DOCSLIB.ORG

1 9 9 3 N E X T WAVE FESTIVAL ~AM I~ ~~~~~R I~An I~ Ui~Ink

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 9 9 3 N E X T WAVE FESTIVAL ~AM I~ ~~~~~R I~An I~ Ui~Ink ARTWORK FOR NEXT WAVE FESTIVAL POSTER BY RO>EMtll\IE TROCKEL 1 9 9 3 N E X T WAVE FESTIVAL ~AM i~ ~~~~~r i~an I~ ui~inK BY SUBWAY/LIRR Reaching BAM and the BAM Majestic Theater is fast and convenient. All of these trains stop within two or three blocks: B, N, R: Pacific Street D, M, N, Q, R: Dekalb Avenue 2, 3, 4, 5: Nevin s Street 2, 3, 4, 5, D, Q, LIRR: Atlantic Avenue G: Fulton Street A*, C: Lafayette Avenue (*after 8pm & weekends only) BY AUTOMOBILE From Manhattan via the Manhattan Bridge: continue off the bridge onto Flatbush Avenue, then, (A) continue on Flatbush Avenue and turn left onto Fulton Street. For the BAM Majestic Theater, proceed one block and turn right onto Rockwell Place where there are two parking lots. For BAM, proceed two blocks and turn right onto Ashland Place. BAM and the BAM parking lot are one block ahead. From Manhattan via the Brooklyn Bridge: immediately upon exiting the bridge, turn left onto Tillary Street. Continue on Tillary Street and turn right onto Flatbush Avenue. (see A above) BAM Parking for only $6.50 Attended parking is only $6.50 in the From Connecticut, Queens and Long Island: BAM Parking Lots ($5.00 for Subscribers). Take the Long Island Expressway to the The Parking Lots are patrolled continuously Brooklyn Queens Expressway. Exit at throughout the performance and for 30 Tillary Street, Exit 29. Follow exit onto minutes after the final curtain . Tillary Street two short blocks and turn left onto Flatbush Avenue (see A above). BY BAMBUS EXPRESS Sponsored by BROOKLYN UNION GAS From New Jersey: the BAMbus provides easy transportation Use the Holland Tunnel and continue east for events in the BAM Opera House and on Canal Street which leads directly across BAM Majestic Theater. The BAMbus the Manhattan Bridge. Continue off the leaves the Loews NY at 51st and bridge onto Flatbush Avenue (see A above). Lexington one hour before curtain. Following performances the BAMbus From Staten Island: serves the Village, Midtown East and the Cross the Verrazano Narrows Bridge to the West Side up to 86th Street. Fare is BQE. Take Exit 29, Tillary Street. Follow $4.00 each way ($3.00 for Subscribers). exit onto Tlllary Street two short blocks For round-trip reservations only, call and turn left onto Flatbush Avenue (see A (718) 636-4100, Monday through Friday above). 10am - 5:30pm q FESTIVAL sponsored by PHILIP MORRIS COMPANIES INC. The Brooklyn Academy of Music gratefully acknowledges generous ongoing support for the NEXT WAVE Festival from donors of the following special funds, which have been established as part of The Campaign for BAM: PHILIP MORRIS/NEXT WAVE FORWARD FUND F OUNDING SPONSOR "Supporting the Spirit of Innovation" MICHAEL BANCROFT GOTH ENDOWED ANNUAL PERFORMANCE FUND 1993 NEXT WAVE Festival Supporters: NEW YORK CITY DEPARTMENT OF CU LTURAL AFFAIRS NATIONAL ENDOWMENT FOR THE ARTS THE FORD FOUNDATION LILA WALLACE-READER'S DIGEST OPERA FOR A NEW AMERICA, a project of OPERA AMERICA THE ROCKEFELLER FOUNDATION JOHNS. AND JAMES L. KNIGHT FOUNDATION THE WILLIAM AND FLORA HEWLETT FOUNDATION THE FAN FOX AND LESLIE R. SAMUELS FOUNDATION THE BOHEN FOUNDATION HACH ETTE FILIPACCHI MAGAZINES ROBERT W. WILSON THE HOWARD GILMAN FOUNDATION MEET THE COMPOSER/READER'S DIGEST COMMISSIONING PROGRAM THE FOREIGN OFFICE OF THE FEDERAL REPUBLIC OF GERMANY GOETHE HOUSE NEW YORK/GERMAN CULTURAL CENTER MORGAN GUARANTY TRUST COMPANY OF NEW YORK ONE WORLD ARTS FOUNDATION, INC. THE CHASE MANHATTAN BANK TICKETMASTER THE GREENWALL FOUNDATION LUFTHANSA GERMAN AIRLINES NEW YORK STATE COUNCIL ON THE ARTS THE WILLIAM AND MARY GREVE FOUNDATION, INC. THE ARTHUR ROSS FOUNDATION MID ATLANTIC ARTS FOUNDATION NEXT WAVE PRODUCERS COUNCIL NEXT WAVE ASSOCIATES FRIENDS OF BAM Audience deve lopment initiatives have been supported, in part, by Chemical Bank . The BAM Facility is owned by th e Ci ty of New York and its operation is made poss ible, in part, wi th public funds provided through the New York City Department of Cultural Affairs with support from the Brooklyn Delegation of th e New York City Council and Brooklyn Borough President Howard Go lden. On the cover: Gera ld Arpino (photo: ©Herbert Migdoll ); Prince; Jaffrey dancer Tom Mossbrucker (photo: ©Herbert Migdoll) II Ill A Gerald Arpino Production Conceived and Directed by Gerald Arpino Music by Prince Rogers Nelson''· Choreography by Laura Dean, C harles Moulton, Peter Pucci, and Margo Sappington Artistic Supervision by Scott Barnard Costumes by Charles Atlas, C hristine Joly, George Ramos, and Rosemarie Worton Billboard D esigns by Herbert Migdoll Scenery and Costume Supervision, and Set for Slide, by Campbell Baird Lighting by Howell Binkley Lighting Supervision by Susan A. White Billboard 1: SOMETIMES IT SNOWS IN APRIL The production of BILLBOARDS Choreography by Laura Dean would not have been possible without the Costumes by Rosemarie Worton musical inspiration of Prince Rogers Nelson. from original concept by Laura Dean A special thank you to Patricia Kennedy, Billboard 2: THUNDER/PURPLE RAIN who helped initiate this project and who was Choreography by Charles Moulton in strumental in its development. Costumes by Charles Atlas The Joffrey Ballet extends its deepest appreciation­ Billboard 3: SLIDE to the donors whose major support has made the Choreography by Margo Sappington production of BILLBOARDS possible: Costumes by George Ramos H ancher Auditorium/The University of Set by Campbell Baird Iowa Foundation Billboard 4: WILLING AND ABLE and The Harkness Foundations for Dance Choreography by Peter Pucci Costumes by Christine Joly, Ass't: David Brooks Additional thanks to Gilbert Davison, Paisley Park Enterprises, Warner Chappell, Warner As we travel the highways and byways of America, Bros. Records, Joffrey Board Members Mary Keough Lyman and Dr. Lewis E. January, and to from the Long Island Expressway to the Sunset Wallace Chappell and Jill Willis for their dedica­ Strip, from Interstate 70 to Interstate 75, billboards tion and key roles in helping to la unch this pro­ loom overhea d, reflecting our society and envelop­ duction of BILLBOARDS. in g our senses with their direct, powerful messages. An integral part of our contemporary landscape, Special thanks to Metropolitan Life Foundation billboards have their antecedents in ancient for funds to help commission the Peter Pucci sec­ Egyptian stelae and in the European bulletins of tion of BILLBOARDS. the Middle Ages that were posted in city squares, We thank The Outdoor Advertising Association on churches and public buildings, to give informa­ of America Education Fund a nd the OAAA tion to the local citizenry. In our time, many bill­ members for their generosity. Creati ve suport boards have achieved the status of American folk has been privided by The Gannett Outdoor art. Group. Computer graphic productio n of on­ stage billboards produced by Computer Image The Joffrey billboards are painted with the strong Systems, Torrance, CA. rhythms of Prince's music and the dynamism and sweep of four contemporary American choreogra­ Music used by permission of WB Music Corp . phers: Laura Dean, Charles Moulton, Peter Pucci, on behalf of Controversy Music. Willing and and Margo Sappington. Able also used by permission of WB Music --Gerald Arpino, j anuary 1993 Corp./Mack Dog Productions/Anthony Michael Music (world , excluding the U.S . and Japan ). R elease It also used by permission of WB Music ,,_M usic written and composed by Prince Rogers Corp./Ya D Sir Music (world) and by WB Music Nelson (stage name: Prince), in collaboration on Corp./Anthony Michael Music (world, excluding the following songs: Sometimes It Snows in April the U.S. and Canada). with W endy Melvoin and Lisa Coleman; Computer Blue with Wendy M elvoin, Lisa BILLBOARDS Coleman, John Nelson, and Matt Fink; Willing World Premiere by The Joffrey Ba llet,at and Able with Tony Mosley and Levi Seacer; and H ancher Auditorium, Iowa City, Iowa Release It with Morris Day and Levi Seacer. on January 27, 1993. CAST November 9, 11, 13 8pm; November 14 3pm BILLBOARD 1 SOMETIMES IT SNOWS IN APRIL CHERYL MADEUX GREGO RY RUS SELL MAlA WILKINS MICHAEL LEV IN E NICOLE MARIE DUFFY DAVIS ROBERTSON ADRIANA JA CINTO RYUJ I YAMAMOTO JENNY SANDLER JEROME DAVID KIPPER RITA MARTINEZ TODD STICKNEY FERN MILLER MICHAEL ANDERSON KIM SAGAMI CA LVI N KITTEN SUZANNE LOPEZ CHRISTOPHER MCMILLEN Songs : Sometimes It Snows in April, Trust, and Baby I'm a Star intermission BILLBOARD 2 THUNDER VALERIE MADONIA SUZANNE LOPEZ RITA MARTINEZ KIM SAGAM I LISSETTE SALGADO PASCAL BENICHOU GLEN HARRIS CALVI N KITTEN PIERRE LOCKETT MICHAEL LEV INE ADAM SKLUTE TODD ST ICKNEY PURPLE RAIN ELI ZA BETH PARKINSON SUZANNE LOPEZ RITA MARTINEZ KIM SAGAM I LI SSETTE SALGADO PAS CA L BENICHOU GLEN HARR IS MICHAEL LEVINE PIERRE LOCKETT ADAM SKLUTE TODD STICKNEY Songs: Thunder (extended version written expressly for The Jaffrey Ballet) and Purple Rain intermission BILLBOARD 3 SLIDE DEBORAH DAWN MEG GUR IN (11 /13) BEATRIZ RODRIGUEZ (11 /9, 14) LIS SETTE SALGADO MAlA WILK I S ( 11/11 ) PA SCA L BE N ICHOU (1119, 11, 13) CA RL CO RRY GLEN HARRIS PIERRE LO CKETT TOM MOSSBRUCKER DAVIS ROBERTSON (11/14) GREGORY RUSSELL ADAM SKLUTE TODD STICKNEY Computer Blue BEATR IZ RODRIGUEZ (11/9, 14) MAlA WILKINS (11/11) MEG GUR IN (11/13) DEBO RAH DAWN -AND ENSEMBLE I Wanna Melt with U GREGORY RUSSELL LISSETTE SALGADO TODD STICKNEY The Beautiful Ones TOM MOSSBRU CKER AND ENSEMBLE Release It PIERRE LOCKETT AND ENSEMBLE Songs: Computer Blue, I Wanna Melt with U, The Beautiful Ones, and Release It pause BILLBOARD 4 WILLING AND ABLE
Load more

Recommended publications
  • Television Academy Awards
    2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth.
    [Show full text]
  • Fashion Icons Light up NY's Empire State Building Prince's 1980S Band
    Lifestyle FRIDAY, APRIL 21, 2017 Documentary delves into life of music pioneer Clive Davis live Davis celebrated his legacy with the ence when he started dancing. When Franklin - debut of a documentary about his life, along who closed the show - sang "Natural Woman," she Cwith performances from artists he helped pointed to Davis and sang the lyrics, "He makes me become icons, during the opening night of the feel." She also called her longtime collaborator a 2017 Tribeca Film Festival. Davis, 85, said it was a "chieftain" and "humanitarian." dream come true to launch "Clive Davis: The Others shared the sentiment on-screen. "The Soundtrack of Our Lives" at Radio City Music Hall Soundtrack of Our Lives," directed by Chris Perkel, since he grew up in Brooklyn and didn't visit gave a peek into Davis' personal and professional Manhattan until he was 13. The music mogul was life. He lost his parents while he was an undergrad- all smiles at the multi-hour event Wednesday night, uate at New York University, and later attended as performers like Aretha Franklin, Carly Simon, Harvard Law School. After working as a lawyer for Barry Manilow and Earth, Wind & Fire took the Columbia Records, he was promoted to president stage to pay tribute to Davis. in 1967, despite not desiring a career in music. "I had no inkling that music would be my passion of life," he said in an interview with The Associated Press on Tuesday from his office at the new Sony building in Manhattan. "I had no money after my parents died, so I went through school on scholar- Projections are seen on the Empire State Building, celebrating Harper's Bazaar magazine's ships.
    [Show full text]
  • May 2018 Newsletter
    May 15, 2018 Creators of Film and Television Music NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The President’s Corner Journey’s End from Charley Londoño My term as president of the California Copyright Conference (“CCC”) has been one of the most rewarding and fast-moving periods of my life. When I was elected as president, I spoke about (1) increasing membership; (2) increasing the visibility of the John Braheny Scholarship Fund; and (3) providing quality panels with interesting topics. Rarely is reality better than the dream. However, in this case, I believe, collectively as an organization, the CCC surpassed imagination. I wish space permitted me to list all of the accomplishments with specificity, but, I think the growth in membership, increased donations to the scholarship fund, and increased attendance at our panels, speaks volumes of the CCC’s accomplishments. Moreover, to add to the CCC’s accomplishments, the Apollo Awards, as well as the CCC’s Mentorship/Ambassador program, were both launched this year and have now become staples of the CCC’s initiatives. No one succeeds in this business without the help of others, and, I would like to thank the CCC’s officers, board, and members for a successful year. My heart is humbled by the amazing privilege of service as your president. Thank you for the opportunity and the journey. Best, J. Charley Londoño, Esq. President, California Copyright Conference (2017-2018) !1 Suggested Reading 10 GREAT FILM SCORES BY FEMALE COMPOSERS & Female Composers & Artists Are Gaining Ground in Television CrucialMusic & UNIVERSAL MUSIC PUBLISHING GROUP proud co-sponsors of : "Creators of Film and Television Music" Co-moderators : Jonathan David Neal — Composer and SCL Recording Secretary Jonathan David Neal is a composer and orchestrator with 25+ years’ experience in composing music for film, TV and recording projects.
    [Show full text]
  • Lyric Acknowledgments
    Lyric Acknowledgments Biography, Volume 41, Number 1, Winter 2018, pp. vii-ix (Article) Published by University of Hawai'i Press DOI: https://doi.org/10.1353/bio.2018.0001 For additional information about this article https://muse.jhu.edu/article/690271 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] LYRIC ACKNOWLEDGMENTS Biography would like to thank Alfred Music and Hal Leonard for the permis- sion to reprint Prince lyrics in this issue. See below for titles, writer credits, and copyright notices. ALFRED MUSIC Sexy M. F. Composed by PRINCE with LEVI SEACER, JR. and TONY M. Copyright © 1992 NPG PUBLISHING and MICHAEL ANTHONY MUSIC All Rights for MICHAEL ANTHONY MUSIC Administered by WB MUSIC CORP. All Rights for NPG PUBLISHING Administered by UNIVERSAL MUSIC GROUP All Rights Reserved Used by Permission of ALFRED MUSIC HAL LEONARD I Would Die 4 U Words and Music by Prince Copyright © 1984 NPG PUBLISHING All Rights Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard LLC Computer Blue Words and Music by Prince, Lisa Coleman, Matthew Fink, Wendy Melvoin and John Nelson Copyright © 1984 NPG PUBLISHING All Rights Controlled and Administered by UNIVERSAL MUSIC CORP. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard LLC Sexy M. F. Words and Music by Prince, Anthony Mosley and Levi Seacer, Jr. Copyright © 1992 NPG PUBLISHING and MICHAEL ANTHONY MUSIC All Rights for NPG PUBLISHING Controlled and Administered by UNIVERSAL MUSIC COR P. All Rights Reserved Used by Permission Reprinted by Permission of Hal Leonard LLC vii Life Can Be So Nice Words and Music by Prince Rogers Nelson Copyright © 1986 WARNER-OLIVE MUSIC LLC and NPG PUBLISHING All Rights for WARNER-OLIVE MUSIC LLC Administered by UNIVERSAL MUSIC COR P.
    [Show full text]
  • Department of Music Stony Brook University
    Department of Music Stony Brook University The Revolution guitarist Wendy Melvoin Department of Music Stony Brook University Rock, pop music, and society MUS 109 (86275) Fall 2018 This course is a (mostly) chronological survey of the musicians, producers, albums, concerts, genres, instruments, publications, substances, sounds, arguments, and ideas crucial to the past seven decades of rock and pop music. We will examine a musical form vital to twentieth-century artistic innovation, grappling with questions of race, gender, sexuality, and political change along the way. In addition to readings, you will listen carefully to important pieces of music, exploring them formally and historically. Each week, you’ll read a mixture of autobiography, music journalism, interviews, social criticism, and more. You will listen to music, and sometimes view a documentary or video. Several short response essays throughout the semester will allow you to flex your critical and argumentative muscles. By the end of the semester, you will possess an expanded musical vocabulary and a deep knowledge of an important branch of musical history. Class meetings: Tuesday and Thursday, 10:00 a.m.-11:20 p.m. Location: Frey, Room 100 Professor: Dr. Benjamin Tausig ([email protected]) Teaching assistants: Sarah Ghandour ([email protected]) Rebecca Lentjes ([email protected]) Stephen Moran ([email protected]) Kathryn Vetter ([email protected]) Office hours Professor - Tuesday, 11:30-12:30 a.m., or Wednesday by
    [Show full text]
  • Protect Our Rivers Interview with the Rogue Riverkeeper 2
    Volume 4, Issue 14 // July 6 - July 19, 2017 FOOD pg 22 Mod Pizza Sizzles OUTDOORS pg 26 Keeping Jetboats Local FILM pg 27 An Eastern Oregon Documentary Protect our rivers Interview With The Rogue Riverkeeper 2 / WWW.ROGUEVALLEYMESSENGER.COM SUMMER EXHIBITIONS Tofer Chin: 8 Amir H. Fallah: Unknown Voyage Ryan Schneider: Mojave Masks Liz Shepherd: East-West: Two Streams Merging Wednesday, June 14 through Saturday, September 9, 2017 The Summer exhibitions are funded in part by a generous donation from Judy Shih and Joel Axelrod. MUSEUM EVENTS Tuesday Tours: IMAGES (LEFT TO RIGHT, TOP TO BOTTOM, DETAILS): Tofer Chin, Overlap No. 3, 2016, Acrylic on canvas, 48 x 34” Free Docent-led Tours of the Exhibitions Amir H. Fallah, Unknown Voyage, 2015, Acrylic, colored pencil and collage on paper mounted on canvas, 48 x 36” Ryan Schneider, Many Headed Owl, 2016, Oil on canvas, 60 x 48” Liz Shepherd, Mount Shasta at Dawn, 2012, Watercolor on riches paper, 19.5 x 27.5” Tuesdays at 12:30 pm MUSEUM HOURS: MONDAY – SATURDAY, 10 AM TO 4 PM • FREE AND OPEN TO THE PUBLIC mailing: 1250 Siskiyou Boulevard • gps: 555 Indiana Street Ashland, Oregon 97520 541-552-6245 • email: [email protected] web: sma.sou.edu • social: @schneidermoa PARKING: From Indiana Street, turn left into the metered lot between Frances Lane and Indiana St. There is also limited parking behind the Museum. JULY 6 – JULY 19, 2017 / THE ROGUE VALLEY MESSENGER / 3 The Rogue Valley Messenger PO Box 8069 | Medford, OR 97501 CONTENTS 541-708-5688 page page roguevalleymessenger.com FEATURE FOOD [email protected] Rivers are the lifeblood Mod Pizza is a THE BUSINESS END OF THINGS that flows throughout Seattle-based chain.
    [Show full text]
  • Our Members. Our Readers
    Our Readers: Herb Alpert Alex Acuña Carla Azar Burt Bacha- rach Bruce Broughton T Bone Burnett Colbie Caillat Belinda Carlisle John Carpenter Bill Conti Ry Cooder Da- vid Crosby Sheryl Crow Official publication of the American Federation of Musicians Local 47 Hollywood CA Zooey Deschanel Al- OFFICIAL PUBLICATION OF THE AMERICAN FEDERATION OF MUSICIANS LOCAL 47, AFL-CIO/CLC HOLLYWOOD CA exandre Desplat Neil Reach over 7,000 of the best musicians Diamond Jakob Dylan Sheila E. Clint Eastwood throughout Los Angeles Melissa Etheridge Flea Our members. Mick Fleetwood David Foster John Frusciante When you advertiseAndy Garcia Grant Ger- in Overture,shon you Michael Giacchino reach thousandsGordon of Goodwin Josh professionalGroban Dave Grohl musicians everySammy Hagar Ben month, including:Harper Oscar Hernán- dez Susanna Hoffs Hol- • LA Philharmoniclywood Bowl Orchestra • LA Opera James Horner James • California Newton Howard Boney PhilharmonicJames Quincy Jones • The top studioLaurence Juber Keb’ recording Mo’ Dave Koz Lenny musicians in the Kravitz LA Chamber Or- world • Acclaimedchestra LA Philharmon- musiciansic in LA Opera Tommy Lee every genreJennifer from Leitham Jared jazz, rock,Leto pop Kenny, Loggins Los blues, chamberLobos Steve Lukather and classicalAimee Mann Maroon 5 Bruno Mars The Mars Volta Steve Mar- If you wanttin to John Mayer John reach the topMcVie Wendy Melvoin musicians in the Joni Mitchell Tom Mo- world with the most efficientrello Alanis Morissette use of yourMike Muir Dave Na- advertisingvarro Randy Newman dollars, we'reStevie Nicks Bonnie ready for youRaitt. Red Hot Chili Peppers Trent Reznor Bobby Rodriguez Hen- Overture Magazine is the official publication of the American Federation ry Rollins Patrice Rush- Our readers.en Poncho Sánchez of Musicians Local 47, the musicians union of Hollywood Jason Schwartzman Lalo Schifrin Alan Sil- Our readership lives in Los Angeles, Hollywood, the Valley, Catalina Island, and the counties of San Bernardino, Published eachRiverside quarter, and Overture Ventura.
    [Show full text]
  • The Purple Xperience - Biography
    THE PURPLE XPERIENCE - BIOGRAPHY Hailing from Minneapolis, Minnesota, The Purple Xperience has been bringing the memories of Prince and The Revolution to audiences of all generations. Led by Matt Fink (a/k/a Doctor Fink, 3x Grammy Award Winner and original member of Prince and The Revolution from 1978 to 1991), The Purple Xperience imaginatively styles the magic of Prince’s talent in an uncannily unmatched fashion through its appearance, vocal imitation and multi-instrumental capacity on guitar and piano. Backed by the best session players in the Twin Cities, Matt Fink and Marshall Charloff have undoubtedly produced the most authentic re-creation of Prince and The Revolution in the world, leaving no attendee disappointed. MATT “DOCTOR” FINK Keyboardist, record producer, and songwriter Doctor Fink won two Grammy Awards in 1985 for the motion picture soundtrack album for “Purple Rain”, in which he appeared. He received another Grammy in 1986 for the album “Parade: Music from the Motion Picture ‘Under the Cherry Moon'”, the eighth studio album by Prince and The Revolution. Matt also has two American Music Awards for “Purple Rain”, which has sold over 25 million copies worldwide since its release. Doctor Fink continued working with Prince until 1991 as an early member of the New Power Generation. He was also a member of the jazz-fusion band, Madhouse, which was produced by Prince and Eric Leeds, Prince’s saxophonist. Notable work with Prince includes co-writing credits on the songs “Dirty Mind”, “Computer Blue”, “17 Days”, “America”, and “It’s Gonna Be a Beautiful Night,” as well as performing credits on the albums “Dirty Mind”, “Controversy”, “1999”, “Purple Rain”, “Around the World in a Day”, “Parade”, “Sign ‘O’ the Times”, “The Black Album”, and “Lovesexy”.
    [Show full text]
  • Label Chart Action Report in Qtr. Soared in '68 by MIKE GROSS NEW YORK It''s SRO at by GRAEME ANDREWS - NEW YORK - the Atlan- Cent Share and Six Titles
    APRIL 5, 1969 SEVENTY -FIFTH YEAR 1.00 COIN MACHINE PAGES 45 TO 50 The International Music -Record Newsweekly U. K.'s Sales, IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 2 HOTELS SRO Atlantic Tops Billboard's Hot 100 Album Prod. -REGISTRATION TO IMIC OPEN Label Chart Action Report in Qtr. Soared in '68 By MIKE GROSS NEW YORK It''s SRO at By GRAEME ANDREWS - NEW YORK - The Atlan- cent share and six titles. Plac- ords placed second with a 5.5 the two hotels that have been tic Records label topped the ing fourth was Reprise Records per cent share and seven titles; LONDON - Britain's record booked at special conference "Hot 100" field for the first with 4.4 per cent and 10 titles; Columbia came in third with a industry hit an all -time high in rates for the International Mu- quarter of 1969 in the initial Motown Records was fifth with 5.3 per cent share and seven sales, exports and album pro- sic Industry Conference in the survey compiled by Billboard's a 4.2 per cent share and six titles; Uni placed fourth with a duction in 1968, according to Charts Department. Atlantic had titles. Rounding out the "top 4.3 and Bahamas April 20 -23. Accom- per cent share four Ministry of Technology statis- 6.8 per cent of the chart action 10" in their respective order titles, and Tamla took fifth with tics. The results show that the modations have been exhausted during the first three months of were: Epic, Stax, Atco, Colum- a 4.0 per cent share and four industry managed to ride out at the Paradise Island Hotel & the year and placed 20 titles on bia and Uni.
    [Show full text]
  • The Ultimate Listening-Retrospect
    PRINCE June 7, 1958 — Third Thursday in April The Ultimate Listening-Retrospect 70s 2000s 1. For You (1978) 24. The Rainbow Children (2001) 2. Prince (1979) 25. One Nite Alone... (2002) 26. Xpectation (2003) 80s 27. N.E.W.S. (2003) 3. Dirty Mind (1980) 28. Musicology (2004) 4. Controversy (1981) 29. The Chocolate Invasion (2004) 5. 1999 (1982) 30. The Slaughterhouse (2004) 6. Purple Rain (1984) 31. 3121 (2006) 7. Around the World in a Day (1985) 32. Planet Earth (2007) 8. Parade (1986) 33. Lotusflow3r (2009) 9. Sign o’ the Times (1987) 34. MPLSound (2009) 10. Lovesexy (1988) 11. Batman (1989) 10s 35. 20Ten (2010) I’VE BEEN 90s 36. Plectrumelectrum (2014) REFERRING TO 12. Graffiti Bridge (1990) 37. Art Official Age (2014) P’S SONGS AS: 13. Diamonds and Pearls (1991) 38. HITnRUN, Phase One (2015) ALBUM : SONG 14. (Love Symbol Album) (1992) 39. HITnRUN, Phase Two (2015) P 28:11 15. Come (1994) IS MY SONG OF 16. The Black Album (1994) THE MOMENT: 17. The Gold Experience (1995) “DEAR MR. MAN” 18. Chaos and Disorder (1996) 19. Emancipation (1996) 20. Crystal Ball (1998) 21. The Truth (1998) 22. The Vault: Old Friends 4 Sale (1999) 23. Rave Un2 the Joy Fantastic (1999) DONATE TO MUSIC EDUCATION #HonorPRN PRINCE JUNE 7, 1958 — THIRD THURSDAY IN APRIL THE ULTIMATE LISTENING-RETROSPECT 051916-031617 1 1 FOR YOU You’re breakin’ my heart and takin’ me away 1 For You 2. In Love (In love) April 7, 1978 Ever since I met you, baby I’m fallin’ baby, girl, what can I do? I’ve been wantin’ to lay you down I just can’t be without you But it’s so hard to get ytou Baby, when you never come I’m fallin’ in love around I’m fallin’ baby, deeper everyday Every day that you keep it away (In love) It only makes me want it more You’re breakin’ my heart and takin’ Ooh baby, just say the word me away And I’ll be at your door (In love) And I’m fallin’ baby.
    [Show full text]
  • Ilaeannual-Report2016.Pdf
    OUR VISION International League Against Epilepsy’s vision is a world in which no person’s life is limited by epilepsy. OUR MISSION International League Against Epilepsy’s mission is to ensure that health professionals, patients and their care providers, governments, and the public worldwide have the educational and research resources that are essential in understanding, diagnosing and treating persons with epilepsy. INTERNATIONAL LEAGUE AGAINST EPILEPSY TABLE OF CONTENTS GOVERNANCE Executive Committee 2 President 3 Treasurer 8 Secretary-General 11 Vice-President 14 Elections Commission 15 Epilepsia 16 Epileptic Disorders 17 Epilepsia Open 21 Director of Interactive Media 24 Headquarters and Chapter Services Staff 26 International Director of Meetings 27 TASK FORCES Epilepsy Education 30 Global Outreach 34 Publications 38 Global Research Priorities and Advocacy 39 Stigma 41 REGIONAL COMMISSIONS African Affairs 43 Asian and Oceanian Affairs 44 Eastern Mediterannean 53 European Affairs 54 Latin American Affairs 57 North American Affairs 59 TOPIC-ORIENTED COMMISSIONS Classification and Terminology 64 Diagnostic Methods 68 Education 74 Epidemiology 79 Genetics 81 Medical Therapies 84 Neurobiology 85 Neuropsychiatry 92 Pediatrics 103 Surgical Therapies 107 NATIONAL CHAPTERS 111 CONSTITUTION 158 BYLAWS 161 Headquarters Office Chapter Services Office 342 North Main Street, Suite 301 7 Priory Hall West Hartford, Connecticut, USA Stillorgan 06117-2507 Co. Dublin Tel +1 860.586.7547 Ireland Fax +1 860.586.7550 Tel +353.1.278.4908 Website: www.ilae.org
    [Show full text]
  • An Analysis of the Influence of Prince on Music Marketing OUTSTANDING PAPER – Arts, Music & Entertainment
    A Royal Revolution: An analysis of the influence of Prince on music marketing OUTSTANDING PAPER – Arts, Music & Entertainment Deirdre T. Guion Peoples, [email protected] Introduction “Albums — remember those? Albums still matter. Albums, like books and black lives, still matter." These are the opening words for the presentation of album of the year at the 57th annual Grammy Awards for what we now know was one of the last television appearances of Prince (Gajewski and Lee 2015). Embodied in that one line is the culmination of a careers’-long battle for acknowledgement, acceptance, and control by an entertainer who refused to play by the rules of the recording industry. Prince figured out early in his career that the link between a musician and their audience was marketing. Marketing that typically was developed and controlled by the record label and not the musician. This study uses the culture production system (CPS) to explore how the musical artist Prince launched a revolution against the marketing practices of the music industry while capitalizing on some of those same practices to craft his image and propel his career. Along the way Prince paved a path for future artists to better maintain control of their artistic output. In exchange for fronting all of the production, distribution and marketing expenses of a musician’s recordings, the record labels also retained ownership of those recordings in accordance with the “work for hire” provision of the Copyright Act of 1976. This long-standing industry practice to include ownership of songs as a part of a recording contract has been a point of contention for several musicians (Sisario 2016).
    [Show full text]