UNIVERSITY of CALIFORNIA Santa Barbara Localness and Indigeneity
UNIVERSITY OF CALIFORNIA Santa Barbara Localness and Indigeneity in Hawaiian Reggae A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Music by Sunaina Keonaona Kale Committee in charge: Professor David Novak, Chair Professor Ann-Elise Lewallen Professor James Revell Carr, University of Kentucky Professor George Lipsitz September 2017 The thesis of Sunaina Keonaona Kale is approved. _____________________________________________ Ann-Elise Lewallen _____________________________________________ James Revell Carr _____________________________________________ George Lipsitz _____________________________________________ David Novak, Committee Chair September 2017 Localness and Indigeneity in Hawaiian Reggae Copyright © 2017 by Sunaina Keonaona Kale iii Acknowledgements Thank You to… MY FAMILY my parents Patricia and Jivendra Kale, my sister Nalini “Shwoby” Kale, my auntie Kathy Ballesteros, and the rest of my ohana MY FRIENDS Liza Munk, Gen Conte, Danielle Dougherty, and the rest of my wonderful cohort in ethnomusicology and beyond at UCSB MY COMMITTEE my adviser Dave Novak, ann-elise lewallen, Rev Carr, and George Lipsitz …and… THE SCHOLARS WHO HAVE HELPED ME ALONG THE WAY Scott Marcus, Paul Spickard, Stefanie Tcharos, and Bhishnu Ghosh, for inspiration Maile Arvin and Lani Teves, and for inspiration and her bibliography Amy Ku‘uleialoha Stillman iv Abstract Localness and Indigeneity in Hawaiian Reggae by Sunaina Keonaona Kale The musical genre of Hawaiian reggae is typically considered a combination of reggae and Hawaiian music, and has been popular in Hawai‘i since the 1980s. Also known as Jawaiian or island music, this genre involves the ever-shifting identity and cultural categories of localness and Hawaiianness. Localness in Hawaiian reggae involves rootedness in and affective connection to place, multicultural inclusion and equalization, and opposition to an “outside” or the global.
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