The Worship Or Asklepios
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
3/4 What Can We Learn from Sacred Places of Worship? Sacred Places in the Community
Telford &Wrekin SACRE Agreed Syllabus RE Model Unit plan - guidance for teachers Term/ Time allocation Year Group Unit of Work/Key question This unit can be planned around the opportunities for visits to 3/4 What can we learn from sacred places of worship? sacred places in the community. Half term -6-8 hours Unit context/intent/background information Prior learning This unit provides teachers and learners with an enquiry-focused approach to learning from visits to sacred places. Children may have visited a religious The emphasis on learning outside the classroom, and exploring questions through a visit provides for learning building in EYFS/KS1 about sacred places as spaces to worship God. Children are given an opportunity to discover, experience and reflect on the communities, features and artefacts found in sacred places and the importance of special or sacred Agreed Syllabus Units Unit 8 (KS1) ‘Finding out about Christian places in their own lives and those of others. The unit will work best if pupils can visit the sacred buildings of two churches and Jewish synagogues’ religions, and explore others through a virtual visit or in some other way. Unit 9(KS1) ‘Respect for everyone’ Unit 10 (KS1) ‘Symbols of belonging’ Key learning objectives Key Questions from Telford and Wrekin Syllabus Key Values British Values • children can describe what is meant by ‘sacred’ Why can buildings be special to people? Respect Mutual respect • children can describe and compare a sacred place What do religious buildings look like in Telford and Wrekin? tolerance -
Athens, Central Greece & Peloponnese
Athens, Central Greece & Peloponnese Athens – Olympia – Delphi 6 Days / 5 Nights Day 1 – Arrival in Athens Upon arrival at Athens International Airport, you will be met by our representative and transferred to your hotel. Balance of the day at leisure. If time permits depending on your arrival time to Athens, you may enjoy one of our optional tours. (Cape Sounion or Athens By Night Tour with Traditional Greek show). Day 2 – Athens After breakfast at hotel, pick up for our Athens Sightseeing Tour. Our Athens Half Day Tour begins with a panoramic drive around Syntagma square, passing by many sightseeing hot spots such as National Garden, Hadrian’s Arch, St. Paul’s Church, Parliament, Tomb of the Unknown Soldier, Catholic Cathedral and Schliemann’s House. We will then drive past the Athens Trilogy which includes the University of Athens, the Academy of Athens, and the National Library. Our licensed guide will make you feel as if you are experiencing firsthand Athens’s old and new history as you look at these stately buildings. We continue for a photo stop at Panathenaic Stadium, otherwise known as Kallimarmaro Stadium, where the first Olympic Games took place in 1896. As we proceed, we pass by Zappeion and the Temple of Olympian Zeus. Last but not least, we make our way to the archaeological site of Acropolis, an UNESCO’S world heritage monument and we visit Propylae, as well as the small Temple of Athena Nike. Of course, our visit shall not be completed without the Parthenon and Erechtheion. The expert guided Athens sightseeing and museum tour continues with a pleasant short walk passing by Herodion and Dionysos Theater, in order to visit the New Acropolis Museum. -
9. Features of a Catholic Church
1. What is a parish? 2. What is the difference between Church/ A place of worship Inside a Catholic Church church? 3. What is a confessional? A Catholic church is the place of worship where Catholics gather as a community to The interior of Roman Catholic churches can vary from 4. What takes place at the altar? celebrate their faith. Most Catholics will attend a local parish church. A parish is the very plain and simple to fancy and ornate, but whatever 5. What command Jesus gave does baptism local Christian community around a church building. They are usually looked after by a the design, the whole church will be focused on the follow? priest, who leads the community and celebrates the sacraments. Christians call their sanctuary. Sanctuary means ‘holy place’. This is where the 6. What is a lectern? church ‘the house of God’. Many Christians believe that the community of believers altar, lectern and tabernacle are. The sanctuary is the 7. What is a tabernacle? (the Church) is more important than the church building, which is simply a meeting centre of public worship. These are features you would 8. What other features are there inside a place for the Church. expect to find in a Catholic church: church and how are they used? The Confessional The crucifix This is a small room or box-like structure in which the Sacrament of Reconciliation In Catholic churches there is always a crucifix – a cross with 1. Create a detailed takes place. This is when Catholics confess their sins to a priest. -
The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
Naming the Extrasolar Planets
Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
Wave-Based Acoustic Modeling of the Epidaurus Theatre
Wave-based acoustic modeling of the Epidaurus theatre Konstantinos Kaleris, George Moiragias, Gavriil Kamaris and John Mourjopoulos Audio & Acoustic Technology Group, Electrical & Computer Engineering Department, University of Patras, Greece. Summary The acoustics of the ancient theatre of Epidaurus have been evaluated in the past via measurements and models. However, the topic still remains open especially with respect to the contributions of the specific architectural elements to the theatre's excellent acoustic performance. Here, the study focuses on 3 novel aspects for a better understanding of the theater's acoustics: (a) introduces a wave-based acoustics simulation of the Epidaurus theatre based on a flexible but simplified 3D geometric model (b) matches temporal and spectral features of measured and modeled responses, The wave model considers direct, reflected, diffracted and mixed reflection - diffraction sound paths for calculating the theatre's acoustic Impulse Response (IR) in several listening positions, from the front rows of the lower tier to the last rows of the upper tier. For exact tuning of the model, such simulated IR discrete temporal features due to the calculated sound paths are examined through time-distance matching, allowing thus direct comparison to the theatre's measured IRs and further interpretation of the effects of each of the architectural features of the theatre. In order to precisely match the simulation to measurements, the acoustic behavior of reflecting and diffracting surfaces/edges is incorporated in the model through application of special filters, developed according to the spectral characteristics of the reflection and diffraction features of the measured IRs. From the study it is deduced that sound diffraction plays a major role in the theatre's acoustics, assisting signal reception especially at the distant positions. -
Architecture for Worship: Re-‐Thinking Sacred Space in The
Architecture for Worship: Re-Thinking Sacred Space in the Contemporary United States of America RICHARD S. VOSKO The purpose of this paper is to examine the symbolic value of religious buildings in the United States. It will focus particularly on places of worship and the theologies conveyed by them in an ever-changing socio-religious landscape. First, I will cite some of the emerging challenges that surface when thinking about conventional religious buildings. I will then describe those architectural "common denominators" that are important when re-thinking sacred space in a contemporary age. Churches, synagogues, and mosques exist primarily because of the convictions of the membership that built them. The foundations for these spaces are rooted in proud traditions and, sometimes, the idealistic hopes of each congregation. In a world that is seemingly embarked on a never-ending journey of war, poverty, and oppression these structures can be oases of peace, prosperity, and justice. They are, in this sense, potentially sacred spaces. The Search for the Sacred The search for the sacred is fraught with incredible distractions and challenges. The earth itself is an endangered species. Pollution is taken for granted. Rain forests are being depleted. Incurable diseases kill thousands daily. Millions have no pure water to drink. Some people are malnourished while others throw food away. Poverty and wealth live side by side, often in the same neighborhoods. Domestic abuse traumatizes family life. Nations are held captive by imperialistic regimes. And terrorism lurks everywhere. What do religious buildings, particularly places of worship, have to say about all of this? Where do homeless, hungry, abused, and stressed-out people find a sense of the sacred in their lives? One might even ask, where is God during this time of turmoil and inequity? By some estimates nine billion dollars were spent on the construction of religious buildings in the year 2000. -
Wonder, Space, and Place in Pausanias' Periegesis
Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados by Jody Ellyn Cundy A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Classics University of Toronto © Copyright by Jody Ellyn Cundy 2016 Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados Jody Ellyn Cundy Doctor of Philosophy Department of Classics University of Toronto 2016 Abstract The Periegesis Hellados presents a description of the sites and sights of Roman Greece in ten carefully constructed books. These books present the fruits of author’s extensive travels and careful textual research over the course of several decades (between the 130’s and ca. AD 175-80) and compiled into a unified composite itinerary. There is no doubt that Pausanias travels through an “already written landscape,” and his travel experience is necessarily informed by and sometimes clearly motivated by his literary encounters. This project investigates Pausanias’ engagement with literary antecedents, with a particular focus on the antiquarian impulse to excerpt and compile anecdotes in thematic catalogues, which broadly resemble wonder-texts (paradoxographies). The organizing principle of these thematic catalogues contrasts with the topographical (spatial) structure of the frame narrative of the Periegesis. In part, this study aims to resolve the perceived tension between the travel account and the antiquarian mode in Pausanias’ project in order to show that they serve complementary rather than competing ends. Resolution of these competing paradigms allows in turn for a more coherent understanding of the Periegesis as unified subject. This study argues that wonder (thauma) is a unifying theme ii of Periegesis Hellados. -
Asclepius and Epidaurus: the Sapiential Medicine As Divinatory Art Between Therapeutic Landscapes and Healing Dreams
Cosmos and History: The Journal of Natural and Social Philosophy, vol. 15, no. 1, 2019 ASCLEPIUS AND EPIDAURUS: THE SAPIENTIAL MEDICINE AS DIVINATORY ART BETWEEN THERAPEUTIC LANDSCAPES AND HEALING DREAMS Nicola Luigi Bragazzi, Mariano Martini, Riccardo Zerbetto, Tania Simona Re ABSTRACT: Epidaurus was in the antiquity a therapeutic complex which included several buildings to which people came from every part of Greece to be cured by the god Asclepius, a deity venerated from 500 before Christ to the fourth-fifth century anno Domini, when many other pagan cults had already ceased to exist. Epidaurus was a very complex structure, a sort of city-state or sovereign state, able to host thousands of adepts. Here, patients were subject to ablution, purification and sporadic fasting. Asclepius appeared in a dream, in a sort a practice of magic-ritual and sapiential medicine. KEYWORDS: Asclepius; Epidaurus; Sapiential medicine; Templar medicine; Incubation sanctuary Originally, medicine was a divinatory art. Hoverer, the term "divination" has lost its original meaning throughout the centuries, with respect to the ancient times and, in particular, to the Greek archaic world, in which it held an enormous value. Divination, in fact, was the most genuine form of knowledge, a sort of half-closed door or bridge that connected the human world with the divine one. Apollo, a plague-dealer with a silver bow, is considered the father of medicine. We see him at the beginning of the Iliad with his poisoned arrows and darts disseminating illness and destruction to the Achaeans. The death www.cosmosandhistory.org 193 COSMOS AND HISTORY 194 inflicted by the divinity is terribly long and painful. -
THE SANCTUARY at EPIDAUROS and CULT-BASED NETWORKING in the GREEK WORLD of the FOURTH CENTURY B.C. a Thesis Presented in Partial
THE SANCTUARY AT EPIDAUROS AND CULT-BASED NETWORKING IN THE GREEK WORLD OF THE FOURTH CENTURY B.C. A Thesis Presented in Partial Fulfillment of the Requirements for the degree Master of Arts in the Graduate School of The Ohio State University by Pamela Makara, B.A. The Ohio State University 1992 Master's Examination Committee: Approved by Dr. Timothy Gregory Dr. Jack Ba I cer Dr. Sa u I Corne I I VITA March 13, 1931 Born - Lansing, Michigan 1952 ..... B.A. in Education, Wayne State University, Detroit, Michigan 1952-1956, 1966-Present Teacher, Detroit, Michigan; Rochester, New York; Bowling Green, Ohio 1966-Present ............. University work in Education, Art History, and Ancient Greek and Roman History FIELDS OF STUDY Major Field: History Studies in Ancient Civi I izations: Dr. Timothy Gregory and Dr. Jack Balcer i i TABLE OF CONTENTS VITA i i LIST OF TABLES iv CHAPTER PAGE I. INTRODUCTION 1 I I. ANCIENT EPIDAUROS AND THE CULT OF ASKLEPIOS 3 I II. EPIDAURIAN THEARODOKOI DECREES 9 IV. EPIDAURIAN THEOROI 21 v. EPIDAURIAN THEARODOKOI INSCRIPTIONS 23 VI. AN ARGIVE THEARODOKOI INSCRIPTION 37 VII. A DELPHIC THEARODOKOI INSCRIPTION 42 VIII. SUMMARY 47 END NOTES 49 BIBLIOGRAPHY 55 APPENDICES A. EPIDAURIAN THEARODOKOI INSCRIPTIONS AND TRANSLATIONS 58 B. ARGIVE THEARODOKO I I NSCR I PT I ON 68 C. DELPHIC THEARODOKOI INSCRIPTION 69 D. THEARODOKO I I NSCR I PT IONS PARALLELS 86 iii LIST OF TABLES TABLE PAGE 1. Thearodoko i I nscr i pt ions Para I I e Is •••••••••••• 86 iv CHAPTER I INTRODUCTION Any evidence of I inkage in the ancient world is valuable because it clarifies the relationships between the various peoples of antiquity and the dealings they had with one another. -
The Greek Origin of Caduceum: Æsculapius
Colombia Médica Vol. 39 Nº 4, 2008 (Octubre-Diciembre) The Greek origin of caduceum: Æsculapius ARTURO G. RILLO, DR EN H* SUMMARY Introduction: Medicine history gives us the chance to reflect about the Caduceus as the synthesis of the dialectic of the sensible and spiritual life. This opens and horizon of comprehension and allow us to recover the legend of Asclepius and it’s cult with the different symbolic elements that structure it. The legend: The historic and mythological references about Asclepius’ existence gives structure to the legend in a real and not-real environment perduring in the occidental medicine tradition as a mystical reference to the deity for the medical practice. The cult: It’s based in the incubation and synthesizes healing rites and therapeutical practices, as medical as surgical; exercise, sleep cures and amusement activities. The symbol: The linguistic origin of Asclepius’ name, the symbolism of the legend protagonists and the iconographic representation of their attributes, converge in the Caduceus to represent the medical practices and ideas synthesis, all them related to the human life. Conclusion: Asclepius’ perception transcends the Olympic divinity and situates him as the healing archetype; that’s why Caduceus is consistent with the system-world representation that rules the actual medical practice. Keywords: Caduceum; Æsculapius; Æsclepius; History of medicine; Philosophy of medicine. El origen griego del caduceo: Esculapio RESUMEN Introducción: La historia de la medicina posibilita reflexionar sobre el caduceo como la síntesis de la dialéctica de la vida sensible y la espiritual. Esto abre un horizonte de comprensión y permite recuperar la leyenda de Esculapio y su culto con los diferentes elementos simbólicos que la componen.