Cinema Legend Dilip Kumar Passes Away
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RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
Direction de la communication DOSSIER DE PRESSE VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE et www.centrepompidou.fr VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) DDirection sommaire de la communication 75 191 Paris cedex 04 responsable du pôle presse I. COMMUNIQUE DE PRESSE page 2 Carole Rio-Latarjet chargée des relations presse Albane Jouis-Maucherat II. VOUS AVEZ DIT « BOLLYWOOD » ! page 4 téléphone par Nadine Tarbouriech 00 33 (0)1 44 78 13 81 télécopie III PROGRAMMATION ET SYNOPSIS DES FILMS page 6 00 33 (0)1 44 78 13 02 mél IV. CALENDRIER DES PROJECTIONS page 29 albane.jouis-maucherat @cnac-gp.fr V. RENCONTRE ORGANISEE PAR LES FORUMS DE SOCIETE La « résistance » de Bollywood ? page 38 VI. EVENEMENTS AUTOUR DE LA MANIFESTATION page 40 VII. LISTE DES PHOTOS DISPONIBLES POUR LA PRESSE page 48 VIII. REMERCIEMENTS page 52 IX. INFORMATIONS PRATIQUES page 53 VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) Direction Pour la première fois en France, une grande rétrospective consacrée à la cinématographie de la communication indienne populaire est proposée par les Cinémas du Centre Pompidou. 75 191 Paris cedex 04 responsable du pôle presse er Carole Rio-Latarjet Pensée en deux temps, la manifestation rend d’abord hommage, du 4 février au 1 mars 2004, chargée des relations presse aux auteurs des grands classiques en noir et blanc des années 50 considérées comme l’âge Albane Jouis-Maucherat d’or des studios indiens : Guru Dutt, Raj Kapoor, Bimal Roy, Mehboob Khan, V. -
Dilip-Kumar-The-Substance-And-The
No book on Hindi cinema has ever been as keenly anticipated as this one …. With many a delightful nugget, The Substance and the Shadow presents a wide-ranging narrative across of plenty of ground … is a gold mine of information. – Saibal Chatterjee, Tehelka The voice that comes through in this intriguingly titled autobiography is measured, evidently calibrated and impossibly calm… – Madhu Jain, India Today Candid and politically correct in equal measure … – Mint, New Delhi An outstanding book on Dilip and his films … – Free Press Journal, Mumbai Hay House Publishers (India) Pvt. Ltd. Muskaan Complex, Plot No.3, B-2 Vasant Kunj, New Delhi-110 070, India Hay House Inc., PO Box 5100, Carlsbad, CA 92018-5100, USA Hay House UK, Ltd., Astley House, 33 Notting Hill Gate, London W11 3JQ, UK Hay House Australia Pty Ltd., 18/36 Ralph St., Alexandria NSW 2015, Australia Hay House SA (Pty) Ltd., PO Box 990, Witkoppen 2068, South Africa Hay House Publishing, Ltd., 17/F, One Hysan Ave., Causeway Bay, Hong Kong Raincoast, 9050 Shaughnessy St., Vancouver, BC V6P 6E5, Canada Email: [email protected] www.hayhouse.co.in Copyright © Dilip Kumar 2014 First reprint 2014 Second reprint 2014 The moral right of the author has been asserted. The views and opinions expressed in this book are the author’s own and the facts are as reported by him, which have been verified to the extent possible, and the publishers are not in any way liable for the same. All photographs used are from the author’s personal collection. All rights reserved. -
Deepa Mehta's Elemental Trilogy and the Depiction of Indian Culture In
Deepa Mehta’s Elemental Trilogy and the Depiction of Indian Culture in Select Filmic Adaptations A Thesis Submitted to For the award of DOCTOR OF PHILOSOPHY IN ENGLISH Submitted by: Supervised by: Ishfaq Ahmad Tramboo Dr. Nipun Chaudhary Reg. No. 11512772 Assistant Professor Department of English LOVELY FACULTY OF BUSINESS AND ARTS LOVELY PROFESSIONAL UNIVERSITY PHAGWARA-144411 (PUNJAB) 2019 Declaration I hereby declare that the thesis entitles Deepa Mehta’s Elemental Trilogy and The Depiction of Indian Culture in Select Filmic Adaptations submitted for the partial fulfillment of the requirements for the award of degree of Doctor of Philosophy is entirely my original work. All the ideas and references are duly acknowledged. It does not contain any other work for the award of any other degree or diploma at any university or institution. I hereby confirm that I have carefully checked the final version of printed and softcopy of the thesis for the completeness and for the incorporation of all the valuable suggestions of Doctoral Board of the University. I hereby submit the final version of the printed copy of my thesis as per the guidelines and the exact same content in CD as a separate PDF file to be uploaded in Shodhganga. Place: Phagwara Ishfaq Ahmad Tramboo Date: 31 July 2019 (11512772) ii Certificate By Advisor I hereby affirm as under that: 1) The thesis presented by Ishfaq Ahmad Tramboo entitled “Deepa Mehta’s Elemental Trilogy and The Depiction of Indian Culture in Select Filmic Adaptations” is worthy of consideration for the award of the degree of Doctor of Philosophy. -
From Shakespearean Text to Cinema: a Study of Select Dramaturgic Adaptations
FROM SHAKESPEAREAN TEXT TO CINEMA: A STUDY OF SELECT DRAMATURGIC ADAPTATIONS THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Doctor of philosophy In English By FATIMAH JAVED UNDER THE SUPERVISION OF PROF. SAMINA KHAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (U.P) INDIA 2017 Professor Samina Khan Department of English Aligarh Muslim University, Aligarh Phone No: 09997398308 [email protected] Certificate Certified that the thesis entitled “From Shakespearean Text to Cinema: A Study of Select Dramaturgic Adaptations” submitted by Ms. Fatimah Javed for the award of the degree of the Doctor of Philosophy is an original work carried out under my supervision and has not been submitted, in part or full, to this University or any other University. Prof. Samina Khan Date: Supervisor Acknowledgements I am sincerely indebted to all those people who have helped, guided and encouraged me while I was working on my thesis. First and foremost, I thank my supervisor, Prof. Samina Khan who appreciated the idea and supported me at each and every phase of my research. I owe her my heartfelt gratitude for being there as my guide. This work would not have been possible without her able guidance and support. I would like to thank the Chairperson, Department of English, for her help and support. I would also like to extend a big thanks to Dr. Jawed S. Ahmad for his diligent proofreading of my various chapters. I am equally thankful to Dr. Akbar Joseph A. Syed and Dr. Rashmi Attri for their valuable suggestions and feedback. I also thank my friend Dr. -
Ustad Amir Khan, S
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’, Mumbai ------------------------------------------------------------------------ ISSN 0971-7942 Volume - Annual: TRN 2006 ------------------------------------------------------------------------------------------------------------ S.I.R.C. Branches: Mumbai, Pune, Solapur, Nanded, Tuljapur, Baroda, Amravati ============================================================= Feature Article in this Issue: Gramophone Celebrities Master Ashraf Khan Gauhar Jan of Calcutta (C.1870-1930) Keshavrao Bhosle & Bal Gandharva Other articles: Ustad Amir Khan, S. D. Burman, Smt. Saraswati Rane 1 ‘The Record News’ - Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1000 Overseas US $ 100 Life Membership Rs. 10000 Overseas US $ 1000 Annual term: July to June Members joining -
Hindi Cinema at International Film Festivals | Text Transcript | CIRCLE
Hindi Cinema at International Film Festivals | Text Transcript | CIRCLE This is a text transcript for the recorded webinar “Hindi Cinema at International Film Festivals” presented by the Canada India Research Centre for Learning and Engagement (CIRCLE) at the University of Guelph. The guest speaker was Dr. Aysha Iqbal Viswamohan. The event was recorded on March 25, 2021 and was moderated by Bharat Punjabi. Transcript: Bharat Punjabi A warm welcome to everyone from the University of Guelph. My name is Bharat Punjabi. I'm a faculty at the University of Toronto and it's my great pleasure to anchor - moderate this event today on behalf of CIRCLE. You know our Center on India Canada Research at the University of Guelph. So, before I begin and introduce our speaker for the day, I just wanted to give you all some idea about you know how, why and from where we are doing this event. On behalf of CIRCLE, you know the Canada India Research Centre for Learning Engagement, I wanted to share some information on CIRCLEs profile and research and it's an interdisciplinary nucleus at the University of Guelph in Canada for cutting-edge research on the Indian community and the Indian diaspora, and to showcase, advocate, catalog, and further on equitable respectful and sustained dialogue of knowledge between Canadian and Indian scholars on complex and emerging topics related to sustainability but also social and economic well-being. So, CIRCLE here at the University of Guelph takes a great pleasure in, I know, welcoming all of you to this webinar. Our main speaker for the day and it's my great pleasure to introduce to all of you, Dr. -
UNIVERSIDAD DE MURCIA Departamento De Filología Inglesa
UNIVERSIDAD DE MURCIA Departamento de Filología Inglesa Shakespeare, Bollywood and Beyond Shakespeare Transnacional: Su presencia en Bollywood y en la Diáspora Dª. Rosa María García Periago OMNP= To Manolo ACKNOWLEDGEMENTS My primary thanks are for my supervisor Dra. Dña. Clara Calvo López for her support, encouragement, constructive comments and useful feedback for this dissertation. I also have to thank her for always believing in me and in my potential, since she first met me when I was a 2 nd year undergraduate student. She has always been very open-minded to all my ideas and suggestions, and it has been very rewarding to work under her supervision. I also have to thank my tutors during my research stays at Queen’s University Belfast, SOAS (School of Oriental and African Studies) and at King’s College (London), since this project would not have been the same without them. Prof. Mark Thornton Burnett (Queen’s University Belfast) provided me with the necessary background and style to write the dissertation. His careful reading along the way, constructive comments and illuminating conversations were crucial in the early stages of this dissertation. Prof. Rachel Dwyer (SOAS) taught me a considerable part of what I know of Bollywood cinema. I thank her for her enthusiasm, brilliance, interesting comments, but, above all, for letting me attend her Bollywood cinema classes and for encouraging me to learn Hindi language. Last, but not least, I owe thanks to Dr. Sonia Massai for her availability, her kindness and her help. This dissertation would not have been possible without the generous support on FPU scholarship granted by the Ministerio de Educación y Ciencia. -
Film Film Film Film
Malaysian Cinema, Asian Film is a detailed study of the complexities of the film industry and film culture in Malaysia. Using cross-cultural analysis approach- DER HEIDE FILM WILLIAM VAN CINEMA, ASIAN MALAYSIAN es, the book characterizes Malaysia as a pluralist so- FILM FILM ciety, consisting of a multiplicity of cultural identities. Malaysia’s film culture, which encompasses films dis- CULTURE CULTURE tributed and shown in the country as well as local IN TRANSITION IN TRANSITION production, similarly exhibits a remarkable hetero- geneity, particularly evident in the impact of Indian and Hong Kong films on Malaysian audiences and Malaysian filmmakers. The book departs from traditional studies of national cinema by accentu- ating the intercultural and intertextual MALAYSIANMALAYSIAN links between Malaysian films and Asian (as well as European and American) film practices. Detailed analyses of a selec- tion of Malaysian films highlight their CINEMA,CINEMA, cultural complexities, while noting that the films are almost totally concerned with the Malay rather than the Malay- ASIANASIAN FILMFILM sian experience. This tension between cultural inclusivity and ethnic exclusivity lies at the heart of this cinema. William van der Heide teaches in the Film Studies Program at the University of Newcastle, Australia. BorderBorder CrossingsCrossings andand ISBN 90-5356-519-1 NationalNational CulturesCultures WILLIAM VAN DER HEIDE 9 789053 565193 WILLIAM VAN DER HEIDE Amsterdam University Press AmsterdamAmsterdam UniversityUniversity PressPress WWW.AUP.NL