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Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair Port Conventzon, John Martyn, Pentangle and the Incredible String Band
. Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch season Productions, recording LPs by Fair port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968. -
The Community Magazine for the High School for the Performing And
The community magazine for The High School for the Performing and Visual Arts, published by HSPVA Friends 2016-2017 Your Gift at Work: TABLE OF CONTENTS The Impact of HSPVA Friends HSPVA DOWNTOWN 4-5 Epiphany 2016-2017 As a 501(c)(3) non-profit organization, HSPVA Friends harnesses community support to ensure the ON THE COVER Charlie Wannall (‘17) in continued excellence of The High School for the Performing and Visual Arts. Under the thoughtful ART AREA HIGHLIGHTS 6-8 bobrauschenbergamerica. Photo by Savanna Lim (‘17) leadership of the Board of Directors, we create opportunities for HSPVA students that prepare them Epiphany is published annually by HSPVA Friends and for higher education and the professional world. ENCORE LUNCHEON 9 distributed to alumni, parents, and supporters of HSPVA and HSPVA Friends. HSPVA relies on us to provide the essential building blocks of an arts education—supplies, COMMUNITY NEWS 10-11 The mission of HSPVA Friends, a 501(c)(3) non-profit organization, is to cultivate support and appreciation for equipment, teachers, and experiences—that allow graduates to emerge as leaders in their The High School for the Performing and Visual Arts locally, fields. The results of an HSPVA education speak for themselves: the 166 members of the Class of 2017 nationally, and internationally in order to enhance educational, DONOR 12-15 professional, and artistic opportunities for current and future were offered more than $36 million in college scholarships! students of HSPVA. RECOGNITION I am delighted to share highlights from HSPVA’s 45th school year. Thanks to your generosity, HSPVA HSPVA FRIENDS BOARD OF DIRECTORS Robert L. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Lifespan Is Here to Help You and Your Family Age Well. We Promise
Lifespan is here to help you and your family age well. We promise. 2014-2015 ANNUAL REPORT It’s time to fulfill the promise that Rochester will be a great place to age well. Dear Friends, United States Population 80 This is a transformational moment in time. Our community, in millions 65 years + like the state, country and world, has more people 60, 65, 70 75 and 85 and older than ever before. 85 years + 60 2015 is the tipping point year. In 2015, 20 percent of 50 New York State residents and 21 percent of Monroe County residents are 60 or older for the first time in 40 history. Within a few years that number will grow to 25% 30 or one in four. Demographers call this the age wave. 20 It’s often said that Rochester is a great place to raise a family. Now, with more people living longer, we are faced 10 with a challenge to also make Rochester a great place to 0 age well. 1900 1940 1970 1990 2010 2020 2030 2050 Lifespan serves as the regional aging services “utility” by providing the essential services residents need to age well. Lifespan’s sole focus is providing information, guidance and services geared toward helping older adults and their caregivers take on the challenges and the opportunities of longer life. It’s a promise we made over 40 years ago, and we intend to keep it. In 2014 we launched the Fulfilling the Promise fundraising campaign because we need to change the ways we think about aging and the ways we guide and inform older adults and caregivers. -
Memories of Nick Drake (1969-70)
Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street. -
Pink Moon, a Story About Nick Drake Free
FREE PINK MOON, A STORY ABOUT NICK DRAKE PDF Gorm Henrik Rasmussen,Bent Sorensen | 176 pages | 24 Jan 2012 | Essential Works Ltd | 9781906615291 | English | London, United Kingdom ShieldSquare Captcha Pink Moon is a personal, original, and moving retelling of the life, death, and posthumous rise of Nick Drake from Danish poet Gorm Henrik Rasmussen. This is the only account of Nick's life to include extensive interviews with Nick's parents as well as others of his close friends. It is now available in English for the first time. Pink Moon explores how Nick Drake's third and final album has puttered and purred its way into a new millennium. Features interviews with producer Joe Boyd, string arranger Robert Kirby, and even the marketing team behind the VW Cabrio commercial that launched the album to platinum status more than thirty Pink Moon after its release. Nick Drake was barely 26 years old when he died in All are now recognized as classics. It provides an insight into the life and work of Nick Drake, and also the music scene of the s that formed his backdrop. In the book, he draws on a long letter from Nick's father to Dr Lusk, in which he describes how Nick's mother, discovered Nick's body during the morning of 25 Novemberfollowing an accidental overdose of prescribed drugs. Since his death in at the age of twenty-six, singer-songwriter Nick Drake has gained a huge international audience and come to be thought of as the epitome of English romanticism. In this book, Nathan Wiseman-Trowse unravels the myths surrounding Drake and his work and explores how ideas of Englishness have come to be intimately associated with the cult musician. -
Joe Boyd There Was an Interesting Moment When I Was Nick Drake Loves the Music
ISSUE #29 MMUSICMAG.COM ISSUE #29 MMUSICMAG.COM PRODUCER How’d the Drake tribute come about? my head. With the Nick record, because I’d worked on a recent spate of live tribute the arrangements are quite formal and the concerts—the first happened about five audiences were respectful, people seemed years ago. I did a tribute concert after [Pink to let the last note die away and then erupt Floyd founding member] Syd Barrett died, in cheers and such, so we felt that we could and I thought it turned out wonderfully. That do it. Also, somebody told us that BBC tilted my psychology about the idea of live Radio 2—the most important outlet in Britain tribute concerts, so when I was asked to for this kind of music—has a rule where they put together a celebration of Nick’s music don’t play tracks with applause. Sometimes at Birmingham Town Hall four years ago, I they dial it out themselves, but we chose to said, “Let’s try it.” And the audience thought take it out instead. it was fantastic, the musicians had a great Maria Muldaur time, and the singers loved getting their teeth If you were back working again with Pink into these songs—and they sounded so good yeah, I love him!” When I asked if she would Floyd in 1967, what would you change? singing them. sing that song, she said that she loved that The main thing I’d do differently would be one as well. She does it quite differently from to somehow make sure that I could get a How did that become an album? how Nick did it, but it’s exactly what I heard, bigger advance from Polydor Records to We’ve done about 15 of these concerts, imagined and wanted. -
Francis R. Boyd
Francis R. Boyd Jr. 1926–2004 A Biographical Memoir by W. G. Ernst and Russell J. Hemeley ©2014 National Academy of Sciences. Any opinions expressed in this memoir are those of the authors and do not necessarily reflect the views of the National Academy of Sciences. FRANCIS RAYMOND BOYD JR. January 30, 1926–January 12, 2004 Elected to the NAS, 1974 Francis Raymond Boyd Jr., known to his friends and colleagues worldwide as Joe, was born in Boston, Massa- chusetts, on January 30, 1926. He received an AB degree in 1949, an MS in 1951, and a PhD in 1958, all in geology from Harvard. He also was awarded an MS in geology from Stanford in 1950. His doctoral study, working under the supervision of George C. Kennedy, was entitled: “Geology of the Yellowstone Rhyolite Plateau.” This field-based geologic research (Boyd 1961) was featured in the 1998 IMAX film “Yellowstone.” Carnegie Institution Archives. In 1953, Joe Boyd accepted an appointment at the Geophysical Laboratory of the Carnegie Institution of Washington, and from that supporting foundation, he By W. G. Ernst carried out mineralogic phase equilibrium and petro- and Russell J. Hemeley chemical research throughout his long and remarkably fruitful career. After retirement in 1996, Joe continued his scientific research and remained a widely recognized contributor to the understanding of mantle geochemistry and geophysics, as well as the geologic structure and evolution of the Earth’s lithosphere, until his death on January 12, 2004. An insightful scholar and innovator, Joe Boyd was a world-class Earth scientist, a warm, fun-loving human being, and an especially generous, gentle soul. -
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
THE SECRET SAUCE 7 Ingredients to Successsful Relationships
INGREDIENTS OF HEALTHY RELATIONSHIPS JOE BOYD | 1 This book is dedicated to my two families: I am so thankful for my wife, Michelle, and our boys; Dre, Koehn and Robin. I am also thankful for a church family that embodies both grace and fellowship. Th e Secret Sauce 7 INGREDIENTS TO SUCCESSFUL RELATIONSHIPS JOE BOYD THE SECRET SAUCE 7 Ingredients To Successsful Relationships COPYRIGHT © 2021 JOE BOYD All rights reserved. Unless otherwise indicated, all Scripture quotations are taken from the Holy Bible, New International Version ® (NIV) and New Living Translation ® (NLT). Grace Fellowship, Brooklyn Park, MN findgrace.com Table of Contents Introduction Page What Am I missing? 11 Key Ingredients Page #1 Perspective & Experience 17 #2 Money 27 #3 Relational Security 41 #4 Spiritual Growth 57 #5 Communication 67 #6 Romance & Intimacy 79 #7 Family 91 Time is the missing ingredient in our recipes – and in our lives. MICHAEL POLLAN 10 | THE SECRET SAUCE Introduction WHAT AM I MISSING? There is only one thing worth being concerned about. Luke 10:42 One of my favorite things to do is check out new restaurants that I hear about from friends or family in my community. I hear things like, "Oh, you’ve got to try these tacos. They are so amazing." or "They have this mind-blowing secret sauce." I love that. I love going to the restaurant, trying the food for myself, and discovering how delicious it really is. I like to try and recreate the sauce to have this remarkable taste experience at home. I stress the word attempt because I have not been very successful at this. -
The Glenville Mercury
The Glenville Mercury Number 14 Clcnville State College, Glenvdle , W ~sl \ Irglllia Friday, Novemher 22, 1974 Orallnterp Class Presents HBrecht" On December 5 and 6 at 8 :00 p .m., the Lillie Theatre will p"y tribute to the literature of Bertolt Brecht in an Oral Interpretation performance of Brecht on Brecht. The play, performed by Sp. 306, I,a collec tion of fragments - poems, snatches of ng, Isolated scenes lestimony before Congrcss. letters, ~Ic "As the man who takes a brick alOll? to show the world ",hat hiS house was like." It was prepared by George Tabori for performanL'c In Jaek ie Stricker Rex Coombs New York in 1967, sOll1e c1~vcn years after Brecht's death m 1956. The Illam task of the play 1\ 10 JUSI a few of the characters that will be on hand for Sadie Hawkins allow actors to act as witnesse, 10 festivities Saturday sponsored by Thela Xi fraterlllly, Judas) Mary Join Superstar Cast speak, to say , directly c-onfrontlng tlw audience. "Her~ IS whal h~ Portraying th~ c haracters of Mar) at Glenville, Concord and In other said." And what Brecht ""lid" IS full Magdalene and Judas I=iot in the area' o f WVa of rontradiclion"-lolitrauiL-tiom of musIc department's upL'Oming per Coombs ha, had previous ex fact of style and of t,·dlnlllu,'. He tormance of Jesus Christ Superstar peflence Wit h b i I part' In high Men Run For Lives opposed stage "realislll," ca lling it are Jackie Stricker and Rex Coombs. ,chool and hl' also hl'lped put to "~lIrhen drama," but crealed SOllie Ms. -
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political,