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Shetland Craft Trail & Makers
SHETLAND CRAFT TRAIL & MAKERS 2017/18 CRAFT TRAIL p6-35 Look for roadside signage CRAFT TRAIL p24 SAC CRAFT TRAIL SIGNAGE - RIGHT MAP WHITE TEXT Look for a number next to each member OPEN on the Craft Trail to find their location on the map in the centre pages We recommend you check opening hours or call to arrange a time to suit your journey. OTHER OUTLETS p36 Design Jono Sandilands www.jonosandilands.com Cover photograph © Shona Anderson 2017 Members images by Mark Sinclair, John Coutts & Sandy Boak MEMBERS p38-46 Colour key ART & DESIGN HOME & GIFTS JEWELLERY KNITWEAR & TEXTILES LEATHERWORK PAPERCRAFT PHOTOGRAPHY POTTERY WOODCRAFT VEER NORTH www.shetlandartsandcrafts.co.uk @shetlandcrafts shetlandartsandcrafts THE STRONG INFLUENCE OF SHETLAND’S LANDSCAPE, HERITAGE AND CULTURE, CAN BE SEEN IN THE CREATIVE OUTPUT OF SHETLAND’S CRAFTMAKERS, DESIGNERS AND ARTISTS; IN CERAMICS, TEXTILES, LEATHERWORK, KNITWEAR, JEWELLERY, PHOTOGRAPHY, PRINTMAKING, SCULPTURE, PAINTING AND MUCH MORE.. Welcome to the Shetland Craft Trail artists who are part of a growing and map for 2017, created by the creative community. Often inspired Shetland Arts & Crafts Association. by their environment, culture or This map of Shetland’s creative indigenous materials, they create landscape can lead you on a journey contemporary works for sale and throughout Shetland, to craft exhibition in Shetland, and for galleries workshops and open studios, from and customers worldwide. In over Unst in the north, to Scousburgh and 26 craft workshops and working Fair Isle in the south - from the island studios you can meet the artists and of Whalsay in the east, to Sandness designers, commission special pieces, in the west. -
Shetland Craft Trail & Makers
SHETLAND CRAFT TRAIL & MAKERS 2018/19 CRAFT TRAIL p5-36 OPEN CRAFT TRAIL We recommend you check opening hours or SAC CRAFT TRAIL SIGNAGE - RIGHT call to arrange a time to WHITE TEXT suit your journey. Look for roadside MAP p24 signage Look for a number next to each member on the Craft Trail to find their location on the map in the centre pages Colour key ART & DESIGN HOME & GIFTS OTHER OUTLETS JEWELLERY TEXTILES p37-38 LEATHERWORK PAPERCRAFT PHOTOGRAPHY MEMBERS POTTERY WOODCRAFT p39-47 VEER NORTH Design Jono Sandilands www.jonosandilands.com Cover photograph © Shona Anderson 2018 Members images by Mark Sinclair, John Coutts & Sandy Boak THE STRONG INFLUENCE OF SHETLAND’S LANDSCAPE, HERITAGE AND CULTURE, CAN BE SEEN IN THE CREATIVE OUTPUT OF SHETLAND’S CRAFTMAKERS, DESIGNERS AND ARTISTS; IN CERAMICS, TEXTILES, LEATHERWORK, KNITWEAR, JEWELLERY, PHOTOGRAPHY, PRINTMAKING, SCULPTURE, PAINTING AND MUCH MORE... Welcome to the Shetland Craft Trail artists who are part of a growing and map for 2018, created by the creative community. Often inspired Shetland Arts & Crafts Association. by their environment, culture or This map of Shetland’s creative indigenous materials, they create landscape can lead you on a journey contemporary works for sale and throughout Shetland, to craft exhibition in Shetland, and for galleries workshops and open studios, from and customers worldwide. In around Unst in the north, to Scousburgh and 30 craft workshops and working Fair Isle in the south - from the island studios you can meet the artists and of Whalsay in the east, to Sandness designers, commission special pieces, in the west. -
SHETLAND LITERATURE and the IDEA of COMMUNITY Laurence Graham
SHETLAND LITERATURE AND THE IDEA OF COMMUNITY Laurence Graham Does Shetland have what can be called 'a literature'? Is literature, in fact, not too grandiose a word for the few odds and ends of verse and prose that make up Shetland writing? And if there is, how good is it, and what does it have to say to us to-day, what light does it throw on our past and present? These are some of the questions this essay will try to address. What about the quality of the writing? Can Shetland compare for instance with Orkney which has produced such famous authors as Eric Linklater, Edwin Muir and latterly George Mackay Brown? It could be argued of course that these three Orcadian writers all chose to write in English - giving them ready access to a national, indeed international public, whereas most Shetland writers have opted for their native dialect, and consequently a more restricted, local readership. But that has not prevented the perceptive outsider from appreciating the true worth of our dialect writing. For example, Neil Gunn, the distinguished Scottish novelist, said of Vagaland's poems: 'When the ends of the earth and their savagery worry too much I can take up his poems - They have the Northland in them, the space and the spareness, and they take me back to my beginnings. I find the dialect attractive and not too difficult ... and always the rocks and the seas, the maas and the divers, the strength and the austerity' (Robertson l 975:xx). In fact it could be argued that Shetland has produced a wider range of writers than Orkney and that the best work of at least a dozen of our local writers should be rightfully included in any representative anthology of Scottish literature over the last hundred years. -
Roseanne Watt
AA MY MINDIN: MOVING THROUGH LOSS IN THE POETIC LITERARY TRADITION OF SHETLAND Roseanne Watt Division of Literature and Languages University of Stirling Scotland UK Thesis submitted for the degree of Doctor of Philosophy September 2018 Abstract Shetland literature is often defined by loss – the loss of language, of a way of life, of a place within time itself. Shetland writers have historically responded to this landscape of loss through a stringent need for the preservation of tradition. This thesis is an attempt to understand that response, and to frame my own creative practice in dialogue with this tradition, whilst trying to create something new within it. In particular I will discuss the influence of Norn on this narrative of loss, and how the language came to be framed in death has contributed to this atmosphere of loss and desire for preservation. The Shetland poet Robert Alan Jamieson has written eloquently and insightfully on these matters; as such, the bulk of this thesis is given over to a critical reading of his collections, with a view to understanding his response, and through this coming to an understanding my own. Part of this thesis is creative practice, and the films produced in that regard can be viewed online following instructions contained within; the final part of the thesis is a critical framing of this practice using the framework built by the thesis prior to that point. 1 Acknowledgements Firstly, to my supervisors, Professor Kathleen Jamie and Dr Sarah Neely; your encouragement, knowledge, enthusiasm and kindness over the years has helped me gain confidence in my own abilities as a writer and filmmaker, allowing me to produce work which I am very proud of. -
Crofting in Shetland from the 1930S to the Present Day: a Reciprocal Relationship
Open Research Online The Open University’s repository of research publications and other research outputs Women in crofting in Shetland from the 1930s to the present day: a reciprocal relationship Thesis How to cite: Jack, Claire Anne Hamilton (2004). Women in crofting in Shetland from the 1930s to the present day: a reciprocal relationship. PhD thesis The Open University. For guidance on citations see FAQs. c 2003 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000e81e Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Women in crofting in Shetland from the 1930s to the present day: a reciprocal relationship Claire Anne Hamilton Jack A thesis submitted for the degree of Doctor of Philosophy Faculty of Arts, Culture and Heritage UHI Millennium Institute 2003 l\\\'~~' \.A3QJ.4ol..~ .sW::>t-...~,~ ~ t"1 -f'Lbru4n_, J..o.:>~ --I\~ d~.~;;)3 M~n '---1001+- tAugust LUUlj THE OPEN UNIVERSITY The O~n University RESEARCH SCHOOL RESf:ARCH SCHOOL Research Degrees in Sponsoring Establis ments 2 0 JUL 2004 Library Authorisation Please return this form to the Research School, The Open University,W~arro~n~T<ailT"',~ll"T1'1~------ Keynes, MK7 6AA with the two bound copies of the thesis to be deposited with the University Library. -
Between Scotland and Norway: Connected Cultures and Intercultural Encounters, 1700-Present
UHI Thesis - pdf download summary Between Scotland and Norway: connected cultures and intercultural encounters after 1700 Reeploeg, Silke DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2017 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Between Scotland and Norway: connected cultures and intercultural encounters 1700-Present Thesis submitted for the degree of Doctor of Philosophy at the University of Aberdeen by Silke Reeploeg February 2017 Contents Illustrations ............................................................................................................. -
Our New E-Commerce Enabled Shop Website Is Still Under Construction
Our new e-commerce enabled shop website is still under construction. In the meantime, to order any title listed in this booklist please email requirements to [email protected] or tel. +44(0)1595 695531 2009Page 2 The Shetland Times Bookshop Page 2009 2 CONTENTS About us! ..................................................................................................... 2 Shetland – General ...................................................................................... 3 Shetland – Knitting .................................................................................... 14 Shetland – Music ........................................................................................ 15 Shetland – Nature ...................................................................................... 16 Shetland – Nautical .................................................................................... 17 Children – Shetland/Scotland..................................................................... 18 Orkney – Mackay Brown .......................................................................... 20 Orkney ...................................................................................................... 20 Scottish A-Z ............................................................................................... 21 Shetland – Viking & Picts ........................................................................... 22 Shetland Maps .......................................................................................... -
Reeploeg, Silke
UHI Thesis - pdf download summary Between Scotland and Norway: connected cultures and intercultural encounters after 1700 Reeploeg, Silke DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2017 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Between Scotland and Norway: connected cultures and intercultural encounters 1700-Present Thesis submitted for the degree of Doctor of Philosophy at the University of Aberdeen by Silke Reeploeg February 2017 Contents Illustrations ............................................................................................................. -
Shetland Craft Trail & Makers
SHETLAND CRAFT TRAIL & MAKERS 2015/16 CRAFT TRAIL p6-31 OPEN MAP p20 Look for a number next to each member We recommend you on the Craft Trail to find their location on check opening hours or the map in the centre pages call to arrange a time to suit your journey. OTHER OUTLETS p30 Design Jono Sandilands www.jonosandilands.com Cover photograph © Helen Whitham 2015 MEMBERS p32-38 Colour key ART & DESIGN HOME & GIFTS JEWELLERY KNITWEAR & TEXTILES LEATHERWORK PAPERCRAFT PHOTOGRAPHY POTTERY WOODCRAFT VEER NORTH www.shetlandartsandcrafts.co.uk @shetlandcrafts shetlandartsandcrafts THE STRONG INFLUENCE OF SHETLAND’S LANDSCAPE, HERITAGE AND CULTURE, CAN BE SEEN IN THE CREATIVE OUTPUT OF SHETLAND’S CRAFTMAKERS, DESIGNERS AND ARTISTS; IN CERAMICS, TEXTILES, LEATHERWORK, KNITWEAR, JEWELLERY, PHOTOGRAPHY, PRINTMAKING, SCULPTURE, PAINTING AND MUCH MORE.. Welcome to the Shetland Craft Trail artists who are part of a growing and Map for 2015, created by the creative community. Often inspired Shetland Arts & Crafts Association. by their environment, culture or This Map of Shetland’s creative indigenous materials, they create landscape can lead you on a journey contemporary works for sale and throughout Shetland, to craft exhibition in Shetland, and for galleries workshops and open studios, from and customers worldwide. In over Unst in the north, to Scousburgh and 21 craft workshops and working Fair Isle in the south, from the island studios you can meet the artists and of Whalsay in the east, to Sandness designers, commission special pieces, in the west. Plan your journey well, to or simply shop for unique gifts. On discover and to purchase the diverse the map are ‘other outlets’; shops and ranges of work produced by some places of interest relating to art and of Shetland’s many craftmakers, craft. -
Books from Shetland
2009 The Shetland Times Bookshop Page 1 CONTENTS About us! ..................................................................................................... 2 Shetland – General ...................................................................................... 3 Shetland – Knitting .................................................................................... 14 Shetland – Music ........................................................................................ 15 Shetland – Nature ...................................................................................... 16 Shetland – Nautical .................................................................................... 17 Children – Shetland/Scotland..................................................................... 18 Orkney – Mackay Brown .......................................................................... 20 Orkney ...................................................................................................... 20 Scottish A-Z ............................................................................................... 21 Shetland – Viking & Picts ........................................................................... 22 Shetland Maps ........................................................................................... 23 Shetland/Orkney Videos/DVDs................................................................. 24 Shetland – CDs/Cassettes ......................................................................... 24 Orkney – CDs .......................................................................................... -
Archipelagos
Archipelagos Poems from Writing the North First published 2014 ISBN 978-0-7486-9755-7 ISBN 10 0-7486-9755-1 Edited by Linda Andersson Burnett and designed by Mark Haddon Published by the University of Edinburgh Typeset in Caslon 540 and Trajan Pro. The inside cover image: John Thomas Reid, ‘Lighthouse, Unst’, from Robert Cowie, Shetland: Descriptive and Historical, 2nd edn. (Edinburgh, 1874). © the contributors 2014 All rights reserved. No part of this book may be reproduced, stored in retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the copyright holders. This publication has been made possible with the financial support of: Archipelagos Poems from Writing the North Raman Mundair Robert Alan Jamieson Morag MacInnes Jim Mainland Yvonne Gray Alison Miller Pamela Beasant Jen Hadfield About this Book Writing the North was a year-long project funded by the Arts and Humanities Research Council to explore the history of Orkney and Shetland writing and what it means to readers and writers in the present. The project was a partnership between the University of Edinburgh, the Shetland Museum and Archives, and the Orkney Library and Archive, with additional support from Orkney Islands Council. We held public events and workshops in Edinburgh, Stromness, and Lerwick, leading to a major exhibition of Northern Islands writing and its contexts at the Shetland Museum and Archives. Our aim was to open discussion as widely as possible with an interactive website, interviews on Radio Scotland, and a schools programme that brought students in touch in innovative ways with their own literary heritage. -
Durham E-Theses
Durham E-Theses Population change & breeding biology of the Arctic Tern (Sterna paradisaea) in Shetland 1986 Megson, Graham N. How to cite: Megson, Graham N. (1986) Population change & breeding biology of the Arctic Tern (Sterna paradisaea) in Shetland 1986, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7053/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The copyright of this thesis rests with the author No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Population change & breeding biology of the Arctic Tern (Sterna paraclisaea) in Shetland 1986 by Graham N. Megson B.A. A thesis presented for the degree of M.Sc. Ecology University of Durham 1986 2 3 SEP 1992 CONTENTS PAGE I Acknowledgements 1 II Introduction 2 III Study area 9 IV Breeding populations 10 V Breeding biology at study colonies 16 VI Growth 29 VII Diet 34 VIII Discussion 40 IX Summary 48 X References 51 Appendix 1 52 Appendix 2 54 ACKNOWLEDGEMENTS I would like to thank the Nature Conservancy Council who funded this research, and the staff of the Shetland office who provided encouragement and advice.