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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
CÉCILE Mclorin SALVANT & the AARON DIEHL TRIO CÉCILE Mclorin SALVANT
15 March Great Hall Auckland Town Hall CÉCILE McLORIN SALVANT & THE AARON DIEHL TRIO CÉCILE McLORIN SALVANT Cécile McLorin Salvant was born and 2015 with Aaron Diehl (piano), Paul Sikivie raised in Miami, Florida, of a French (bass) and Lawrence Leathers (drums). mother and a Haitian father. She started In 2016, For One To Love won the Grammy classical piano studies at five, and began Award for Best Jazz Vocal Album. singing in the Miami Choral Society at Her fourth album, Dreams and Daggers, eight. Early on, she developed an interest (for Mack Avenue Records), was recorded in classical voice, began studying with in part live at the Village Vanguard in 2016 private instructors, and later with Edward with Aaron Diehl (piano), Paul Sikivie Walker, vocal teacher at the University of (bass) and Lawrence Leathers (drums), Miami. The Catalyst Quartet and Sullivan Fortner. In 2007, Cécile moved to Aix-en-Provence, In 2018, she became a double Grammy France, to study law as well as classical Award winner with Dreams and Daggers and baroque voice at the Darius Milhaud also winning Best Jazz Vocal Album. Conservatory. It was in Aix-en-Provence, Ben Ratliff writes in The New York with reedist and teacher Jean-François Times, “she sings clearly, with her full Bonnel, that she started learning about pitch range, from a pronounced low jazz, and sang with her first band. In end to full and distinct high notes, used 2009, after a series of concerts in Paris, sparingly [...] Her voice clamps into each she recorded her first album Cécile, with song, performing careful variations on Jean-François Bonnel’s Paris Quintet. -
NEWS Wide World of Weill
NEWS Wide World of Weill pril 2019: Victoria Clark (below left) lternative rock band They Might Be ongratulations to Cécile McLorin will play Liza Elliott with MasterVoices Giants has been on the scene for over Salvant on her Grammy Award for Best conductedA by Ted Sperling, in the first thirtyA years, chalking up two Grammys and JazzC Vocal Album! Dreams and Daggers performance of Lady in the Dark since three gold records. In a recent interview, includes a live rendition of “Somehow I the publication of the new critical edition. co-founder John Flansburgh revealed that Never Could Believe” from Street Scene. It’s MasterVoices, formerly Collegiate Chorale, Weill and Brecht are an esteemed influence: Salvant’s second Grammy; she won in 2016 has already done The Firebrand of Florence “That’s important music for people who with the album For One to Love. and Knickerbocker Holiday. Clark appeared are in the deep end of the pool in terms of as the Duchess in the former, originally songwriting. … I’ve probably listened to ongratulations to soprano Wallis Lotte Lenya’s role. ‘Pirate Jenny’ 100 times in the last year. It’s Giunta for winning the palm for best such a smart and crazy song. It’s like a play YoungC Singer at the 2018 International in a song.” Opera Awards! Giunta has proclaimed her “borderline obsession” with The Seven ermany’s leading opera magazine, Deadly Sins and said, “I would be happy Opernwelt, paid homage to Die if I could only sing Weill” (see Fall 2017 DreigroschenoperG in the April 2018 issue). -
Die Millionenschweren Verweigerer. Anti-Starkult
Publizistik- und Kommunikationswissenschaft Die millionenschweren Verweigerer. Anti-Starkult in der Darstellung ausgesuchter Printmedien. Eine exemplarische Inhaltsanalyse. Hausarbeit zur Erlangung des Magistergrades der PHILOSOPHISCHEN FAKULTÄT der Westfälischen Wilhelms-Universität zu Münster (Westf.) vorgelegt von Christoph Jacke aus Bad Pyrmont 1996 Inhaltsverzeichnis Inhaltsverzeichnis 1 Einleitung.............................................................................................................. 1 2 Theoretischer Bezugsrahmen................................................................................. 5 2.1 Definitionsgerüst.......................................................................................... 5 2.1.1 Öffentlichkeit und Publikum ............................................................. 5 2.1.2 Zu den Begriffen Kultur und Subkultur ............................................. 7 2.1.2.1 Kultur als Programm ............................................................ 7 2.1.2.2 Subkultur: Abgrenzung versus Eingrenzung....................... 11 2.1.3 Stars, Anti-Stars und Anti-Star-Stars ............................................... 13 2.1.3.1 Stars: etabliert und gesellschaftskonform............................ 13 2.1.3.2 Anti-Stars: eine Hilfskategorie ........................................... 16 2.1.3.3 Anti-Star-Stars: erfolgreiche Verweigerer........................... 17 2.1.4 Starkult und Anti-Star-Starkult........................................................ 19 2.2 Medienmechanismen: -
PORTLAND November • December 2017 • Issue 375 Jazz
November / December 2017 Issue 375 now in our 43rd year jazz &blues report Russell Malone Dr. Lonnie Smith PORTLAND November • December 2017 • Issue 375 jazz &blues report Editor & Founder Bill Wahl Layout & Design Bill Wahl Operations Jim Martin Pilar Martin Contributors Michael Braxton, Peanuts, Wanda Simpson, Mark Smith, Duane Verh, Emily Wahl and Ron Weinstock. RIP JBR Writers Tom Alabiso, John Hunt, Chris Colombi, Mark A. Cole, Hal Hill Check out our constantly updated website. All of our issues from our first PDFs in September 2003 and on are posted, as well as many special issues with festival reviews, Blues Cruise and Gift Guides. Now you can search for CD Re- views by artists, titles, record labels, keyword or JBR Writers. 15 years of reviews are up from our archives and we will be adding more, especially from our early years back to 1974. Comments...billwahl@ jazz-blues.com Esperanza Spalding Web www.jazz-blues.com Copyright © 2017 Jazz & Blues Report 2018 Lineup Set for No portion of this publication may be re- BIAMP PDX Jazz Festival produced without written permission from the publisher. All rights Reserved. Portland, Oregon Founded in Buffalo New York in March of The 15th Annual Biamp PDX Jazz Festival Presented by Cascades Sothe- 1974; began our Cleveland edition in April of 1978. Now based in San Diego, by’s International Realty is set to commence Thursday, February 15 through this global e-zine edition is posted online Sunday, February 25 with 30 featured concerts at venues throughout the bimonthly at www.jazz-blues.com Portland metro region. -
Jersey Jazz Society Dedicated to the Performance, Promotion and Preservation of Jazz
Volume 45 • Issue 11 DeCember 2017 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. CELEBRATION! The “Jersey Best” All-Stars open the NJJS’s 45th Anniversary Concert at Drew University on Oct. 22. Shown performing are (l-r): Dave Stryker, Ed Laub, Martin Pizzarelli, Bucky Pizzarelli, Ryan Hernandez, Nick Scheuble, Don Braden, Nathan Eklund and Jason Jackson. Photo by Tom Salvas. here was a nearly full house for the Sunday afternoon NJJS Tconcert at Drew University’s Dorothy Young Center for the Arts NJJS celebrates its on October 22 — filled with jazz fans there to celebrate the 45th anniversary of the New Jersey Jazz Society’s founding and to salute 45th anniversary with famed guitarist Bucky Pizzarelli for his more than seven-decade career in music. Kicking off with a silky smooth “Stompin’ at the Savoy” with Bucky in the leader’s chair the three-hour show featured 20 a multi-media show Jersey-based musicians performing in various config urations, and multi-media presentations about the Society’s history. Thanks to at Drew University more than 30 generous sponsors, the event will provide a substantial boost to the NJJS’s educational and scholarship programs. More on the NJJS’s 45th Anniversary on page 26. New JerseyJazzSociety in this issue: New Jersey Jazz soCIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Mike Katz President, NJJS Volunteer/Join NJJs . 47 Crow’s Nest . -
Artist: Jim Lauderdale Album: Country Super Hits Vol 1 Label: Yep Roc
2006 www.realrootscafe.com [email protected] Artist: Jim Lauderdale Album: Country Super Hits Vol 1 Label: Yep Roc Records woensdag 20 december 2006 Even niet opgelet en de titel ‘Country Super Hits Vol.1’ zet je op het verkeerde been. Het is namelijk geen verzameling oude countryhits van Jim Lauderdale, maar een gloednieuw afgeleverd werkstuk dat, in samenwerking met de mij onbekende Odie Blackmon, werd gemaakt. Beiden schreven - op één na – de liedjes en deden de productie. In Amerika zal dit album waarschijnlijk hoge ogen gooien bij publiek en pers, hier te lande zal alleen de verstokte liefhebber van ouderwetse country & western, in een enigszins vernieuwde outfit, even opkijken. Dus vermoed ik dat deze bespreking tegen vele dovenmansoren zal zijn gericht. Dat valt wat mij betreft goed te snappen, omdat luisteren naar driekwartier Honky Tonk immers een tamelijk zelfkastijdend tijdverdrijf is. Daar kan het uitnodigende openingsnummer van deze cd Honky Tonk Mood Again, het grote koor aan muzikanten en de heldere productie niet veel aan verhelpen. Ook al zijn er een paar nummers met een lichte folk- en bluesinvloed, het blijft té country & western. Waarmee ik het traditionele countrygenre in het algemeen en deze cd in het bijzondere niet wil diskwalificeren. Hooguit valt er wat aan te merken op de smaak van ondergetekende. Maar ja, daarover valt in wezen altijd te twisten. Huub Thomassen Artist: Josh Ottum Album: Like The Season Label: Tapete Records woensdag 20 december 2006 Na vier jaar lang muziek te hebben gemaakt in zijn slaapkamer kwam de uit Seattle afkomstige singer- songwriter Josh Ottum tot het idee maar eens een debuut album te maken. -
Www .Maver Ic K
MAY/JUNE 2014 www.maverick-country.com MAVERICK FROM THE EDITOR... MEET THE TEAM Welcome to the May/June issue of Maverick Magazine! Editor Laura Bethell I wanted to start by saying that when we as a team produced the March/April issue of Goldings, Elphicks Farm, Water Lane, Maverick Magazine, I couldn’t have been prouder. e moment you see something like that Hunton, Maidstone, Kent, ME15 0SG 01622 823922 come back from press, you know it’s something people will get excited about. It suddenly [email protected] became very real for me and it wasn’t long before all of the wonderful feedback we received Managing Editor started pouring in. I can’t thank you enough for your continued support - this journey has been Michelle Teeman incredible and your feedback will continue to guide the magazine forward, so keep writing in! 01622 823920 [email protected] We are still celebrating the success of the second year of Country2Country Festival in the UK. e event was incredible - the O2 was a great venue for the show and the performances Editorial Assistants Chris Beck this year were second-to-none. ough it was my rst year at the festival, I’d heard a lot of [email protected] progress had been made on last year. e pop-up stages around the O2 bought their own fans, Charlotte Taylor the acts for the main arena bought people in from far and wide. For me, the biggest eye-opener [email protected] was when we stepped inside the arena late on Saturday night to watch last month’s cover stars Project Manager the Zac Brown Band perform. -
Benny Golson Recordings by John Coltrane (Left), Elvin Jones, Jimmy Garrison and Mccoy Tyner
AUGUST 2018 VOLUME 85 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES INTERACTIONS BETWEEN CONTEMPORARY AMERICAN INDEPENDENT CINEMA AND POPULAR MUSIC CULTURE By Matthew William Nicholls For the degree of Doctor of Philosophy July 2011 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Doctor of Philosophy INTERACTIONS BETWEEN CONTEMPORARY AMERICAN INDEPEND- ENT CINEMA AND POPULAR MUSIC CULTURE By Matthew Nicholls In recent years, many American independent films have become increasingly en- gaged with popular music culture and have used various forms of pop music in their soundtracks to various effects. Disparate films from a variety of genres use different forms of popular music in different ways, however these negotiations with pop music and its cultural surroundings have one true implication: that the 'inde- pendentness' (or 'indieness') of these movies is informed, anchored and embellished by their relationships with their soundtracks and/or the representations of or posi- tioning within wider popular music subcultures.