Student Activities Fee Reconsidered New Act for Univ. Theatre Department
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Police Propose Social Policy Modifications the Race
ETHE TUFTS DAILY?~ Medford, MA 02155 Monday, November 6,1989 VO~XM, Number 43 JII-P- Senate to Police propose social hold class policy modifications meetings Greeks hope better enforcement will by CONSTANTINE ATHANAS eliminate need for second officer Senior Staff Writer control or to shut down if neces- by ANNA GEORGE Daily Editorial Board sary. In an attempt to reach its con- “We realized that one of the stituents, The Tufts Community Concerned about overcrowded problems is that the social policy Union Senate recently imple- fraternity parties and attacks on is not being followed to the let- mented a system of class meet- Tufts students following late gath- ter,” said Cathy Harder-Bernier, ings in addition to the existing erings, campus police have re- assistant director of student ac- district meeting structure. The class quested changes in the social policy tivities, and advisor to the IGC. meetings will be held once a which was implemented last fall. “Police sometimes see a lack month, similar to district meet- The victorious Tufts field hockey team with the WAC Championship Police sergeants exp- their of cooperation with the fraterni- ings, with the Senate representa- plague. apprehension about the existing ties in some respects,” DiNatale tives addressing their respective policy to Associate Dean of Stu- said, attributing this to the inex- classes at one time. The class dents Bruce Reitman in a meet- perience of some of the fraterni- meetings will be held on Nov. 13 Field hockey wins ing last month. They have re- ties in implementing the new from 7 to 9 p.m. -
Show Notes At
CHVRCHES FAN PODCAST - #027 SHOW NOTES Official site: www.chvrch.es Shop: www.chvrchesshop.com , chvrchesus.shopfirebrand.com (US), chvrches.firebrandstores.com (UK) Contact the podcast : @chvrchespodcast, TWITTER : @chvrches, @Iain_A_Cook, @doksan, @laurenevemay, www.chvrchespodcast.com , [email protected] Record Label : @goodbye_records; goodbyerecords.com 619-631-4433 More info: en.wikipedia.org/wiki/Chvrches Fans : @chvrchesfans, @LaurenMayberryF, @ChvrchesIsLife, @CHVRCHESSQVAD, www.reddit.com/r/chvrches/ , ANNOUNCEMENT BAND INTRO + #27 for November 11, 2017 INTRODUCTION SONG - CHVRCHES - “Keep Me On Your Side” ● https://en.wikipedia.org/wiki/Every_Open_Eye ● https://www.youtube.com/watch?v=jzGJWq-owH4 ● https://genius.com/Chvrches-keep-you-on-my-side-lyrics Welcome to the 27th CHVRCHES Fan Podcast recorded on November 11, 2017. My name is Steve Holden and I am recording this podcast in Southern California near San Diego. Nov. 11 is Veterans Day in the United States. If you served then thank you for your service. That intro song sample was Keep Me On Your Side from CHVRCHES 2nd Album Every Open Eye. It is the 3rd song on that album and I really liked the [Verse 3] ● Everyone comes, but only I stay ● Nowhere to look, nowhere to turn to fall away ● What if I should call it off? ● Hold up my demands with my heart uncrossed The standard version of the album Every Open Eye had 11 songs with 5 official singles Leave A Trace, Never Ending Circles, Clearest Blue, Empty Threat, and Bury It and one could argue that now “Down Side Of Me” should be consider a single with the recently released live version. -
Crinew Music Re Uoft
CRINew Music Re u oft SEPTEMBER 11, 2000 ISSUE 682 VOL. 63 NO. 12 WWW.CMJ.COM MUST HEAR Universal/NIP3.com Trial Begins With its lawsuit against MP3.com set to go inent on the case. to trial on August 28, Universal Music Group, On August 22, MP3.com settled with Sony the only major label that has not reached aset- Music Entertainment. This left the Seagram- tlement with MP3.com, appears to be dragging owned UMG as the last holdout of the major its feet in trying to reach a settlement, accord- labels to settle with the online company, which ing to MP3.com's lead attorney. currently has on hold its My.MP3.com service "Universal has adifferent agenda. They fig- — the source for all the litigation. ure that since they are the last to settle, they can Like earlier settlements with Warner Music squeeze us," said Michael Rhodes of the firm Group, BMG and EMI, the Sony settlement cov- Cooley Godward LLP, the lead attorney for ers copyright infringements, as well as alicens- MP3.com. Universal officials declined to corn- ing agreement allowing (Continued on page 10) SHELLAC Soundbreak.com, RIAA Agree Jurassic-5, Dilated LOS AMIGOS INVIWITI3LES- On Webcasting Royalty Peoples Go By Soundbreak.com made a fast break, leaving the pack behind and making an agreement with the Recording Word Of Mouth Industry Association of America (RIAA) on aroyalty rate for After hitting the number one a [digital compulsory Webcast license]. No details of the spot on the CMJ Radio 200 and actual rate were released. -
Karl Hyde, Founder and Contributor to the Electronic Music Group Underworld and the Design Collective Tomato, Was Asked by Josia
A History of Abstraction in Film Films Dylan Kendle, Jason Kedgeley Karl Hyde, founder and contributor to the electronic music group Underworld and the design Between Stars, 2010 Music: Underworld collective Tomato, was asked by Josiah McElheny to select abstract films to be projected for Film: Tomato the current Bloomberg Commission: 6 minutes Dylan Kendle Hamburg Hotel, 2012 Music: Underworld ‘In 1990, I was fortunate to be one of the hours in commercial West End facilities For the reconfigured projections of Josiah Film: Tomato founder members of Tomato – a group houses.) Before Underworld went McElheny’s Bloomberg Commission, I’ve 5 minutes of artists & musicians from very disparate ‘overground’, these films were the closest selected some of our films along with the Graham Wood Ring Road, 2008 backgrounds, who came together with thing we had to ‘pop videos’ – unsuitable work of some of the pioneers of abstract Music: Underworld the simple concept of inspiring one for primetime viewing but screened in the film who inspired us and who laid the Film: Tomato another and crossing borders between early hours where they connected with the foundations for a common language 4 minutes our disciplines. Our films always began Rave Kids who were still wide-awake. between us in all our collaborations. Graham Wood Rez, 1995 as personal projects, driven by the desire The work of masters such as George Music: Underworld Film: Tomato to experiment and explore. Through their The success of Bornslippy and its Maciunas and Len Lye are timeless 10 minutes vision and the techniques employed, we connection with the film Trainspotting we and slip seamlessly into the film work. -
My Kind of Sound
My Kind of Sound My Kind of Sound: Popular Music and Audiovisual Culture Edited by Enrique Encabo My Kind of Sound: Popular Music and Audiovisual Culture Edited by Enrique Encabo This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Enrique Encabo and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6164-X ISBN (13): 978-1-5275-6164-9 TABLE OF CONTENTS Preface ....................................................................................................... vii Chapter 1 ..................................................................................................... 1 Sounds Similar! Reflections on Music Identity and Recognition Franco Fabbri PART 1: DECODING MUSIC ICONS Chapter 2 ................................................................................................... 20 Nirvana’s Nevermind: Exploring the Audiovisual Mosaic Christopher Vezza Chapter 3 ................................................................................................... 36 The Legacy of Oskar Schlemmer and the Bauhaus in the Aesthetics of David Bowie Zuleyma Guillén González Chapter 4 .................................................................................................. -
Imposcar-Manual-En.Pdf
Programmable Music Synthesiser Manual THIS MANUAL IS COPYRIGHT© GMEDIA Music 2003-2005 ALL RIGHTS RESERVED. NO PART MAY BE REPRODUCED WITHOUT PERMISSION. ALL TRADEMARKS ACKNOWLEDGED 1 OSCar to impOSCar In these days of affordable, and largely high-quality plug-in instruments, it’s 1. OSCar to impOSCar 3 easy to forget that many years ago, in the intrepid days of hardware behemoths, 2. Installing impOSCar 6 things were very different. For example, in the late 1970s the highly desirable 3. Registration 7 Minimoog would set you back a whopping £1500 and only play one note at a 4. Loading Sounds 7 time. And even an outlying Minimoog competitor would leave you needing a skin-graft, such was the size of the hole burnt in your pocket. Oscillator Controls 8 Wheels Section 9 During this period, and inspite of the fact that every manufacturers mission was ‘affordable monophonic synthesis for all’, it was unclear how that could be Glide Controls 9 achieved due to the high component costs. Mix Controls 9 The big breakthrough came in the UK in 1978 when the first truly affordable LFO Controls 10 monophonic synthesiser was released to an eager but unsuspecting world. Filter Controls 11 Conceived by Chris Huggett and Adrian Wagner, the EDP Wasp, at a price of Env1 Amplitude ADSR Controls 12 £199, heralded a new era of synthesis and was undoubtedly responsible for Env2 Filter ADSR Controls 12 introducing legions of young adults to electronic sound exploration. Of course, Triggering Controls 13 in order to bring a synth in at approximately half the price of any competitor Keyboard Velocity Response Controls 14 certain compromises had to be made, the most noticeable one being a ‘toy-like’ Filter Drive and Volume Knobs 15 touch-sensitive keyboard. -
Brian Eno: Interaktivní Hudební Aplikace Jako Kreativní Nástroje Ambientní Hudby
Masarykova univerzita Filozofická fakulta Ústav hudební vědy Magisterská diplomová práce 2016 Bc. Martina Tkadlčíková, DiS. Masarykova univerzita Filozofická fakulta Ústav hudební vědy Hudební věda Bc. Martina Tkadlčíková, DiS. Brian Eno: Interaktivní hudební aplikace jako kreativní nástroje ambientní hudby Magisterská diplomová práce Vedoucí práce: PhDr. Martin Flašar, Ph.D. Brno, 2016. Prohlašuji, že jsem diplomovou práci vypracovala samostatně a uvedenou literaturu a prameny jsem citovala. ……………………………. Podpis Zde bych chtěla poděkovat vedoucímu práce PhDr. Martinu Flašarovi, Ph.D., za pomoc, odborné vedení, cenné rady a trpělivost. Další mé poděkování patří Mgr. Romanu Tkadlčíkovi za připomínky, názory a psychickou podporu. OBSAH 1. ÚVOD ............................................................................................................................ 8 2. AMBIENTNÍ HUDBA ................................................................................................. 9 2.1 Definice pojmu ambient ........................................................................................ 10 2.2 Historie ambientní hudby ...................................................................................... 11 2.3 Erik Satie ............................................................................................................... 12 2.4 Minimalismus ....................................................................................................... 14 2.5 John Cage ............................................................................................................. -
27 March 2020
Mercury Musical Developments and Musical Theatre Network present in partnership with Royal & Derngate, Northampton 26 - 27 March 2020 Shining a light on new British musical theatre mercurymusicals.com musicaltheatrenetwork.com Welcome Theatres like ours exist to bring people together and we were so looking forward to welcoming such an array of musical theatre talent to Northampton this week from across the country and beyond. Sadly that is not possible right now, but we’re determined to continue to champion all the artists who were to perform on our stages this week, so we’ve taken the decision with Mercury Musical Developments and Musical Theatre Network to still publish this year’s BEAM programme, to salary and continue to support all the artists who were due mercurymusicals.com to perform during this week’s showcase and to encourage all who were due to attend to share and distribute their work with one another online. We are so grateful to those of you who were due to be attending this week who have kindly donated the cost of your ticket towards helping us to pay our artists and freelancers. Many of you who attended the UK Musical Theatre Conference here last year will have heard us talk of our commitment to developing new musical theatre for mid-scale regional venues and tours. We’ve had a thrilling year since in which we’ve hosted dozens of artists in Northampton to create original work in partnership with Perfect Pitch, China Plate, Musical Theatre Network, Mercury Musical Developments, Scottish Opera and Improbable. Thanks to the support of an Arts Council England “Ambition For Excellence” grant and partnerships with several midscale venues nationwide, we’re also excited to be able to announce that five of the projects we’ve developed here this year have been fully commissioned. -
Vivid LIVE Announces the International Artists Taking the Stage
Vivid LIVE Announces the International Artists Taking the Stage Kraftwerk, Bobby Womack, Karl Hyde, Sunnyboys, Empire of the Sun, Among Others, Music Headliners The program for Vivid LIVE at Sydney Opera House 2013 was announced today as part of the 5th annual Vivid Sydney festival of light, music and ideas. From May 24 – June 2, Sydney Opera House will welcome some of the most ambitious and innovative local and international artists for a ten-day celebration of music on the nation's most famous stages. Sitting alongside Vivid Ideas and Vivid Light, Vivid LIVE is a key component of Vivid Sydney, the city's premier winter creative industries and cultural event, owned and managed by Destination NSW, the NSW Government’s tourism and major events agency. Vivid LIVE invites the world’s leading artists, creative collectives, promoters and digital animators to raise the roof of Sydney Opera House's theatres, rehearsal spaces, recording studios and most famously, its iconic sails. Vivid LIVE Festival Director, Fergus Linehan said, "This year's Vivid LIVE has been a real pleasure to program - from Empire of the Sun to Kraftwerk, from Karl Hyde to Sunnyboys, it will be a time to be inspired and elated in equal measure. We look forward to welcoming people from all over Australia and overseas to the Opera House." Vivid LIVE 2013 celebrates the musical pioneers whose ground-breaking work has shaped popular music today – featuring Kraftwerk’s retrospective 3D Shows, The Catalogue 1 2 3 4 5 6 7 8, the centre-stage Australian debut of r’n’b soul legend Bobby Womack, the solo debut of Underworld’s electronic king Karl Hyde, a reimagining of the music of Joy Division by Heritage Orchestra and Scanner, a special presentation featuring the original line-up Australian pop-rock legends, the Sunnyboys and a folk-rock tribute to the landmark work of legendary American folklorist Alan Lomax – Sounds of the South - featuring psych-folk trio Megafaun, jazz collective Fight the Big Bull and Grammy Award-winning Bon Iver frontman Justin Vernon. -
Best of 2014 Listener Poll Nominees
Nominees For 2014’s Best Albums From NPR Music’s All Songs Considered Artist Album ¡Aparato! ¡Aparato! The 2 Bears The Night is Young 50 Cent Animal Ambition A Sunny Day in Glasgow Sea When Absent A Winged Victory For The Sullen ATOMOS Ab-Soul These Days... Abdulla Rashim Unanimity Actress Ghettoville Adia Victoria Stuck in the South Adult Jazz Gist Is Afghan Whigs Do To The Beast Afternoons Say Yes Against Me! Transgender Dysphoria Blues Agalloch The Serpent & The Sphere Ages and Ages Divisionary Ai Aso Lone Alcest Shelter Alejandra Ribera La Boca Alice Boman EP II Allah-Las Worship The Sun Alt-J This is All Yours Alvvays Alvvays Amason Duvan EP Amen Dunes Love Ana Tijoux Vengo Andrew Bird Things Are Really Great Here, Sort Of... Andrew Jackson Jihad Christmas Island Andy Stott Faith In Strangers Angaleena Presley American Middle Class Angel Olsen Burn Your Fire For No Witness Animal Magic Tricks Sex Acts Annie Lennox Nostalgia Anonymous 4 David Lang: love fail Anthony D'Amato The Shipwreck From The Shore Antlers, The Familiars The Apache Relay The Apache Relay Aphex Twin Syro Arca Xen Archie Bronson Outfit Wild Crush Architecture In Helsinki NOW + 4EVA Ariel Pink Pom Pom Arturo O’Farrill & the Afro Latin Orchestra The Offense of the Drum Ásgeir In The Silence Ashanti BraveHeart August Alsina Testimony Augustin Hadelich Sibelius, Adès: Violin Concertos The Autumn Defense Fifth Avey Tare Enter The Slasher House Azealia Banks Broke With Expensive Taste Band Of Skulls Himalayan Banks Goddess Barbra Streisand Partners Basement Jaxx Junto Battle Trance Palace Of Wind Beach Slang Cheap Thrills on a Dead End Street Bebel Gilberto Tudo Beck Morning Phase Béla Fleck & Abigail Washburn Béla Fleck & Abigail Washburn Bellows Blue Breath Ben Frost A U R O R A Benjamin Booker Benjamin Booker Big K.R.I.T. -
Performing Citizenship Bodies, Agencies, Limitations
PERFORMING CITIZENSHIP BODIES, AGENCIES, LIMITATIONS EDITED BY Paula Hildebrandt, Kerstin Evert, Sibylle Peters, Mirjam Schaub, Kathrin Wildner AND Gesa Ziemer Performance Philosophy Series Editors Laura Cull Ó Maoilearca University of Surrey Guildford, UK Alice Lagaay Hamburg University of Applied Sciences Hamburg, Germany Will Daddario Independent Scholar Asheville, NC, USA Performance Philosophy is an interdisciplinary and international field of thought, creative practice and scholarship. The Performance Philosophy book series comprises monographs and essay collections addressing the relationship between performance and philosophy within a broad range of philosophical traditions and performance practices, including drama, the- atre, performance arts, dance, art and music. It also includes studies of the performative aspects of life and, indeed, philosophy itself. As such, the series addresses the philosophy of performance as well as performance-as- philosophy and philosophy-as-performance. Series Advisory Board: Emmanuel Alloa, Assistant Professor in Philosophy, University of St. Gallen, Switzerland Lydia Goehr, Professor of Philosophy, Columbia University, USA James R. Hamilton, Professor of Philosophy, Kansas State University, USA Bojana Kunst, Professor of Choreography and Performance, Institute for Applied Theatre Studies, Justus-Liebig University Giessen, Germany Nikolaus Müller-Schöll, Professor of Theatre Studies, Goethe University, Frankfurt am Main, Germany Martin Puchner, Professor of Drama and of English and Comparative