DOCSLIB.ORG

Courses for Art Lovers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Courses for Art Lovers Courses for art lovers at House for an art lover Spring 2016 - Summer 2016 Welcome Welcome to our Spring/Summer programme of term time courses featuring a range of unique short courses and masterclasses with experienced and dynamic contemporary artists and designers. Many courses and events are related to our exhibition programme at the Art Lovers Cafe Gallery and ART PARK Studio Pavilion, providing informal opportunities to engage with professional artists in our purpose built studio workshops. As the principal objectives of the House for an Art Lover Charitable Company are to stimulate public interest, knowledge and participation in the arts, our arts activities are provided to encourage uptake by a wide cross section of the community - ranging from courses for absolute beginners to professional development opportunities for practicing artists. We hope you will find something of interest in our programme and welcome suggestions for specialist courses we could offer in the future. Please feel free to contact us if you have any questions or require some guidance on course choices. Arts & Heritage Development Department Gemma Mannion Arts and Heritage Development Officer [email protected] 0141 427 9557 Rosie Shepley Arts Administrator [email protected] 0141 427 9557 contents 04 | Spring Short Courses & Masterclasses 08 | Spring/Summer Term Time Courses 12 | Summer Masterclasses 14 | Exhibitions Programme 16 | Booking Information House for an Art Lover Company number SC156871 Scottish Charity No 023443 You do not have to be a master yourself to take part in out masterclass programme. These weekend classes are delivered by experiences tutors who are masters of their practice and have the ability to inspire and pass their skills/knowledge on to a wide range of people with Spring Short Courses different aspirations and levels of ability. All masterclasses also include materials and soup/ sandwich lunch. No matter what age or stage you are at, we can guarantee that you will feel enthused to learn & Masterclasses new skills and techniques and have lots of fun in the process! Art of Glass Stencil Art This masterclass, led by the During the first day of this masterclass you will explore contemporary glass artist Siobhan stencilling using different mediums. By the end of the day Healy, will enable you to learn the you will have all the basic technique necessary to stencil fundamental techniques and skills wall, fabric and small objects. On the second day you will required to create your own, original create a stencil, using either your own design or a suggested stained glass panel using a wide theme, which will be hand cut. Using a variety of application variety of coloured and textured techniques, you will then create your own original stencil glass. You will be able to work artwork on paper and fabric. with prepared designs or your own This course is suitable for beginners or more advanced imagination to create a unique glass participants. artwork around A4 size. Artist: Elisabeth There will be an opportunity to view Elisabeth’s work in The Siobhan Healy graduated from Viguie-Culshaw Art Lover’s House. BA(Hons) Glass & Architectural Dates: Glass programme at Edinburgh 2 & 3 April Elisabeth Viguie-Culshaw is a Glasgow based stencil artist College of Art. Siobhan was the who specialises in turn of the century stencilling. Elisabeth Time: winner of the prestigious triennial graduated from a Post Graduate Diploma in Decorative Arts at Artist: Siobhan Healy 10am - 4pm International Glass Prize 2012, and Glasgow University in 1991. During the creation of the House Dates: 12 & 13 March her work is included in a number of Price: for an Art Lover, Elisabeth was responsible for the re-creation private & public collections in the Time: 10am – 4pm £110 of Charles Rennie Mackintosh’s stencils which still adorn the UK, Europe and notably, her Ghost Price: £110 Location: walls of the house. She has also been involved in exhibitions Orchids are now part of the Harvard Location: ART PARK ART PARK with Glasgow Museums and various institutions abroad. She University Permanent Collection in Studio Pavilion Studio 3 is currently part of a project to re-create a George Walton A the USA. listed property in the Dunblane area. Abstract Art – Creating a Visual Journal Artist: In this fun masterclass, you will create several small-scale abstract artworks on paper using May Byrne a range of expressive mark-making techniques, media and collage alongside simple drawing Dates: and painting techniques. You will collate all your artworks into a visual journal, which will be 26 & 27 March developed further with more layering and mark-making. Time: The class suitable for all ability levels looking to develop their expressive abstract painting 10am - 4pm and drawing techniques. Price: May Byrne studied at the University of Glasgow and is a professional artist and educator £110 who has developed an instantly recognizable style if expressive painting over a number of Location: years. She has received many awards and accolades for her work which is held in a number ART PARK of collections in Africa, China, the USA and the UK. May is also the Honorary Treasurer of Studio Pavilion Paisley Arts Institute. 4 5 Mosaic Taster Day Textile Block Printing Masterclass During this workshop you will design, make and Ursula is an artist who specialises in lino/block printing, apply a finished piece of mosaic using the direct producing her own unique homeware and textile method of application. You will have a variety ranges under the Little Axe label. This masterclass will of mosaic materials to use during the session introduce you to the ancient, Indian technique of block including glass, cut tile, mirror, pebbles, ceramic, printing on to fabric to produce items such as a table shell, found and recycled materials, and other runner, cushion cover, bag or scarf. pieces of mixed media. Resources are included During the first session you will cut your own textile in the workshop cost, but this might also be an design from a block –so please bring some A5 patterns opportunity for you to bring along ‘treasured’ that you would like to incorporate within the overall materials you’ve been saving for a special occasion? design. On day two you will print the design using Mosaic is a very ‘hands-on’ process, and creativity is Artist: specialist fabric inks/dyes to create a unique piece of extended, together with a sense of achievement as Ursula Bevan Hunter textile art for yourself – or perhaps as a gift for someone the process is ‘demystified’ and made accessible. Dates: special, with the option of adding elements from 30 April & 1 May traditional Indian textile blocks. No experience is necessary, just the desire to explore, create and have fun. Time: Ursula Bevan Hunter studied at Glasgow School of 10am – 4pm Art and Edinburgh College of Art. Her specialisms are Artist: Teena Gould Teena Gould is an established ceramic, mosaic, Price: illustration and lino-printing. She established her own Date: 9 April public artist and teacher. She recently relocated her £110 company Little Axe to pursue her unique ranges of studio and practice from Wales to Kilbarchan. Time: 10am – 4pm Location: homeware and textile accessories, and has exhibited and Price: £50 Last year she represented Scotland at the Muscat ART PARK taught widely throughout Scotland, whilst undertaking Location: ART PARK Festival Oman, exhibiting and leading workshops. Studio Pavilion a range of private and public art commissions; most Studio 3 Her studio-based ceramics are held in collections recently for the new Glasgow South Hospital. within the UK and Internationally. Papier Mache Weekend Introduction to Oil Painting Papier Mache is an ancient technique using paper and This course will introduce you to a range of glue to manufacture small and large objects and was techniques and ways of working in oils that very popular during Victorian times. On the first day of explore the versatility of this medium – which can the course, newspaper and glue will be our essential range from a transparent glaze to multi-layered ingredients to create objects which will be decorated opaque applications. on day two. You will learn how to prepare your paper or We will create structures, such as bowls, using canvas; mix and apply oil paint using a variety of corrugated cardboard and newspaper, balloons or an brushes and palette knives, whilst developing your existing object. Various techniques such as stenciling, knowledge of colour, shade, tone and composition flat decoupage, collage, and antiquing will be used to Artist: from still life sources, sketches and photographs. transform what we have made into gifts for you and Elisabeth Viguie-Culshaw your friends. The course is suitable for beginners and those Dates: who wish to develop their existing skills. No experience needed but creative mind will be a plus! 21 & 22 May Artist: Michael Durning Time: Michael Durning, former president of the Paisley Dates: 14 & 15 May Elisabeth Viguie Culshaw is a decorative arts artist Arts Institute, studied Fine Art at Duncan of 10am – 4pm Time: 10am – 4pm based in Glasgow and has worked with Papier Mache Jordanstone College of Art, graduating with a for many years creating wonderful frames and other Price: BA(Hons) in 1992. Michael went on to study an MA Price: £80 objects for exclusive retailers such as Harrods, The £110 in Fine Art at Gray’s School of art in Aberdeen and Location: ART PARK Metropolitan Museum of Arts in London, The Musee Location: has since exhibited his paintings throughout the Studio 3 d’Orsay in Paris. She will take you through the journey ART PARK Studio 3 UK and Europe. of discovery. 6 7 HOThouse - Botanical Drawing & Painting This twilight course will focus on creating botanical drawings and paintings inspired and Spring/summer informed by the collection of fabulous plants and flowers in our adjacent Victorian Walled Garden.
Load more

Recommended publications
  • WC-20-04-20-DT-Mackintosh-Slides.Pdf
    Aim • I can say who Charles Rennie Mackintosh was and give some information about his work. Success Criteria • StatementI can respond 1 Lorem to the ipsum work dolorof artists sit amet, and designers consectetur by adipiscingdiscussing elit.my thoughts and feelings. • Statement 2 • Sub statement Charles Rennie Mackintosh Charles Rennie Mackintosh was born in Glasgow on 7th June 1868. Charles became an apprentice architect for a company in Glasgow. He enrolled in evening classes at Glasgow School of Art in the 1890s. His talent grew and he won prizes for his work, including an award that allowed him to take a tour of Italy to study the architecture. Charles also met three friends at the School of Art. The group became known as ‘The Four’. They were Charles, James Herbert McNair, and the sisters; Margaret and Frances Macdonald. They produced new art and designs which became known as the ‘Glasgow Style’. In 1899 McNair and Frances Macdonald married. Charles married Margaret Macdonald the following year. Charles Rennie Mackintosh As well as architecture, Mackintosh designed furniture and produced other art work such as posters and water colours. In Fairyland, Watercolour, Scottish Musical Review, Poster The Room de Luxe at The Willow Tearooms, Glasgow 1897 1896 Designed 1903 Photos granted under creative commons licence, wikimedia - attribution Charles Rennie Mackintosh In 1896 he was asked to design a new building for the Glasgow School of Art. He designed Glasgow’s Queen’s Cross Church and the Scotland Street School. Mackintosh also designed two large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh.
    [Show full text]
  • Critical Values: the Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It Is a Great Pleasure to Be Back
    Keynote Speech Strand 4 Critical Values: The Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It is a great pleasure to be back in Barcelona for this exciting Congress. I am grateful to the organisers, in particular Lluis Bosch and Mireia Freixa, for the invitation to speak to you today on Mackintosh, and to all those whose hard work has delivered such a successful and stimulating event. The strand this afternoon is research, specifically research in progress. This session invites us to reflect, for a moment, on critical values and critical fortunes. How are reputations and understandings formed? What value systems are they based on? How do they shift, and why? What are the future directions for us as curators, scholars, teachers? What I aim to present briefly today is threefold: an overview of the critical literature and research surrounding the career of Charles Rennie Mackintosh from around 1900 to 2015 (Fig. 1) – in the hope that this case study will provide some parallels with your individual experiences as researchers, whether working with male and/or female subjects; some reflections on the recently launched Mackintosh Architecture research website; and finally some general remarks on future directions for research. What emerges is the significance of context and individuals; the catalyst of curators and exhibitions; the gradual transference of Mackintosh's artistic legacy into the public domain; and, for Mackintosh at least, the central role of one institution, the University of Glasgow. In 1996, Alan Crawford divided Mackintosh's 'life after death' into three phases which comprised Mackintosh and the Architects, the Enthusiasts, and the Market.1 The trajectory of the scholarly presentation of Mackintosh’s work can, I believe, be divided into five broad phases, though of course at times these overlap: 1.
    [Show full text]
  • Discoverscotland's Most Influential
    1–31 OCT 2016 www.glasgowmackintosh.com Discover Scotland’s most influential creative figure A Charles Rennie Mackintosh The Mackintosh Festival is organised 1868–1928. by members of Glasgow Mackintosh: Architect. Artist. Designer. Icon. Kelvingrove Art Gallery & Museum The work of the Scottish architect, designer Scotland Street School Museum and artist, Charles Rennie Mackintosh is today The Glasgow School of Art celebrated internationally. Mackintosh was one Charles Rennie Mackintosh Society of the most sophisticated exponents of the House for An Art Lover theory of the room as a work of art, and created The Hunterian distinctive furniture of great formal elegance. In The Hill House Glasgow, you will see the finest examples of his The Lighthouse buildings and interiors and examples of his creative The Glasgow Art Club collaborations with his wife, the accomplished Glasgow Museums Resource Centre (GMRC) artist and designer Margaret Macdonald. Mackintosh Queen’s Cross Special thanks to our partners: GBPT Doors Open Day Glasgow Women’s Library The Willow Tea Rooms The Glad Café Glasgow City Marketing Bureau Glasgow Restaurateurs Association Welcome to the fifth Mackintosh Festival Glasgow Mackintosh is delighted to present another month-long programme of over 40 arts and cultural events to celebrate the life of Charles Rennie Mackintosh, Glasgow’s most famous architect, designer and artist. This year we are celebrating House – where you can celebrate installation of Kathy Hinde’s the 2016 Year of Innovation, their 20th birthday with kids
    [Show full text]
  • Charles Rennie Mackintosh in Glasgow
    Charles Rennie Mackintosh In Glasgow Travel This tour starts and finishes at the Hilton Grosvenor Hotel, Glasgow. 1-9 Grosvenor Terrace, Glasgow, G12 0TA Tel: 0141 339 8811 Please note that transport to the hotel is not included in the price of the tour. Transport If you are travelling by car: The Hilton Glasgow Grosvenor is located 5 minutes from the M8 motorway and 5 minutes’ walk from Hillhead subway station. The hotel is situated on the corner of the junction between Byres Road and Great Western Road. On arrival, directly after the hotel turn right, into the lane between the Hilton and Waitrose. Stop at the hotel entrance and get a car park ticket from reception. Finally, drive up the ramp of the Waitrose car park on the left, and keep on going until the top level, which is reserved for hotel guests and the residents of the adjoining flats. Parking is £10 per day, payable locally. If you are travelling by train: The nearest subway stop is Hillhead, which is about a 5 minute walk away on Byres Road. Glasgow Central Station is about 15 minutes by taxi to the hotel. Accommodation The Hilton Grosvenor Hotel The Hilton Grosvenor Hotel is a traditional four-star hotel in the vibrant West End area of the city centre. It is ideally situated in close proximity to the array of locations visited during your tour including the Hunterian Gallery and University. Bedrooms are equipped with all necessities to ensure a relaxing and enjoyable visit, including an en-suite bathroom with bath/shower, TV, telephone, Wi-Fi, hairdryer and complimentary tea/coffee making facilities.
    [Show full text]
  • C. R. Macmnt9sh 0&66-1926)
    C. R. MACMNT9SH 0&66-1926) architect, artist and designer Charles Rennie Mackintosh was born one of "encouraging awareness of the eleven children in the Townhead area of Mackintosh legacy" Glasgow, close to Glasgow Cathedral. From The Charles Rennie Mackintosh these beginnings he has become one of the Society, founded in 1973, is a most celebrated architects of his generation registered charity with members and this leaflet will help you to plan your visits in 29 countries. Central to our effort is the continuing care of the to many of the buildings and interiors which Mackintosh Church at Queen's Cross have made him a figure of world renown. for which we seek the support of THE GLASGOW LEGACY public bodies, individuals and trusts. He met Margaret Macdonald, his future wife, at Glasgow School of Art and much of what you Membership is open to all and provides an excellent opportunity to will see on your tour will involve their artistic learn more about Mackintosh and his collaboration. You will also be aware of his contemporaries. At the Mackintosh masterful handling of light and space, his skilful Church our library provides a place for use of colour, and his much celebrated enjoyment or research and the shop treatment of the room as a complete "work of stocks an extensive range of art". Many of his pieces of furniture have Mackintosh books and gifts. themselves become icons. Tours of the buildings in this guide are offered from April to October Mackintosh took his inspiration from our and can be individually tailored Scottish traditions and blended them with the to your requirements throughout the flourish of Art Nouveau and the simplicity of year.
    [Show full text]
  • Charles Rennie Mackintosh (1868 –1928)
    Duncanrig Secondary School Department of Art&Design Art & Design Studies Learner’s N4/5 Outcome 1 Design Factsheet Design Studies Textiles/Pattern N4: Describe the things that have inspired and influenced designers and their work by: N4: 1.1 Describing how designers use design materials, techniques and/or technology in their work N4: 1.2 Describing the things that have influenced these designers and the work they produce N4: 1.3 Expressing facts and personal opinions about the designers’ work A study of Charles Rennie Mackintosh (1868 –1928) Tobacco Flower textile design, Watercolour design for Rose & Teardrop, Watercolour & Gouache, 1915-23 Furniture Fabric, 1915-23, Watercolour Textile Design, 1915-23 CLICK ON LINK BELOW TO VIEW RELEVANT IMAGES https://s-media-cache-ak0.pinimg.com/originals/f1/e5/70/f1e570055e84b7871a46482a091b610e.jpg https://s-media-cache-ak0.pinimg.com/originals/a9/77/25/a977252411cd1fd494da9bf6e5dae80e.jpg https://s-media-cache-ak0.pinimg.com/originals/5d/46/4a/5d464aa612facc9e943a0e7484abf2a5.jpg Images from The Hunterian Museum, Mackintosh Collection What is Textiles Design? Textile design is a creative field that fulfills a variety of purposes in our lives such as our clothing, carpets, drapes, towels, and historically wall coverings. The creations of patterned textiles are not only important for their use, but also for the role they play in the fashion industry. Textile designers have the ability to inspire collections, trends, and styles. The textile industry, while being a creative art form, is a very business savvy industry. Textile designers marry a creative vision of what a finished textile will look like with a deep understanding of the technical aspects of production and the properties of fibre, yarn, and dyes.
    [Show full text]
  • Pages 218-241 New Beginnings Great Architecture of the World Readings
    Readings Pages 218-241 New Beginnings Great Architecture of the World ARCH 1121 HISTORY OF ARCHITECTURAL TECHNOLOGY Photo: Alexander Aptekar © 2009 New Beginnings New Beginnings Architectural Revolt against the classicalism and machine age William Morris led this change – opposed using new materials and methods only to imitate the old. He designed furniture, wallpaper, fabrics and stained glass. He founded the Arts and Crafts Movement: Mainly only used in houses Started in England and moved to Europe New sense of architectural logic and aesthetic responsibility Red House, Kent, England: 1831-1915 - Philip Webb Red brick without stucco was a startling novelty Applied art throughout to the practical objects of common life Red House, Kent, England: 1831-1915 - Philip Webb Arts and Crafts Art and Crafts designers rejected Victorian over- embellishment. It was reaction against the industrialization of building and mass produced household items. The movement called for the return to the “craft” of building (the worker as craftsman.) (Many of Frank Lloyd Wright’s early houses were influenced by the Arts and Crafts movement.) Rennie Mackintosh Mackintosh took his inspiration from Scottish traditional architecture, Art Nouveau and Japanese forms. His simple forms, his interior detailing, his furniture and his use of natural light make him a bridge between the arts and crafts movement and Modernism. Hill House, Glascow, 1902 Photo credit: Anthony Oliver Rennie Mackintosh Hill House, Glascow, 1902 Photo credit: Anthony Oliver Rennie Mackintosh House for an Art Lover Designed in 1901, built 2001 Photo credit: www.armin-grewe.com/ crm/crm-artlover2.htm Oxford University Museum of Natural History, Oxford, England: 1858-60 -Benjamin Woodward influenced by the ideas of John Ruskin, who believed that architecture should be shaped by the energies of the natural world Oxford Museum, England: 1858-60 Benjamin Woodward Each column is made of a different British decorative rock, whilst the capitals and corbels are carved into plants representing all the botanical orders.
    [Show full text]
  • The Joy of Scottish Art; a Study Course with Adrian Sumner
    The Joy of Scottish Art; A Study Course with Adrian Sumner From Thursday thethethe 24th ofofof January until thethethe morning ofofof MondMondayayayay thethethe 28th ofofof January 2019 The Green Park Hotel Clunie Bridge Road Pitlochry Perthshire PH16 5JY Tel: 01796 473248 www.thegreenpark.co.uk e-mail - [email protected] The Joy of Scottish Art From Thursday thethethe 24th ofofof January until thethethe morning ofofof Monday thethethe 28th ofofof January 2019 A series of six lectures comprising; * An Outline History of Art in Scotland * Charles Rennie Mackintosh and the Glasgow School * Mackintosh, Arts and Crafts and International Art Nouveau * Modernism, Glasgow Boys and Girls, Colourists, and the Celtic Revival * Contemporary Scottish Art * Great Scottish Collections All illustrated with colour images in Powerpoint presentations. Suitable for all levels of student, plus those who simply love the subject. Thursday thethethe 24th ofofof JanuarJanuaryyyy So as to make the most of your day, please feel free to arrive any time from mid-morning onwards. Complimentary tea, coffee, and biscuits, will be available in the main lounge. 6.00p6.00pmmmm. The first organised activity will be a sherry reception in room 585858 ononon thethethe ground floor ofofof thethethe Tower Wing . This will give you an opportunity to meet your fellow students as well as your tutor Adrian Sumner. From 666.6...30303030pmpmpmpm --- 8.30pm8.30pm.... A four course dinner will be served in the dining room, followed by coffee and shortbread in the lounges. Friday thethethe 25th ofofof January 8.30am --- 9.45am. A full Scottish breakfast will be served in the dining room.
    [Show full text]
  • Home Language International 2018 Pricelist
    2018 Home Language International Live in your teacher’s home Live in your teacher’s home. Full-immersion language courses worldwide Live in your teacher’s home. • 20 languages in over 30 countries Live in your teacher’s home. • All ages, all levels www.hli.co.uk Contents About HLI 1 Programmes 2 - 5 Options 6 - 7 Advice for your stay 41 Terms & Conditions 42 Enrolment Form 43 Price summary table 44 English German Australia 18 Austria 18 Canada 20 Germany 26 France 25 Ireland (Gaelic on request) 28 Hungarian Malta 30 Hungary 27 Monaco 31 New Zealand 31 South Africa 33 Italian Spain 34 Italy 29 UK 8 - 17 USA 37 - 40 Japanese Japan 30 Arabic Egypt 23 Norwegian United Arab Emirates 36 Norway 32 Chinese Polish China 21 Poland 32 Czech Portuguese Czech Republic 22 Brazil 19 Portugal 32 Danish Denmark 22 Russian Russia 33 Dutch Belgium 19 Spanish Holland 27 Chile 20 Costa Rica 21 Cuba 22 Finnish Spain 34 Finland 23 Venezuela 41 French Swedish Canada 19 Sweden 35 France 24 Monaco 31 Switzerland 35 Turkish Turkey 36 Home Language International Established 1979 The HLI textbook is available on request free of charge to all students taking courses in the UK or Ireland. Please write Home Language International (HLI) to us after you have completed your course is a family-run business offering full-immersion courses in 20 and we will send it directly to your home languages in over 30 countries worldwide. You stay in an experienced teacher’s home, have one-to-one language lessons, enjoy 3 meals a day with the family and then Our teachers continue to use the language during the rest of your stay as you All of our teachers have a university degree (or equivalent) share the daily life of the family.
    [Show full text]
  • Josef Hoffmann, Charles Rennie Mackintosh, and Their Contribution to the Decorative Arts in Fin- De-Siecle Glasgow and Vienna
    Illinois Wesleyan University Digital Commons @ IWU Honors Projects History Department 4-15-2014 The Two Gentleman of Design: Josef Hoffmann, Charles Rennie Mackintosh, and their Contribution to the Decorative Arts in Fin- de-Siecle Glasgow and Vienna Elizabeth Muir Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/history_honproj Part of the History Commons Recommended Citation Muir, Elizabeth, "The Two Gentleman of Design: Josef Hoffmann, Charles Rennie Mackintosh, and their Contribution to the Decorative Arts in Fin-de-Siecle Glasgow and Vienna" (2014). Honors Projects. 51. https://digitalcommons.iwu.edu/history_honproj/51 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Elizabeth Muir Major: History Research Honors The Two Gentleman of Design: Josef Hoffmann, Charles Rennie Mackintosh, and their Contribution to the Decorative Arts in Fin-de-Siecle Glasgow and Vienna Dr. Horwitz April 15, 2014 In the twentieth century, two designers stood out as radicals: Josef Hoffmann of Vienna and Charles Rennie Mackintosh of Glasgow.
    [Show full text]
  • Spring 2018 CELEBRATORY Issue: 150 Years Since the Birth Of
    JOURNALISSUE 102 | SPRING 2018 CELEBRATORY ISSUE: 150 yearS SINce THE BIrtH OF CHarleS RENNIE MacKINtoSH, 1868–1928 JOURNAL SPRING 2018 ISSUE 102 3 Welcome Stuart Robertson, Director, Charles Rennie Mackintosh Society 4 Hon President’s Address & Editor’s Note Sir Kenneth Calman & Charlotte Rostek 5 Mackintosh Architecture 1968–2018 Professor Pamela Robertson on future-proofing the protection and promotion of Mackintosh’s built heritage. 9 9 Seeing the Light Liz Davidson gives a progress report on the restoration of The Glasgow School of Art. 12 The Big Box Richard Williams reveals the NTS’s big plans for The Hill House. 14 Mackintosh at the Willow Celia Sinclair shares the latest on the restoration work. 16 Authentic? 14 Michael C. Davis takes a timely look at this topical aspect of building conservation. 19 A Bedroom at Bath Dr Trevor Turpin explores this commission by Mackintosh. 23 An Interview with Roger Billcliffe Stuart Robertson presents Part 1 of his fascinating interview with Roger Billcliffe. 32 The Künstlerpaar: Mackintosh, Macdonald & The Rose Boudoir Dr Robyne Calvert explores love and art in the shared lives of this artistic couple. 23 36 The Mackintosh Novel Karen Grol introduces her biographical novel on Mackintosh. Above, Top: Detail of prototype library bay for GSA. Photo Alan MacAteer Middle: Detail of front signage for 38 Observing Windyhill Mackintosh at the Willow. Ruairidh C. Moir discusses his commission to build a motor garage at Windyhill. Photo Rachel Keenan Photography Bottom: Frances Macdonald, Ill Omen 40 Charles Rennie Mackintosh – Making the Glasgow Style or Girl in the East Wind with Ravens Passing the Moon, 1894, Alison Brown talks about the making of this major exhibition.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date: 18-May-2010 I, Kristie Powell , hereby submit this original work as part of the requirements for the degree of: Master of Arts in Art History It is entitled: "The Artist Couple:" Collectivism in Margaret Macdonald’s and Charles Rennie Mackintosh’s Modern Interior Designs of 1900-1906 Student Signature: Kristie Powell This work and its defense approved by: Committee Chair: Kimberly Paice, PhD Kimberly Paice, PhD 6/18/2010 724 “The Artist Couple:” Collectivism in Margaret Macdonald’s and Charles Rennie Mackintosh’s Modern Interior Designs of 1900‐1906 A thesis submitted to The Art History Faculty Of the College of Design, Architecture, Art and Planning University of Cincinnati In candidacy for the degree of Masters of Arts in Art History Kristie Powell May 2010 Thesis Chair: Dr. Kimberly Paice Abstract Margaret Macdonald (1864‐1933) was a Scottish artist and designer whose marriage to the internationally renowned architect and designer, Charles Rennie Mackintosh (1868‐1928), has partly obscured the importance of her contributions to art and design. Her collective approach was, in fact, part of what Mackintosh called her "genius," while he considered his own contributions to their projects more akin to "talent or ability." This study is part of the recent scholarship that brings attention to Macdonald’s contributions and crucial roles in collective design work of the modern era. Introducing the study, I evaluate the role of collectivism as it informs Macdonald’s and Mackintosh’s tea‐room designs. Next, I examine the influence of the Arts and Crafts style on the design of the couple’s Mains Street flat home.
    [Show full text]