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WC-20-04-20-DT-Mackintosh-Slides.Pdf
Aim • I can say who Charles Rennie Mackintosh was and give some information about his work. Success Criteria • StatementI can respond 1 Lorem to the ipsum work dolorof artists sit amet, and designers consectetur by adipiscingdiscussing elit.my thoughts and feelings. • Statement 2 • Sub statement Charles Rennie Mackintosh Charles Rennie Mackintosh was born in Glasgow on 7th June 1868. Charles became an apprentice architect for a company in Glasgow. He enrolled in evening classes at Glasgow School of Art in the 1890s. His talent grew and he won prizes for his work, including an award that allowed him to take a tour of Italy to study the architecture. Charles also met three friends at the School of Art. The group became known as ‘The Four’. They were Charles, James Herbert McNair, and the sisters; Margaret and Frances Macdonald. They produced new art and designs which became known as the ‘Glasgow Style’. In 1899 McNair and Frances Macdonald married. Charles married Margaret Macdonald the following year. Charles Rennie Mackintosh As well as architecture, Mackintosh designed furniture and produced other art work such as posters and water colours. In Fairyland, Watercolour, Scottish Musical Review, Poster The Room de Luxe at The Willow Tearooms, Glasgow 1897 1896 Designed 1903 Photos granted under creative commons licence, wikimedia - attribution Charles Rennie Mackintosh In 1896 he was asked to design a new building for the Glasgow School of Art. He designed Glasgow’s Queen’s Cross Church and the Scotland Street School. Mackintosh also designed two large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. -
1. Canongate 1.1. Background Canongate's Close Proximity to The
Edinburgh Graveyards Project: Documentary Survey For Canongate Kirkyard --------------------------------------------------------------------------------------------------------------------- 1. Canongate 1.1. Background Canongate’s close proximity to the Palace of Holyroodhouse, which is situated at the eastern end of Canongate Burgh, has been influential on both the fortunes of the Burgh and the establishment of Canongate Kirk. In 1687, King James VII declared that the Abbey Church of Holyroodhouse was to be used as the chapel for the re-established Order of the Thistle and for the performance of Catholic rites when the Royal Court was in residence at Holyrood. The nave of this chapel had been used by the Burgh of Canongate as a place of Protestant worship since the Reformation in the mid sixteenth century, but with the removal of access to the Abbey Church to practise their faith, the parishioners of Canongate were forced to find an alternative venue in which to worship. Fortunately, some 40 years before this edict by James VII, funds had been bequeathed to the inhabitants of Canongate to erect a church in the Burgh - and these funds had never been spent. This money was therefore used to build Canongate Kirk and a Kirkyard was laid out within its grounds shortly after building work commenced in 1688. 1 Development It has been ruminated whether interments may have occurred on this site before the construction of the Kirk or the landscaping of the Kirkyard2 as all burial rights within the church had been removed from the parishioners of the Canongate in the 1670s, when the Abbey Church had became the chapel of the King.3 The earliest known plan of the Kirkyard dates to 1765 (Figure 1), and depicts a rectilinear area on the northern side of Canongate burgh with arboreal planting 1 John Gifford et al., Edinburgh, The Buildings of Scotland: Pevsner Architectural Guides (London : Penguin, 1991). -
Critical Values: the Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It Is a Great Pleasure to Be Back
Keynote Speech Strand 4 Critical Values: The Career of Charles Rennie Mackintosh 1900-2015 Professor Pamela Robertson It is a great pleasure to be back in Barcelona for this exciting Congress. I am grateful to the organisers, in particular Lluis Bosch and Mireia Freixa, for the invitation to speak to you today on Mackintosh, and to all those whose hard work has delivered such a successful and stimulating event. The strand this afternoon is research, specifically research in progress. This session invites us to reflect, for a moment, on critical values and critical fortunes. How are reputations and understandings formed? What value systems are they based on? How do they shift, and why? What are the future directions for us as curators, scholars, teachers? What I aim to present briefly today is threefold: an overview of the critical literature and research surrounding the career of Charles Rennie Mackintosh from around 1900 to 2015 (Fig. 1) – in the hope that this case study will provide some parallels with your individual experiences as researchers, whether working with male and/or female subjects; some reflections on the recently launched Mackintosh Architecture research website; and finally some general remarks on future directions for research. What emerges is the significance of context and individuals; the catalyst of curators and exhibitions; the gradual transference of Mackintosh's artistic legacy into the public domain; and, for Mackintosh at least, the central role of one institution, the University of Glasgow. In 1996, Alan Crawford divided Mackintosh's 'life after death' into three phases which comprised Mackintosh and the Architects, the Enthusiasts, and the Market.1 The trajectory of the scholarly presentation of Mackintosh’s work can, I believe, be divided into five broad phases, though of course at times these overlap: 1. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Discoverscotland's Most Influential
1–31 OCT 2016 www.glasgowmackintosh.com Discover Scotland’s most influential creative figure A Charles Rennie Mackintosh The Mackintosh Festival is organised 1868–1928. by members of Glasgow Mackintosh: Architect. Artist. Designer. Icon. Kelvingrove Art Gallery & Museum The work of the Scottish architect, designer Scotland Street School Museum and artist, Charles Rennie Mackintosh is today The Glasgow School of Art celebrated internationally. Mackintosh was one Charles Rennie Mackintosh Society of the most sophisticated exponents of the House for An Art Lover theory of the room as a work of art, and created The Hunterian distinctive furniture of great formal elegance. In The Hill House Glasgow, you will see the finest examples of his The Lighthouse buildings and interiors and examples of his creative The Glasgow Art Club collaborations with his wife, the accomplished Glasgow Museums Resource Centre (GMRC) artist and designer Margaret Macdonald. Mackintosh Queen’s Cross Special thanks to our partners: GBPT Doors Open Day Glasgow Women’s Library The Willow Tea Rooms The Glad Café Glasgow City Marketing Bureau Glasgow Restaurateurs Association Welcome to the fifth Mackintosh Festival Glasgow Mackintosh is delighted to present another month-long programme of over 40 arts and cultural events to celebrate the life of Charles Rennie Mackintosh, Glasgow’s most famous architect, designer and artist. This year we are celebrating House – where you can celebrate installation of Kathy Hinde’s the 2016 Year of Innovation, their 20th birthday with kids -
The Glasgow Academy WW1 Roll of Honour
The Glasgow Academy WW1 Roll of Honour From the onset of the First World War in 1914 until 1918, the Glasgow Academy suffered a great many losses during the conflict. In fact, it is believed there was a higher number of losses incurred when compared to other independent schools of the time. The following is a list of the former pupils who were casualties and as far as we have been able to, includes information and photographs to tell the stories of these men. In some case, we have little or no information about some of these individuals, so please get in touch if you have anything which could help us fill in the gaps and help us tell their stories. Email: [email protected] 1 Lt William M Alexander Biography Remembered on the Roll of Honour in Dundee , William lived in Broughty Ferry before the War. Highland Light 8th March 1892-12th Son of John and His brother, Ronald served as a Lieutenant Infantry Oct 1918 Mayflower with the Royal Field Artillery during the Alexander, of 2, Age 26 Great War. Smith St., Hillhead, Glasgow, West 2 Private George W Allan* Biography According to his father, Reverend Charles Allan, his son was 'mentioned in officers' letters for bravery. Going to the help of wounded comrades and was said Highland Light 31st August 1894- 17th Son of the Rev. by his own comrades to have earned the Infantry April 1915 Charles Allan, M.A., Victoria Cross "half a dozen times over"'. and Margaret Allan, He was awarded the 1914 Star Age :21 of Duneira, Greenock posthumously 3 Lieutenant Ramsay Allan Biography Ramsay was an only son. -
Charles Rennie Mackintosh in Glasgow
Charles Rennie Mackintosh In Glasgow Travel This tour starts and finishes at the Hilton Grosvenor Hotel, Glasgow. 1-9 Grosvenor Terrace, Glasgow, G12 0TA Tel: 0141 339 8811 Please note that transport to the hotel is not included in the price of the tour. Transport If you are travelling by car: The Hilton Glasgow Grosvenor is located 5 minutes from the M8 motorway and 5 minutes’ walk from Hillhead subway station. The hotel is situated on the corner of the junction between Byres Road and Great Western Road. On arrival, directly after the hotel turn right, into the lane between the Hilton and Waitrose. Stop at the hotel entrance and get a car park ticket from reception. Finally, drive up the ramp of the Waitrose car park on the left, and keep on going until the top level, which is reserved for hotel guests and the residents of the adjoining flats. Parking is £10 per day, payable locally. If you are travelling by train: The nearest subway stop is Hillhead, which is about a 5 minute walk away on Byres Road. Glasgow Central Station is about 15 minutes by taxi to the hotel. Accommodation The Hilton Grosvenor Hotel The Hilton Grosvenor Hotel is a traditional four-star hotel in the vibrant West End area of the city centre. It is ideally situated in close proximity to the array of locations visited during your tour including the Hunterian Gallery and University. Bedrooms are equipped with all necessities to ensure a relaxing and enjoyable visit, including an en-suite bathroom with bath/shower, TV, telephone, Wi-Fi, hairdryer and complimentary tea/coffee making facilities. -
FRIENDS of BRUTON 11 Day Tour of Scotland and England June 17-27, 2016 Dear Friend
FRIENDS OF BRUTON 11 Day Tour of Scotland and England June 17-27, 2016 Dear Friend: We are eagerly anticipating this faith-based excursion to the U.K. The Friends of Bruton Parish Church, Williamsburg, Virginia is sponsoring the pilgrimage. The Friends of Bruton has led a previous pilgrimage and the positive response to that trip encouraged us to organize another. Knowing that Bruton Parish Church is one of the most historic parishes in the country, you can expect an emphasis on history. Looking at our itinerary, I hope you recognize the opportunity to tell significant stories of history and faith. We will have a tour leader, who will ground us in points of interest and facts. As our spiritual guide, I will do a number of reflections to open our hearts to things of the Spirit. We are in the midst of conversations with our Church of England family for some behind the scenes peeks into the special places we are set to visit. Again, reflecting upon our schedule and the sites we will visit, this is a unique tour for those seeking something more than your typical English tour. From Iona to York, you will experience a different side of the U.K. My hope is to gather together a group of individuals and facilitate our development as a community. It will be my pleasure and privilege to be with you as we discover another side of the U.K. Faithfully, The Revd Christopher L. Epperson Rector ITINERARY DAY 1: Friday, June 17 - Washington, DC/En Route Depart from Washington, DC for your overnight trans-Atlantic flight to Edinburgh. -
Scotland Street Public School
M233 Scotland Street Public School Introduction This three-storey school was built by the School Board of Glasgow to serve a densely populated part of Tradeston, just S. of the River Clyde. Some features show the influence of historic Scottish architecture, but the design is remarkable for its novel reinterpretation of tradition, especially in the glazed towers that light the stairs. The boundary wall with its gates and railings and the janitor's house at the N.W. corner of the site were part of the original scheme. Closed as a school due to demolition of the surrounding housing, the building reopened as a museum of education in November 1990. Authorship: Mackintosh is named as architect in official correspondence from the School Board, and in other contemporary sources. Scotland Street School was one of his most important commissions. Cost from job book: £18,597 2s 6½d Cost from other sources: The final measurements of £19,171 8s 1d plus other expenses of £1370 0s 6d gave a total of £20,541 12s 6d. 1 Status: Standing building Current name: Scotland Street School Museum Current use: Museum of Education (2014) Listing category: A Historic Scotland/HB Number: 33534 RCAHMS Site Number: NS56SE 328.01 Grid reference: NS 57752 64142 Chronology 1903 27 April: Purchase of ground for new school in Tradeston. 1 22 June: Mackintosh appointed architect (but official letter of appointment not written until 21 August). 2 2 November: First drawings submitted to The School Board of Glasgow. Modifications requested. 3 1904 January: First set of drawings for school and janitor's house made for submission to Glasgow Dean of Guild Court. -
The Daniel Wilson Scrapbook
The Daniel Wilson Scrapbook Illustrations of Edinburgh and other material collected by Sir Daniel Wilson, some of which he used in his Memorials of Edinburgh in the olden time (Edin., 1847). The following list gives possible sources for the items; some prints were published individually as well as appearing as part of larger works. References are also given to their use in Memorials. Quick-links within this list: Box I Box II Box III Abbreviations and notes Arnot: Hugo Arnot, The History of Edinburgh (1788). Bann. Club: Bannatyne Club. Beattie, Caledonia illustrated: W. Beattie, Caledonia illustrated in a series of views [ca. 1840]. Beauties of Scotland: R. Forsyth, The Beauties of Scotland (1805-8). Billings: R.W. Billings, The Baronial and ecclesiastical Antiquities of Scotland (1845-52). Black (1843): Black’s Picturesque tourist of Scotland (1843). Black (1859): Black’s Picturesque tourist of Scotland (1859). Edinburgh and Mid-Lothian (1838). Drawings by W.B. Scott, engraved by R. Scott. Some of the engravings are dated 1839. Edinburgh delineated (1832). Engravings by W.H. Lizars, mostly after drawings by J. Ewbank. They are in two series, each containing 25 numbered prints. See also Picturesque Views. Geikie, Etchings: Walter Geikie, Etchings illustrative of Scottish character and scenery, new edn [1842?]. Gibson, Select Views: Patrick Gibson, Select Views in Edinburgh (1818). Grose, Antiquities: Francis Grose, The Antiquities of Scotland (1797). Hearne, Antiquities: T. Hearne, Antiquities of Great Britain illustrated in views of monasteries, castles and churches now existing (1807). Heriot’s Hospital: Historical and descriptive account of George Heriot’s Hospital. With engravings by J. -
C. R. Macmnt9sh 0&66-1926)
C. R. MACMNT9SH 0&66-1926) architect, artist and designer Charles Rennie Mackintosh was born one of "encouraging awareness of the eleven children in the Townhead area of Mackintosh legacy" Glasgow, close to Glasgow Cathedral. From The Charles Rennie Mackintosh these beginnings he has become one of the Society, founded in 1973, is a most celebrated architects of his generation registered charity with members and this leaflet will help you to plan your visits in 29 countries. Central to our effort is the continuing care of the to many of the buildings and interiors which Mackintosh Church at Queen's Cross have made him a figure of world renown. for which we seek the support of THE GLASGOW LEGACY public bodies, individuals and trusts. He met Margaret Macdonald, his future wife, at Glasgow School of Art and much of what you Membership is open to all and provides an excellent opportunity to will see on your tour will involve their artistic learn more about Mackintosh and his collaboration. You will also be aware of his contemporaries. At the Mackintosh masterful handling of light and space, his skilful Church our library provides a place for use of colour, and his much celebrated enjoyment or research and the shop treatment of the room as a complete "work of stocks an extensive range of art". Many of his pieces of furniture have Mackintosh books and gifts. themselves become icons. Tours of the buildings in this guide are offered from April to October Mackintosh took his inspiration from our and can be individually tailored Scottish traditions and blended them with the to your requirements throughout the flourish of Art Nouveau and the simplicity of year. -
William Crosbie Centenary Exhibition
WILLIAM CROSBIE Centenary Exhibition WILLIAM CROSBIE (1915-1999) Centenary Exhibition 7 - 31 JANUARY 2015 16 Dundas Street, Edinburgh EH3 6HZ TEL 0131 558 1200 EMAIL [email protected] www.scottish-gallery.co.uk Front cover: Music of Living - Monkey and Nude, 1988, oil on board, 71 x 91.4 cms, cat. 33 Left: Self Portrait, 1956, oil on board, 60.3 x 43.1 cms, cat. 11 2 INTRODUCTION There are many Scottish painters who have made a mark on our culture and consciousness in the last century and it is tempting to try to attach each to a school or movement. The artist has a habit of resisting any attempt at taxonomy however, wriggling free from the entomologist’s chloroform bottle and display pin, to be unruly, unpredictable and provide no favours for the art historian. Yes, we had The Glasgow Boys, a coherent group of realist painters before the beginning of the 20th Century. And then came The Scottish Colourists, our first modernists, who certainly exhibited as a group and can be understood as British post-impressionists. In the post-War years the choice seemed to be to stay in Scotland under the wing of your Art College or move to the South, like Colquhoun and MacBryde, Alan Davie, William Gear and W. Barns-Graham. Of course the complex reality denies a simple telling; for every adherent there is an opponent and many of the most powerful and individual painters of the period like James Cowie or Joan Eardley neither left nor taught in Glasgow or Edinburgh.