The Realm of Questions, Uncertainty and Paradoxes in Modernism Antonio Delgado-Gonzalez
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Education and the Brain: a Bridge Too Far
Education and the Brain: A Bridge Too Far j OHN T. BRUE R Educational Researcher, Vol . 26, No . 8, pp. 4-16 place, that indirectly link brain function with educational practice. There is a well-established bridge, now nearly 50 years old, between education and cognitive psychology. rain science fascinates teachers and educators, just as There is a second bridge, only around 10 years old, between it fascinates all of us. When I speak to teachers about cognitive psychology and neuroscience. This newer bridge Bapplications of cognitive science in the classroom, is allowing us to see how mental functions map onto brain there is always a question or two about the right brain ver structures. When neuroscience does begin to provide use sus the left brain and the educational promise of brain ful insights for educators about instruction and educational based curricula. I answer that these ideas have been practice, those insights will be the result of extensive traffic around for a decade, are often based on misconceptions and over this second bridge. Cognitive psychology provides the overgeneralizations of what we know about the brain, and only firm ground we have to anchor these bridges. It is the have little to offer to educators (Chipman, 1986). Educa only way to go if we eventually want to move between ed tional applications of brain science may come eventually, ucation and the brain. but as of now neuroscience has little to offer teachers in terms of informing classroom practice. There is, however, a The Neuroscience and Education Argument science of mind, cognitive science, that can serve as a basic The neuroscience and education argument relies on and science for the development of an applied science of learn embellishes three important and reasonably well-estab ing and instruction. -
Where Do All the Lovers Go?”–The Cultural Politics of Public Kissing in Mumbai, India (1950–2005)
DOI: 10.1111/johs.12205 ORIGINAL ARTICLE “Where do all the lovers go?”–The Cultural Politics of Public Kissing in Mumbai, India (1950–2005) Sneha Annavarapu Doctoral Candidate, Department of Sociology, University of Chicago, Chicago, IL, USA Abstract Correspondence Public expressions of sexual intimacy have often been sub- Sneha Annavarapu, Doctoral Candidate, ject to moral censure and legal regulation in modern India. Department of Sociology, University of Chicago, USA. While there is literature that analyzes the cultural‐political Email: [email protected] logics of censorship and sexual illiberalism in India, the dis- courses of sympathy towards public displays of intimacy has not received as much critical attention. In this paper, I take the case of one representative discursive space offered by a popular English newspaper and show how the figure of the ‘kissing couple’ became an important entity in larger discussions about the state of urban development, the role of pleasure in the city, and the imagination of a “modern” Mumbai. “Public kissing is just not Indian”–Pramod Navalkar, Indian politician1 1 | INTRODUCTION In most Indian cities and towns, kissing in public places has been considered culturally inappropriate. The argument against men and women kissing, holding hands, and hugging in public is that it is culturally inappropriate, disrespectful to community standards, and downright ‘obscene’. Although recent protests and campaigns by urban youth2 have begun to offer a sense of organized resistance to traditional norms governing behavior in public spaces, it is common knowledge that couples engaging in ‘public displays of affection’ are often subject to moral policing by local police, political parties, and private citizens. -
HUG Holiday Songbook a Collection of Christmas Songs Used by the Halifax Ukulele Gang (HUG) Halifax, Nova Scotia, Canada
STRUM YULETIDE EDITION The HUG Holiday Songbook A collection of Christmas songs used by the Halifax Ukulele Gang (HUG) Halifax, Nova Scotia, Canada All of the songs contained within this book are for research and personal use only. Many of the songs have been simplified for playing at our club meetings. General Notes: ¶ The goal in assembling this songbook was to pull together the bits and pieces of music used at the monthy gatherings of the Halifax Ukulele Gang (HUG) ¶ Efforts have been made to make this document as accurate as possible. If you notice any errors, please contact us at http://halifaxukulelegang.wordpress.com/ ¶ The layout of these pages was approached with the goal to make the text as large as possible while still fitting the entire song on one page ¶ Songs have been formatted using the ChordPro Format: The Chordpro-Format is used for the notation of Chords in plain ASCII-Text format. The chords are written in square brackets [ ] at the position in the song-text where they are played: [Em] Hello, [Dm] why not try the [Em] ChordPro for [Am] mat ¶ Many websites and music collections were used in assembling this songbook. In particular, many songs in this volume were used from the Christmas collections of the Seattle Ukulele Players Association (SUPA), the Bytown Ukulele Group (BUG), Richard G’s Ukulele Songbook, Alligator Boogaloo and Ukulele Hunt ¶ Ukilizer (http://www.ukulizer.com/) was used to transpose many songs into ChordPro format. ¶ Arial font was used for the song text. Chord diagrams were created using the chordette fonts from Uke Farm (http://www.ukefarm.com/chordette/) HUG Holiday Songbook - Halifax Ukulele Gang (HUG) 2015 (http://halifaxukulelegang.wordpress.com) Page 2 Table of Contents All I Want for Christmas is My Two Front Teeth............................................................. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914)
Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914) By Ricardo Lopez A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Romance Languages and Literatures and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dru Dougherty, Chair Professor Ivonne del Valle Professor Robert Kaufman Fall 2015 Abstract Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914) by Ricardo Lopez Doctor of Philosophy in Romance Languages and Literatures with a Designated Emphasis in Critical Theory University of California, Berkeley Professor Dru Dougherty, Chair In this dissertation I argue that the modernist breakthroughs achieved by José Martínez Ruiz’s La voluntad (1902), Ramón del Valle-Inclán’s Sonata de otoño (1902), and Miguel de Unamuno’s Niebla (1914) emerged as a response to the shortsightedness of the revolutionary politics that had taken root in Restoration Spain. I examine how these writers take the historical materials of their sociopolitical world—its tropes and uses of language—and reconstellate them as artworks in which the familiar becomes estranged and reveals truths that have been obscured by the ideological myopia of Spain’s radicalized intellectuals. Accordingly, I demonstrate that the tropes, language, and images that constitute La voluntad, Niebla, and Sonata de otoño have within them a historical sediment that turns these seemingly apolitical works into an “afterimage” of Spain’s sociopolitical reality. Thus I show how sociopolitical critiques materialize out of the dialectic between historical materials and their artistic handling. Although La voluntad, Sonata de otoño, and Niebla seem to eschew political themes, I contend that they are the product of their authors’ keen understanding of the politics of their moment. -
How Far Is Too Far? the Line Between "Offensive" and "Indecent" Speech
Federal Communications Law Journal Volume 49 Issue 2 Article 4 2-1997 How Far Is Too Far? The Line Between "Offensive" and "Indecent" Speech Milagros Rivera-Sanchez University of Florida Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Communications Law Commons, and the First Amendment Commons Recommended Citation Rivera-Sanchez, Milagros (1997) "How Far Is Too Far? The Line Between "Offensive" and "Indecent" Speech," Federal Communications Law Journal: Vol. 49 : Iss. 2 , Article 4. Available at: https://www.repository.law.indiana.edu/fclj/vol49/iss2/4 This Article is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. How Far Is Too Far? The Line Between "Offensive" and "Indecent" Speech Milagros Rivera-Sanchez* I. INTRODUCTION .................................. 327 II. SCOPE AND METHOD .............................. 329 m. INDECENCY AND THE FCC's COMPLAINT INVESTIGATION PROCESS ........................... 332 A. Definition of Indecency ..................... 332 B. Context ................................ 333 C. The Complaint InvestigationProcess ............ 336 IV. DISMISSED COMPLAINTS ........................... 337 A. Expletives or Vulgar Words ................... 337 B. Descriptionsof Sexual or Excretory Activites or Organs ....................... -
Tesi Doct Oral
TESI DOCTORAL UPF/ DOCTORAL TESI 2020 Mapping press’s political ideology Jucinara Schena A content analysis of editorial articles from the most read Brazilian online newspapers TESI DOCTORAL UPF/2020 newspapers the online from mostBrazilian read ofeditorialA content articles analysis politicalideology Mapping press’s Jucinara Schena Mapping press’s political ideology A content analysis of editorial articles from the most read Brazilian online newspapers Jucinara Schena DOCTORAL THESIS UPF / 2020 THESIS DIRECTOR Dra. Núria Almiron DEPARTMENT OF COMMUNICATION UNIVERSITAT POMPEU FABRA ii memento mori ∞ iv We will need writers who can remember freedom. The realists of a larger reality. ― Ursula Le Guin to my mother Gessi Neusa Gnoatto Schena & in memory of my father, Jorge Schena. v vi Acknowledgements Writing the acknowledgements is the last part to be completed in this work, although it is the first to appear. The order is justified now after the research work is accomplished, and it comes the singular moment to look back at these years of the PhD program. With no spare, I must express my gratitude to the ones walking with me this tortuous, nonetheless valuable and fruitful route. Without them, absolutely none of this would have been possible. My mother may have no idea about the research as I wrote in all these pages, but she is present in every letter. She was prohibited from pursuing her studies when her dream was to be a teacher – she was able to go only until the 3rd year of primary school. And always said she would not make enough to leave me an inheritance, but she would make her best to help me to study whatever I decided for as long as I wanted. -
Songs of the Classical Age
Cedille Records CDR 90000 049 SONGS OF THE CLASSICAL AGE Patrice Michaels Bedi soprano David Schrader fortepiano 2 DDD Absolutely Digital™ CDR 90000 049 S ONGS OF THE C LASSICAL A GE FRANZ JOSEF HAYDN MARIA THERESIA VON PARADIES 1 She Never Told Her Love.................. (3:10) br Morgenlied eines armen Mannes...........(2:47) 2 Fidelity.................................................... (4:04) WOLFGANG AMADEUS MOZART 3 Pleasing Pain......................................... (2:18) bs Cantata, K. 619 4 Piercing Eyes......................................... (1:44) “Die ihr des unermesslichen Weltalls”....... (7:32) 5 Sailor’s Song.......................................... (2:25) LUDWIG VAN BEETHOVEN VINCENZO RIGHINI bt Wonne der Wehmut, Op. 83, No. 1...... (2:11) 6 Placido zeffiretto.................................. (2:26) 7 SOPHIE WESTENHOLZ T’intendo, si, mio cor......................... (1:59) ck Morgenlied............................................. (3:24) 8 Mi lagnerò tacendo..............................(1:37) 9 Or che il cielo a me ti rende............... (3:07) FRANZ SCHUBERT bk Vorrei di te fidarmi.............................. (1:27) cl Frülingssehnsucht from Schwanengesang, D. 957..................... (4:06) CHEVALIER DE SAINT-GEORGES bl L’autre jour à l’ombrage..................... (2:46) PAULINE DUCHAMBGE cm La jalouse................................................ (2:22) NICOLA DALAYRAC FELICE BLANGINI bm Quand le bien-aimé reviendra............ (2:50) cn Il est parti!.............................................. (2:57) -
Faculty Forum You Cannot Conceive the Many Without the One -Plato
Faculty Forum You Cannot Conceive The Many Without The One -Plato- Issue No. 11 Spring 2009 This publication is available to our academic ing the same way, and you can feel community as contributors desire to publicly share them gearing up, preparing to say “I scholarly-based thoughts and opinions. Please sub- mit contributions (ten double-spaced pages or less) love you,” and you don’t want it, as a Word attachment, in 12-point font, to emer- you don’t want that moment to [email protected] or [email protected]. come. It’s not that you don’t want Authors, please note that you are writing for an audi- to hear it, or that you don’t love ence that includes faculty, staff, and students. them back, it’s that the spell is going to break the second they put it to THE LONG WINTERS’S those words. Don’t be in love with “ULTIMATUM”: LANGUAGE AND THE me right now, not yet. Just want me, DEATH OF ROMANCE passionately, for a little longer. By Roderick’s expressed attitude, one that C. Bryan Love might be said to reflect the stereotypical Assistant Professor of English ethos of the young hipster, is self- consciously self-centered. It is a mindset in John Roderick, songwriter and guitarist which the “magic” in a relationship resides for The Long Winters, told CMJ New Music in the raw, unspoken and therefore unfixed that his songs are about “being with some- emotion that fuels the tangling of bodies, one,” with a narrow focus on relationships but the “magic” disappears once the mo- mentum is codified, once it is harnessed by that don’t work. -
Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon -
Far Traveler: a Teacher's Companion to Red Wolf Recovery
U.S. Fish and Wildlife Service Far Traveler A Teacher’s Companion to Red Wolf Recovery Elise McCauley Hammond A long time ago, the howl became a word, a name. Wa'ya to the Cherokee, to whom the mountains also listened in the old time. Son of the wind; companion to Kana'ti; father of Ani'-Wa'ya, the Wolf people, principal clan. Familiar spirit to hunters. Perfect walker. Far traveler. Revenge taker and altruist. Unseen shape between the trees. Shy shadow from the long past. Christopher Camuto Another Country: Journeying Toward the Cherokee Mountains Table of Contents Part One Acknowledgements..................................................................................................... 1 A Letter to Teachers and Students ......................................................................... 2 What is a Red Wolf? ................................................................................................... 3 Where Have all the Red Wolves Gone? ................................................................... 4 The Red Wolf's Future: A Cautious Optimism ....................................................... 5 Why Should Red Wolves be Protected? .................................................................. 5 Red Wolves Need Your Help ..................................................................................... 6 As a Matter of Fact..................................................................................................... 7 Some Basics of Wolf Biology ................................................................................... -
We Talk to Radio
APRIL 20, 2002 Volume 20, Issue 17 £3.95 Music euros 6.5 Pet Shop Boys' Release (Parlophone) is this week's highest new entry on M&M's European Top 100 Albums chart, at num- ewe talkis® to radio ber five. M&M chart toppers this week EMI overtakes UniversalNRJ in 'play Eurochart Hot 100 Singles SHAKIRA in European album sharefor publicity' Whenever Wherever (Epic) by Emmanuel Legrand With a 23.7% album chart share, allegations European Top 100 Albums EMI is ahead of Sony Music which, CELINE DION LONDON - In a first quarter of 2002after a poor performance in 2001, has by Kai R. Lofthus A New Day Has Come that saw few new made an impressive recovery,thanksto OSLO - NRJ Norway is being accused of (Columbia) releases,EMIRe- cordedMusichas chart -topping releases adjusting its playlist to schedule songs European Radio Top 50 moved ahead of Uni- from Shakiraand they were initially reluctant to play, on KYLIE MINOGUE versal Music in Euro- Anastacia and contri- the basis that its logo will be featured in In Your Eyes peanalbumchart butionsfromSarah record company TV ad cam (Parlophone) share. Connor, Creed, Jean - paigns for the tracks concerned. According tosta- Jacques Goldman and While managing directors of European Dance Traxx tisticscompiled by Jennifer Lopez. With the majors in Norway could not DB BOULEVARD M&M based onour its 20,7% share, Sony be reached for comment, inde- Point Of View exclusive Eurochart Hot 100 Singlesmoves up from third to second posi- pendent labels which cannot (Airplane) and European Top 100 Albumstion in the crucial albums ranking, afford much TV advertising have told chartsduring thefirstquarter,compared to the same period of 2001.