Ilaeannual-Report2016.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Ilaeannual-Report2016.Pdf OUR VISION International League Against Epilepsy’s vision is a world in which no person’s life is limited by epilepsy. OUR MISSION International League Against Epilepsy’s mission is to ensure that health professionals, patients and their care providers, governments, and the public worldwide have the educational and research resources that are essential in understanding, diagnosing and treating persons with epilepsy. INTERNATIONAL LEAGUE AGAINST EPILEPSY TABLE OF CONTENTS GOVERNANCE Executive Committee 2 President 3 Treasurer 8 Secretary-General 11 Vice-President 14 Elections Commission 15 Epilepsia 16 Epileptic Disorders 17 Epilepsia Open 21 Director of Interactive Media 24 Headquarters and Chapter Services Staff 26 International Director of Meetings 27 TASK FORCES Epilepsy Education 30 Global Outreach 34 Publications 38 Global Research Priorities and Advocacy 39 Stigma 41 REGIONAL COMMISSIONS African Affairs 43 Asian and Oceanian Affairs 44 Eastern Mediterannean 53 European Affairs 54 Latin American Affairs 57 North American Affairs 59 TOPIC-ORIENTED COMMISSIONS Classification and Terminology 64 Diagnostic Methods 68 Education 74 Epidemiology 79 Genetics 81 Medical Therapies 84 Neurobiology 85 Neuropsychiatry 92 Pediatrics 103 Surgical Therapies 107 NATIONAL CHAPTERS 111 CONSTITUTION 158 BYLAWS 161 Headquarters Office Chapter Services Office 342 North Main Street, Suite 301 7 Priory Hall West Hartford, Connecticut, USA Stillorgan 06117-2507 Co. Dublin Tel +1 860.586.7547 Ireland Fax +1 860.586.7550 Tel +353.1.278.4908 Website: www.ilae.org Fax +353.1.205.6156 2016 ANNUAL REPORT 1 EXECUTIVE COMMITTEE 2013-2017 PRESIDENT IBE, PRESIDENT (EX-OFFICIO) Emilio Perucca Thanos Covanis Italy Greece SECRETARY-GENERAL IBE, SECRETARY-GENERAL (EX-OFFICIO) Helen Cross Sari Tervonen United Kingdom Finland TREASURER IBE, TREASURER (EX-OFFICIO) Samuel Wiebe Robert Cole Canada Australia VICE PRESIDENT INVITEES: Tatsuya Tanaka EPILEPTIC DISORDERS Japan EDITOR-IN-CHIEF PAST PRESIDENT Alexis Arzimanoglou Solomon Moshé France USA EPILEPSIA OPEN COMMISSION ON AFRICAN AFFAIRS CO-EDITORS-IN-CHIEF A. Gallo Diop Gary Mathern Senegal USA COMMISSION ON ASIAN AND Aristea Galanopoulou OCEANIC AFFAIRS USA Byung-In Lee Dieter Schmidt Korea Germany COMMISSION ON EASTERN Xuefeng Wang MEDITERRANEAN AFFAIRS China Hassan Hosny Egypt INFORMATION OFFICER Edward Bertram COMMISSION ON EUROPEAN AFFAIRS USA Meir Bialer Israel EDUCATION COMMISSION Jaime Carrizosa COMMISSION ON LATIN Colombia AMERICAN AFFAIRS Marco Medina DIRECTOR OF INTERACTIVE MEDIA Honduras Jean Gotman Canada COMMISSION ON NORTH AMERICAN AFFAIRS STRATEGIC PLANNING Sheryl Haut Torbjörn Tomson USA Sweden EPILEPSIA, CO-EDITORS-IN-CHIEF Gary Mathern USA Astrid Nehlig France Michael Sperling USA 2016 ANNUAL REPORT 2 PRESIDENT’S REPORT Emilio Perucca As my term as President of ILAE comes to a close, it is followed in March 2017 by the final position papers appropriate to take a pause and reflect on what has on the classification of epileptic seizures3 and the been achieved over the last four years, and to highlight classification of the epilepsies.4 These position papers, the priorities that should guide our activities in the which are available via open access in the Epilepsia future. The League is a privileged organization that website (http://onlinelibrary.wiley.com/doi/10.1111/ can count not only on the dedication of its officers and epi.13709/epdf; http://onlinelibrary.wiley.com/doi/ personnel, but also on the contribution of hundreds 10.1111/epi.13670/epdf) represent the culmination of members of Commissions and Task Forces, and of a massive effort that has been ongoing within thousands of professionals who participate in the our community for over a decade, and provides a activities of our 114 national Chapters. None of the modern ILAE framework for terminology, definition achievements described below could have materialized and classification of epilepsy and seizure types. To without the commitment and perseverance of these assist the user in the application of these concepts, the individuals. ILAE Commission on Classification and Terminology has also prepared an instruction manual that includes The activities of the League during the 2013-17 term a valuable glossary and examples based on seizure were guided by the goals set out by the Strategic Plan descriptions from everyday clinical practice5 (http:// implemented in 2009 (http://www.ilae.org/Visitors/ onlinelibrary.wiley.com/doi/10.1111/epi.13671/epdf). Documents/StrategicPlan-FinalJuly-09.pdf), and can be described by reference to the key priority areas A related initiative aimed at improving diagnosis of identified by the Plan. seizure types and epilepsy syndromes is the cutting- edge online diagnostic manual of the epilepsies, Serving as the premier international epilepsydiagnosis.org (www.epilepsydiagnosis.org). The manual was conceived and developed by the resource for epilepsy knowledge Diagnostic Manual Task Force of the previous ILAE Commission on Classification and Terminology (2009- Since the League’s inception, ILAE Commission and 2013), in partnership with eResearch at the University Task Force Reports have been a valuable resource of Melbourne. It was launched formally in September to epilepsy professionals, assisting them in improving 2014 and is being constantly updated thanks to the diagnosis and management based on the best wonderful dedication of Kate Riney and her team. available evidence. During the 2013-17 term, a total Epilepsydiagnosis.org harnesses the power of the of 33 ILAE Commission and Task Force Reports have internet to present the complexity of the large amount been published in our journals and received with great of new information now available about the epilepsies interest, as testified by the high number of citations and and their etiologies in a manner that is concise, downloads. The list of these publications, which cover current, and accessible to a global audience. It is as a wide range of topics, can be found in the Secretary relevant to those in primary and secondary health General’s report. care settings as it is to those in tertiary epileptology practices. As an indication of the success of this In 2013, the Executive Committee adopted a new initiative, in the last quarter of 2016, the manual had procedure for the approval of papers that represent an average of 10,200 users per month engaging in the ‘official’ position of the ILAE, i.e. documents that 12,800 visits to the website, for an average of 7.5 are intended to provide a common language or set minutes per visit, with 44,000 page visits each month. of definitions for the international epilepsy community (e.g. defining epilepsy, defining specific syndromes, The exponential increase in the amount of information classification) (http://www.ilae.org/Visitors/Documents/ becoming constantly available is a challenging Guideline-PublPolicy-2013Aug.pdf). These papers are experience for physicians who strive to remain updated initially reviewed by the Executive Committee for overall on the latest developments, and to base their clinical approval of concept and content, and then submitted decisions on the best available evidence. Well- to Epilepsia for peer review and placed simultaneously structured clinical guidelines provide an important tool on the web for public comment for a period of two in condensing large amount of information, assessing months. All comments received are then addressed and the quality of the evidence based on transparent incorporated as appropriate by an ad hoc Task Force, criteria, and applying it to practical recommendations prior to final approval by the Executive Committee for rational diagnosis and management. Although as the ILAE position. This procedure ensure that the in the past the League has been involved in the League’s position papers reflect not only knowledge of production of guidelines, it was only in the present term a selected group of experts, but also the input of our 1 that the ILAE Task Force on Guidelines, led by Nathalie entire constituency worldwide. Jetté, developed rigorous rules and procedures to be followed when preparing ILAE guidelines in the The first position paper approved through this future.6 In parallel, the Task Force on Guidelines also process was the practical (operational) clinical conducted a systematic search of currently existing definition of epilepsy, published in 2014.2 This was clinical guidelines7 identifying major gaps which, 2016 ANNUAL REPORT 3 PRESIDENT’S REPORT (continued) hopefully, our organization will be able to address in The last four years also witnessed new exciting the near future. developments in the League’s publication portfolio, and I am grateful to the editors of our journals for making During the current term, the ILAE has increasingly such developments possible. Epilepsia continues potentiated its educational activities through a to be the most prestigious epilepsy journal for greatly improved website, a consolidation of VIREPA publication of original research articles and scholarly (distant education) courses, and an expanded range reviews, and its impact factor has steadily risen from of educational courses and training fellowships, 3.91 in 2012 to 4.70 in 2017. In 2013, the ILAE run mostly through our Regional Commissions and acquired Epileptic Disorders as its journal dedicated related educational academies. After two successful primarily to education. Finally, in September 2017, International Epilepsy Congresses (IECs) in Montreal the League launched
Recommended publications
  • Label Chart Action Report in Qtr. Soared in '68 by MIKE GROSS NEW YORK It''s SRO at by GRAEME ANDREWS - NEW YORK - the Atlan- Cent Share and Six Titles
    APRIL 5, 1969 SEVENTY -FIFTH YEAR 1.00 COIN MACHINE PAGES 45 TO 50 The International Music -Record Newsweekly U. K.'s Sales, IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 2 HOTELS SRO Atlantic Tops Billboard's Hot 100 Album Prod. -REGISTRATION TO IMIC OPEN Label Chart Action Report in Qtr. Soared in '68 By MIKE GROSS NEW YORK It''s SRO at By GRAEME ANDREWS - NEW YORK - The Atlan- cent share and six titles. Plac- ords placed second with a 5.5 the two hotels that have been tic Records label topped the ing fourth was Reprise Records per cent share and seven titles; LONDON - Britain's record booked at special conference "Hot 100" field for the first with 4.4 per cent and 10 titles; Columbia came in third with a industry hit an all -time high in rates for the International Mu- quarter of 1969 in the initial Motown Records was fifth with 5.3 per cent share and seven sales, exports and album pro- sic Industry Conference in the survey compiled by Billboard's a 4.2 per cent share and six titles; Uni placed fourth with a duction in 1968, according to Charts Department. Atlantic had titles. Rounding out the "top 4.3 and Bahamas April 20 -23. Accom- per cent share four Ministry of Technology statis- 6.8 per cent of the chart action 10" in their respective order titles, and Tamla took fifth with tics. The results show that the modations have been exhausted during the first three months of were: Epic, Stax, Atco, Colum- a 4.0 per cent share and four industry managed to ride out at the Paradise Island Hotel & the year and placed 20 titles on bia and Uni.
    [Show full text]
  • An Analysis of the Influence of Prince on Music Marketing OUTSTANDING PAPER – Arts, Music & Entertainment
    A Royal Revolution: An analysis of the influence of Prince on music marketing OUTSTANDING PAPER – Arts, Music & Entertainment Deirdre T. Guion Peoples, [email protected] Introduction “Albums — remember those? Albums still matter. Albums, like books and black lives, still matter." These are the opening words for the presentation of album of the year at the 57th annual Grammy Awards for what we now know was one of the last television appearances of Prince (Gajewski and Lee 2015). Embodied in that one line is the culmination of a careers’-long battle for acknowledgement, acceptance, and control by an entertainer who refused to play by the rules of the recording industry. Prince figured out early in his career that the link between a musician and their audience was marketing. Marketing that typically was developed and controlled by the record label and not the musician. This study uses the culture production system (CPS) to explore how the musical artist Prince launched a revolution against the marketing practices of the music industry while capitalizing on some of those same practices to craft his image and propel his career. Along the way Prince paved a path for future artists to better maintain control of their artistic output. In exchange for fronting all of the production, distribution and marketing expenses of a musician’s recordings, the record labels also retained ownership of those recordings in accordance with the “work for hire” provision of the Copyright Act of 1976. This long-standing industry practice to include ownership of songs as a part of a recording contract has been a point of contention for several musicians (Sisario 2016).
    [Show full text]
  • Announcement
    Announcement 72 articles, 2016-04-29 06:03 1 7 Must-See Shows at Berlin Gallery Weekend It’s like an art fair, only way more spacious (and way less painful). 2016-04-28 20:05 6KB thecreatorsproject.vice.com (1.00/2) 2 ‘You Me Bum Train’ Takes the Selfie to a New Level The immersive performance experience could be set to open in New York next year. 2016-04-28 16:46 4KB wwd.com (1.00/2) 3 Wim Delvoye to Open a Gallery in Kashan, Iran Kashan, Iran. COURTESY MASSACHUSETTS INSTITUTE OF TECHNOLOGY The Art Newspaper reported today that Belgian artist Wim Delvoye is in the process of restoring (1.00/2) 2016-04-28 12:49 1KB www.artnews.com 4 Unlimited Section at Art Basel in Basel to Include El Anatsui, Stan Douglas COURTESY YOUTUBE Unlimited, the Art Basel platform allotted for large-scale and (1.00/2) unconventional artworks, will be showing a record 88 projects from 2016-04-28 10:13 5KB www.artnews.com 5 Morning Links: Jeopardy Edition Must-read stories from around the art world 2016-04-28 08:35 2KB www.artnews.com (1.00/2) 6 Mechanical Glamour - Magazine - Art in America As the Met’s Costume Institute opens an exhibition about the interplay between handmade and mass-produced fashion, Leonardo da Vinci’s sketch for a sequin-making machine evokes a longer historical view of the topic. 2016-04-29 06:02 19KB www.artinamericamagazine.com 7 Paul Simon, Regina Spektor, Maria Popova and Matthew Weiner Pitch in at Poetry Event Paul Simon, “Mad Men” creator Matthew Weiner, “Brain Pickings” founder Maria Popova and Regina Spektor helped the Academy of American Poets celebrate verse at Lincoln Center… 2016-04-28 22:56 4KB wwd.com 8 Feel Like This: Sam Johnson on Luis Garay’s Maneries To spark discussion, the Walker invites Twin Cities artists and critics to write overnight reviews of our performances.
    [Show full text]
  • Kuwait Denies Recalling Ambassador from Iraq
    SUBSCRIPTION TUESDAY, JUNE 24, 2014 SHAABAN 26, 1435 AH www.kuwaittimes.net Call to stop Clashes as Algerian Djokovic, planting Pakistan cleric capital aims Murray cruise conocarpus returns to lead to reconquer in Wimbledon trees 3 ‘revolution’11 its21 seaside openers17 Kuwait denies recalling Max 45º Min 32º ambassador from Iraq High Tide 09:05 & 23:03 Sunni uprising wins support in Gulf despite official unease Low Tide 03:03 & 16:35 40 PAGES NO: 16206 150 FILS KUWAIT: The Foreign Ministry refuted yesterday media claims that it has recalled its ambassador and other Kerry backs Iraq against ISIL threat diplomats from Iraq. In a brief statement, the ministry said that the Kuwaiti diplomatic mission is still function- BAGHDAD: US Secretary of State John Kerry yester- ing in Iraq, but it has been downsized due to the unrest day pledged “intense” support for Iraq against the in the country. The denial came after Reuters reported that Kuwait has withdrawn its ambassador from Iraq “existential threat” of a major militant offensive due to the security situation there. “We told our ambas- pushing toward Baghdad from the north and west. sador and diplomatic team (to leave) more than a week Kerry’s surprise visit came as Sunni insurgents led by ago ... This is because of the security situation in Iraq. the Islamic State of Iraq and the Levant (ISIL) made When we feel the situation has become stable and nor- major advances in a strategic town and along the mal again they will go back,” Khaled Al-Jarallah, Kuwaiti country’s border with Syria.
    [Show full text]
  • Alcohol and Drug Abuse in Black C~Mmunities
    If you have issues viewing or accessing this file contact us at NCJRS.gov. Office for Substance Abuse Prevention National Institute on Drug Abuse Proceedings of a National Conference on Preventing Alcohol and rug buse in Black Communities May 22-24, 1987 Washington, DC 9y The Department Of , Human Services 'tion With A Network Of I( Organizations Oakland Parents ~ inAction ~ ~ MIBC'A TI NATIONAL ADDICTION ZETAe PHI BETA OAKLAND PARENTS MINNESOTA DELTA BLACK RESEARCH AND IN ACTION INSTITUTE ON SIGMA N ALCOHOLISM TREATMENT BLACK THETA COUNCIL CORPORATION CHEMICAL"'" ABUSE U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service Alcohol, Drug Abuse, and Mental Health Administration OSAP Printed by the otnce for Substance Abuse Prevention and distributed by the National Clearinghouse for Alcohol and Drug Information P.O. Box 2345 Rockville. MD 20852 L / ~ 3'1/0 Proceedinm; of a National Conference ~n Preventing Alcohol and Drug Abuse in Black C~mmunities May 22-24, 1987 Washington, DC Presented By The Department Of Health And Human Services In Cooperation With A Network Of Major Black Organizations ~1 ~~ Oakland Parents ,.,. tt;J: inAction W ~ ~ !>UBeA THEUNK5,INC. NATIONAL NATIONAL ADDICTION MEDICAL ZETA PHI BETA OAKLAND PARE~4TS MINNESOTA CELTA BlACK RESEARCH AND IN ACTION INsnTUTEON ASSOCIATION ALCOHOUSM mEATMENT SIGMA COUNCIL DUCK THETA CORPORATION CHEMICAL ABUSE • u.s. DEPARTMENT OF HEALTH AND HUMAN SERVICES Public Health Service Alcohol, Drug Abuse, and Mental Health Administration Office for Substance Abuse Prevention 5600 Fishers Lane Rockvillb, MD 20857 These Proceedings are based upon papers and discussions from A National Conference on PreventingAlcohol and DrngAbuse in Black Communities held in Washington, DC, in May 1987.
    [Show full text]
  • 3, 2020 Minneapolis, MN Conference Presenters and Abstracts
    An Interdisciplinary Conference June 2 – 3, 2020 Minneapolis, MN Conference Presenters and Abstracts Hosted by The School of Arts and Media, University of Salford, UK Organized by Dr. Kirsty Fairclough, School of Arts and Media, University of Salford Kristen Zschomler, Minneapolis-based historian and writer, Sound History, LLC Chris Aguilar-Garcia Independent Scholar, USA Dirty Mind and Controversy: Creating a Queer Icon Sex and sexuality were key elements of the Prince persona and catalog from the release of his debut album and first single, “Soft and Wet.” While his early releases were essentially heteronormative and barely transgressive, particularly at the tail end of the sexually liberated disco era, in 1980’s “Dirty Mind,” we see the beginnings of a queer sensibility. Beyond what critic Ken Tucker termed a “liberating lewdness” in his Rolling Stone review, the album also included Prince’s first songs of outright social commentary with “Uptown,” and “Partyup.” In “Uptown,” Prince is pegged as gay because of his clothes and hair, and in “Partyup,” the 30- minute album closes out to the defiant chant “You’re gonna have to fight your own damn war / ‘Cause we don’t wanna fight no more!” A year later, in the title track to 1981’s Controversy, Prince ponders, “Am I straight or gay?,” a bold question at a time fellow Queer icons Elton John and Freddie Mercury were not publicly out. In “Sexuality,” Prince goes on to proclaim the Second Coming not as the return of Christ, but the dawn of an “anything goes” sexual revolution free of segregation. Within the framework of these two definitive albums, Prince solidly planted himself in the pantheon of Queer icons, laying the groundwork for a blockbuster career that relentlessly defied social and industry norms.
    [Show full text]
  • Mj the Evolution the Complete Michael Jackson Tribute Show
    2018 INVESTOR OVERVIEW SPR & Promotions, LLC 7322 S. Rainbow Blvd., Ste. 50 Las Vegas, Nevada 89139 Revolutionizing Marketing and Media Platforms for Tomorrow Financial Summary Las Vegas Tribute Shows This financial summary is based on a four-wall deal and/or purchasing contract with each hotel and casino in Las Vegas containing projected cost, profit and generated revenue. Four walling, or four wall distribution, is a term originally used in the film industry where a studio or distributor rents a movie theater for a period of time receiving the majority share of the box office revenue. Four wall arrangements are a typical business model for live entertainment shows wherein the performer or production company rents a venue and assumes all production, marketing and ticket sale costs and efforts. The venue simply provides the space. Four-Wall Distribution Arrangement 1st wall The Show 2nd wall The Technical Setup 3rd wall The Theater, Box Office, Security, Ushers, etc. 4th wall Marketing, Advertising & Promotions Las Vegas Hotels and Casinos typically use a four-wall arrangement when negotiating show deal points. SPR can negotiate a number of revenue sharing combinations based on hotel interest level. *Please refer to attached Tropicana Hotel & Casino Deal Memo Revolutionizing Marketing and Media Platforms for Tomorrow SPR & Promotions, LLC 7322 S. Rainbow Blvd. Ste 50, Las Vegas, NV 89139 PURPLE REIGN - THE PRINCE TRIBUTE SHOW LAS VEGAS, Oct. 19, 2017 /PRNewswire/ -- Purple Reign, the world's #1 Prince tribute starring Jason Tenner, has announced a Las Vegas residency at Tropicana Las Vegas. Set to debut on November 1, the award-winning Prince Tribute Show will bring its high-energy musical performance to Tropicana Theater as the 9 p.m.
    [Show full text]
  • Gypsy Punk: Towards a New Immigrant Music
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Gypsy Punk: Towards a New Immigrant Music https://eprints.bbk.ac.uk/id/eprint/40029/ Version: Public Version Citation: Ashton-Smith, Alan (2013) Gypsy Punk: Towards a New Immi- grant Music. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Gypsy Punk: Towards a New Immigrant Music ALAN ASHTON-SMITH THE LONDON CONSORTIUM BIRKBECK, UNIVERSITY OF LONDON Thesis submitted for the degree of Doctor of Philosophy July 2012 1 Declaration I certify that this thesis is the result of my own investigations and, except for quotations, all of which have been clearly identified, was written entirely by me. Alan Ashton-Smith July 2012 Acknowledgements It is unlikely that I could have written this thesis anywhere except in the unique environment of the London Consortium, and I am grateful for the opportunity to be part of its PhD programme, and for the unwavering and wide-ranging interest and advice of its staff and students. I have had excellent supervision throughout the research and writing process. Many thanks are due to Steven Connor for his enthusiasm for the project and his polymathic advice, and to Ioana Szeman for her valuable expertise and ability to tease out threads of argument from tangled text. I am fortunate that the primary subjects of my research – the members of Gogol Bordello – allow themselves to be so accessible, and thank them for being happy to talk about their work, for sharing their riders, and for throwing magnificent afterparties.
    [Show full text]
  • The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, Or Other?
    The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Gardner, Hyniea. 2019. The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other?. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42004187 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Impact of African-American Musicianship on South Korean Popular Music: Adoption, Appropriation, Hybridization, Integration, or Other? Hyniea (Niea) Gardner A Thesis in the Field of Anthropology and Archaeology for the Degree of Master of Liberal Arts in Extension Studies Harvard University May 2019 © May 2019 Hyniea (Niea) Gardner Abstract In 2016 the Korea Creative Content Agency (KOCCA) reported that the Korean music industry saw an overseas revenue of ₩5.3 trillion ($4.7 billion) in concert tickets, streaming music, compact discs (CDs), and related services and merchandise such as fan meetings and purchases of music artist apparel and accessories (Kim 2017 and Erudite Risk Business Intelligence 2017). Korean popular music (K-Pop) is a billion-dollar industry. Known for its energetic beats, synchronized choreography, and a sound that can be an amalgamation of electronica, blues, hip-hop, rock, and R&B all mixed together to create something that fans argue is “uniquely K-Pop.” However, further examination reveals that producers and songwriters – both Korean and the American and European specialists contracted by agencies – tend to base the foundation of the K-Pop sound in hip-hop and R&B, which has strong ties to African-American musical traditions.
    [Show full text]
  • J2P and P2J Ver 1
    I I I I I I I I I I I I I I I I I I I I I I Il I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I'd JUNE 13, 1964 SEVENTIETH YEAR 50 CENTS I I I I I I I CELLER BILL BACK ON BOOKS; SET FOR JUNE 10 WASHINGTON - The House Rules Committee has again scheduled a hearing on the Celler bill to end the juke box exemption from performance royalties. The hearing is set for Wednesday (I0). The previous hearing date was for May 12, but was canceled because Rep. Emanuel Celler (D., N. Y.), chairman of the House Judiciary Committee, and author of the bill, and Rep. Edwin E. Willis (D., La.), chairman of the Copyrights Subcommittee (Billboard, BillboThe Music -Record Newsweekly May 23), were out of town. International Presumably, Celler and Willis will push for a rule to get the (Continued nn ()nee /0) Radio-TV Programming PhonoTape Mrehandlslns Coln Machln Operating I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I ENG.
    [Show full text]
  • Drought Campaign Survey Final Report
    Southwest Florida Water Management District Media Research and Evaluation of the "Drought Campaign" and Focus Group Pretesting of the "Skip a Week" Campaign Ads Final Report Media Research and Evaluation of the Southwest Florida Water Management District’s Water Conservation Public Awareness Campaign Final Report Table of Contents Final Report Executive Summary Introduction................................................. 1 Survey Report Summary.................................................................................. 1 Focus Group Report Summary ........................................................................ 5 Water Conservation Media Campaign Survey Report ..................................... 7 Appendix A – Survey Instrument...................................................................... 28 Appendix B – Posttest Data including Comparisons........................................ 38 Appendix C – Pretest Data .............................................................................. 98 Appendix D – Drought vs. Water Shortage ...................................................... 109 Appendix E – Lawmaker Question................................................................... 129 Appendix F – Self-Reported Behavior Change ................................................ 149 Appendix G – Advice to Conserve ................................................................... 155 Media Research Focus Group Report ............................................................. 173 Appendix A – Moderator’s Guide
    [Show full text]
  • January/February 2018
    JANUARY/FEBRUARY 2018 CINEMASTERS: PAUL THOMAS ANDERSON | DARKEST HOUR A MATTER OF LIFE AND DEATH | THE SHAPE OF WATER THREE BILLBOARDS OUTSIDE EBBING, MISSOURI GLASGOWFILM.ORG CINECARD Purchase your CineCard for £40 per year and support the work of GFT, a registered charity. In addition, you will receive: - One year free subscription to online curated film platform MUBI -£1 off every standard GFT screening, Friday matinees and Tuesday Treats. -4 free cinema tickets. -Up to £5 off NT Live / RSC / Bolshoi Ballet / live event screenings -Loyalty points earned for every £1 spent on GFT tickets. -Four days priority access to standard GFF tickets before they go on public sale. Ask at the Box Office for details or apply online glasgowfilm.org/cinecard 15-25 CARD Aged 15-25? Want to see essential cinema for less? Join our free 15-25 Card scheme and get standard GFT tickets for just £5.50. You’ll also earn loyalty points for every pound you spend on cinema tickets. Claim back your collected points for free tickets! Ask at the Box Office for details or apply online glasgowfilm.org/student GFT GIFT VOUCHERS Looking for inspiration? Whether you are buying for Christmas, a birthday or just as a special present, GFT Gift Vouchers are the perfect way to treat any film-goer. Gift vouchers can be spent on tickets, memberships and courses as well as tickets for Glasgow Film Festival. Available online and at the Box Office, terms and conditions apply. T&Cs apply. Glasgow Film Theatre (GFT) is a registered company in Scotland No.SC097369.
    [Show full text]