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ARTWORK FOR NEXT WAVE FESTIVAL POSTER BY RO>EMtll\IE TROCKEL

1 9 9 3 N E X T WAVE FESTIVAL ~AM i~ ~~~~~r i~an I~ ui~inK

BY SUBWAY/LIRR Reaching BAM and the BAM Majestic Theater is fast and convenient. All of these trains stop within two or three blocks:

B, N, R: Pacific Street D, M, N, Q, R: Dekalb Avenue 2, 3, 4, 5: Nevin s Street 2, 3, 4, 5, D, Q, LIRR: Atlantic Avenue G: Fulton Street A*, C: Lafayette Avenue (*after 8pm & weekends only)

BY AUTOMOBILE From Manhattan via the Manhattan Bridge: continue off the bridge onto Flatbush Avenue, then,

(A) continue on Flatbush Avenue and turn left onto Fulton Street. For the BAM Majestic Theater, proceed one block and turn right onto Rockwell Place where there are two parking lots. For BAM, proceed two blocks and turn right onto Ashland Place. BAM and the BAM parking lot are one block ahead.

From Manhattan via the Brooklyn Bridge: immediately upon exiting the bridge, turn left onto Tillary Street. Continue on Tillary Street and turn right onto Flatbush Avenue. (see A above) BAM Parking for only $6.50 Attended parking is only $6.50 in the From Connecticut, Queens and Long Island: BAM Parking Lots ($5.00 for Subscribers). Take the Long Island Expressway to the The Parking Lots are patrolled continuously Brooklyn Queens Expressway. Exit at throughout the performance and for 30 Tillary Street, Exit 29. Follow exit onto minutes after the final curtain . Tillary Street two short blocks and turn left onto Flatbush Avenue (see A above). BY BAMBUS EXPRESS Sponsored by BROOKLYN UNION GAS From New Jersey: the BAMbus provides easy transportation Use the Holland Tunnel and continue east for events in the BAM Opera House and on Canal Street which leads directly across BAM Majestic Theater. The BAMbus the Manhattan Bridge. Continue off the leaves the Loews NY at 51st and bridge onto Flatbush Avenue (see A above). Lexington one hour before curtain. Following performances the BAMbus From Staten Island: serves the Village, Midtown East and the Cross the Verrazano Narrows Bridge to the West Side up to 86th Street. Fare is BQE. Take Exit 29, Tillary Street. Follow $4.00 each way ($3.00 for Subscribers). exit onto Tlllary Street two short blocks For round-trip reservations only, call and turn left onto Flatbush Avenue (see A (718) 636-4100, Monday through Friday above). 10am - 5:30pm q FESTIVAL sponsored by PHILIP MORRIS COMPANIES INC.

The Brooklyn Academy of Music gratefully acknowledges generous ongoing support for the NEXT WAVE Festival from donors of the following special funds, which have been established as part of The Campaign for BAM:

PHILIP MORRIS/NEXT WAVE FORWARD FUND F OUNDING SPONSOR "Supporting the Spirit of Innovation"

MICHAEL BANCROFT GOTH ENDOWED ANNUAL PERFORMANCE FUND

1993 NEXT WAVE Festival Supporters: NEW YORK CITY DEPARTMENT OF CU LTURAL AFFAIRS NATIONAL ENDOWMENT FOR THE ARTS THE FORD FOUNDATION LILA WALLACE-READER'S DIGEST OPERA FOR A NEW AMERICA, a project of OPERA AMERICA THE ROCKEFELLER FOUNDATION JOHNS. AND JAMES L. KNIGHT FOUNDATION THE WILLIAM AND FLORA HEWLETT FOUNDATION THE FAN FOX AND LESLIE R. SAMUELS FOUNDATION THE BOHEN FOUNDATION HACH ETTE FILIPACCHI MAGAZINES ROBERT W. WILSON THE HOWARD GILMAN FOUNDATION MEET THE COMPOSER/READER'S DIGEST COMMISSIONING PROGRAM THE FOREIGN OFFICE OF THE FEDERAL REPUBLIC OF GERMANY GOETHE HOUSE NEW YORK/GERMAN CULTURAL CENTER MORGAN GUARANTY TRUST COMPANY OF NEW YORK ONE WORLD ARTS FOUNDATION, INC. THE CHASE MANHATTAN BANK TICKETMASTER THE GREENWALL FOUNDATION LUFTHANSA GERMAN AIRLINES NEW YORK STATE COUNCIL ON THE ARTS THE WILLIAM AND MARY GREVE FOUNDATION, INC. THE ARTHUR ROSS FOUNDATION MID ATLANTIC ARTS FOUNDATION NEXT WAVE PRODUCERS COUNCIL NEXT WAVE ASSOCIATES FRIENDS OF BAM

Audience deve lopment initiatives have been supported, in part, by Chemical Bank .

The BAM Facility is owned by th e Ci ty of New York and its operation is made poss ible, in part, wi th public funds provided through the New York City Department of Cultural Affairs with support from the Brooklyn Delegation of th e New York City Council and Brooklyn Borough President Howard Go lden.

On the cover: Gera ld Arpino (photo: ©Herbert Migdoll ); ; Jaffrey dancer Tom Mossbrucker (photo: ©Herbert Migdoll) II Ill A Gerald Arpino Production Conceived and Directed by Gerald Arpino Music by Prince Rogers Nelson''· Choreography by Laura Dean, C harles Moulton, Peter Pucci, and Margo Sappington Artistic Supervision by Scott Barnard Costumes by Charles Atlas, C hristine Joly, George Ramos, and Rosemarie Worton Billboard D esigns by Herbert Migdoll Scenery and Costume Supervision, and Set for Slide, by Campbell Baird Lighting by Howell Binkley Lighting Supervision by Susan A. White

Billboard 1: SOMETIMES IT SNOWS IN APRIL The production of Choreography by Laura Dean would not have been possible without the Costumes by Rosemarie Worton musical inspiration of Prince Rogers Nelson. from original concept by Laura Dean A special thank you to Patricia Kennedy, Billboard 2: THUNDER/PURPLE RAIN who helped initiate this project and who was Choreography by Charles Moulton in strumental in its development. Costumes by Charles Atlas The Joffrey Ballet extends its deepest appreciation­ Billboard 3: SLIDE to the donors whose major support has made the Choreography by Margo Sappington production of BILLBOARDS possible: Costumes by George Ramos H ancher Auditorium/The University of Set by Campbell Baird Iowa Foundation Billboard 4: WILLING AND ABLE and The Harkness Foundations for Dance Choreography by Peter Pucci Costumes by Christine Joly, Ass't: David Brooks Additional thanks to Gilbert Davison, Paisley Park Enterprises, Warner Chappell, Warner As we travel the highways and byways of America, Bros. Records, Joffrey Board Members Mary Keough Lyman and Dr. Lewis E. January, and to from the Long Island Expressway to the Sunset Wallace Chappell and Jill Willis for their dedica­ Strip, from Interstate 70 to Interstate 75, billboards tion and key roles in helping to la unch this pro­ loom overhea d, reflecting our society and envelop­ duction of BILLBOARDS. in g our senses with their direct, powerful messages. An integral part of our contemporary landscape, Special thanks to Metropolitan Life Foundation billboards have their antecedents in ancient for funds to help commission the Peter Pucci sec­ Egyptian stelae and in the European bulletins of tion of BILLBOARDS. the Middle Ages that were posted in city squares, We thank The Outdoor Advertising Association on churches and public buildings, to give informa­ of America Education Fund a nd the OAAA tion to the local citizenry. In our time, many bill­ members for their generosity. Creati ve suport boards have achieved the status of American folk has been privided by The Gannett Outdoor art. Group. Computer graphic productio n of on­ stage billboards produced by Computer Image The Joffrey billboards are painted with the strong Systems, Torrance, CA. rhythms of Prince's music and the dynamism and sweep of four contemporary American choreogra­ Music used by permission of WB Music Corp . phers: Laura Dean, Charles Moulton, Peter Pucci, on behalf of Controversy Music. Willing and and Margo Sappington. Able also used by permission of WB Music --Gerald Arpino, j anuary 1993 Corp./Mack Dog Productions/Anthony Michael Music (world , excluding the U.S . and Japan ). R elease It also used by permission of WB Music ,,_M usic written and composed by Prince Rogers Corp./Ya D Sir Music (world) and by WB Music Nelson (stage name: Prince), in collaboration on Corp./Anthony Michael Music (world, excluding the following songs: Sometimes It Snows in April the U.S. and Canada). with W endy Melvoin and ; with Wendy M elvoin, Lisa BILLBOARDS Coleman, John Nelson, and Matt Fink; Willing World Premiere by The Joffrey Ba llet,at and Able with Tony Mosley and Levi Seacer; and H ancher Auditorium, Iowa City, Iowa Release It with and Levi Seacer. on January 27, 1993. CAST

November 9, 11, 13 8pm; November 14 3pm BILLBOARD 1 SOMETIMES IT SNOWS IN APRIL CHERYL MADEUX GREGO RY RUS SELL MAlA WILKINS MICHAEL LEV IN E NICOLE MARIE DUFFY DAVIS ROBERTSON ADRIANA JA CINTO RYUJ I YAMAMOTO JENNY SANDLER JEROME DAVID KIPPER RITA MARTINEZ TODD STICKNEY FERN MILLER MICHAEL ANDERSON KIM SAGAMI CA LVI N KITTEN SUZANNE LOPEZ CHRISTOPHER MCMILLEN Songs : Sometimes It Snows in April, Trust, and Baby I'm a Star intermission BILLBOARD 2 THUNDER VALERIE MADONIA SUZANNE LOPEZ RITA MARTINEZ KIM SAGAM I LISSETTE SALGADO PASCAL BENICHOU GLEN HARRIS CALVI N KITTEN PIERRE LOCKETT MICHAEL LEV INE ADAM SKLUTE TODD ST ICKNEY PURPLE RAIN ELI ZA BETH PARKINSON SUZANNE LOPEZ RITA MARTINEZ KIM SAGAM I LI SSETTE SALGADO PAS CA L BENICHOU GLEN HARR IS MICHAEL LEVINE PIERRE LOCKETT ADAM SKLUTE TODD STICKNEY Songs: Thunder (extended version written expressly for The Jaffrey Ballet) and Purple Rain intermission BILLBOARD 3 SLIDE DEBORAH DAWN MEG GUR IN (11 /13) BEATRIZ RODRIGUEZ (11 /9, 14) LIS SETTE SALGADO MAlA WILK I S ( 11/11 ) PA SCA L BE N ICHOU (1119, 11, 13) CA RL CO RRY GLEN HARRIS PIERRE LO CKETT TOM MOSSBRUCKER DAVIS ROBERTSON (11/14) GREGORY RUSSELL ADAM SKLUTE TODD STICKNEY Computer Blue BEATR IZ RODRIGUEZ (11/9, 14) MAlA WILKINS (11/11) MEG GUR IN (11/13) DEBO RAH DAWN -AND ENSEMBLE I Wanna Melt with U GREGORY RUSSELL LISSETTE SALGADO TODD STICKNEY TOM MOSSBRU CKER AND ENSEMBLE Release It PIERRE LOCKETT AND ENSEMBLE Songs: Computer Blue, I Wanna Melt with U, The Beautiful Ones, and Release It pause BILLBOARD 4 WILLING AND ABLE 11/9, 11 , 13: JODIE GATES TOM MOSSBRUCKER 11/14: MEG GURIN PASCA L BEN ICHOU NICOLE MARIE DUFFY CHRISTOPHER MCMILLEN DAVIS ROBERTSON R YUJ I YAMAMOTO MAlA WILKINS (11/9, 13, 14) ADR IANA JA CINTO (11/11) JENNY SANDLER CALV IN KITTEN MEG GURIN (1119, 11) SUZANNE LOPEZ (11/13, 14) CYNTHIA GIANNINI FERN M ILLER CHE RYL MADEUX ELIZABETH PARKI NSON JENNIF ER GOODMAN Songs: For You, The Question of U, It, Willing and Able, and (excerpt) I I) CAST November 10, 12 8pm; November 13 2pm BILLBOARD 1 SOMETIMES IT SNOWS IN APRIL CHERYL MADEUX GREGORY RUSSELL MEG GURIN MICHAEL LEVINE C YNTHIA G IANNINI ALFONSO ZYBIN ADRIANA JACINTO RYUJI YAMAMOTO JEN NY SANDLER JEROME DAVID KIPPER RITA MARTINEZ TODD STICKNEY FERN MILLER MICHAEL ANDERSON KIM SAGAMI CALVIN KITTEN SUZANNE LOPEZ C HRISTOPHER MCMILLEN Songs: Sometimes It Snows in April, Trust, and Baby I'm a Star intermission BILLBOARD 2 THUNDER ELIZABETH PARKINSO N CYNTHIA GIANNINI SUZANNE LOPEZ CHERYL MADEUX FERN MILLER MICHAEL ANDERSON PASCAL BENICHOU CALVIN KITTEN MICHAEL LEVINE GREGORY RUSSELL ADAM SKLUTE TODD STICKNEY PURPLE RAIN VALERIE MADONIA CYNTHIA G IANNINI SUZANNE LOPEZ CHERYL MADEUX FERN MILLER MICHAEL ANDERSON PASCAL BENICHOU MICHAEL LEVINE G REGORY RUSSELL ADAM SKLUTE TODD STICKNEY Songs: Thunder (extended version written expressly for The Joffrey Ballet) and Purple Rain intermission BILLBOARD 3 SLIDE MEG GURIN (1 1110 ) VALERIE MADONIA BEATRIZ RODRIGUEZ (11 /12) KIM SAGAMI (11/13) LISSETTE SALGADO MICHAEL ANDERSO N PASCAL BENICHOU (11110) CARL COR RY MI CHAEL LEVINE (11/12, 13 ) PIERRE LOCKETT DAVIS ROBERTSON G REGORY RUSSELL ADAM SKLUTE TODD STICKNEY Computer Blue MEG GURIN (11110) BEATRIZ RODRIGUEZ (11/12) KIM SAGAMI (1 1113 ) VALERIE MADONIA AND ENSEMBLE I W anna Melt with U GREGORY RUSSELL LISS ETTE SALGADO TODD STICKNEY The Beautiful Ones PIERRE LOCKETT AND ENSEMBLE Release It ADAM SKLUTE AND ENSEMBLE Songs: Computer Blue, I Wanna Melt with U, The Beautiful Ones, and Release It pause BILLBOARD 4 WILLING AND ABLE 11/10: JODIE GATES TOM MOSSBRUCKER 11/12: MEG GURIN TOM MOSSBRUCKER 11/13: MEG GURIN PASCAL BENICHOU NICOLE MARI E DUFFY CHRISTOPHER MCMILLEN DAVIS ROBERTSON RYUJI YAMAMOTO MAlA WILKINS JENN Y SANDLER CALVIN KITTEN SUZANNE LOPEZ CYNTHIA GIANNINI FERN MILLER CHERYL MADEUX ELIZABETH PARKINSON JENNIFER GOODMAN Songs: For You, The Question of U, It, Willing and Able, and Gett Off (excerpt) I JOIN THE FRIENDS OF THE JOFFREY BALLET! The Jaffrey relies on friends like you to support daring new productions, rehearsal time and all the technical preparation that goes into keeping the company center stage. Your dollars will also support training opportunities for the young artists of Jaffrey IT­ tomorrow's stars-and community outreach efforts.

As a member you'll enjoy an array of special privileges that hundreds of Joffrey Ballet enthusiastists consider indispensable! Check one of the following categories TODAY:

$50 FRIEND • Membership card, entitling bearer to discounts on Jaffrey merchandise • One year subscription to FOJ Newsletter • Advance notice and priority seating

_ $100 SUST AINER all the preceding plus: • Invitation to Jaffrey Open Rehearsals • Notice of National Touring Schedule

$250 SPONSOR all the preceding plus: • Public acknowledgement in program • Invitation to Gala Events

_ $500 PATRON all the preceding plus: • In vitation to previews of new wo rks • Admission to VIP lounge

_ $1,000 BENEFACTOR all the preceding plus: • Two complimentary tickets • VIP Ticket Hotline Service

_ $2,500 SUPPORTING BENEFACTOR all the preceding plus: • Backstage Tour • Special Reception with the Artistic Director and Company members

Enclosed is my check for $______made payable to The Foundation for The Joffrey Ballet.

Please charge $ ______to my _ Visa _ Mastercard _ American Express

Card Number:______Exp.Date: ______

Signature: ______

Name: ______For a gift of $250 and above, print name as it should appear in the performance program

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Please mail form to: The Joffrey Ballet, 130 W. 56 St., NYC 10019. Attn: Membership Office For more inform ati on please call (2 12) 265-7300, ex t.l6. THE JOFFREY BALLET 130 West 56 Street, New York, N.Y. 10019 General Manager ...... David M. Conte VOLUNTEERS Company Manager ...... Ca rol Patella Roberta Corben, Florence Gurchick, Ida Kornblum, Assistant to the Executive Director ...... Lynn Klein Selma Pundyk, Sue Williams, Iris Wolfe (NY); ARTISTIC Lucille DeCarlo, Bill Kassube, Don Meadows (LA) Official Designer/Photographer ...... Herbert Migdoll THE JOFFREY II D ANCE RS STAFF Assistant to the Artistic Director .... Thomas Mu lvihill Company Manager ...... Todd Rinehart Rehearsal Coordinator ...... Paul Shoemaker Ballet Mistress ...... Gage Bush M US IC THE JOFFREY II DANCE RS Orchestra Personnel Manager ...... Gerald Tarack Stacy Barney, Rosanne Bra vin, Alessandra Lange, Solo Pianist ...... Stanley Babin Tara Lee, Andrew Allagree, Kevin Carpenter, Company Pianist ...... May Sofge Patrick Simonello, Sean Stewart Music Librarian ...... Mary Roark Company Pianists ...... Alexander Izbitzer, Elena Lev PRODUCTIO N THE JOFF REY B ALLET SCHOOL Production Manager ...... David]. Bradford (American Ballet Center) Production Stage Manager ...... Michelle L. Dahl 434 Sixth Avenue, New York, N.Y. 10011 Assistant Stage Manager ...... Dathan Manning Founders ...... Robert Jaffrey/Gera ld Arpino Lighting Supervisor ...... Susan A. White Artistic Director ...... Gerald Arpino Scenic Supervisor ...... Campbell Baird Director ...... Edith D'Addario Head Carpenter ...... Peter Whipple Ballet Ins tructors ...... Winthrop Corey, Head Electrician ...... Arno Werner Francesca Corkle, Elizabeth D'Anna, Head Property Master ...... William Davis Eleanor D'Antuon o, Andrei Kulyk, Soundman ...... K.R. Harris II Dorothy Lister, Sidney Lowenthal, John Magnus, Wardrobe Supervisor ...... Maureen McKenna Dena Moss, Jamie Salmon, Trinette Singleton Assistant Wardrobe Supervisor ...... Celeste Canfield Assistant Carpenter ...... Harold Lynch, Jr. Ba ld win is the official piano of The Joffrey Ballet School. Assistant Electrician ...... Michael Holmes Flyman ...... Richard Vest BILLBOARDS CREDITS Followspot Operator ...... Meg Sump Costumes for Pucci-Prince and Moulton-Prince by Marc Happel, Ltd.: Costumes for Dean-Prince by D EVELOPMENT Rosemarie Worton; Scenery by Variety Scenic Studios; Director of Development ...... Carole Dioguardi Super Mural Billboards by Duggal Color Proj ects, Director of Institutional Giving ..... Carol Jan uszeski Inc., New York, Y; Lighting equipment by Bash Director of Major Gifts/ Stage Lighting; Boots, shoes, and tights by Capezio; Special Projects ...... Kathleen Berman Shoes by Freed of London, Ltd .; Shoes by Taffy's. Development Associate ...... Lucia Antonia des Development Intern ...... Sabine Paulus The choreograp hi es presented on this program are FINANCE AND ADMINISTRATION copyrighted by the individual choregraphers. Director of Finance and Administration ...... Nancy Cafferty Legal Counsel ...... Ca rl A. de Brito/ Associate Director of Finance ...... Jo yce Leiz Battle, Fowler, Jaffin, & Kheel (NY); Receptionist/Office Manager ...... Tamara Taylor Kaye, Scholer, Fierman, Hays, & Handler (NY) ; PUB LICITY Morrison & Foerster (LA) General Press Representative ...... Rima Cor ben Travel Arrangements ... Joyce Stogo, Zenith Travel, Inc. Press Associate ...... Elaine Brand Banking ...... Lucille Werlinich, Vice President; M ARK ETING Daniel R. Taylor, Assistant Treasurer/ Director of Marketing ...... Gregory A. Stra hm Chase Manhattan Bank Marketing Coordinator ...... Ellen Pundyk Insurance Broker ...... Marsh & McLennan, Inc. Group Sales ...... Susan Levy Orthopaedic Consultant ...... Harkne ss Center for Advertising Agency ...... William Altman Advertising Dance Injuries, Merchandising Manager ...... Dewynters Licensing Hospital for Joint Diseases, NYC'"/ and Distribution/Seth Felson Donald]. Rose, M.D., Director Office Assistants ...... Joe Reynolds, Blair Sams (''·The Hospital for Joint Diseases' Physician Resident Program is supported by a grant from Los ANGELES OFFICE Philip Morris Companies Inc. ) West Coas t Administrator ...... Roberta Stewart Mitchell Production and office suppli es and equ ipment donat- Special Events Consultants ...... Jackie Frame, ed by Metropolitan Life, New York, and Materials Judith Mitchell fo r the Arts, NYC Department of Cultural Affairs. Group Sales ...... Mary Maggio Press Representatives ...... Davidson Choy McWorter Dancers and Stage Managers are members of the Public Service Coordinator ...... Betty Jo Wright American Guild of Musical Artists AFL-CIO. b I THE JOFFREY BALLET

FRIENDS OF THE JOFFREY BALLET The artists, board of directors and staff of The Joffrey Ballet and The Joffrey II Dancers extend heartfelt thanks to the generous individuals, foundations, corporations, and government agencies whose support has made our work possible. PACESETTERS The Greenwa lt Foundation Eli za beth Firth Wade Lewi s E. January, M.D. The Beinecke Foundation, Inc. Don Meadows Endowment Fund Donna & David Kam in Booth Ferris Foundation Metropolitan Life Mrs. Murray Ward Penelope R. Kell y E/0 Euge ni a D. Do ll Foundation Waste Management, In c. Mr. & Mrs. Dwight M. Hancher Aud itorium/ The New York Tim es Kendall University of Iowa Company Fo undati on SUPPORTING Randall W. Lewis Foundation Paisley Park Enterpri ses BENEFACTORS Jane L. Lodge Iowa Friends of Peterson Consulting Gera ld Arpino Mars Fo undation The Jaffrey Ball et Co mp any Geoffrey T. Boisi Mr. & Mrs. John Mayes Barbara & David Kip per Catherin e Fil ene Shouse Con Edi son Dea n S. Meiling-Ttee Charl es & Ruth Levy Fo und ati on Cec il C. Co nn er The Joyce Mertz-Gi lmore Foundation The Cow les Fo undation Diane Disney Miller LEADERSHIP Charitabl e Trust MidCon Management National Endowment BENEFACTORS Ford Motor Compan y Fund Corporation for the Arts The Brotman Foundation Marsha A. & Carl H. Mr. & Mrs. Sam S. Miller New York State Co uncil of Hewitt Mr. & Mrs . Eugene C. on th e Arts Mr. & Mrs. Allan P. Burns David D. Holbrook Montgomery Philip Morris Co mpani es Inc. Jo Ann A. Busuttil Caroline H. Hyman New York Telep hone Lloyd E. Rigler-Lawrence E. Ca liforni a Community McMaster-Ca rr Caroline H. New house Deutsch Fo undation Fo und ati on Supply Company Fo undation Mr. & Mrs. Michael E. William Po lk Carey Ma rsh & McLen nan Sid ney Petersen Tennenbaum Mr. & Mrs. John Chalsty Compani es, Inc. Selma E. Pund yk Joseph H. Wender Chec kers, Simon & Rosner Richard L. Menschel Reinhold Fami ly Trust Chemical Banking Pircher, Nichols & Meeks Arthur D. Rob son, Jr. PARTNERS Co rporati on Amy Sherm an Barbara Rodstein Absolut Vodka The Compton Foundation Mr. & Mrs. Alan C. Weiler Mr. & Mrs. Sau l !. Sa nders Ele anor Naylor Dana Mr. & Mrs. Henry V. Barbara & Ed mund Andrew Shiva Charitab le Trust Eggers Wi lki nson M. Sinclaire Donaldson, Lufkin & ESCA DA U.S.A. The Robert I. Wishnick Margaret & Kenneth D. Jenrette, Inc. Stepha ni e Fre nch Foundation Smith The Eq uitable Fo und ation Mrs. Robert Ga lvin Este ll e Sommers The Fund for Dance, Inc. Jero me A. Harris BENEFACTORS Stinnes Interoil, Inc . Ga nn ett Outdoor Group Hera ld Newspa pers Mr. & Mrs. Jose ph Abe les Matthew]. Trachtenberg Ronald]. Gumbaz Foundation, Inc. Alexa nder & Alexa nder Mr. & Mrs. Michael Tusiani Harkness Foundations Jane H. Jelenko Mr. & Mrs. Leo nard Asher Craig J. Weakley for Dance Douglas M. Lawson Mr. & Mrs. Robert Ash er Duay ne Weinger Kimberly Duchossois Los Ange les Friends of Ann Barzel Chr ys Wilkinson Lenczu k The Jaffrey Ballet Gera ld W. Bax The Lincy Fo und ation Charles M. Magowan Anne R. Beck PATRONS Mary Keough Lyman & Mr. & Mrs. Robert Ma lfi Mrs. Walter F. Briss end en Ms. Marilyn Bender Altschul Her bert Lyman Mary D. Matheson Mr. & Mrs. Dean L. Arthur I. Appleton Yasuyuki Na mbu Larry M. Meeks, Esq. Buntrock Foundation National Dance Repertory Morgan Stanley Found ation Selma Jea nne Co hen Joan M. & Ron ald F. Arias Enrichment Program New York Fri ends of Arl ene C. Cooper Jean Arpino E. L. & Ruth B. Shannon The Jaffrey Ballet Cra ne Foundation Marji D. Bank The Shubert Foundation Edward B. Osborn Susan Crown Gregso n L. Barker The Starr Fo und ati on Charitable Trust Meredith Morgan Dal e Mr. & Mrs. Richard J. Avram Seth Tucker Outdoor Advertis ing DeSa nti s Foundation Bennett Vanoff Fami ly Foundation Association of Armand G. Erp f Mrs. Philip D. Block, Jr. America, Inc . Fo undation, Inc. Mr. & Mrs. Dea n L. Buntock PRINCIPAL Paribas Futures, Inc./ Al exa nder C. Ewing Sally T. Butler BENEFACTORS Banque Paribas Sandra Krau se & Jeanne A. Gree n Loui s & Anne Abrons Lea ndro P. Rizzuto William Fitzge rald Ira Haupt II Foundation Mr. Bruce Saga n Christopher Flowers Stephen P. Kah an Ca lifornia Arts Co uncil San Francisco Friends of An n Hutchinson Guest Rita J. and Stanl ey H. Ruth B. Cla yburgh The Jaffrey Ballet El iza beth & Howard Hirsc h Kaplan Foundation Department of Cultural U.S. Trust Company Ruth W. Houghton Jo se ph Kellm an Affairs, New York City of New York Lillian Howell Mr. & Mrs. Jam es Kelly Patricia Ge rber Varco International, Inc. Marjorie S. Isaac John C. Kershner I THE JOFFREY BALLET

Jill M. Lambert SPONSORS Mark P. Ladn er Broadway Plaza at MCJ Jill L. Leinbac h Amec Holdings, Inc. Ali ce Lainer Ce nter Los Angeles Dennis & judith Lennox Anne Archer Arthur L. Loeb Carill on Importers, Ltd. Gay le Mi ll er Mr. & Mrs. Arthur Bandini Nel so n Luria Champagne Veuv e Cli cquot Donna Mills Simone Bedient Richard M. Morrow Cushman & Wakefi eld of Hortense L. Mintzer William E. Braden Steph en M. Neumer Ca liforni a, In c. Ann P. Moser JoAnne Bra sel Patricia C. O'Grady ESCADA U.S.A. PatriciaN. Na non Mr. & Mrs. Jac k Clopper Liliane & No rm an Pec k Gannett Outdoor of David H. Neilson Mr. & Mrs. J. Dennis Mrs. Ri chard G. Powe ll Southern Ca lifornia, Inc. Mr. & Mrs. George D. Delafi eld Ra ga n Outdoor Hanscomb Assoc iates In c. O'Neill Mary j. Doh erty Advertisin g Co . Kaye, Sc holer, Fierman, James T. Pfeiffer Stefan T. Ed li s Joyce M. Rothblum Ha ys & Han dl er Nicol e Pura Mr. & Mrs. Stuart P. Feld Lil a Savada Morrison & Foerster Jose ph Schivo Mr. & Mrs. Peter Judith W. Sc hw artz, MD Prince Roge rs Nelson james R. Seitz, Jr. Ga lambos Herbert H. Schwarz Pai sley Park Ente rpri ses Richard P. Sims Cy nthia B. Ga lvin Sue Seeley Peterso n Consultin g Co. Nancy & Ken Ste in Roger J. Goe bel Garret K. Sm ith Philip Morri s Co mpani es Inc. Janet & Jim Stovin Mr. & Mrs. WardS. Hagan Mr. & Mrs. Herbert E. Snapple Beverage Maria Vecchiotti & Georgia Hiden Solomon Co rporation Paul Tanico Hazel Kand all Bruce Stein Si Ivera do Vineyards Universal Outdoor, Inc. Dona & Dwight Kendall Lu cill e Wer lini ch Spirits co urtesy of Mr. & Mrs. Pau l B. Ca rol yn F. Katz Dewa r's "White Label" Uhl enh op Dennis D. Kend zo ra IN-KIND CONTRIBUTORS Blend ed Scotch Whiskey Mrs. Barbara Vickrey Ma ll ory Ketchum Battle Fowler Ty Na nt Spr in g Water Suzanne Koster Bravo Warner Bros. Records

A lthough space does not permit us to list all our friends, we gratefully acknowledge their generous support.

THE VISION Co-fo und ed by the late Robert Joffrey and current Artistic Directo r Gera ld Arpino, The Joffr ey Bal let ha s played a pi vo tal role in making ballet a vital contemporary art form at home and abroad. The panoramic sco pe of The Joffrey's repertory is unsurpassed -over 200 ball ets by 78 choreographers reflecting the Company's dedication to di scoverin g new vo ices, un ea rthing 20th century dance treasures and uph olding th e grea t cl ass ica l traditions of the past. The Joffrey reaches an internati onal aud ience of over 250,000 fans annuall y.

THE FUTURE The Jo ff rey relies on gifts from fri ends to support daring new productions, rehearsal time and al l the technical prepa­ rati on th at goes into keepin g th e Company center stage. Contributi ons also support training opportuniti es for the young artists of Th e Joffrey II Dancers and year-round efforts to brin g danc e to the widest poss ibl e audi enc e.

Donors and members enjoy a vari ety of benefits, including special eve nin gs, priority seating and oth er YIP se rvices. For more information on sponsorship opportunities, special eve nts, vo lu nteer programs, or how yo u ca n beco me a Friend of The Joffrey, call the Development Department at (212) 265-7300 or write The Joffr ey Ball et at 130 West 56 Street, New York, NY 10019. FOUNDATION FOR THEJOFFREY BALLET, INC. GOVERNING BOARD Directors Patricia Gerber''. Joy Montgomery OF DIRECTORS Patricia Andringa Jerome A. Harri s Steph en M. Ne um er, Es q. Gera ld Arpino•:· Stephani e J. Hibl er William A. Pe nn er Chairman, Executive Mrs . Sheldon Ausman Eli zabeth Levitt Hirsch j aim e Brust Perez Committee James Benso n Lewis E. j anuary, M.D. Elea nor Wood Prince Joseph H. Wender''· Jo Ann A. Busutti l Jane j elenko Barbara Nyden Rodstein John Chalsty Patricia Kenn edy''. Susan Tay lor Roth enberg President Ruth B. Clayburgh Barbara Levy Kipp er Catherine Filene Shouse Dr. Dav id A. Kipper'· Meredith Morgan Dale Luisa Kreisberg•:· Dr. Dan Si lver Antoin ette Del Peral Dou glas M. Lawson Walter D. Sohier Vice President Genette Eaton Kimberly Duch osso is Madelon Tall ey Mary Keo ugh Lyman•:· Dr. Lee M. Edwards Lenczuk Matthew J. Trachtenberg Val erie Ernst Charles M. Magowan Avram Seth T ucke r •:· Secretary IT rea surer Alexander C. Ew in g Rob ert T. Malfi Ronald Gumbaz''· Stephanie French •:· Mary D. Matheso n Mrs. Robert Ga lvin Don Mea dows •:·Executive Committee Mrs. Rich ard Geisen Larry M. Meeks, Esq. Members I music. Tchaikovsky, of course, Stravinsky and Prokofiev, naturally, and indeed all the rest of the classical tribe, stretching forward to the electronic likes of John Cage and back at least to Bach and, once in a while, even further. But today ballet, itself a much changed animal, occa­ sionally searches further afield for its musical accom­ paniment. This has perhaps always been true for red-blooded American ballet- one need only think Goes The Joffrey of Jerom~ Robbins' early flirta­ been hospitable to real live rock. tions with jazzy music in Fancy After all, dance is visualized Free, Interplay, and N.Y. • music, and theatrical dance has Export: Opus jazz. But few, if traditionally spread its net wide, any, of our nation's top ballet picking up from here and there. companies have experimented Even when it almost exclusively more assiduously with jazz, pop, favored classical music, dance and their various derivatives still had its pop moments, and than has the Jaffrey Ballet, significantly from George which ever since its founding by Balanchine, Agnes de Mille, and Robert Jaffrey and Gerald Robbins onward, there has been Arpino back in 1954 has sought • a constant procession of classi­ to keep itself on the forefront of cal choreographers running off dance's frontier, both choreo­ to animate the Broadway musi­ graphically and musically. It is cal, which in turn cross-pollinat­ no exaggeration to say that the ed classical dance. Jaffrey has been a pioneer into It was left to the Jaffrey that now almost all-embracing Ballet, however, to make the world of pop music-rock. definitive move towards rock. Despite such tourist-style The first step was Robert Broadway attempts as Hair, not J offrey's own rock-infused until today, with the baby Astarte of 1967, to music com­ boomers finally coming to roost missioned from Crome Syrcus. (from the White House down), It was a sensation, acclaimed for is the theater at last coming to its use of multi-media techniques terms with rock music. This and a very sexy pas de deux very season Broadway has got­ which presented the duet as a ten its first 100 percent real rock • steamy species of ritual. Astarte musical! It is an adaptation of raised eyebrows and secured the The Who's Tommy, which, ballet a measure of immortality admittedly, has with far less fan­ as the first ballet (as opposed to fare been staged in New York • dancer) ever to be enshrined on before, as a 1970 ba llet by the cover of Time magazine- an Fernand Nault for Les Grand event that did the infant Jaffrey Ballets Canadiens. company a power of good, But then, ballet has always • establishing it as a force on

.Jaffrey Ballet ... the company with a cutting edge. dance's cutting edge. opinion of opera director Peter Gerald Arpino's Trinity in 1970, Sellars he is "a modern Mozart." its music by Alan Raph and Lee Prince's interest in this dance Holdridge, was a far stronger piece project was triggered when he went and lasted in the repertory. Once to a J offrey performance in Los again, like Astarte, this was a plot­ Angeles as the guest of Patricia less ballet that was essentially the­ Kennedy, a managing director of atrical, ending with a candle ritual the Jaffrey's board. Originally it typica I of the peace-and-flowers was hoped that Prince would pro­ mood of those years. Once again vide a completely new score-this and brilliantly, the company hit a has not materialized, but he has contemporary nerve. given permission for existing music It was in 1973 that Twyla Tharp to be used, and has specially written gave the dance world a new and extended ver­ Deuce Coupe, a ballet to sion of "Thunder" from the music of the Beach the Diamonds and Boys that was fun, chic, Pearls album. The and made startlingly other music comes from inventive use of the Parade, Purple Rain, newish, cultish device of Graffiti Bridge, and graffiti. At every per­ Sign o' the Times. It formance a team of graf­ proves marvelously the­ fiti artists were onstage atrical stuff for danc­ creating a graffiti back­ ing- it is heart-beat drop as the ballet pro­ music, it has a pulse ceeded downstage. that shudders in from This, coupled with the the basement of the witty dances which soul. It is music that often commented on the pounds and dances with zany lyrics (example: the drum of life. It the dancers are advised strikes the nerve of the to "Take Good Care of moment. Your Feet"), gave the The complete work, ballet a typical Jaffrey first shown in Iowa City immediacy. Like its two predeces­ earlier this year, under the partial sors, Deuce Coupe had a marked sponsorship of the University of cultural impact in the building up : Iowa, consists of four separate plot­ of the dance boom, a phenomenon less ballets that evoke the billboards in which the Jaffrey Ballet played along our national highways, con­ its own cheeky, sometimes ragamuf­ veying ever urgent messages of love fin role. and power. The Jaffrey troupe has Now, once again, the Jaffrey is positioned itself on classic dance's bringing rock and dance a step clos­ cutting edge, and this Billboards is er with its new Billboards, a full­ sharp enough, shrewd enough, and evening work with music by Prince smart enough to maintain that posi­ Rogers Nelson, whom you might tion with effortless ease. It is called know better under his stage name dancing one step ahead. of Prince. Now Prince is probably the most interesting creative mind Clive Barnes is dance and drama critic of in rock at the present time-in the the New York Post. NOVEMBER/DECEMBER al'

The Black Rider A comedy horror musical from Robert Wilson, Tom Waits and William S. Burroughs. Based on the same fairy tale as von Weber's Der Freischutz. Nov 20 7pm Nov 22-24, 26, 27, 30, Dec 1 8pm Nov 21, 28 3pm BAM Opera House $45, 30, 20 (Premium $50)

Njinga the Queen King : This powerful music-theater work • from lone and Pauline Oliveros : mixes contemporary and tradi- • tional song, dance and music to : tell the story of a 17th-century • African regent. : Dec 1 7pm, Dec 2, 3 8pm, • Dec 4 2 & 8pm • BAM Majestic Theater : $20, 15, 10 (Premium $25) • The European Mystics • Dennis Russell Davies leads the : Ellington's New York Brooklyn Philharmonic and vio­ : The Duke Ellington Orchestra list Kim Kashkashian in works • joins forces with the Brooklyn from Eastern Europe's foremost : Philharmonic for an all-out composers. Including 3 pre- • salute to the Duke. Featuring mieres : Melba Moore in the NY concert Nov 5, 6 8pm Nov 7, 3pm • premiere of Ellington's jazz BAM Opera BAM Carey : opera "Queenie Pie". House Playhouse • Dec 3, 4 8pm $25, 20, 15 $1_5, 10, 5 • BAM Opera House (Premium $30) (Premium $20) : $25, 20, 15 (Premium $30) • • The Joffrey Ballet • The Hard Nut in Billboards : Mark Morris' comic yet tender The NY Premiere of an electric • transformation of the suite of contemporary dances : Nutcracker, filled with ardent set to the music of Prince. : theatricality, seamless dance Nov 9-12 8pm Nov 13 2 & 8pm • and the glorious music of Nov 14 3pm • Tchaikovsky. BAM Opera House : Dec 14-18, 21-23 7pm, $35, 25, 15 (Premium $40) • Dec 18 2pm Dec 19 3pm • BAM Opera House : $35, 25, 15 (Premium $40) Light Shall Lift Them • John Kelly's haunting and • • CALL TICKETMASTER impressionistic theatrical collage • • (212) 307-4100 explores the parallel lives of • Jean Cocteau and trapeze artist • or come to the BAM box office (30 "en travestie" Barbette. • Lafayette Ave , Bklyn), the W est Side Ticke t • Age ncy (25~ W 45th St) or Bryant Park Nov 10 7pm Nov 11-13 8pm : (42nd E of 6 th Ave). Or fax your order to BAM Majestic Theater • (7~8) 857 - 202~. Groups call (7~8) 636- $20, 15, 10 (Premium $25) • 4~26. G e n e ra l Info: (7~8) 636 - 4~00 BAM BOARD AND STAFF

Chairman Members Ronald E. Fein er Marrin F. Mertz Honorary Trustees Bruce C. Ratner Bettina Bancroft''' Alan H. Fishman'· John Morning Seth Faison Jenne K. Britell Robert L. Forbes Jonatha n Newcomb Leonard Garment President Norman Buchan Michael Fuchs Evelyn Ortner Paul Lepe rcq Harvey Lichtenstein J. Kevin Burke Robert M. Johnson David J. Peeker Ame Vennema Chairman of the Wi lliam I. Campbe ll Sidney Kantor David L. Ramsay Executive Committee Henry Christensen, III Stanley H. Kaplan Jonath an F.P. Rose Ex-Officio Frederick B. Henry Beth Rudin DeWoody' And rew K. Klink Robert C. Rosenberg'· Hon. Dav id N. Dinkins Edga r A. Lampert'' Mikki Shepard Hon. Howard Golden Vice Chairmen Charl es M. Diker Hon. Herbert E. Berman Neil D. Chrisma n''' Brendan]. Dugan Marylin B. Lev itt Vaughn C. Williams Rita Hillman'· Arnold J. Eckelman Eugene H. Luntey Hon. Luis R. Cancel I. Stanley Kriegel,. Cha im Edelstein Laurie Ma llet 'Executive Committee Fra nklin R. Weissberg''' Mallory Factor Charles W. Merideth Member

EXECUTIVE AND Capital Projects MARKETING & PROMOTION Cassandra Sherrod, PROGRAM STAFF Norman MacArthur, Marketing Membership Assistant Harvey Lichtenstein, Capital Projects Manager Catrina Logan Boisson, Sponsorship & Special Events President& Ken Rinker, Director of Marketing Tam bra Lee Dillon, Executive Producer Construction Coordinator Diana Robinson Frazier, Director of Special Events and Marketing Manager Sponsorships Karen Brooks Hopkins, FINANCE Executive Vice President Henry C. Blazer, Lynn Stirrup, Judith L. Stevens, Director of Special Events Manager Joseph V. Melillo, Accounting and Finance Senior Graphic Designer Mitchell Figa redo, Audience Scott A. Watson, Producing Director Peter Gee, Budget Manager Development Assistant Robert Bennett, Development Director Natalie Baptista, Payroll Manager Carol Cornman, General Manager Susan Levy, Director, Group Sales Tonya Cobb, Accounts Special Events Assistant David E. Kleiser, Vice President for Receivable Administrator Dewonnie Frederick, Marketing Assistant Kelly Maginnis, Finance and Administration Claudette Griffith, Patron Ticket Coordinator Rick Thompson, Vice President for Ann Murphy, Marketing Consultant Accounting Manager Liver Reichard Company, In c. Marketing and Promotion Deborah Harrison-W illi ams, Publicity & Public Relations Wi lliam Murray, Special Consultant, Anne Liver ADMINISTRATION Accounts Payable Clerk Acting Director, PRESIDENT'S OFFICE El izabeth A. Sharp, GENERAL MANAGEMENT & Press & Public Relations Pamela Mosley, Personnel Manager PRODUCTION De Wayne Snype, Press Associate Executive Secretary Gertrude S. Boothe, Receptionist & General Management The Zeisler Group: Administrative Assistant Limor Tomer Lyn n Moffat, Associate Ellen Zeisler, Suzanne Ford Assistant to the President Serafin Castro, Mail Clerk General Manager Public Relations Consultant Cynthia Smith, Mary E. Reilly, Company Manager Publications & Promotions PROGRAMMING Administrative Assistant Angela Gardner, Assistant Company Jan Winarsky, Advertising and Leslie Find len, Programming Coordinator BOX OFFICE Manager Promotions Manager Patri cia Harris, Ell en 0 . Anderson, Treasurer Robert Marlin, Fiscal Coordinator Sean Keepers, Administrative Assistant Karen M. Wine r, Karin Wo lm an, Administrative Associate Director of Publications First Assistant Treasurer Assistant/Visa Coordinator Debbie Millman, Publications & PUBLIC AFFAIRS Pat Durand, Assistant Treasurer Andrew Wagner, Rentals Manager Promotions Consultant Kya Te ntion, Leslie Scharf, Assistant Treasurer Theater Management Subscription & Ticket Seroices Public Affairs Assistant Bob Riordan, Theater Manager Lyndon Zincke, Marsha Rosenberg, TELEMARKETING AND Assistant Treasurer Christin e McElroy Cru der, Director of Ticket Services Associate Theater Manager Cathi e-A nn Daniel, Asst. Director TELEFUNDRAISING BUILDING MANAGEMENT Brenda Joyner, Theater Staff Gloria Hodgson, Calvi n B. Holland, Director of Jack Dobson, Building Manager Supervisor Production Subscription Supervisor Telemarketing and Ivan Reyes, Assistant to Colman Rupp, Production Manager Subscription Assistants Telefundraising Building Manager Trevor David Jonathan Secor, HOUSE PHOTOGRAPHER Maintwance/Security Suzette Briscoe Production Coordinator Martha Swope & Assoc iates Ronald Greene, Director of Ma rk London, Helga Barrow Security/Maintenance Carol Rosegg, William Gibson, Production Coordinator PERFORMING ARTS Blanche Mackey Joseph Patterson, Assistant Director Benjamin A. Solotaire, of Security/Maintenance Production Coordinator PROGRAMS FOR VIDEO ARCHIVIST Gabriel Antonella, Assistant Director Ca itlin Barton, YOUNG PEOPLE Character Generators of Security/Maintenance Production Office Manager Leanne Tin tori We ll s, Director Michael Schwartz, Egerton Kelly, Supervisor Judy Zamon, Assistant Production John L. Ormond, Associate Director Mark Robison Sadie Vinson, Assistant Supervisor of Programming Coordinator SOUND CONSULTANT Kenneth Aguillera Sharon M. Schwartz, Associate Don Riordan, Crew Chief Abe Jacob Co llie Dean Opera House Director for Education Ray Dorso Jack Fuller, Head Electrician John Malatesta, Program Assistant MEDICAL CONSULT ANTS Donald Farr Patrick McDonald, PLANNING AND Jonathan Lorch, MD Harold Heath Master of Properties DEVELOPMENT Jordan S. Josephson, MD Matthew James Cyru s Similly, Head Carpenter Development LEGAL COUNSEL Benjamin McDona ld Timothy Fu ller, Flyman Denis Azaro, Kaufmann, Feiner, Yamin, Sheraf Moustafa James D'Adamo, Electrician Director of Development Gildin & Robbins Ron Rathan Lewis Resnick, Electrician Jacq uel ine A. Kravetz, Roberto So li s Thomas Pau lu cci, Sound Engineer Development Manager INSURANCE James Victor Playhouse Brian Grundstrom, Fiscal Manager Marsh & McLennan, Inc. Haskell Wa lker Howa rd Larson, Head Electrician M. Lourdes Marquez, ACCOUNTANTS HV AC and Repair Seroices James Kehoe, Head CarfJenter Development Associate Lutz and Carr George Hoffer, Chief Engineer Lepercq Space George Rush, Leonard Ab bruscato, Chris Butts, Head Electrician Development Associate Supervising Maintainer Majestic Theater Daniel C. Bailey, Research Associate Courtney Harris Lewis Resnick, Head Electrician Lisa Rodriguez, Administrative Bernard La wrence Edward Con ti , Wardrobe Supervisor Assistant/Office Manager Anthon y Shi elds MANAGEMENT INFORMA· Michell e Pogoda, Ernest Southerl and, Maintenance Administrative Assistant Majestic Theater TION SYSTEMS Ranald T. Ada ms, Director of MIS Membership Barry Jackson, Supervisor Danielle Amato Milliga n, Thanks to Nicole Miller for Jason Wa lters Afshin Afs har, Systems Manager Julie Liang, PC Support Director of Major Gifts design of BAM ushers' ties Rawle Scott David Dean, Membership Manager and scarves. Calvin Brackett •