39Th Military Librarians Workshop
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(C) 1978 by Random House, Inc. Introduction: "The Dean of Science
A Del Rey Book - Published by Ballantine Books Copyright (c) 1978 by Random House, Inc. Introduction: "The Dean of Science Fiction" Copyright (c) 1978 by J. J. Pierce All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Ballantine Books of Canada, Ltd., Toronto, Canada. Library of Congress Catalog Card Number: 78-52210 ISBN 0-345-25800-2 Manufactured in the United States of America First Edition: April 1978 Cover art by H. R. Van Dongen ACKNOWLEDGMENTS "Sidewise in Time," copyright (c) 1934 by Street & Smith Publications, Inc., for Astounding Stories, June 1934. "Proxima Centauri," co~yright (c) 1935 by Street & Smith Pub.. lications, Inc., for Astounding Stories, March 1935. - "The Fourth-dimensional Demonstrator," copyright (c) 1935 by Street & Smith Publications, Inc., for Astounding Stories, December 1935. "First Contact," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1945. "The Ethical Equations," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, June 1945. "Pipeline to Pluto," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, August 1945. "The Power," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, September 1945. "A Logic Named Joe," copyright (c) 1946 by Street & Smith Publications, Inc., for Astounding Science Fiction, March 1946. "Symbiosis," copyright (c) 1947 for Collier's Magazine, January 1947. "The Strange Case of John Kingman," copyright (c) 1948 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1948. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Bloch the Best of Edmond Hamilton Introduction by Leigh Brackett the Best of Leigh Brackett Introduction by Edmond Hamilton *The Best of L
THE STALKING DEAD The lights went out. Somebody giggled. I heard footsteps in the darkness. Mutter- ings. A hand brushed my face. Absurd, standing here in the dark with a group of tipsy fools, egged on by an obsessed Englishman. And yet there was real terror here . Jack the Ripper had prowled in dark ness like this, with a knife, a madman's brain and a madman's purpose. But Jack the Ripper was dead and dust these many years—by every human law . Hollis shrieked; there was a grisly thud. The lights went on. Everybody screamed. Sir Guy Hollis lay sprawled on the floor in the center of the room—Hollis, who had moments before told of his crack-brained belief that the Ripper still stalked the earth . The Critically Acclaimed Series of Classic Science Fiction NOW AVAILABLE: The Best of Stanley G. Weinbaum Introduction by Isaac Asimov The Best of Fritz Leiber Introduction by Poul Anderson The Best of Frederik Pohl Introduction by Lester del Rey The Best of Henry Kuttne'r Introduction by Ray Bradbury The Best of Cordwainer Smith Introduction by J. J. Pierce The Best of C. L. Moore Introduction by Lester del Rey The Best of John W. Campbell Introduction by Lester del Rey The Best of C. M. Kornbluth Introduction by Frederik Pohl The Best of Philip K. Dick Introduction by John Brunner The Best of Fredric Brown Introduction by Robert Bloch The Best of Edmond Hamilton Introduction by Leigh Brackett The Best of Leigh Brackett Introduction by Edmond Hamilton *The Best of L. -
Fantasy & Science Fiction V025n04
p I4tk Anniversary ALL STAR ISSUE Fantasi/ and Science Fiction OCTOBER ASIMOV BESTER DAVIDSON DE CAMP HENDERSON MACLEI.SH MATHESON : Girl Of My Dreams RICHARD MATHESON 5 Epistle To Be Left In The Earth {verse) Archibald macleish 17 Books AVRAM DAVIDSON 19 Deluge {novelet) ZENNA HENDERSON 24 The Light And The Sadness {verse) JEANNETTE NICHOLS 54 Faed-out AVRAM DAVIDSON 55 How To Plan A Fauna L. SPRAGUE DE CAMP 72 Special Consent P. M. HUBBARD 84 Science; Twinkle, Twinkle, Little Star ISAAC ASIMOV 90 They Don’t Make Life Like They Used To {novelet) ALFRED BESTER 100 Guest Editorial: Toward A Definition Of Science Fiction FREDRIC BROWNS' 128 In this issue . Coming next month 4 F&SF Marketplace 129 Cover by Chesley Bonestell {see page 23 for explanation) Joseph IV. Fcnnan, publisher Avram Davidson, executive editoi: Isaac Asimov, science editor Edzvard L. Forman, managing editoi; The Magasine of Fa^itasy and Science Fiction, Volume 25, No. 4, IVhole No. 149, Oct. 1963. Published monthly by Mercury Press, Inc., at 40c o copy. Annual subscription $4.50; $5.00 in Canada and the Pan American Union; $5.50 in all ether countries. Ptibli- cation office, 10 Ferry Street, Concord, N. FI. Editorial and general mail should be soit ie 347 East 53rd St., Nezv York 22, N. Y. Second Class postage paid at Concord, N. H. Printed in U. S. A. © 1963 by Mercury Press, Inc. All rights, including translations into otJut languages, reserved. Submissions must be accompanied by stamped, self-addressed envelopes the Publisher assumes no responsibility fur return of unsolicited manuscripts. -
Dynatron Is 915 Green Valley Road NW, Albuquerque, NM
This is the grand and have finally reached the magic ^mbe orious fanzine. we I Ah, yes, ; hundredthe issue of a not so grand and gio glorious one THE CONTENTS 3 Writings in the Sand by Roytac 6 One Prson’s View by Mike Kring Cyberpunk: 7 The Pulp Forest by Ed Cox 11 Martians, Go Figure by Dave Locke 14 En Deux Mots by Jack Speer MacCallum 17 The Old Boy’s Syndrome by Danny 0. MacCallum 20 Whither Fandom? by Paul Lagasse ARTWORK: Cover by Atom Art Hoover 2, 10, 16 My thanx to all who contributed to this issue Tackett, dDyYnNaAtTrRoOnN #100. Dynatron is 915 Green Valley Road NW, Albuquerque, NM It is, as it always has been, A Marinated Publication I and is dated December 1991 WRITINGS IN THE SAND 100 issues of DYNATRON. I am tempted to add: "That's not too many." Perhaps it is, though. Both from the point of view of the fans who have read this zine over the years and, mayhap, from the point of view of the editor/publisher. It has been a long time. You could say that in a way it is Buck Coulson's fault. My roots in the science fiction/ fantasy field go back to the 1930s. I was a reader of fantasy from the time I learned to read and read what ever children's fantasy books were Roytac when he first began available. There were not too many. to publish Dynatron. I picked up my first prozine in 1933 (which is also the time I started smoking—is there a connection?) and was instantly hooked. -
Oh, for the Life of an Author's Wife by Elizabeth Charlier Brown, Edited by Chad Calkins, Introduction by Jack Seabrook
Memoir by Elizabeth Charlier Brown (1902-1986), chronicling the first ten years of her marriage to Fredric Brown (1906-1972), author of many classic mystery and science fiction short stories and novels, such as The Fabulous Clipjoint, The Screaming Mimi, Night of the Jabberwock, and What Mad Universe. Oh, for the Life of an Author's Wife by Elizabeth Charlier Brown, Edited by Chad Calkins, Introduction by Jack Seabrook Order the complete book from the publisher Booklocker.com http://www.booklocker.com/p/books/9568.html?s=pdf or from your favorite neighborhood or online bookstore. Copyright © 2018 The Estate of Fredric Brown Introduction copyright © 2018 by Jack Seabrook Paperback ISBN: 978-1-63492-700-0 Hardcover ISBN: 978-1-63492-701-7 All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal. Published by BookLocker.com, Inc., St. Petersburg, Florida, U.S.A. Printed on acid-free paper. Chad Calkins [email protected] 2018 First Edition Introduction The fact that you’re reading this introduction probably means that you know that the author referred to in the title of this book is Fredric Brown, one of the best mystery writers of the 1940s and 1950s. He also wrote some great science fiction short stories and novels. A bit of background on Mr. Brown is in order before you start to read his second wife’s memoir, just to help you get your bearings. -
The Novelist As Engineer
The Novelist as Engineer A thesis on credible engineering components of fiction novels (supplemented by an “engineering” fiction novel) by D R Stevens for the Masters Degree in Engineering (Hons) 2007 University of Western Sydney Dedication This thesis is dedicated to Professor Steven Riley who inspired the writing of the thesis in the first place and provided encouragement when motivation waned. Acknowledgement I acknowledge the assistance of Professor Steven Riley, Professor of Research, School of Engineering, University of Western Sydney. I also acknowledge Professor Leon Cantrell who gave significant and important advice particularly on the development of the supplementary novel, (called by the new genre name En-Fi) the title of which is “Amber Reins Fall”. Thanks also go to Dr Stephen Treloar, CEO of Cumberland Industries Limited, where I am the Director of Marketing and Social Enterprises. His contribution is through the scarce resource of time the company allowed me to formulate this thesis. Finally the thesis is dedicated in no small part to Caroline Shindlair who helped tremendously with the typing and construction of the actual documentation. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, is original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. (Signature) Table of Contents Abbreviations Page ................................................................................................ -
Downloading of Software That Would Enable the Display of Different Characters
MIAMI UNIVERSITY The Graduate School CERTIFICATE FOR APPROVING THE DISSERTATION We hereby approve the Dissertation Of Jay T. Dolmage Candidate for the Degree: Doctor of Philosophy Director Dr. Cindy Lewiecki-Wilson Reader Dr. Kate Ronald Reader Dr. Morris Young Reader Dr. James Cherney Graduate School Representative ABSTRACT METIS: DISABILITY, RHETORIC AND AVAILABLE MEANS by Jay Dolmage In this dissertation I argue for a critical re-investigation of several connected rhetorical traditions, and then for the re-articulation of theories of composition pedagogy in order to more fully recognize the importance of embodied differences. Metis is the rhetorical art of cunning, the use of embodied strategies—what Certeau calls everyday arts—to transform rhetorical situations. In a world of chance and change, metis is what allows us to craft available means for persuasion. Building on the work of Detienne and Vernant, and Certeau, I argue that metis is a way to recognize that all rhetoric is embodied. I show that embodiment is a feeling for difference, and always references norms of gender, race, sexuality, class, citizenship. Developing the concept of metis I show how embodiment forms and transforms in reference to norms of ability, the constraints and enablements of our bodied knowing. I exercise my own metis as I re-tell the mythical stories of Hephaestus and Metis, and re- examine the dialogues of Plato, Aristotle, Cicero and Quintillian. I weave through the images of embodiment trafficked in phenomenological philosophy, and I apply my own models to the teaching of writing as an embodied practice, forging new tools for learning. I strategically interrogate the ways that academic spaces circumscribe roles for bodies/minds, and critique the discipline of composition’s investment in the erection of boundaries. -
This Introduction to the SHOT SIGCIS Session Examining The
Preprint—Not For Circulation This introduction to the SHOT SIGCIS session Examining the Interaction of Speculative Literature and Computing: Toward a Research Agenda of October 2010 is taken from the introduction to Science Fiction and Computing: Essays on Interlinked Domains edited by David L. Ferro and Eric Swedin and forthcoming from McFarland. Introduction by David L. Ferro When I was in fifth grade, around the Christmas holidays, we were randomly paired up with someone else in the class to exchange gifts. I can't remember what I gave, but I recall what I received: a paperback book, its cover torn off. It was Isaac Asimov's The Rest of the Robots, a collection of short stories that opened up for me, not only a whole new literary genre, but a whole new way of looking at the world. I still have it on my shelf. I didn't think much about receiving that book as the rest of my life unfolded and as I made the career choices that led me to writing this introduction. In retrospect, however, it was a defining moment. Today I teach in a computer science department and have a PhD in Science and Technology Studies. Asimov's book both inspired and reflects my life as well as the book you hold before you. The stories that Asimov wrote were thought experiments–using a fictional format–that explored the engineering and scientific development necessary for further advances in computers. They also dealt with the social implications of those advances. Only now, in researching this book, do I realize how apt Asimov was as the progenitor of inspiration. -
Science Fiction and the History of Science
Honors 4920/History 4730 Spring 2019 Science Fiction and the History of Science Instructors: Dr. Eric Swedin and Dr. David Ferro Offices: LH274 (Swedin) and ET110 (Ferro) Office phone: 801-395-3553 (Swedin) and 801-626-6303 (Ferro) E-mail: [email protected] and [email protected] Office Hours: Tuesdays and Thursdays, 2:30-5:00 (Swedin) Other office hours are available by appointment. Text: Leonard Mlodinow, The Upright Thinkers: The Human Journey from Living in Trees to Understanding the Cosmos (2015) ISBN-10: 0345804430 Class Description and Objectives: This course will examine current and historical writings of science fiction in the context of the history of scientific and technological developments. Class participation and discussion is expected. Grading Policies: Grades will be determined on the following basis: Quizzes 60% Term Paper 30% Class Participation 10% Grades: A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% E: 0 - 59% (Grades at the high or low ends of these ranges will earn plus and minus grades.) Readings: The readings for each day are available on Canvas or listed on the Schedule in this syllabus. Quizzes: There will a short quiz every day at the beginning of class. Each quiz will be based on the readings that you were given for that day, or will be given on the content of the previous class’s presentations. There may also be a couple of questions from previous quizzes’ content. Book Presentation: Each student will read an additional book from a list to be distributed by the instructors. The student should research book reviews and academic papers on the book, if they exist. -
Earthmen Bearing Gifts Fredrick Brown
Earthmen Bearing Gifts Fredrick Brown har Ry sat alone in his room, meditating. From outside the door he caught a thought wave equivalent to a knock, D and, glancing at the door, he willed it to slide open. It opened. “Enter, my friend,” he said. He could have projected the idea telepathically; but with only two persons present, speech was more polite. Ejon Khee entered. “You are up late tonight, my leader,” he said. “Yes, Khee. Within an hour the Earth rocket is due to land, and I wish to see it. Yes, I know, it will land a thousand miles away, if their calculations are correct. Beyond the horizon. But if it lands This unlikely-looking image even twice that far the flash of the atomic explosion should be is a U.S. nuclear test explosion visible. And I have waited long for first contact. For even though from the Trinity site, no Earthman will be on that rocket, it will still be first contact—for 0.016 seconds after detonation them. Of course our telepath teams have been reading their on July 16, 1945. thoughts for many centuries, but—this will be the first physical It is in the public domain. contact between Mars and Earth.” Khee made himself comfortable on one of the low chairs. “True,” he said. “I have not followed recent reports too closely, though. Why are they using an atomic warhead? I know they sup- pose our planet is uninhabited, but still—” “They will watch the flash through their lunar telescopes and get a—what do they call it?—a spectroscopic analysis. -
86'Ed Banned from the Lot. the Term Is in General Use Meaning
86'ed Banned from the lot. The term is in general use meaning "we have no more [ something]" or "to get rid of [something]." There are many 'folk etymologies' ex plaining the origin of the term, but all are dubious. A&S Man "Age and Scale" operator ("guess your age or weight" operator). More com monly known as "Fool the Guesser," the game can be operated as a hanky-pank (q.v .) or any of several other ways. AB Amusement Business, the trade magazine of the outdoor entertainment industry. ABA A commercial "traveler's check," often purchased under assumed names, useful for carrying and transferring large sums of cash without bank or I.R.S. scrutin y. Add-Up Joint, or Add 'Em Up Game where each play (each dart thrown, ball rolled, balloon broken...) scores points that are totaled for the player. In its most d irect form, it is a fair enough game (though it is illegal in some areas as a 'g ame of chance') but it is very similar to the larcenous "razzle dazzle' game whi ch adds a 'build up' feature (q.v.) and cannot be won. Advance Man Employee who handles details such as licenses and sponsors before a carnival arrives in town, and sometimes handles bribes to local officials for le aving the carnival alone. After-Catch Items sold to show patrons after they have paid their admission and seen the show. After-Show Blowoff (q.v.) Afterpiece A multi-gag comedy act closing a medicine show. Agent The one who works a game, especially a game that requires some skill and f inesse to sell to the marks, and most especially a rigged game.