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Brian Eno: Interaktivní Hudební Aplikace Jako Kreativní Nástroje Ambientní Hudby

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Brian Eno: Interaktivní Hudební Aplikace Jako Kreativní Nástroje Ambientní Hudby Masarykova univerzita Filozofická fakulta Ústav hudební vědy Magisterská diplomová práce 2016 Bc. Martina Tkadlčíková, DiS. Masarykova univerzita Filozofická fakulta Ústav hudební vědy Hudební věda Bc. Martina Tkadlčíková, DiS. Brian Eno: Interaktivní hudební aplikace jako kreativní nástroje ambientní hudby Magisterská diplomová práce Vedoucí práce: PhDr. Martin Flašar, Ph.D. Brno, 2016. Prohlašuji, že jsem diplomovou práci vypracovala samostatně a uvedenou literaturu a prameny jsem citovala. ……………………………. Podpis Zde bych chtěla poděkovat vedoucímu práce PhDr. Martinu Flašarovi, Ph.D., za pomoc, odborné vedení, cenné rady a trpělivost. Další mé poděkování patří Mgr. Romanu Tkadlčíkovi za připomínky, názory a psychickou podporu. OBSAH 1. ÚVOD ............................................................................................................................ 8 2. AMBIENTNÍ HUDBA ................................................................................................. 9 2.1 Definice pojmu ambient ........................................................................................ 10 2.2 Historie ambientní hudby ...................................................................................... 11 2.3 Erik Satie ............................................................................................................... 12 2.4 Minimalismus ....................................................................................................... 14 2.5 John Cage .............................................................................................................. 15 2.6 Technologický popis ambientu ............................................................................. 17 2.7 Hlavní představitelé ambientní hudby .................................................................. 17 2.8 Dělení ambientní hudby ........................................................................................ 18 2.9 Ambient dnes ........................................................................................................ 21 3. BRIAN ENO ............................................................................................................... 22 3.1 Umělecké počátky ................................................................................................. 23 3.2 Práce s videem ...................................................................................................... 26 3.3 Brian Eno a hudba ................................................................................................. 27 3.4 Základní vlivy na tvorbu Briana Ena .................................................................... 29 3.5 Brian Eno a ambientní hudba ................................................................................ 32 3.6 Ambientní tvorba .................................................................................................. 37 3.6.1 Long ambient pieces.......................................................................................... 38 3.6.2 Short Ambient Pieces ........................................................................................ 40 4. GENERATIVNÍ HUDBA ........................................................................................... 43 4.1 Generativní umění ................................................................................................. 46 4.1.1 Teorie chaosu .................................................................................................... 46 4.1.2 Fraktály.............................................................................................................. 47 4.1.3 Celulární automaty ............................................................................................ 48 4.2 Brian Eno a generativní hudba .............................................................................. 50 4.3 Koan ...................................................................................................................... 51 4.4 Počátky generativní hudby Briana Ena ................................................................. 52 4.5 Brian Eno a jeho definice generativní hudby ........................................................ 53 4.6 Umělecká tvorba Briana Ena ................................................................................ 53 5. INTERAKTIVNÍ HUDEBNÍ APLIKACE ................................................................. 57 5.1 Termín mobilní aplikace ....................................................................................... 57 5.2 Aplikace pro iPhone .............................................................................................. 59 5.3 Bloom .................................................................................................................... 60 5.4 Trope ..................................................................................................................... 63 5.5 Bloom HD ............................................................................................................. 66 5.6 Scape ..................................................................................................................... 67 5.7 Air ......................................................................................................................... 71 5.8 Someday World .................................................................................................... 72 6. ZÁVĚR ........................................................................................................................ 76 RESUMÉ ............................................................................................................................. 78 SEZNAM POUŽITÉ LITERATURY, PRAMENŮ A INTERNETOVÝCH ODKAZŮ ... 80 LITERATURA ................................................................................................................ 80 INTERNETOVÉ ODKAZY............................................................................................ 82 SEZNAM POUŽITÝCH OBRÁZKŮ: Obrázek A: Brian Eno ........................................................................................... 7 Obrázek B: Brian Eno ......................................................................................... 25 Obrázek C: Brian Eno ......................................................................................... 28 Obrázek D: Koan Plus ........................................................................................ 51 Obrázek E: Koan Plus ......................................................................................... 51 Obrázek F: Koan Pro .......................................................................................... 62 Obrázek G: Koan Pro .......................................................................................... 52 Obrázek H: Aplikace Bloom ............................................................................... 60 Obrázek I: Aplikace Bloom ................................................................................ 60 Obrázek J: Aplikace Bloom ................................................................................ 62 Obrázek K: Aplikace Bloom ............................................................................... 62 Obrázek L: Aplikace Trope................................................................................. 64 Obrázek M: Aplikace Trope ............................................................................... 64 Obrázek N: Aplikace Trope ................................................................................ 65 Obrázek O: Aplikace Bloom HD ........................................................................ 66 Obrázek P: Aplikace Bloom HD ......................................................................... 66 Obrázek Q: Aplikace Scape ................................................................................ 67 Obrázek R: Aplikace Scape ................................................................................ 68 Obrázek S: Aplikace Scape ................................................................................. 68 Obrázek T: Aplikace Air ..................................................................................... 71 Obrázek U: Aplikace Air .................................................................................... 71 Obrázek V: Aplikace Air .................................................................................... 72 Obrázek W: Aplikace Air ................................................................................... 72 Obrázek X: Aplikace Someday World................................................................ 74 Obrázek Y: Aplikace Someday World................................................................ 75 Obrázek A: Brian Eno1 „The instruments are in turn ground down and individually cast into blocks of acrylic resin. The blocks are given to young children. Now the music begins . .“ Brian Eno 1 Brian Eno. [online]. [cit. 2016-27-04] Dostupné z: <http://last.fm/music/Brian+Eno/+images/bcc1893a7dc447d9b0687bbae6936b85>. 1. ÚVOD Ve své diplomové práci se zabývám osobností Brianem Enem. Hlavním cílem práce je představit tohoto všestranného umělce nejen jako významného skladatele a producenta, ale hlavně jako hudebního experimentátora, inovátora, vizuálního umělce, průkopníka nových technologií v oblasti hudby a jako jednoho z nejvýznamnějších představitelů ambientní hudby. Jeho inspirace pochází mimo jiné také z minimalistických maleb, kybernetiky či různých
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