Ashley Nicole Black Height/ Weight: 5'6"/200Lbs Hair/Eyes: Brown

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Ashley Nicole Black Height/ Weight: 5'6"/200lbs Hair/Eyes: Brown www.ashleynblack.wix.com/ashleynblack Sketch Comedy Norwegian Cruise Lines Ensemble T.J. Shanoff- The Second City Theatricals Just Great: A Week in Revue Great News! Anchor J.Mitolo- JAN Productions Right to Bare Arms Ensemble J. Mitlolo- The Second City Outreach and Diversity First Date Solo Sketch Show A. Libera- Self Produced All Grown Up Ensemble/Writer J. Mitolo- Self Produced Donkey Crunch Ensemble/Writer J. Mitolo- Chicago Sketch Comedy Festival Occupy Wells Street Ensemble/Writer S. Harper- The Second City "BenchCo" #Hashtag, You're It Ensemble/Writer S. Goldstein- The Second City "BenchCo" Nightmare on Wells Street Ensemble J. Steigman Color Deaf Ensemble/Writer S. Goldstein- The Second City TC Directing Program FedExpectations Ensemble J. Poole- The Second City TC Writing Program Improvisation 90's Girl Band Ensemble Chicago Women's Funny Festival Black and Muhn Ensemble Self Produced Comedy Sportz- Rec League Ensemble Comedy Sportz Chicago The Second City House Ensemble Ensemble The Second City Training Center Someone Always Dies Ensemble, Founding Member Barn Theater, Santa Cruz Film/ Television An American Education (Pilot) Francine (recurring) ABC Studios The White Bag Sam Puck M. Ultreya, GVSU Commercial Big Lots P. Thomas, Community Films Cricket Wireless A. Fendrich Roommate Moments- My White Sox World Donna Chicago White Sox Rooftop- El Mundo White Sox Donna Chicago White Sox Devry Print Limegreen Productions Ethics Featured Extra Second City Communications Web Cute Lead/Writer Lucy Cooper Productions Theatre Nervous Conditions Tambudzi (Principle) Lisa Biggs Meet the Blacks Solo Performance/ Writer Holly Hughes Good Person of Schezan God #1 Kristen Brandt Merrily We Roll Along K.T. Danny Scheie Ceremonies in Dark Old Men Adele Don Williams Training/Education Comedy Intensive Lesly Kahn Co. Lesly Kahn VoiceOver Workshop Deb Doetzer Directing and Writing Programs The Second City Training Center Anne Libera, Mary Scruggs Improv Intensive Annoyance Theatre Mick Napier, Susan Messing, Rebecca Sohn, Rich Sohn Conservatory The Second City Training Center Norm Holly, Bina Martin, Michael Gellman Improv for Actors The Second City Training Center Billy Bungeroth, Jack Bronis B.A. Theatre Arts- Acting Emphasis University of California Santa Cruz M.A. Performance Studies Northwestern University Directing/Writing Just Great: A Week in Revue Head Writer JAN Productions Sweet Tired Kitten Presents Slightly Off Director Pub Theatre 3Peat Coach/Director Annoyance Theatre We're All in this Room Together Assistant to the Director, Ryan Bernier The Second City ETC Chelsea Devantez: Solo Show Director Chicago Women's Sketch Festival An Ironic Sorrow, or, Life in Your Twenties Director The Second City Directing Program Arabian Nights Assistant to the Director, Mary Zimmerman Lookingglass Theatre Skills Comedy Writing, Improvisation, Music (beginner ukulele, guitar, piano) Voice (mezzo-soprano), some American Sign Language, Hosting, Teaching, Corporate Training.

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This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town.
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Lab 2019: in the Room
Lab 2019: In the Room Sunday, August 18th Victory Gardens Biograph, 2433 N. Lincoln Avenue 10:00-10:30am REGISTRATION AND ORIENTATION 10:30-1:00pm INTRODUCTIONS, ICE BREAKERS, AND SETTING GOOD INTENTIONS LUNCH BREAK 2:00-2:45pm THROUGHLINE PROJECT INTRODUCTION BREAK 3:00-3:30pm YOUR ROOM Lavina Jadhwani, Freelance Director 3:30-5:30pm FINDING THE NEXUS OF BEST WORK/BEST ROOM Laura Fisher, Not in Our House/Chicago Theatre Standards TRAVEL BREAK 7:00-8:00pm The Infinite Wrench Created by the Neo-Futurists The Neo-Futurist Theater, 5153 N. Ashland Avenue 8:30-10:00pm DINNER Reza’s, 5255 N. Clark Street Lab 2019: In the Room Monday, August 19th The Design Museum of Chicago, 72 E. Randolph Street 10:00-10:30am CHECK-IN AND QUESTIONS 10:30-11:45am SETTING THE STAGE Hallie Rosen, Chicago Architecture Center BREAK 12:00-1:00pm DOWNTOWN THEATRE HISTORY Melanie Wang, Dept. of Cultural Affairs and Special Events Mitchell J. Ward, Free Tours by Foot LUNCH AND TRAVEL BREAK/OPTIONAL CONTINUED TOUR The Second City, 230 W. North Avenue 2:00-5:00pm SATIRE AND THE SECOND CITY Rachael Mason, The Second City BREAK 5:00-6:00pm COMEDY TODAY & THE MAINSTAGE PROCESS Anthony LeBlanc, Jesse Swanson, Mick Napier, and others TBD, The Second City FREE NIGHT Lab 2019: In the Room Tuesday, August 20th Reva and David Logan Center for the Arts, 915 E. 60th Street 10:00-10:15am CHECK-IN AND QUESTIONS 10:15-11:15am THE BEND IN THE ROAD Lydia Milman-Schmidt, Parent-Artist Advocacy League Cassie Calderone, Love, Your Doula BREAK 11:30-12:30pm DIRECTING VIRTUALLY Alice Bever, Chang Nai Wen, Monty Cole, and Evan Tsitias, Freelance Directors and International Lab Affiliates LUNCH BREAK 1:30-2:30pm ROOM FOR ART IN ACADEMIA Tiffany Trent, Logan Center for the Arts BREAK 3:00-5:00pm CREATING A TRANS AFFIRMING WORKPLACE Carolyn Leach, Chicago House TransWorks 5:00-6:00pm PEER-LED SESSION TRAVEL AND DINNER BREAK 8:00pm THE BEST OF SECOND CITY Directed by Jonald Reyes UP Comedy Club, 230 W.
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Group Outings & Events
Group Outings & Events GROUP PERKS & BENEFITS DINNER PACKAGES COCKTAIL RECEPTIONS PRIVATE EVENTS FUNDRAISERS VENUE RENTALS TESTIMONIALS CATERING Group Perks & Benefits LAUGH OUT LOUD ENTERTAINMENT For more than half a century, The Second City has been daring audiences to laugh at our world, our shared troubles, and ourselves. Bring your group to enjoy the latest performance of cutting edge sketch comedy combined with songs & improv, that’s sure to keep them laughing for weeks to come! GROUP BENEFITS: The Second City Toronto Theatre can accommodate groups of up to 300 guests. When booking your group of 15 or more, you can expect: • Highest Quality Customer Service • Lunch/Dinner Package Options • No Service Fees • Private Reception Options • Flexible Deposit Policy • Group tickets starting at $12 • Group Seating DINNER PACKAGES. COCKTAIL RECEPTIONS. 416.343.0033 EXT. 201 PRIVATE EVENTS. FUNDRAISERS. [email protected] VENUE RENTALS. CATERING. TESTIMONIALS. SECONDCITY.COM/PRIVATE-EVENTS INQUIRE NOW. Group Dinner Packages START THE NIGHT OUT RIGHT Bring your group to enjoy the latest performance of cutting edge sketch comedy combined with songs & improv that’s sure to keep them laughing for weeks to come! The Second City offers pre-show dinner options to a number of restaurant partners in the neighbourhood, sure to suit any group’s tastes or budget. Wayne Gretzky’s Restaurant is The Second City’s main restaurant partner, and offers unique access to the theatre. Showtime Show Only With Dinner Menu A Menu B Menu C Mon 8PM $12 $43 $50 $55 Tues - Thurs 8PM $22 $53 $60 $65 Fri 7:30 & 10PM $26 $57 $64 $69 Sat 7:30 & 10PM $32 $63 $70 $75 Sun 7:30PM $22 $53 $60 $65 **Prices listed are for groups of 15 or more and are subject to additional taxes and gratuities.
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Chicago's Legendary Improv Theater Troupe the Second City Returns to the Kimmel Center Cultural Campus for Look Both Ways
Tweet It! .@TheSecondCity returns to the @KimmelCenter 1/19 & 1/20 for a weekend full of sketch, songs & satire! More info @ kimmelcenter.org Press Contact: Monica Robinson Rachel Goldman 215-790-5847 267-765-3712 [email protected] [email protected] CHICAGO’S LEGENDARY IMPROV THEATER TROUPE THE SECOND CITY RETURNS TO THE KIMMEL CENTER CULTURAL CAMPUS FOR LOOK BOTH WAYS BEFORE TALKING, JANUARY 19 & 20, 2018 FOR IMMEDIATE RELEASE (Philadelphia, PA, November 27, 2017) –– Edgy, thought-provoking and always spectacularly funny, The Second City improv troupe returns to the Kimmel Center’s Perelman Theater for performances on Friday, January 19, 2018 and Saturday, January 20, 2018. It’s been known for nearly six decades for producing cutting-edge satirical revues and launching the careers of generation after generation of comedy’s best and brightest. The Second City alumni include Tina Fey, Stephen Colbert, Steve Carell, Gilda Radner, Bill Murray, and more. Their new show, Look Both Ways Before Talking, will feature The Second City’s signature improv comedy, audience interaction, and original of-the-moment sketches and songs. “It is always a pleasure to welcome the return of The Second City to our Kimmel Center Cultural Campus,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “Not only do they present ever-changing, socially relevant material, but it is exciting to see what may well be the future leaders of the comedy world honing their craft on our stage!” The Second City opened its doors in December of 1959 and since then has become the world’s most influential and prolific comedy, theater, and improv school.
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Second City Center for Performing Arts
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Governors State University Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 4-18-1998 Second City Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Second City" (1998, 2001). Center for Performing Arts Memorabilia. Book 139. http://opus.govst.edu/ cpa_memorabilia/139 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PfftfORMIHO flRTS presents National Touring Company GOVERNORS STATE UNIVERSITY UNIVERSITY PARK, ILLINOIS THE CENTER FOR PERFORMING ARTS PRESENTS NATIONAL TOURING COMPANY Taking its name from the title of A.J. Liebling's derisive profile of Chicago in The New Yorker, The Second City opened on December 16, 1959. Success was almost instantaneous. Before the startled actors knew it, they were inundated with praise from the press, including Time Maga- zine, which called it "a temple of satire." The concept that is The Second City has always been translated by six or seven actors who enliven an empty stage with topical comedy sketches. Using few props and costumes, punctuating scenes with original music, the ensemble creates a slice-of-life environment, lampooning our modern lives, political, social, and cultural.
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Showtime 2004
FOR IMMEDIATE RELEASE Contact: Cathy Taylor, Cathy Taylor Public Relations (773) 564-9564; [email protected] Ben Thiem, Director of Member Services, League of Chicago Theatres (312) 554-9800; [email protected] SUMMER 2019 THEATER HIGHLIGHTS Chicago, IL – Celebrating 2019 as the Year of Chicago Theatre, Chicago will continue to produce some of the most exciting work in the country this summer. Offerings from the city’s more than 250 producing theaters feature everything from the latest musicals to highly anticipated world premieres. For a comprehensive list of Chicago productions including a Summer Theatre Guide, visit the League of Chicago website, ChicagoPlays.com. Half-price tickets are available at HotTix.org or at the two Hot Tix half- price ticket locations: across from the Chicago Cultural Center at Expo72 (72 E. Randolph) and Block Thirty Seven, Shops at 108 N. State. Hot Tix offers half-price tickets for the current week and some performances in advance. “As we approach the halfway point of the Year of Chicago Theatre, I encourage every Chicagoan and visitor to attend a production by one of our 250 theater companies. This summer, there is a wide range of offerings, including an impressive number of musicals and world premieres. Simply, there is something for everyone,” notes Deb Clapp, Executive Director of the League of Chicago Theatres. The following is a selection of notable work playing in Chicago throughout the summer: New works and adaptations include: Lookingglass Theatre presents a new adaptation of Mary Shelley’s Frankenstein. Mary Shelley’s unsettling story crackles to life as Victor Frankenstein must contend with his unholy creation.
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The Second City Linking Laughter to Technology
Case Study The Second City Linking Laughter to Technology The Company Industry Comedy is serious business. The Second City, referred to by the New York Times as “a Comedy Empire,” is the leading brand in improv-based sketch comedy. Entertainment The company serves as a launching pad for many of the most influential comedians in the world. Alumni include superstars like Chris Farley, Stephen Team Colbert, Bill Murray, John Belushi, Steve Carell, Tina Fey and many others. 11 full-time touring ensembles Once a single stage in Chicago, The Second City now has a corporate Locations communications business, media division, 11 full-time touring ensembles, TV and film operations, as well as training centers and theaters in Chicago, Chicago, Toronto and Toronto and Hollywood. Hollywood Founded The Challenge 1959 With multiple lines of business, The Second City’s network requires significant bandwidth, redundancy and uptime to keep business - and laughs - flowing. Cool Fact The Second City uses their network to process customer transactions, sell Alumni include Tina Fey, tickets online and live-stream shows. John Belushi and Bill Murray On the other side of the stage, directors and students utilize a new online Website system to review footage and scripts. An expansion to the training center even www.secondcity.com includes an on-site area for students to access the online database. For the corporate communications business, The Second City offers downloadable Ecessa Product videos for training sessions. PowerLink® The Second City is also a Google Apps house, fully utilizing the Google Apps suite for business operations. With critical applications like Google Apps living in the Cloud, the ability to stay connected became an even more important function of the business.
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Annual Report
18 ANNUAL REPORT 19 MISSION VISION • We will educate enterprising artists, thinkers, innovators, leaders, and globally conscious citizens who transform The Theatre School trains students communities across DePaul, Chicago, the nation, and the world. • We will support an expert, passionate faculty and staff to the highest level of professional committed to advancing the vibrancy of live theatre and performance while continually adapting to a broadening skill and artistry in an inclusive and changing profession. • We will become a model of diversity and inclusion for the University and the field. and diverse conservatory setting. • We will produce public programs and performances that challenge, entertain, and stimulate the imagination. • We will foster cross-disciplinary collaboration to further student understanding and appreciation of every aspect of theatre work. VALUES EDUCATION We advance intellectual development and ethical consciousness. We foster moral, spiritual, social, political, and artistic growth. We promote participation in civic life. RESPECT We inspire respect for self, for others, for the profession, and for humanity. We embrace the Vincentian model of service. FREEDOM We build a community founded on the principles of creativity and freedom of expression. We value initiative, innovation, exploration, and risk-taking. IMAGINATION We celebrate the primacy of imagination in our work. SPIRITUALITY We believe theatre is a place for reflection, awakening, and the development of moral awareness. Welcome to The Theatre School’s 2018-19 Annual Report. This year we auditioned and admitted students in our new Comedy Arts and Projection Design majors. We also received approval for a new BFA degree in Wig and Makeup Design & Technology, which will greet its first class in Fall 2020.
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The Windy City, the City of Big Shoulders, the Second City—No Matter What You Call It, the 1,900 Alumni in Chicago Love to Show O≠ Their Town
Show Us Your Town The Windy City, the City of Big Shoulders, the Second City—no matter what you call it, the 1,900 alumni in Chicago love to show o≠ their town. By Maya Dukmasova ’12 As the air turns crisp in the early days of fall, Chicago’s Lake Michigan beaches close for the season—but even if she’s not going for a swim, Brittany Hopkins ’14 frequently visits the strip of sand between one of the world’s largest lakes and the rearing skyscrapers of American’s third‑larg‑ est city. On some days the lake stretches out in a placid sheet, the water a Caribbean turquoise; on others it roils in tattered, gun‑metal gray waves. “In Chicago, people are very in tune and engaged with the lake,” she says. “It’s just such a beautiful view.” Chicago’s lakefront has been almost exclusively reserved for public recre‑ ation since the early 20th century. Roughly 26 miles of parkland and beaches separate development from the waters along the city’s eastern edge. And whether you’re someone like Hopkins, with roots in the city stretching back three generations, or you’re a newcomer, the lake is a continual draw. As Javaree Walker ’12S (MS), ’15S (MBA), a recent transplant from the East Coast, sees it, Chicago’s “Riviera” rivals the city beaches of Miami—and defi‑ nitely surpasses those of New York. He often recommends that people come in the warmer months not only to enjoy them but also to truly acquire a taste for Chicago.
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Mee-Ow Improv and Sketch Comedy Constitution Article I
MEE-OW IMPROV AND SKETCH COMEDY CONSTITUTION Founded at Northwestern University in Evanston, Illinois in 1974 by producers Paul Warshauer ('76) and Josh Lazar ('75). The original Mee-Ow Show was the first performance in the newly constructed McCormick Auditorium in Norris University Center. After extensive creative meetings in the fall of 1973 and winter of 1974, the producers decided to open the creative process to all students. The show was scripted, contained traditional musical and dance numbers, poetry, sketch comedy and was created in reaction to the "closed door policies" of the venerable Waa-Mu, NU's long running annual musical revue. The new open door policy, based on the philosophy of Henry Miller that "Everyman is an Artist," made for a cumbersome and long first production. With a large cast and orchestra, it made for a less than spectacular show but set the stage for what would become one of the longest running student created improvisational shows in history. In 1976 because of a financial scandal and poor reviews, Mee-Ow was re-conceived by two of its cast members, Bill Nuss ('76) and Eugene "Dusty" Kay ('76), as an improv comedy show with a smaller cast, taking its inspiration from Chicago's The Second City and Kentucky Fried Theatre, which Nuss and Kay had seen perform live while visiting Los Angeles. The name was almost changed to Improv '75, but instead the name and cat logo for Mee-Ow was maintained. Kay and Nuss co-directed the '75 and '76 versions, which put the show back on the campus map.
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To View a PDF of My Full Resume
LILI-ANNE BROWN www.lilbrownchicago.com rep: Michael Finkle, WME Theatrical Director - Actor MFinkle@wmeentertainment SDC, AEA, SAG-AFTRA 202-903-1144 DIRECTING: SCHOOL GIRLS (THE AFRICAN MEAN GIRLS PLAY) Goodman Theatre Director P.Y.G. or THE MISEDUMACATION OF DORIAN BELLE Jackalope Theatre Director THE COLOR PURPLE Drury Lane Theatre Director PUT YOUR HOUSE IN ORDER (world premiere) La Jolla Playhouse Director LOTTERY DAY (world premiere) Goodman Theatre Director THE TOTAL BENT (Chicago premiere) Haven Theatre Director HAIRSPRAY Skylight Music Theatre Director CAROLINE, or CHANGE Firebrand Theatre /iaw TimeLine Theatre Director TILIKUM (world premiere) Sideshow Theatre Director BUDDY: THE BUDDY HOLLY STORY (Jeff Award) American Blues Theatre Director THE WOLF AT THE END OF THE BLOCK 16th Street Theatre Director MARIE CHRISTINE (Chicago premiere) Boho Theatre Director PETER & THE STARCATCHER Metropolis Theatre Director ON A CLEAR DAY YOU CAN SEE FOREVER Porchlight Music Theatre Director THE WIZ (TimeOut Chicago Award) Kokandy Productions Director BLACK SIDE OF THE MOON The Second City @ Woolly Mammoth Theatre Associate Director XANADU American Theatre Company Director JABARI DREAMS OF FREEDOM (world premiere) Chicago Children’s Theatre Director OTHELLO (dir, Jonathan Munby) Chicago Shakespeare Theatre Associate Director AMERICAN IDIOT Northwestern University Director DESSA ROSE (Jeff Award) Bailiwick Chicago Director LITTLE SHOP OF HORRORS Timber Lake Playhouse Director ON THE BOARDS Roosevelt University – CCPA Director / Deviser PRINCESS
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The Dust of Death
The Dust of Death an adaptation by Neil Brookshire based on Fred Merrick White’s The Dust of Death: The Story of the Great Plague of the Twentieth Century. Directed by Kevin Christopher Fox Time & Setting 1903 London Cast In order of appearance Dr. Alan Hubert…………………………………………………………………… Sean Fortunato Mrs. Fillingham, Nurse, Servant, Newsboy, Squatter 1………………………………..Erica Elam Narrator…………………………………………………………………………..Cassandra Bissell Mr. Fillingham, Cabbie, Foreman, Pressman, Squatter 2, Dr. Walker, Chief Inspector, Chairman………………………………...Neil Friedman Dr. Label……………………………………………………………………………...Greg Vinkler The Play's the Thing is funded in part by a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, as well as generous grants from Door County Medical Center, Friends of Door County Libraries, The Shubert Foundation and operating funds of Peninsula Players Theatre. Peninsula Players is America's Oldest Professional Resident Summer Theatre. The Play's the Thing is part of the theater’s continued winter outreach programming, dedicated to presenting professional play readings for the public. Learn more about Peninsula Players and its rich history at www.peninsulaplayers.com or call the Box Office weekdays at (920) 868-3287. Meet the Cast Cassandra Bissell (Narrator) Cassandra’s Peninsula Players Theatre credits include: A Trick of the Light, A Murder is Announced, Silent Sky, Miss Holmes, Opus, Around the World in 80 Days, Is He Dead?, The Lady's Not for Burning, Born Yesterday, Greetings, Be My Baby, Doubt, Tom Dick & Harry, Red Herring, Proof, Caught in the Net and A Man for All Seasons. Chicago theaters: Chicago Shakespeare, Court Theatre, First Folio, Northlight, Rivendell Theatre Ensemble, Shakespeare Project of Chicago and Steppenwolf.
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