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Formal aspects Typeface Selection BMW Stephen Coles Originally designedIowan Old Style by Bruce Rogerswas designedfor in the Metropolitan1990 by noted Museum insign 1914, painter John Centaur wasDowner. released Iowan Formal aspects Typeface Selection Stephenby Coles MonotypeOld in Style is a hardy Originally designedXavier Dupré’s by Bruce Rogersff Absara for is a the Metropolitantypeface of French Museum inproportions, 1914, but Centaur wasits released shapes take Formal aspects Typeface Selection Stephenby Coles Monotypetheir in cues from Its earliestff Meta™ was direct ancestor,originally (1985) known simplyconceived as a as Grotesk,typeface was for use in first introducedsmall point sizes. Formal aspects Typeface Selection Stephenby Coles the SchelterAgainst & its intended Functional Criteria

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FF Clan Compressed

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Functional Criteria Typeface Selection Stephen Coles Between 1988 and 1994 designed ff Scala and ff Scala Sans. The idea behind ff Scala was to design a , humanistic typeface from which a sans serif version would be derived. Majoor called it: two , one form principle, and it would become the basis of his type design philosophy. Since ff Scala’s release, the combination of a serif and sans version has proven to be highly successful in corporate, book, and newspaper design. Now, ten years later, Majoor has expanded his idea of two typefaces, one form principle into three typefaces, one form principle, with a new family of typefaces as Functional Criteria Typeface Selection a result. ff Nexus borrows some of its structure Stephen Coles from ff Scala, but adds the slab-like ff Nexus FF Nexus Serif Hamburgefontsiv

FF Nexus Sans Hamburgefontsiv

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