Pakistanis, Irish, and the Shaping of Multiethnic West Yorkshire, 1845-1985
“Black” Strangers in the White Rose County: Pakistanis, Irish, and the Shaping of Multiethnic West Yorkshire, 1845-1985 An honors thesis for the Department of History Sarah Merritt Mass Tufts University, 2009 Table of Contents Introduction 1 Section One – The Macrocosm and Microcosm of Immigration 9 Section Two – The Dialogue Between “Race” and “Class” 28 Section Three – The Realization of Social and Cultural Difference 47 Section Four – “Multicultural Britain” in Action 69 Conclusion 90 Bibliography 99 ii Introduction Jess Bhamra – the protagonist in the 2002 film Bend It Like Beckham about a Hounslow- born, football-playing Punjabi Sikh girl – is ejected from an important match after shoving an opposing player on the pitch. When her coach, Joe, berates her for this action, Jess retorts with, “She called me a Paki, but I guess you wouldn’t understand what that feels like, would you?” After letting the weight of Jess’s frustration and anger sink in, Joe responds, “Jess, I’m Irish. Of course I understand what that feels like.” This exchange highlights the shared experiences of immigrants from Ireland and those from the Subcontinent in contemporary Britain. Bend It Like Beckham is not the only film to join explicitly these two ethnic groups in the British popular imagination. Two years later, Ken Loach’s Ae Fond Kiss confronted the harsh realities of the possibility of marriage between a man of Pakistani heritage and an Irish woman, using the importance of religion in both cases as a hindrance to their relationship. Ae Fond Kiss recognizes the centrality of Catholicism and Islam to both of these ethnic groups, and in turn how religion defined their identity in the eyes of the British community as a whole.
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