐羅 (extravagance), 180/fn. Amida kyō 阿弥陀経 (Scripture on Amida), 183/ 438, 310–314, 317, 318. fn. 453. Basara Taishō 伐折羅大将 (Thunderbold Gen- Arima Harunobu 有馬晴信 (also Protasio; 1567– eral, one of the jūni shinshō 十二神将, Twelve 1612), 56/fn. 139. Heavenly Generals), 310/fn. 859. armor (tōsei gusoku ), 131/fn. 291, 312–313; pl. bengara 弁柄 (red pigment), 174/fn. 415. 16. bettō 別当 (shrine/temple steward), 206, 225/fn. armor surcoat (jinbaori 陣羽織), 131/ fn. 291, 606, 345. 312; pl. 15. bird-like being, see karyōbinga. ashigaru 足軽 (foot soldiers), 258, 258/fn. 717. biwa ita 琵琶板 (board fillings), 94/fn. 193. Ashikaga Mochiuji 足利持氏 (1398–1439), 219/ Black Tortoise (genbu 玄武, also “black warrior;” fn. 581. one of the Four Divine Creatures), 108/fn. 224. Ashikaga Takauji 足利尊氏 (1305–1358), 130, Blue-Green Dragon (qinglong 青龍; one of the 130/fn. -
Guide to the Japanese Textiles
' nxj jj g a LPg LIBRARY KHiW»s j vOU..-'.j U vi j w i^ITY PROVO, UTAH Digitized by the Internet Archive in 2016 https://archive.org/details/guidetojapaneset02vict . junihitoye Women’s Full Court Costume ( ) (From Tachibana no Morikuni, Yehon Shaho-bukuro.) Frontispiece.'] [See p. 48 [\JK ^84 .MS vol.S. VICTORIA AND AI.BERT MUSEUM DEPARTMENT OF TEXTILES GUIDE TO THE JAPANESE TEXTILES PART II.—COSTUME BY ALBERT J. KOOP LONDON : PRINTED UNDER THE AUTHORITY OF HIS MAJESTY’S STATIONERY OFFICE, 1920. Publication No. i2ot First Printed,, March , 1920 Crown Copyright Reserved BAR B. LEE LIBRARY bright m young university PROVO, UTAH PREFATORY NOTE. HE present volume, forming the second part of the guide to the Japanese textiles, has been written, in his own time, T by Mr. A. Koop, Assistant in the Department of Metalwork, J. Honorary Librarian and member of Council of the Japan Society. The thanks of the Museum are due to Mr. Koop for this voluntary assistance. CECIL HARCOURT SMITH. March , 1920. CONTENTS. PAGE INTRODUCTION I I. ORDINARY COSTUME 2 Men’s Dress . 3 Women's Dress . 10 Children’s Dress . 15 Travelling Dress . 16 Coolies and Field Workers . 17 Weddings, Funerals, Etc. 18 II. COURT AND ECCLESIASTICAL DRESS .. .. 19 Court Dress for Men . 19 Accession Robes . 19 Sokutai Dress . 21 Ikwan Dress . 33 Naoshi, Ko-naoshi, . Hanjiri . 34 Kariginu, Hoi Hakucho . , 37 Hitatare . 38 . Daimon (Nunobitatare) . 40 . Sud . 40 ( . Suikan Suikan no Kariginu) . 41 ( . Choken Choken no Suikan) . 41 . Types of Yeboshi . 41 . Kamishimo . 42 Dress of Military Court Officials . 44 Shinto Festival . -
THE SOCIO-POLITICAL FUNCTIONS of JAPANESE “VENGEFUL SPIRIT” HANDSCROLLS, 1150-1230 by Sara Lorraine Sumpter Bachelor of Arts
THE SOCIO-POLITICAL FUNCTIONS OF JAPANESE “VENGEFUL SPIRIT” HANDSCROLLS, 1150-1230 by Sara Lorraine Sumpter Bachelor of Arts, University of California, Davis, 2006 Master of Arts, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS & SCIENCES This dissertation was presented by Sara L. Sumpter It was defended on March 21, 2016 and approved by Katheryn M. Linduff, UCIS Research Professor, History of Art and Architecture Josh Ellenbogen, Associate Professor, History of Art and Architecture Clark Chilson, Associate Professor, Religious Studies Dissertation Advisor: Karen M. Gerhart, Professor, History of Art and Architecture ii Copyright © by Sara L. Sumpter 2016 iii THE SOCIO-POLITICAL FUNCTIONS OF JAPANESE “VENGEFUL SPIRIT” HANDSCROLLS, 1150-1230 Sara Lorraine Sumpter, PhD University of Pittsburgh, 2016 The second half of the twelfth century witnessed a curious boom at the Heian Court in Japan— the production of illustrated handscrolls whose narratives centered on a specific type of historical figure. Within a span of fifty years or less, three such handscroll sets were produced: the Kibi Daijin nittō emaki, the Ban Dainagon emaki, and the Kitano Tenjin engi emaki. In each story, the protagonist is an aristocrat who had lived three-to-four-hundred years previous to the production of the handscroll set. Each of the men in question had died in exile, and each was—at one point or another—believed to have become a vengeful spirit.