DOCSLIB.ORG

The Grizzly, February 11, 1991

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Grizzly, February 11, 1991 Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 2-11-1991 The Grizzly, February 11, 1991 Krishni Patrick Ursinus College Megan Mendte Ursinus College Mark Hallinger Ursinus College Kristen Schwarz Ursinus College Naimish Pandya Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Recommended Citation Patrick, Krishni; Mendte, Megan; Hallinger, Mark; Schwarz, Kristen; Pandya, Naimish; Koser, Todd; Scheel, Gabriele; Phiel, Christopher; Grubb, Steven; Zobel, Laura; Ugoretz, Tonya; Gelston, Trey; Woytek, Judd; Flemming, Amy; Shatz, Ellen; Jacobson, Sara; Major, Chris; Richter, Richard P.; Hajian, Eleanore; Harris, Adria; Oehlert, Beverly; and Johnson, Terri, "The Grizzly, February 11, 1991" (1991). Ursinus College Grizzly Newspaper. 270. https://digitalcommons.ursinus.edu/grizzlynews/270 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus College Grizzly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Krishni Patrick, Megan Mendte, Mark Hallinger, Kristen Schwarz, Naimish Pandya, Todd Koser, Gabriele Scheel, Christopher Phiel, Steven Grubb, Laura Zobel, Tonya Ugoretz, Trey Gelston, Judd Woytek, Amy Flemming, Ellen Shatz, Sara Jacobson, Chris Major, Richard P. Richter, Eleanore Hajian, Adria Harris, Beverly Oehlert, and Terri Johnson This book is available at Digital Commons @ Ursinus College: https://digitalcommons.ursinus.edu/grizzlynews/270 ne9 Serving the Ursinus Tfieo Grizzly community since 1978 Publlshmg the trust, from good motives and for justifiable ends Volume 22 Number 14 -Alexander Hamilton February 11, 1991 Fraternity Pledging Returns Again academics." BY MEGAN MENDTE All fraternity pledging activities will Of the Grizzly must be approved by the Campus The pledges of APE's be Life Committee. Pledging on closely monitored throughout 1991 Fraternity pledging consecutive nights is prohibited, as pledging. They will be required to officially began on Friday, is surpassing three consecutive carry report cards to all of their February 8th. The traditional bid nights of pledging on weekends. classes. This way their professors ceremony took place at noon on Last spring Sig Rho and APE's can record their progress during the museum side of Bomberger. were found guilty of using alcohol pledging and help them if they As usual, the show drew a large during pledging by the Judicial begin to slip academically. crowd of spectators. Board (J-Board) Said Love, "I don't think the As each "bid" came out of The J-Board punished Sig Rho changes will be a problem. We've Bomberger and walked or ran to by cutting their pledging time in got a group of great guys this year, the fraternity of his choice, the frat half. They have only eight non­ and so far everything's going fine ." welcomed him with cheers and consecutive days of pledging this For better or for worse, hugs. The APE's new pledges year, not including their service pledging has changed, and the were chillier than most because week. Commented Jason Komasz Campus Life Committee will they were wearing "Grizzly" boxers of Sig Rho, "Everything is running continue 1.0 monitor the activities as they greeted the frat. The Zeta smoothly so far. We're all pleased of the fraternities. Each year the Chi brothers fmished the ceremony with the guys." pledging activity proposals will be off by tackling their new pledges APE's president Thorn Love is negotiated according to their past into the mud in welcome. optimistic as well. "We agreed not performances. The Committee's This year APE's has fifteen to pledge during the week, except main goals are to regulate the pledges, APO twelve, Beta Sig for line up. Dean Kane has academics and to insure the safety eleven, Delta Pi fourteen, Demas worked really hard with us to keep By Kristen Schwarz, Photo Editor of every pledge until the system is three, Sig Rho five and Zeta Chi as many traditions alive as possible as positive and productive as three. while keeping the emphasis on Gathering 'round Bomberger, fraternity pledges accept their bids. possible. Wachtel Explains the Poverty of Affluence BY MARK "ALLINGER Opinions Editor difference in life satisfaction Two reasons why a decrease in enough. Second, the quest for "If we can get off the growth between rich and poor in a life satisfaction often follows growth often undermines crucial train before it crashes we could all community. Another showed an increasing wealth were discussed. sources of well being, such as Editors' Wanted live a better life," asserted noted actual decrease in an economically First, a growth economy "by its family, community, and leisure psychologist and author Paul growing community's happiness very nature requires discontent pursuits. Wachtel again used Wachtel, speaking at the second level--as wealth increased, and a stirring of new needs," so psycholOgical studies to support his Editor applications are lecture forum of the semester on satisfaction decreased. whatever we get doesn't feel like claims. A study by one social now being accepted for Thursday, February 7th. The talk psychologist found that once some The Ruby, The Lantern, was entitled 'The Poverty of minimal income is met, the Affluence," and mirrored relation between income and and The Grizzly. Please Wachtel's book of the same name. happiness is small. submit your applications The "Poverty of Affluence," as The talk concluded with a plea for consideration to defmed by Wachtel is seen in a to the audience to "please think Debbie Malone, Myrin culture that focuses on material what will really leave you satisfied goods ap.d constant economic in life." Cultural change must start Library. You may leave growth at the expense of on an individual level, according to your application, with community, family, environment Wachtel, and "if we can at least her name on it, at the and personal growth. This cultural see the trap, we have a fighting trend has been nurtured by both chance to avoid it." Circulation Desk on the major political parties, says A lively question and answer main floor. Wachtel, and is seen in all period followed the formal talk. If you have any socioeconomic classes. One One individual questioned the questions, contact Jon example is a middle class family feasibility of change in today's that constantly seeks to increase its society; Wachtel's reply again Volkmer regarding The share of material goods yet ends stressed the individual nature of Lantern, Jane up with, according to Wachtel, cultural change. Another member Agnostinelli regarding "less time to devote to of the audience stated that he was relationships and a sense of actually living a lifestyle similar to The Grizzly, or Cindy K. belonging." the one proposed by Wachtel. "It Harris regarding The Wachtel's focus on a sense of isn't easy, but the rewards are Ruby. belonging and the importance of definitely there," stated this Applications stating family and community ties backed individual, who also stressed that his assertion that "an economic "I see more and more people your background and growth oriented way of life doesn't turning to alternative lifestyles." qualifications should be work (because) in many ways we A video of Dr. Wachtel's talk is submitted by Wednesday, aren't happy." He cited several available. Contact Dr. Englund of March 13, at 12:00 noon. psychological studies to support the Psychology Department if this. One of these studies found no Paul W8Cbtel interested. Page 2 The Grizzly February 11, 1991 URSINUS COLLEGE Become A Peer 'Educator Specials for the Week. Information and lsi ': Mon., Feb. ll--Turkey Melt on a Croissant--------$1.75 .. training session Tues., Feb.l2--Cheese Dog w/Free : . Thursday, Februarv 14th Reg. Soda--------$1.00 .', Wed., Feb. l3--Fish Sandwich wi Free Pries-------$1.95 'and Floo.r Berman Museum Thurs., Feb. l4--Zack Burger ---$1.25 8:00p.m, .. *Buy your Sweetheart a Carnation! .rJF; ~. ' Fri., Feb. l5--Tuna Salad Sand.~ TRaINI~(i TO,,"'O!>: IAIOS. COHTRAC[PTIOH w~1 : w/Fresh Fruit-$1.70 6 DAT,. "APE P£,.ER [OUC~TORS ~ECE1V£ February Breakfast Special 8AM-IIAM I\.(!O(U,,"RA Tl0M OM THe Free Donut w/Purchase of a cup of Coffee! BASts OF r>aOGRAM PRESE1'4TEO , @===========================@ • i ------------------------------,tudent Services Lens1ab. P.O. Box 22-2596. H011 od. Y10rida 33022 !EO~ 'ta tj,~p' :.:. FLOWER and Gift Shop Us We 489-8727 :"',,' -Long stem roses -Balloons -Mixed bouquets -Candy -Teleflora specials -Cards -Stuffed Animals -Gifts Save up to 50% or more on your $2.00 Student discount with I.D. Lens -Teleflora and Redbook w The exact sa1Jze lenses )'oar (Ioctor or{/ered at ll'/Jo/esa/e jJrices. services Our low prices lets you SAVE UP TO 50% OR MORE! -All major credit cards Lenses as low as $14 per pair ... no clUbs to . join YES ... we can accepted ... no hassles ... no gimmicks. Most lenses shipped save you up to to you within 24 hours via Federal Express & all 50% and more on W. Ridge Pk, Limerick are 100% GUARANTEED!Simply call in your Doctor's all name brands .. .including new Lorralne"s· name and phone number(or address) using our toll free number below.(24 hours-7 days) Our optician "disposables" . WaWli Township Une Rd. will contact your Doctor for you and obtain your prescription.(Verification is required to order) ~ 24 Bours START SAVING NOW! ORDER TOLL-FREE 1-800-726-7802 TODAY!. 7 Days..J Ursin us L ------------------------------(Lenses sent C.O.D.
Load more

Recommended publications
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Craft Horizons AUGUST 1973
    craft horizons AUGUST 1973 Clay World Meets in Canada Billanti Now Casts Brass Bronze- As well as gold, platinum, and silver. Objects up to 6W high and 4-1/2" in diameter can now be cast with our renown care and precision. Even small sculptures within these dimensions are accepted. As in all our work, we feel that fine jewelery designs represent the artist's creative effort. They deserve great care during the casting stage. Many museums, art institutes and commercial jewelers trust their wax patterns and models to us. They know our precision casting process compliments the artist's craftsmanship with superb accuracy of reproduction-a reproduction that virtually eliminates the risk of a design being harmed or even lost in the casting process. We invite you to send your items for price design quotations. Of course, all designs are held in strict Judith Brown confidence and will be returned or cast as you desire. 64 West 48th Street Billanti Casting Co., Inc. New York, N.Y. 10036 (212) 586-8553 GlassArt is the only magazine in the world devoted entirely to contem- porary blown and stained glass on an international professional level. In photographs and text of the highest quality, GlassArt features the work, technology, materials and ideas of the finest world-class artists working with glass. The magazine itself is an exciting collector's item, printed with the finest in inks on highest quality papers. GlassArt is published bi- monthly and divides its interests among current glass events, schools, studios and exhibitions in the United States and abroad.
    [Show full text]
  • ANNOUNCING Heatguns, to Makelightweight, and Strong, Colorful Material (Polyesther Fi Be Covered/Glued with High-Tech Modelairplane for Useinearrings, Orpendants
    See p3 for details ANNOUNCING METAL ARTS 2017 SOCIETY OF SOUTHERN CALIFORNIA January / February MATRIX JEWELRY WORKSHOP - Robert K. Liu February 18th, 2016 8am – 5pm interesting jewelry. This technique is well suited to Robert K. Liu he is co- make earrings, symmetrical or asymmetrical. Essen- editor of Ornament and tially, your imagination and skill are the limitations of has written extensively on the forms you can make. For a one-day workshop, it ancient, ethnographic and is necessary to have soldering and simple handtool contemporary jewelry and skills. personal adornment since 1974. Over the past four ddecades, he has lectured eextensively in the US, as willill learn l to use brass b wire i or bronze b StudentsSt d t wwell as the UK and PRC rod to fabricate matrix/matrices for use as pen- aand given workshops on dants, earrings or other jewelry components. jjewelry photography, Simple handtools or mandrels will be used to shape making bamboo jewelry or matrix jewelry and has the wire or rodforms, then solder them. Participants recently published The Photography of Personal will learn how to handform wire/rod foundations AAdornment. He is also the author of Collectible for use in earrings, or pendants. These matrices will Beads, and has written over 700 articles or other be covered/glued with high-tech model airplane publications, on personal adornment, technology material (polyesther fi lms), then heatshrunk with aand science. heatguns, to make lightweight, strong, colorful and Cost: $105 for MASSC Members - $125 for non members Materials Fee: $10 Location: Irvine This workshop will be fi lled via the MASSC lottery system with MASSC members receiving priority.
    [Show full text]
  • The Grizzly, November 6, 1990
    Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 11-6-1990 The Grizzly, November 6, 1990 Krishni Patrick Ursinus College Mark Wilhelms Ursinus College Sara Jacobson Ursinus College Becky Carreon Ursinus College Cassandra Yutzy Ursinus College See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Recommended Citation Patrick, Krishni; Wilhelms, Mark; Jacobson, Sara; Carreon, Becky; Yutzy, Cassandra; Lunt, Jen; Grim, Katherine; Johnson, Terri; White, Kristen; Miller, Melisa; Hajian, Eleanore; Becker, Matt; Spence, Brian; Koser, Todd; Schafer, Neil; Heinzinger, Chris; Grubb, Steven; Case, Jennie; Koch, Nancy; Strawbridge, Jennifer; Woytek, Judd; and Hallinger, Mark, "The Grizzly, November 6, 1990" (1990). Ursinus College Grizzly Newspaper. 263. https://digitalcommons.ursinus.edu/grizzlynews/263 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ Ursinus College. It has been accepted for inclusion in Ursinus College Grizzly Newspaper by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Authors Krishni Patrick, Mark Wilhelms, Sara Jacobson, Becky Carreon, Cassandra Yutzy, Jen Lunt, Katherine Grim, Terri
    [Show full text]
  • OSSI ~ but GAS KILNS from 2 Cu
    I'D? -SAY- Î14AT- ö.Crmios/JS l.TrtE '^WOiMf'S . g M09T • fâsowàïiwe \ '«OSSI ~ BUT GAS KILNS from 2 cu. ft. to 60 cu. ft. All fire to 2500 F — some to 3000 F. Instrumentation for temperature control and a positive con- trol of atmosphere from highly oxidizing to reducing. ELECTRIC KILNS from 2 cu. ft. to 24 cu. ft. Front loading or top loading, — all models fire to 2350 F — some to 2800 F. Fully instrumented. POTTERY WHEELS come in several models, including an electroni- cally controlled variable speed wheel with constant torque. But re- member we still make the old "KICK WHEEL" too for those who prefer it. See our catalog for WARE TRUCKS, FORMULATING TABLES, GLAZE SPRAY BOOTHS, PUG MILLS, BALL MILLS, and many other items for classroom, shop, and studio. Our catalog illustrates a complete line of equipment to go with these kilns. Also available free of charge is our book- craft horizons January/February 1970 Vol. XXX No. 1 4 The Craftsman's World 8 Countercues 9 Calendar 10 Where to Show 11 Books 12 Letters 13 Our Contributors 14 The Listening Eye by Ann McMillan 20 The Jewelry of Art Smith 24 The Scholtens: Artist-Weavers by Bernardine de Neeve 30 African Travelogue: Part II by Margaret Merwin Patch 36 The Ceramics of Robert Arneson by David Zack 42 Exhibitions Next Issue: The March/April CRAFT HORIZONS will feature The John- son Collection, "Objects: USA," Part II, by poet John Ashbery, executive editor of Art News. The Cover: "Well—yes, I'd say that ceramics is the world's most fascin- ating hobby—but .
    [Show full text]
  • Oral History Interview with Paula Colton Winokur, 2011 July 21-22
    Oral history interview with Paula Colton Winokur, 2011 July 21-22 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Paula Winokur on July 21 and July 22, 2011. The interview took place at the Artist's home and studio in Horsham, Pennsylvania, and was conducted by Mija Riedel for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Paula Winokur and Mija Riedel have reviewed the transcript and have made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview MIJA RIEDEL: This is Mija Riedel with Paula Winokur at the artist’s home and studio in Horsham, Pennsylvania, on July 21, 2011, for the Smithsonian's Archives of American Art. This is card number one. So we’ll dispense with some of the biographical information first, and then move into – [inaudible] – itself and teaching. When and where were you born? PAULA WINOKUR: I was born in Philadelphia in 1935. MS. RIEDEL: What was the date? MS. WINOKUR: Oh, May 13. May 13, 1935, so I was considered a Depression baby. MS. RIEDEL: And your parents' names? MS. WINOKUR: My mother was Elizabeth Blumenthal Colton, C-O-L-T-O-N.
    [Show full text]
  • National Endowment for the Arts Annual Report 1976
    1976 Annual Report National Endowment National Council ior the Arts on the Arts National Endowment National Council 1976 on the Arts Annual Report tor the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended June 30, 1976, and the Transition Quarter ended September 30, 1976. Respectfully, Nancy Hanks Chairman The President The White House Washington, D.C. April 1976 Contents Chairman’s Statement 4 Organization 6 National Council on the Arts 7 Architecture ÷ Environmental Arts 8 Dance 20 Education 30 Expansion Arts 36 Federal-State Partnership 50 Literature 58 Museums 66 Music 82 Public Media 100 Special Projects 108 Theatre 118 Visual Arts 126 The Treasury Fund 140 Contributors to the Treasury Fund, Fiscal Year 1976 141 History of Authorizations and Appropriations 148 Financial Summary, Fiscal Year 1976 150 Staff of the National Endowment for the Arts 151 Chairman’s Statement In recognition of the great value to the public of the cans felt the arts to be essential to the quality of life for country’s arts, artists, and cultural institutions, the National participation, many cultural institutions face mounting themselves and their children. Similar attitudes have been gaps between costs and earnings which must be filled by Endowment for the Arts was established in 1965 to help expressed in resolutions of the National Association of to strengthen the arts professionally and to ensure that additional contributions.
    [Show full text]
  • Oral History Interview with Gary Griffin, 2004 August 4
    Oral history interview with Gary Griffin, 2004 August 4 Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Gary Griffin on August 4, 2005. The interview took place in Bloomfield Hills, Michigan, and was conducted by Glenn Adamson for the Archives of American Art, Smithsonian Institution. This interview is part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Gary Griffin and Glenn Adamson have reviewed the transcript and have made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview GLENN ADAMSON: Okay, this is Glenn Adamson interviewing Mr. Gary Griffin here at Cranbrook [Cranbrook Academy of Art, Bloomfield Hills, Michigan]. We are in the new studios building, and we are in the metalsmith shop – you might be able to hear the faint sound of drilling in the background for local color. And it is August 4th, 2004, and we are going to be talking about Gary’s career and life here today. Gary, you want to say hi? GARY GRIFFIN: Hi. MR. ADAMSON: So I guess maybe the first thing I should ask is this building that we are sitting in – it’s only a couple of years old, correct? MR.
    [Show full text]
  • 43RD Annual SNAG Conference
    2014 SNAG Conference Program 43RD Annual SNAG Conference In partnership with: WELCOME TO MINN-EH-SOH-TAH! From Grains to Gold We are so happy to have you join us and thrilled to host the 43rd annual Society 2014 Co-chairs of North American Goldsmiths (SNAG) Conference "From Grains to Gold”. Here in “The City of Lakes”, you might be offered a pop or hotdish and it’s guaranteed someone will want to talk about the weather; just smile, nod and you’ll fit right in. We hope our “Minnesota Nice” reputation lives up to its name. In 1970, the very first SNAG Conference was held right here in the Twin Cities and we couldn’t be more honored to see it come full circle; reminiscing about the past as we forge ahead to the future. We feel that Minneapolis, with its booming and Dominique Bereiter vibrant arts community, is the perfect backdrop and host city to welcome creative people like yourselves, for the 2014 conference. Throughout the conference, you will have the opportunity to get out into the Twin Cities to explore and tour converted warehouse buildings that now house artists, makers, craftsmen, musicians, and designers; peruse nationally acclaimed local galleries in fine craft and modern art; and hear from a wide array of speakers from the US and abroad. In addition to the main stage presentations, we have created smaller, Face-to-Face, conference experiences with our presenters, Emily Johnson more networking opportunities and sessions to create meaningful and lasting relationships amongst the SNAG membership. Our goal is to educate, inspire, and connect with each other, to grow and uplift the SNAG community as a whole.
    [Show full text]
  • Young Americans 1962 May 25 Through Sept
    YOUNG AMERICANS 1962 MAY 25 THROUGH SEPT. 2, 1962 U 2 MUSEUM OF CONTEMPORARY CRAFTS, 29 WEST 53rd STREET, NEW YORK 19, NEW YORK A ATIONA.. (;0 ETITION S CJ - SORED BY THE AMERICAN CRAFTS­ MEN'S COUNCIL FOR CRAFTSMEN THIRTY YEARS OLD AND UNDER, AND TO BE CIRCULATED BY THE AMERICAN FEDERATION OF ARTS. INTRODUCTION If one had doubts about the future of the artist-craftsman in America, they would surely be dispelled by the splendid re­ sponse both in quality and quantity of the submissions received for this Young Americans Competition. Nearly all geographic areas of the country were represented. In one instance, the work of a craftsman fifteen years of age was accepted by the jury. Without question much of the success of this exhibition is di­ rectly due to the outstanding training that young people are receiving from dedicated teachers in the arts. No group of peo­ ple are more enthusiastic and inspired than these craft teachers. They are encouraging their students to aim for quality in crafts­ manship which will in turn serve as criteria for good design in whatever field of endeavor these young people find themselves later in life. By means of this Young Americans Competition, this museum strives to encourage quality and craftsmanship, and believes that by educating the public to look for good design, the future for the craftsmen in America will be assured. To a sincere jury we owe thanks for a difficult task well done. The problem of accepting and rejecting work is never an easy one, and the decisions inevitably reflect the opinions of those completing the task.
    [Show full text]
  • Mag to Snag American Studio Jewelry 1940-1970 Toni Greenbaum
    MAG TO SNAG AMERICAN STUDIO JEWELRY 1940-1970 TONI GREENBAUM DIE NEUE SAMMLUNG PINAKOTHEK DER MODERNE MUNICH MORNING LECTURE 15.03.2015 CONTENTS INTRODUCTION I. EARLY ATTEMPTS TO LEARN METALSMITHING II. AMERICAN INITIATIVE III. ORGANIZATIONS IV. AFFECTIVE METALSMITING EDUCATION DEVELOPS V. REGIONAL ACTIVITY AND IDENTITY VI. NEW YORK VII. CALIFORNIA VIII. EARLY MUSEUM EXHIBITIONS IX. STYLE X. JEWELRY LOOKS TO ITSELF FOR INSPIRATION XI. SUBSEQUENT EXHIBITIONS XII. SNAG INTRODUCTION Guten morgen meine Schmuckfreunde. Thank you for choosing to spend your Sunday morning with me on a journey through the formative years of studio jewelry in the United States. I am most grateful to all at the Pinakothek der Moderne, particularly Dr. Petra Hölscher, Senior Curator of die Neue Sammlung, for offering me this distinguished opportunity to speak to you and trust that when I am finished, you will possess a new appreciation of the American contribution to this field. I will address some of the most influential American makers who worked within the discipline -- those who set the stage for a revolution in our cultural vernacular and laid the foundation for a trajectory that continues its ascent to the present day. I will place these jewelers within a broad cultural context regarding seminal exhibitions, along with social, educational, organizational, commercial, and professional opportunities afforded them during the mid- twentieth century. 5 I. EARLY ATTEMPTS TO LEARN METALSMITHING 6 1. Although, for reasons particular to each country or region, a modern jewelry aesthetic was developing simultaneously elsewhere in the world, the primary impetus for such a jewelry expression in the U.S.
    [Show full text]
  • American Metal Work, 1976
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1976 American Metal Work, 1976 Norman Geske Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman, "American Metal Work, 1976" (1976). Sheldon Museum of Art Catalogues and Publications. 95. https://digitalcommons.unl.edu/sheldonpubs/95 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. This catalog is dedicated to the achievement of Olaf Skoogfors, 1930-1975. 000111000 SHELDON MEMORIAL ART GALLERY AND SCULPTURE GARDEN 12th and R Street University of Nebraska-lincoln,68588-0300 For the Docent Program From the Library of Jane T. Anderson Director of Education 1966-1983 Sheldon Memorial Art Gallery OLAF SKOOGFORS NECKlACE gold plated silver and ivoI)' 8-1/4" long Am~ricQn MftQI Wor~, 1976 July 12-August 31, 1976 Sheldon Memorial Art Gallery University of Nebraska-Lincoln Lincoln, Nebraska FOREWORD The present exhibition is part of a collaboration with the materials and techniques of the art. Far from being confined University's Department of Art and the Summer Session which within the traditional definitions of use, the work of these has as its principal purpose to provide an occasion which can artists can be seen as demonstrations of the free imagination serve as stimulus to the art of the metal craftsman in Nebraska at work, creations in the realms of fantasy and satire, as and the region.
    [Show full text]