The Regal Sceatta and Styca Series of Northumbria
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Guide to the Collection of Irish Antiquities
NATIONAL MUSEUM OF SCIENCE AND ART, DUBLIN. GUIDE TO THE COLLECTION OF IRISH ANTIQUITIES. (ROYAL IRISH ACADEMY COLLECTION). ANGLO IRISH COINS. BY G COFFEY, B.A.X., M.R.I.A. " dtm; i, in : printed for his majesty's stationery office By CAHILL & CO., LTD., 40 Lower Ormond Quay. 1911 Price One Shilling. cj 35X5*. I CATALOGUE OF \ IRISH COINS In the Collection of the Royal Irish Academy. (National Museum, Dublin.) PART II. ANGLO-IRISH. JOHN DE CURCY.—Farthings struck by John De Curcy (Earl of Ulster, 1181) at Downpatrick and Carrickfergus. (See Dr. A. Smith's paper in the Numismatic Chronicle, N.S., Vol. III., p. 149). £ OBVERSE. REVERSE. 17. Staff between JiCRAGF, with mark of R and I. abbreviation. In inner circle a double cross pommee, with pellet in centre. Smith No. 10. 18. (Duplicate). Do. 19. Smith No. 11. 20. Smith No. 12. 21. (Duplicate). Type with name Goan D'Qurci on reverse. Obverse—PATRIC or PATRICII, a small cross before and at end of word. In inner circle a cross without staff. Reverse—GOAN D QVRCI. In inner circle a short double cross. (Legend collected from several coins). 1. ^PIT .... GOANDQU . (Irish or Saxon T.) Smith No. 13. 2. ^PATRIC . „ J<. ANDQURCI. Smith No. 14. 3. ^PATRIGV^ QURCI. Smith No. 15. 4. ^PA . IOJ< ^GOA . URCI. Smith No. 16. 5. Duplicate (?) of S. No. 6. ,, (broken). 7. Similar in type of ob- Legend unintelligible. In single verse. Legend unin- inner circle a cross ; telligible. resembles the type of the mascle farthings of John. Weight 2.7 grains ; probably a forgery of the time. -
First Evidence of Farming Appears; Stone Axes, Antler Combs, Pottery in Common Use
BC c.5000 - Neolithic (new stone age) Period begins; first evidence of farming appears; stone axes, antler combs, pottery in common use. c.4000 - Construction of the "Sweet Track" (named for its discoverer, Ray Sweet) begun; many similar raised, wooden walkways were constructed at this time providing a way to traverse the low, boggy, swampy areas in the Somerset Levels, near Glastonbury; earliest-known camps or communities appear (ie. Hembury, Devon). c.3500-3000 - First appearance of long barrows and chambered tombs; at Hambledon Hill (Dorset), the primitive burial rite known as "corpse exposure" was practiced, wherein bodies were left in the open air to decompose or be consumed by animals and birds. c.3000-2500 - Castlerigg Stone Circle (Cumbria), one of Britain's earliest and most beautiful, begun; Pentre Ifan (Dyfed), a classic example of a chambered tomb, constructed; Bryn Celli Ddu (Anglesey), known as the "mound in the dark grove," begun, one of the finest examples of a "passage grave." c.2500 - Bronze Age begins; multi-chambered tombs in use (ie. West Kennet Long Barrow) first appearance of henge "monuments;" construction begun on Silbury Hill, Europe's largest prehistoric, man-made hill (132 ft); "Beaker Folk," identified by the pottery beakers (along with other objects) found in their single burial sites. c.2500-1500 - Most stone circles in British Isles erected during this period; pupose of the circles is uncertain, although most experts speculate that they had either astronomical or ritual uses. c.2300 - Construction begun on Britain's largest stone circle at Avebury. c.2000 - Metal objects are widely manufactured in England about this time, first from copper, then with arsenic and tin added; woven cloth appears in Britain, evidenced by findings of pins and cloth fasteners in graves; construction begun on Stonehenge's inner ring of bluestones. -
Wayneflete Tower, Esher, Surrey
Wessex Archaeology Wayneflete Tower, Esher, Surrey. Archaeological Evaluation and Assessment of Results Ref: 59472.01 March 2006 Wayneflete Tower, Esher, Surrey Archaeological Evaluation and Assessment of Results Prepared on behalf of Videotext Communications Ltd 49 Goldhawk Road LONDON SW1 8QP By Wessex Archaeology Portway House Old Sarum Park SALISBURY Wiltshire SP4 6EB Report reference: 59472.01 March 2006 © Wessex Archaeology Limited 2006, all rights reserved Wessex Archaeology Limited is a Registered Charity No. 287786 Contents Summary Acknowledgements 1 BACKGROUND..................................................................................................5 1.1 Introduction................................................................................................5 1.2 Description of the Site................................................................................5 1.3 Historical Background...............................................................................5 1.4 Previous Archaeological Work ...............................................................12 2 AIMS AND OBJECTIVES...............................................................................13 3 METHODS.........................................................................................................14 3.1 Introduction..............................................................................................14 3.2 Dendrochronological Survey...................................................................14 3.3 Geophysical Survey..................................................................................14 -
The Milled Coinage of Elizabeth I
THE MILLED COINAGE OF ELIZABETH I D. G. BORDEN AND I. D. BROWN Introduction THIS paper describes a detailed study of the coins produced by Eloy Mestrelle's mill at the Tower of London between 1560 and 1571. We have used the information obtained from an examination of the coins to fill out the story of Eloy and his machinery that is given by the surviving documents. There have been a number of previous studies of this coinage. Peter Sanders was one of the first to provide a listing of the silver coins1 and more recently one of us (DGB) has published photographs of the principal types.2 The meagre documentary evidence relating to this coinage has been chronicled by Ruding,3 Symonds,4 Craig,5 Goldman6 and most recently by Challis.7 Hocking8 and Challis have given accounts of what little it known of the machinery used. This study first summarises the history of Mestrelle and his mill as found in the documents and then describes our die analysis based on an examination of enlarged photographs of 637 coins. We combine these two to propose a classification for the coinage in Appendix 2. Mestrelle and the Milled Coinage of Elizabeth I Queen Elizabeth I succeeded her sister Mary I as queen of England and Ireland in November 1558. On 31 December 1558 she signed a commission to Sir Edmund Peckham as high treasurer of the mint to produce gold and silver coins of the same denominations and standards as those of her sister, differing only in having her portrait and titles.9 The coins struck over the next eighteen months mostly never saw circulation because the large amount of base silver coin in circulation drove all the good coin into private savings or, worse, into the melting pot. -
Ancient Origins of Lordship
THE ANCIENT ORIGINS OF THE LORDSHIP OF BOWLAND Speculation on Anglo-Saxon, Anglo-Norse and Brythonic roots William Bowland The standard history of the lordship of Bowland begins with Domesday. Roger de Poitou, younger son of one of William the Conqueror’s closest associates, Roger de Montgomery, Earl of Shrewsbury, is recorded in 1086 as tenant-in-chief of the thirteen manors of Bowland: Gretlintone (Grindleton, then caput manor), Slatebourne (Slaidburn), Neutone (Newton), Bradeforde (West Bradford), Widitun (Waddington), Radun (Radholme), Bogeuurde (Barge Ford), Mitune (Great Mitton), Esingtune (Lower Easington), Sotelie (Sawley?), Hamereton (Hammerton), Badresbi (Battersby/Dunnow), Baschelf (Bashall Eaves). William Rufus It was from these holdings that the Forest and Liberty of Bowland emerged sometime after 1087. Further lands were granted to Poitou by William Rufus, either to reward him for his role in defeating the army of Scots king Malcolm III in 1091-2 or possibly as a consequence of the confiscation of lands from Robert de Mowbray, Earl of Northumbria in 1095. 1 As a result, by the first decade of the twelfth century, the Forest and Liberty of Bowland, along with the adjacent fee of Blackburnshire and holdings in Hornby and Amounderness, had been brought together to form the basis of what became known as the Honor of Clitheroe. Over the next two centuries, the lordship of Bowland followed the same descent as the Honor, ultimately reverting to the Crown in 1399. This account is one familiar to students of Bowland history. However, research into the pattern of land holdings prior to the Norman Conquest is now beginning to uncover origins for the lordship that predate Poitou’s lordship by many centuries. -
Notes on the Gold Coinage of Elizabeth I
NOTES ON THE GOLD COINAGE OF ELIZABETH I I. D. BROWN and C. H. COMBER I. Introduction THE gold coinage of Elizabeth I is a much neglected series. The account given by Kenyon in 1884 even with Montagu's additions of 1895 is incomplete and contains confusing errors.1 More recent listings in the standard works of Brooke, North, and Seaby are more accurate but rather brief.2 The latter two further suffer from inappropriate attempts to divide the series into different issues. Whitton gave the most accurate and well referenced check list of the known coins.3 The milled gold coins have been described by Borden and Brown.4 Only Kenyon and Brooke attempted to set the coinage in the context of the documented history of the mint which has been the subject of works by Ruding, Symonds, Craig, and Challis.5 In view of the increase in our understanding of the workings of the Elizabethan mint in recent years a review of this coinage is overdue. II. Numismatic History The coinage has been divided into three issues in accordance with the scheme proposed by one of us in an earlier article.6 First (Tentative) Issue (1558-1572) On 31 December 1558 Elizabeth I issued a commission to Sir Edmund Peckham authorising him to strike sovereigns (30/-), angels (10/-) and half-angels in fine gold (995 fine) and pounds (20/-), half-pounds, crowns (5/-) and half-crowns in crown gold (917 fine). Mary had struck only fine gold. Crown gold, which was a product of Henry VIII's debasement, had last been issued by Edward VI. -
A REVIE\I\T of the COINAGE of CHARLE II
A REVIE\i\T OF THE COINAGE OF CHARLE II. By LIEUT.-COLONEL H. W. MORRIESON, F.s.A. PART I.--THE HAMMERED COINAGE . HARLES II ascended the throne on Maj 29th, I660, although his regnal years are reckoned from the death of • his father on January 30th, r648-9. On June 27th, r660, an' order was issued for the preparation of dies, puncheons, etc., for the making of gold and" silver coins, and on July 20th an indenture was entered into with Sir Ralph Freeman, Master of the Mint, which provided for the coinage of the same pieces and of the same value as those which had been coined in the time of his father. 1 The mint authorities were slow in getting to work, and on August roth an order was sent to the vVardens of the Mint directing the engraver, Thomas Simon, to prepare the dies. The King was in a hurry to get the money bearing his effigy issued, and reminders were sent to the Wardens on August r8th and September 2rst directing them to hasten the issue. This must have taken place before the end of the year, because the mint returns between July 20th and December 31st, r660,2 showed that 543 lbs. of silver, £r683 6s. in value, had been coined. These coins were considered by many to be amongst the finest of the English series. They fittingly represent the swan song of the Hammered Coinage, as the hammer was finally superseded by the mill and screw a short two years later. The denominations coined were the unite of twenty shillings, the double crown of ten shillings, and the crown of five shillings, in gold; and the half-crown, shilling, sixpence, half-groat, penny, 1 Ruding, II, p" 2. -
New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 Pm
New York City Ballet MOVES Tuesday and Wednesday, October 24–25, 2017 7:30 pm Photo:Photo: Benoit © Paul Lemay Kolnik 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. ARTISTIC DIRECTOR PETER MARTINS ARTISTIC ADMINISTRATOR JEAN-PIERRE FROHLICH THE DANCERS PRINCIPALS ADRIAN DANCHIG-WARING CHASE FINLAY ABI STAFFORD SOLOIST UNITY PHELAN CORPS DE BALLET MARIKA ANDERSON JACQUELINE BOLOGNA HARRISON COLL CHRISTOPHER GRANT SPARTAK HOXHA RACHEL HUTSELL BAILY JONES ALEC KNIGHT OLIVIA MacKINNON MIRIAM MILLER ANDREW SCORDATO PETER WALKER THE MUSICIANS ARTURO DELMONI, VIOLIN ELAINE CHELTON, PIANO ALAN MOVERMAN, PIANO BALLET MASTERS JEAN-PIERRE FROHLICH CRAIG HALL LISA JACKSON REBECCA KROHN CHRISTINE REDPATH KATHLEEN TRACEY TOURING STAFF FOR NEW YORK CITY BALLET MOVES COMPANY MANAGER STAGE MANAGER GREGORY RUSSELL NICOLE MITCHELL LIGHTING DESIGNER WARDROBE MISTRESS PENNY JACOBUS MARLENE OLSON HAMM WARDROBE MASTER MASTER CARPENTER JOHN RADWICK NORMAN KIRTLAND III 3 Play now. Play for life. We are proud to be your locally-owned, 1-stop shop Photo © Paul Kolnik for all of your instrument, EVENT SPONSORS accessory, and service needs! RICHARD AND MARY JO STANLEY ELLIE AND PETER DENSEN ALLYN L. MARK IOWA HOUSE HOTEL SEASON SPONSOR WEST MUSIC westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Photo: Miriam Alarcón Avila Season Sponsor! Play now. Play for life. We are proud to be your locally-owned, 1-stop shop for all of your instrument, accessory, and service needs! westmusic.com Cedar Falls • Cedar Rapids • Coralville Decorah • Des Moines • Dubuque • Quad Cities PROUD to be Hancher’s 2017-2018 Season Sponsor! THE PROGRAM IN THE NIGHT Music by FRÉDÉRIC CHOPIN Choreography by JEROME ROBBINS Costumes by ANTHONY DOWELL Lighting by JENNIFER TIPTON OLIVIA MacKINNON UNITY PHELAN ABI STAFFORD AND AND AND ALEC KNIGHT CHASE FINLAY ADRIAN DANCHIG-WARING Piano: ELAINE CHELTON This production was made possible by a generous gift from Mrs. -
Kate Ashton Resume May 2021
KATE ASHTON 347.489.5088 LIGHTING DESIGNER [email protected] www.kateashtonlighting.com LIGHTING DESIGN: OPERA & MUSIC (selected) A Thousand Acres (premiere) Des Moines Metro Opera Kristine McIntyre upcoming, July 2022 Hometown to the World (premiere) Santa Fe Opera Kristine McIntyre upcoming, December 2021 Sweeney Todd Des Moines Metro Opera Kristine McIntyre upcoming, July 2021 Midsummer Night’s Dream The Juilliard School Edward Berkeley upcoming, June 2021 Elixir of Love The Juilliard School John Giampietro May 2021 Wozzeck Des Moines Metro Opera Kristine McIntyre July 2019 Resident Lighting Designer, Aspen Music Festival Edward Berkeley Summer 2018-2019 Wheeler Opera House Turn of the Screw The Juilliard School John Giampietro November 2018 Burning Fiery Furnace The Juilliard School Edward Berkeley October 2017 Romeo and Juliet Baltimore Symphony Orch. Edward Berkeley October 2015 Tango Song & Dance (premiere) Kennedy Center and tour Edward Berkeley October 2014 Senior Opera Theatre (annual) Manhattan School of Music Dona Vaughn March 2011-2017 LIGHTING DESIGN: DANCE (selected) Resident Lighting Designer Williams College Dance Sandra Burton 2015-present Resident Lighting Designer Joffrey Ballet School Jo Matos 2011-present Resident Lighting Designer Joffrey Jazz School Angelica Stiskin 2011-present Resident Lighting Designer Syren Modern Dance Kate St. Amand 2009-present Resident Lighting Designer Sarah Berges Dance Co. Sarah Berges 2011-present LIGHTING DESIGN: THEATRE (selected) All I Want is One Night (premiere) 59 E 59 Theatre Jessica Walker June 2018 Josephine & I Joe’s Pub, The Public Theatre Phyllida Lloyd February 2015 Pride & Prejudice Bristol Riverside Theatre (PA) Keith Baker November 2014 Divorce Party! The Musical (premiere) Kravis Center (FL) and tour Jay Falzone 2012-2013 Death of a Salesman 14th St Y and tour Rubén Polendo 2008-2018 A Tree Grows in Brooklyn* Theatre at St. -
A Sceat of Offa of Mercia Marion M
A SCEAT OF OFFA OF MERCIA MARION M. ARCHIBALD AND MICHEL DHENIN THE base silver sceat (penny on a small thick flan) which is the subject of this paper (PI. 1,1 and 2, X 2) was found at an unknown location in France and purchased from a dealer in 1988 by the Departement des Monnaies, Medailles et Antiques de la Bibliotheque nationale de France, Paris, (registration number, BnF 1988-54). It was immediately recognised that the striking pictorial types, although unknown before, were characteristically English and that the vestiges of the obverse legend raised the possibility that it named Offa, King of the Mercians (757-96).1 The chief problem is that the dies were larger than the blank so that features towards the periphery do not appear on the fin- ished coin. This is compounded by rubbed-up sections of the flan edge, which can appear to be parts of letters or details of the type. Further, the inscriptions and images are formed by joined-up pellets, resulting in irregular outlines which add to the difficulties of interpretation. Although some aspects must remain uncertain, the following discussion hopes to show that the initial attribution is secure, thus establishing that a previously unrecorded sceatta issue in Offa's name preceded his broad penny coinage. The coins on the plates are illustrated both natural and twice life-size. The obverse The obverse type is a large bird advancing to the right with wings raised (PI. 1, 1-2). The pellet- shaped head on a medium-long neck is small in relation to the size of the body. -
British Coins
______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ BRITISH COINS 567 Eadgar (959-975), cut Halfpenny, from small cross Penny of moneyer Heriger, 0.68g (S 1129), slight crack, toned, very fine; Aethelred II (978-1016), Penny, last small cross type, Bath mint, Aegelric, 1.15g (N 777; S 1154), large fragment missing at mint reading, good fine. (2) £200-300 with old collector’s tickets of pre-war vintage 568 Aethelred II (978-1016), Pennies (2), Bath mint, long -
Economy and Authority: a Study of the Coinage of Hiberno-Scandinavian Dublin and Ireland
Economy and Authority: A study of the coinage of Hiberno-Scandinavian Dublin and Ireland Volume 1: Text Andrew R. Woods Peterhouse This dissertation is submitted for the degree of Doctor of Philosophy Division of Archaeology and Anthropology, University of Cambridge 2013 1 This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except where specifically indicated in the text. The following does not exceed the word limit (80,000 words) set out by the Division of Archaeology and Anthropology degree committee. 2 Abstract Economy and Authority: A study of the coinage of Hiberno-Scandinavian Dublin and Ireland Andrew R. Woods The aim of this thesis is to investigate the relationship between political authority and economic change in the tenth to twelfth centuries AD. This is often interpreted as a period of dramatic economic and political upheaval; enormous growth in commerce, the emergence of an urban network and increasingly centralised polities are all indicative of this process. Ireland has rarely been considered in discussion of this sort but analysis of Ireland’s political economy has much to contribute to the debate. This will be tackled through a consideration of the coinage struck in Ireland between c.995 and 1170 with focus upon the two themes of production and usage. In analysing this material the scale and scope of a monetary economy, the importance of commerce and the controlling aspects of royal authority will each be addressed. The approach deployed is also overtly comparative with material from other contemporary areas, particularly England and Norway, used to provide context.