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Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair Port Conventzon, John Martyn, Pentangle and the Incredible String Band
. Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch season Productions, recording LPs by Fair port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968. -
The Community Magazine for the High School for the Performing And
The community magazine for The High School for the Performing and Visual Arts, published by HSPVA Friends 2016-2017 Your Gift at Work: TABLE OF CONTENTS The Impact of HSPVA Friends HSPVA DOWNTOWN 4-5 Epiphany 2016-2017 As a 501(c)(3) non-profit organization, HSPVA Friends harnesses community support to ensure the ON THE COVER Charlie Wannall (‘17) in continued excellence of The High School for the Performing and Visual Arts. Under the thoughtful ART AREA HIGHLIGHTS 6-8 bobrauschenbergamerica. Photo by Savanna Lim (‘17) leadership of the Board of Directors, we create opportunities for HSPVA students that prepare them Epiphany is published annually by HSPVA Friends and for higher education and the professional world. ENCORE LUNCHEON 9 distributed to alumni, parents, and supporters of HSPVA and HSPVA Friends. HSPVA relies on us to provide the essential building blocks of an arts education—supplies, COMMUNITY NEWS 10-11 The mission of HSPVA Friends, a 501(c)(3) non-profit organization, is to cultivate support and appreciation for equipment, teachers, and experiences—that allow graduates to emerge as leaders in their The High School for the Performing and Visual Arts locally, fields. The results of an HSPVA education speak for themselves: the 166 members of the Class of 2017 nationally, and internationally in order to enhance educational, DONOR 12-15 professional, and artistic opportunities for current and future were offered more than $36 million in college scholarships! students of HSPVA. RECOGNITION I am delighted to share highlights from HSPVA’s 45th school year. Thanks to your generosity, HSPVA HSPVA FRIENDS BOARD OF DIRECTORS Robert L. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Joe Boyd There Was an Interesting Moment When I Was Nick Drake Loves the Music
ISSUE #29 MMUSICMAG.COM ISSUE #29 MMUSICMAG.COM PRODUCER How’d the Drake tribute come about? my head. With the Nick record, because I’d worked on a recent spate of live tribute the arrangements are quite formal and the concerts—the first happened about five audiences were respectful, people seemed years ago. I did a tribute concert after [Pink to let the last note die away and then erupt Floyd founding member] Syd Barrett died, in cheers and such, so we felt that we could and I thought it turned out wonderfully. That do it. Also, somebody told us that BBC tilted my psychology about the idea of live Radio 2—the most important outlet in Britain tribute concerts, so when I was asked to for this kind of music—has a rule where they put together a celebration of Nick’s music don’t play tracks with applause. Sometimes at Birmingham Town Hall four years ago, I they dial it out themselves, but we chose to said, “Let’s try it.” And the audience thought take it out instead. it was fantastic, the musicians had a great Maria Muldaur time, and the singers loved getting their teeth If you were back working again with Pink into these songs—and they sounded so good yeah, I love him!” When I asked if she would Floyd in 1967, what would you change? singing them. sing that song, she said that she loved that The main thing I’d do differently would be one as well. She does it quite differently from to somehow make sure that I could get a How did that become an album? how Nick did it, but it’s exactly what I heard, bigger advance from Polydor Records to We’ve done about 15 of these concerts, imagined and wanted. -
Francis R. Boyd
Francis R. Boyd Jr. 1926–2004 A Biographical Memoir by W. G. Ernst and Russell J. Hemeley ©2014 National Academy of Sciences. Any opinions expressed in this memoir are those of the authors and do not necessarily reflect the views of the National Academy of Sciences. FRANCIS RAYMOND BOYD JR. January 30, 1926–January 12, 2004 Elected to the NAS, 1974 Francis Raymond Boyd Jr., known to his friends and colleagues worldwide as Joe, was born in Boston, Massa- chusetts, on January 30, 1926. He received an AB degree in 1949, an MS in 1951, and a PhD in 1958, all in geology from Harvard. He also was awarded an MS in geology from Stanford in 1950. His doctoral study, working under the supervision of George C. Kennedy, was entitled: “Geology of the Yellowstone Rhyolite Plateau.” This field-based geologic research (Boyd 1961) was featured in the 1998 IMAX film “Yellowstone.” Carnegie Institution Archives. In 1953, Joe Boyd accepted an appointment at the Geophysical Laboratory of the Carnegie Institution of Washington, and from that supporting foundation, he By W. G. Ernst carried out mineralogic phase equilibrium and petro- and Russell J. Hemeley chemical research throughout his long and remarkably fruitful career. After retirement in 1996, Joe continued his scientific research and remained a widely recognized contributor to the understanding of mantle geochemistry and geophysics, as well as the geologic structure and evolution of the Earth’s lithosphere, until his death on January 12, 2004. An insightful scholar and innovator, Joe Boyd was a world-class Earth scientist, a warm, fun-loving human being, and an especially generous, gentle soul. -
THE SECRET SAUCE 7 Ingredients to Successsful Relationships
INGREDIENTS OF HEALTHY RELATIONSHIPS JOE BOYD | 1 This book is dedicated to my two families: I am so thankful for my wife, Michelle, and our boys; Dre, Koehn and Robin. I am also thankful for a church family that embodies both grace and fellowship. Th e Secret Sauce 7 INGREDIENTS TO SUCCESSFUL RELATIONSHIPS JOE BOYD THE SECRET SAUCE 7 Ingredients To Successsful Relationships COPYRIGHT © 2021 JOE BOYD All rights reserved. Unless otherwise indicated, all Scripture quotations are taken from the Holy Bible, New International Version ® (NIV) and New Living Translation ® (NLT). Grace Fellowship, Brooklyn Park, MN findgrace.com Table of Contents Introduction Page What Am I missing? 11 Key Ingredients Page #1 Perspective & Experience 17 #2 Money 27 #3 Relational Security 41 #4 Spiritual Growth 57 #5 Communication 67 #6 Romance & Intimacy 79 #7 Family 91 Time is the missing ingredient in our recipes – and in our lives. MICHAEL POLLAN 10 | THE SECRET SAUCE Introduction WHAT AM I MISSING? There is only one thing worth being concerned about. Luke 10:42 One of my favorite things to do is check out new restaurants that I hear about from friends or family in my community. I hear things like, "Oh, you’ve got to try these tacos. They are so amazing." or "They have this mind-blowing secret sauce." I love that. I love going to the restaurant, trying the food for myself, and discovering how delicious it really is. I like to try and recreate the sauce to have this remarkable taste experience at home. I stress the word attempt because I have not been very successful at this. -
The Glenville Mercury
The Glenville Mercury Number 14 Clcnville State College, Glenvdle , W ~sl \ Irglllia Friday, Novemher 22, 1974 Orallnterp Class Presents HBrecht" On December 5 and 6 at 8 :00 p .m., the Lillie Theatre will p"y tribute to the literature of Bertolt Brecht in an Oral Interpretation performance of Brecht on Brecht. The play, performed by Sp. 306, I,a collec tion of fragments - poems, snatches of ng, Isolated scenes lestimony before Congrcss. letters, ~Ic "As the man who takes a brick alOll? to show the world ",hat hiS house was like." It was prepared by George Tabori for performanL'c In Jaek ie Stricker Rex Coombs New York in 1967, sOll1e c1~vcn years after Brecht's death m 1956. The Illam task of the play 1\ 10 JUSI a few of the characters that will be on hand for Sadie Hawkins allow actors to act as witnesse, 10 festivities Saturday sponsored by Thela Xi fraterlllly, Judas) Mary Join Superstar Cast speak, to say , directly c-onfrontlng tlw audience. "Her~ IS whal h~ Portraying th~ c haracters of Mar) at Glenville, Concord and In other said." And what Brecht ""lid" IS full Magdalene and Judas I=iot in the area' o f WVa of rontradiclion"-lolitrauiL-tiom of musIc department's upL'Oming per Coombs ha, had previous ex fact of style and of t,·dlnlllu,'. He tormance of Jesus Christ Superstar peflence Wit h b i I part' In high Men Run For Lives opposed stage "realislll," ca lling it are Jackie Stricker and Rex Coombs. ,chool and hl' also hl'lped put to "~lIrhen drama," but crealed SOllie Ms. -
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political, -
Contem Porary Spring 07 Madcap's Last Laugh
Syd Prog:Nitin Prog 4/5/07 13:05 Page 1 barbican do something different Only Connect Tonight’s concert is part of the only connect series, the Barbican’s innovative series that c brings together the worlds of film, music and art by inviting exceptional musicians, composers, o artists and filmmakers to develop collaborations and present new work. n ‘Give a big hand to Only Connect, a series of events designed to cross borders and break Syd t down barriers, challenge idle preconception and encourage exceptional artists to experiment, e collaborate, provoke, stimulate and entertain.’ Time Out m For more details visit www.barbican.org.uk/onlyconnect p Barrett o The Barbican Centre is r There will be an interval in tonight’s concert. provided by the City of a Madcap’s London Corporation as No smoking in the auditorium. No cameras, part of its contribution to tape recorders or other recording the cultural life of London r equipment may be taken into the hall. and the nation. y Last Laugh s p do something different r i Find out n before they g Thu 10 May 7.30pm sell out! 0 7 E–updates Celebrating the th The easy way to hear about the arts www.barbican.org.uk/contemporary Barbican’s 25 birthday events and offers www.barbican.org.uk/25 Sign up at Free programme The Barbican is 25 in 2007 and to help celebrate we have arranged www.barbican.org.uk/e-updates a wide variety of special events and activities. This year’s Barbican contemporary Visit www.barbican.org.uk/25 music events are on sale now. -
Joe Boyd, Nfs
JOE BOYD geluid van de jaren zestig Het afgelopen jaar wederwaardigheden van The Incredible String Band met Robin verscheen van voormalig Williamson en Mike Heron als producer en labeleigenaar opvallend ongelijksoortige drij- vende krachten (zie New Folk Joe Boyd een boek Sounds 108) - van hun oorsprong in de Incredible Folk Club van getiteld White bicycles - Clive Palmer in Glasgow tot hun making music in the desastreus uitpakkende aandeel in het Woodstock Festival en hun 1960s. Tegelijkertijd werd creatieve afbrokkeling in de dubi- een gelijknamige cd uit- euze omarming van de Scientology organisatie. Respect- gebracht die hij samen- volle aandacht is er verder voor Sandy Denny, de roemruchte zan- stelde uit opnamen waar geres van Fairport Convention, net hij de hand in had gehad. als Drake vroegtijdig overleden. Alles bij elkaar geeft Boyd een In november was hij te intrigerend kijkje in de keuken van een organisator die zich niet laat gast in Muziekcentrum vastpinnen op één muzikale rich- Frits Philips in Eindhoven ting en één duidelijk omschreven rol in de muziekindustrie. Het is voor een publiek inter- een merkwaardige wereld waar hij je deelgenoot van maakt. Ener- view. Zijn werk in de zijds is er de koortsachtige creati- jaren zestig heeft mede viteit, de ontdekkingsdrang die veel van de muziek uit de jaren het gezicht bepaald van zestig zo aantrekkelijk maakte. Hij de muziek uit die periode. vertelt over de studiotechnicus met wie hij steevast werkte, John Wood. Wood was bepalend voor Tekst: René van Peer podium bij de openingsavond) en Soft het warme en directe geluid van de platen die Machine waren daar in het eerste jaar Procol Boyd onder de vlag van Witchseason produ- Midden jaren zestig stak Amerikaan Joe Boyd Harum en The Move te horen - en The ceerde. -
May, 2021 E-News
May, 2021 EDUCATION NEWS WXXI Virtual Screening & Discussion of The Gene The Gene: An Intimate History weaves together science, history and personal stories for a historical biography of the human genome, while also exploring breakthroughs for diagnosis and treatment of genetic diseases — and the complex ethical questions they raise, WXXI Education will be joined by a panel of local genomic experts from University of Rochester's Genomics Research Center and Rochester Institute of Technology's Genomics Lab. The event will include a screening of a clip-reel from The Gene series (time length about 45 minutes), which is a portion of the full-length series. Following the screening, we will be joined by our experts for a moderated discussion about some of the topics touched upon in the series. Meet Our Panel Dr. André Hudson, from RIT’s Thomas H. Gosnell School When: Tuesday, May 4 from 7 to 9 p.m. Where: Via Zoom of Life Sciences and Genomics Lab. Dr. Hudson is a trained biochemist and in addition to running his research Register & Learn More: The event is free and open to the public, lab, he teaches courses in genomics, plant biochemistry but registration is required. - and pathology, molecular biology, and microbiology. bit.ly/GeneScreeningWXXI Dr. Elizabeth Pritchett, from University of Rochester's Genomics Research Center. Production funding for KEN BURNS PRESENTS THE GENE: AN INTIMATE HISTORY has been provided by Genentech, 23andMe, Cancer Treatment Centers of America, Alfred P. Sloan Foundation, Gray Foundation, American Society of Clinical Oncology (ASCO) & Conquer Cancer Foundation, Judy and Dr. Jeffrey Malik, from University of Rochester's Peter Blum Kovler Foundation, Craig and Susan McCaw Foundation, and the Genomics Research Center. -
Broadcasting May 14
The Fifth Estate RADIO T E 0 @ M 41 E U. 0 Vg Broadcasting May 14 T+ 117!!!7 trA41)V L ti BEGINNING SPRING OF 1991, USA PRESENTS EXCLUSIVE CABLE COVERAGE OF THE WORLD LEAGUE OF AMERICAN FOOTBALL AMERICA'S FAVORITE CABLE NETWORK 190f4 HO 311IAb;IS3M IS 3ACbO 3 kriV,b8I1 W3W 3091,03 Kn'91131IC ZOZ-12V 06/33G NAr E910Z-LiNI8CE,7 190E4 1101G-S***************** MIB Miller Boyett PRODUCTIONS They Have What It Takes To Outclass All Other Comedy Strips. If there has ever been a sitcom that's dressed for stripping success, it's "Full House " It has won its time period every week of the season - beating all head -to -head competition, and bringing in an audience that sticks with ABC all night long. Now, it's ready to do the same for you five- days -a -week. Of course, "Full House" has always been a class act. On any night of the week. In any time period. Whether it's Friday or Tuesday. At 8:00PM or 8:30PM. With or without a strong network lead -in. "Full House" has captured the #1 share in households, above all other Friday prime time shows. Finishing Friday night in first place with key men,women, teens and kids. And consistently delivering the highest Friday night numbers of any show in its time period in 5 years. Want to look sharp in your market? Ask your Warner Bros. sales rep about "Full House." They'll get more growing for you in Fall '91 -'92. Vua Ilousi 100 Half-Hours For Fall '91292.