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Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Council Reconsiders Dual School
*m*^*m Volume 18 Number 71 Monday, February 28,1983 Westland, Michigan 28 Pages Twenty-five cents «" IMJ <U£orb«3 Comsomk-ttka Cc/pcr«Ucs AH Rljlu Rtitnti Council reconsiders dual school tax t- By Sandra Armbruster in the account to pay all taxes as they However, Geake said that the attor on escrow accounting methods was in editor For related story, see come due." ney general felt it would be a conflict, troduced last year but hasn't been rein Page 2A. According to Tuttle, the companies for him to Issue an opinion at this time troduced into the current session of the City council will discuss in a 7 p.m. that residents complained about in since be is involved In litigation against Legislature. special meeting Monday night whether TWO YEARS AGO, the Wayne- clude Manufacturer's Hanover, Mid mortgage companies in Ingham County He said that his department last year to collect summer school taxes in the Westland school district and the city land Mortgage, Capital Mortgage, De Circuit Court. had completed a study on the matter Westland portions of the Inkster and cooperated In a dual tax collection. An troit Mortgage Realty and Universal "It's (separate Item accrual) a way of and made recommendations to then Livonia school districts, gry residents stormed city hall after Mortgage. getting more money from homeowners. Governor William Milliken. Brown said JThey^have-requested that the city private mortgage companies raised Tuttle said that most banks and sav It gives them more money to loan and he didn't know what the department's collect half the school taxes during the their monthly escrow payments, and ings "and loan companies don't have es that's how they make a profit," said position would be under the adminis YOU SAY you missed your summer.-The council delayed a deci the pilot program was dropped. -
Doctor of Philosophy
A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth .............................................................................................................................. -
Freilufttanzveranstaltungen Der Techno-Szene Im Öffentlichen Raum Der Stadt Halle (Saale)
Masterthesis Freilufttanzveranstaltungen der Techno-Szene im öffentlichen Raum der Stadt Halle (Saale) Autor: Christoph Busse (Matrikelnummer 18184) Studiengang: MA Angewandte Medien- und Kulturwissenschaften Betreuer: Prof. Dr. Hardy Geyer Zweitgutacher: Prof. Dr. Matthias Ehrsam 2 Inhaltsverzeichnis 1. Einleitung .................................................................................................... 4 2. Raumnutzungskonzepte von Tanzveranstaltungen ................................ 6 2.1 Tanzveranstaltungen zu Schallplattenmusik ............................................... 7 2.2 Amerikanische Veranstaltungskulturen .................................................... 10 2.3 Veranstaltungen der Underground-Szene ................................................ 14 2.4 Club-Kultur der Techno-Szene ................................................................. 21 2.5 Technoparaden im öffentlichen Raum ...................................................... 23 2.6 Freilufttanzveranstaltungen der ETM-Szene im Naturraum ...................... 25 2.7 Freilufttanzveranstaltungen der ETM-Szene im Stadtraum ...................... 28 3. Freilufttanzveranstaltungen der ETM-Szene in Halle (Saale) ................ 32 3.1 ETM-Szene in Halle (Saale) ..................................................................... 32 3.2 Freilufttanzveranstaltungen im öffentlichen Stadtraum ............................. 34 4. Ursachenanalyse ...................................................................................... 40 4.1 Ursachenhypothese -
Spiritual Technologies and Altering Consciousness in Contemporary Counterculture* Graham St John
CHAPTER 10 Spiritual Technologies and Altering Consciousness in Contemporary Counterculture* Graham St John Introduction With a focus on virtual reality, techno-rave culture, and “psychedelic trance,” this chapter explores practices of consciousness alteration within contemporary countercultures. By contemporary, I mean the period from the 1960s to the present, with the chapter addressing the continuing leg- acy of earlier quests for consciousness expansion. Central to the discus- sion is the development and application of spiritual technologies (cyber, digital, and chemical) and the appeal of traditional cultures in the lifestyles of those sometimes referred to as “modern primitives.” I also pay attention to specific individuals, “techno-tribes,” cultural formations and events heir to and at the intersection of these developments, with special observations drawn from the Boom Festival—Portugal’s carnival of consciousness. Fur- thermore, the chapter considers the prevalence of DiY consciousness echoed in practices of modern shamanism. As the contiguity between altering consciousness and altering culture is explored, the chapter considers the psychological and political dimensions of that which has been variously held as “consciousness” among spokespersons and participants within visionary-, arts-, and techno-cultures. *Portions of this chapter are adapted from “Neotrance and the Psychedelic Festival” by Graham St John. Published in Dancecult: Journal of Electronic Dance Music Culture,1(1), 35–64, 2009. 204 Altering Consciousness Psychedelic Experience and Consciousness It is necessary to begin with a discussion of the 1960s countercultural milieu, whose quest for and techniques of experience are a continuing leg- acy found in the conditions of ecstatic embodiment and visionary mind- states charted in this chapter. -
Underground Club Spaces and Interactive Performance
Underground Club Spaces and Interactive Performance: How might underground club spaces be read and developed as new environments for democratic/participatory/interactive performance and how are these performative spaces of play created, navigated and utilised by those who inhabit them? Kathleen Alice O‟Grady Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Performance and Cultural Industries December 2009 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Acknowledgements This thesis is dedicated to my parents who have always believed in me and to my daughter, Maisie, who is my source of inspiration and joy. Gratitude goes to my PhD supervisors Professor Mick Wallis and Dr Martin Crick, both of whom have given me continued support and guidance throughout this research. Thanks also to my colleagues and my students at the School of Performance and Cultural Industries who have encouraged me and kept me going with their sense of humour, wise words and loyalty. Thank you to all the club and festival organizers that have allowed me access to their events, particularly those involved with Planet Angel, Synergy, Duckie, Riff Raff, Planet Zogg, Speedqueen, Manumission, Shamania, Beatherder, Nozstock and Solfest. Special gratitude to Fatmoon Psychedelic Playgrounds for allowing me the room to move creatively and to develop this practice in a supportive environment. -
Making a Difference: Techno-Punk and Terra-Ism
Making a Noise – Making a Difference: Techno-Punk and Terra-ism GRAHAM ST JOHN UNIVERSITY OF QUEENSLAND Abstract This article charts the convergence of post-punk/post-settler logics in the techno-punk development in Australia. Exploring how punk would become implicated in the cultural politics of a settler society struggling for legitimacy, it maps the ground out of which Labrats sound system (and their hybrid outfit Combat Wombat) arose. It provides an entry to punk through an analysis of the concept of hardcore in the context of cultural mobilisations which, following more than two centuries of European colonisation, evince desires to make reparations and forge alliances with Indigenous people and landscape. To achieve this, the article traces the contours and investigates the implications of Sydney’s techno-punk emergence (as seen in The Jellyheads, Non Bossy Posse, Vibe Tribe and Ohms not Bombs), tracking the mobile and media savvy exploits of 1990s DIY sound systems and techno terra-ists, aesthetes and activists adopting intimate and tactical media technologies, committing to independent and decentralised EDM creativity, and implicated in a movement for legitimate presence. Keywords techno, anarcho-punk, hardcore, sound systems, postcolonialism, Sydney techno-punk scene Figure 1: Outback Stack. Photo by Pete Strong Dancecult: Journal of Electronic Dance Music Culture 1(2) 2010, 1-28 ISSN 1947-5403 ©2010 Dancecult http://www.dancecult.net/ DOI 10.12801/1947-5403.2010.01.02.01 2 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 2 Making a Difference “Why do they keep calling our generation, generation x, when actually we’re genera- tion y?.. -
The Spiritual and the Revolutionary Alternative
This article was downloaded by: [HEAL-Link Consortium] On: 7 October 2008 Access details: Access Details: [subscription number 772811123] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Culture and Religion Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713694811 The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals, and the Emergence of Rave Culture Christopher Partridge Online Publication Date: 01 March 2006 To cite this Article Partridge, Christopher(2006)'The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals, and the Emergence of Rave Culture',Culture and Religion,7:1,41 — 60 To link to this Article: DOI: 10.1080/01438300600625408 URL: http://dx.doi.org/10.1080/01438300600625408 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Your Rights with the Cops Trip Sitting 101 Pill Testing Essential Doof Tips
ISSUE #93 SUMMER 19-20 FESTIVALS YOUR RIGHTS WITH THE COPS NANG HARM REDUCTION ESSENTIAL DOOF TIPS TRIP SITTING 101 PILL TESTING Serotonin Syndrome Serotonin Syndrome / MDMA Overdose Taking MDMA increases the level of serotonin and other neurotransmitters (chemicals used to transmit electrical signals) available in your brain, which is what gives the drug it’s ‘feel-good’ effects. However, having too much serotonin available in your brain can be very harmful, and sometimes leads to what is known as Serotonin Syndrome. Serotonin Syndrome can be fatal, and was a factor in some of the MDMA-related deaths at NSW music festivals last summer. MDMA use alone can lead to serotonin syndrome, although the risk is dramatically increased when combining MDMA with certain other drugs or supplements. What are the risks? Serotonin syndrome can happen to anyone. You are at increased risk if: • You use cocaine, amphetamines, or LSD • You take herbal supplements known to together with MDMA (these drugs also increase serotonin levels (e.g. St John’s Wort, increase serotonin levels) Ginseng, Nutmeg) • You recently started taking or increased the • You take more than one substance known to dose of a medication known to increase increase serotonin levels. serotonin levels (e.g. many antidepressants, DXM, Tramadol) What are the warning signs? Some people have compared serotonin syndrome to “the most uncomfortable MDMA come-up imaginable”. Serotonin syndrome symptoms will usually occur within a few hours of taking MDMA, or when you add other drugs into the mix. Common signs and symptoms include: hyperactivity, confusion, agitation/restlessness, fever, racing heartbeat (tachycardia), high blood pressure, shivering/goose bumps, headache, vomiting, diarrhea, involuntary muscle movements (twitching/shaking, jaw clenching/teeth grinding), heavy sweating, and eye-wobbles. -
De Lacey, Alex. 2020. 'Wot Do U Call It? Doof Doof': Articulations Of
de Lacey, Alex. 2020. ‘Wot do u call it? Doof doof’: Articulations of glocality in Australian grime music. Global Hip Hop Studies, 1(1), pp. 115-141. ISSN 2632-6825 [Article] https://research.gold.ac.uk/id/eprint/29864/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Articles. Received 29/10/19. Accepted 25/11/19. Alex de Lacey. Goldsmiths, University of London. https://orcid.org/0000-0002-4538-4138 Alex de Lacey is an Associate Lecturer at Goldsmiths, specialising in popular music. He teaches Popular Music within the department and his PhD thesis – entitled Level Up: Live Performance and Collective Creativity in Grime Music – was supported by the AHRC’s Consortium for the Humanities and Arts in the South East (CHASE). It was supervised by Professor Tom Perchard and Professor Keith Negus, and was successfully examined in November 2019 by Professor J. Griffith Rollefson and Professor Julian Henriques. In addition to his academic research, Alex writes for publications including Songlines, Red Bull and Complex, and he is an active participant in the London grime scene as a DJ and broadcaster. [email protected] Goldsmiths, University of London, New Cross, London, SE14 6NW, United Kingdom ‘Wot Do U Call It? Doof Doof’ ‘Wot Do U Call It? Doof Doof’: Articulations of glocality in Australian grime music Alex de Lacey Keywords: Grime Music, Mediation, Australia, Media Ecologies, Glocality, Transnational Flow, Hip-Hop, Youth Studies, Performance Practice Abstract: Grime music emerged at the turn of the millennium in the United Kingdom. -
M a G a Z I N
JUNE VOLUME 20 2020 MAGAZINE ® ISSUE 3 Where everyone goes for scripts and writers™ Marc Martinez Shares 50K and the Importance of Independent Films and Scripts in Our Industry PAGE 16 50K and Counting: Q&A with Screenwriter Andrew Costello PAGE 22 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 FIND YOUR Feature Scripts – SCRIPTS FAST Grouped by Genre ON INKTIP! 5 Marc Martinez Shares 50K and the Importance of Independent Films and Scripts in Our Industry INKTIP OFFERS: 16 • Listings of Scripts and Writers Updated Daily • Mandates Catered to Your Needs Q&A with with Andrew Costello • Newsletters of the Latest Scripts and Writers Writer of 50K • Personalized Customer Service 22 • Comprehensive Film Commissions Directory Scripts Represented by Agents/Managers 42 Teleplays 43 You will find what you need on InkTip Sign up at InkTip.com! Or call 818-951-8811. Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody. -
Records O. the Year
RECORDS O THE YEAR THE MICK 54 As the year was a write-off for writing, which was distinctly off, it’s nice to end the year with two quick issues of the magazine, covering Xmas and now all the reviews I have done. There have been some truly great records by new and old artists alike, and I hereby commend them to the House. Next year we should be back to normal, with regular issues, which is a relief for me as I have missed it. I doubt you have but will earn back your enthusiasm. A Happy New Yearto you all. I go now. JANUARY VARIOUS ARTISTS mix of The Eden House’s ‘To PAGAN LOVE SONGS: Believe In Something’ bathe you ANTITAINMENT 2 in its radiant sobriety. Fliehende (Alice In.../Broken Silence) Stürme glide seamlessly through the delightful dusk atmosphere of I feel it’s important to start the new year ‘Satellit’, Frustration sound a bit off with some real quality and as you’re like Action Directe staggering not going to find a more dedicated, open- home from the pub in ‘No minded and knowledgeable couple than Trouble’ and then Varsovie burst Thyssen brothers Thomas and Ralf, the some veins during the punky men behind PLS who bring this to you humping of ‘Leningrad.’ Charles for your own benefit, a 2CD goldmine for De Goal sit back and snarl the price of one (CD that is, not sardonically through a flickering goldmine) I’d say the quality was pretty ‘Décadence’ obvious. BFG are a welcome, invigorating surprise with their robust Shock Therapy fidget spicily through the ‘Anonymous’ and The Exploding warm, knowing pop swagger of ‘Pain’ Boy