DOCSLIB.ORG

Symbolism Continues on the Outside of Senting the Passion and Death of Christ

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Symbolism Continues on the Outside of Senting the Passion and Death of Christ Passion imitates a Greek column. The octagonal design in the Outside font symbolizes resurrection. Also carved on the reredos are four shields, repre- The rich symbolism continues on the outside of senting the passion and death of Christ. the building with the pointed arches and the rose and Chairs leaf designs in the limestone. The large carved chair to the right of the altar is The first depicts an olive The magnificent statue of called the Bishop’s Throne. The design on it and on branch and a club, symbol- Christ facing Main Street is a the chair to the left of the altar izing the Garden of Gethse- replica of one in the Luther- St. Paul’s repeats the symbols in the altar mane (an olive grove), and an Cathedral in Copenhagen, and the reredos. United the club carried by Roman Denmark, created by Bartel Symbolism Carved on the back of the soldiers who came to arrest Thorvaldensen, a 19th centu- Methodist in the smaller chairs is the fleur de lis, Jesus. ry Danish sculptor. Church or flower of the lily. This sym- Sanctuary Dedicated to “the Glory of is The second is a crown bolizes purity, innocence, and God, Father, Son, and Holy of of thorns and three nails. heavenly bliss. It also stands for a cathedral Spirit,” it was presented to St. Paul’s in memory of The Roman soldiers placed the Holy Trinity. Edna Henderson Bowles and Robert Wilson Hender- for Houston St. Paul’s a crown of thorns on Jesus’ The chancel rail posts are son by Mrs. R.W. Henderson, Mrs. Joe Wessendorff, that United head, mocked him, and topped by fleur de lis. and Mrs. Fred Couper. nailed him to the cross with The pointed arches in the embodies Methodist three nails. carving on the chairs, the pulpit, History its diversity, and the stone archways in the Church, The third is a ladder, reed, St. Paul’s congregation was organized in 1905- inspires faith, nave symbolize aspiration and and sponge. On the cross, 1906. The first church building for the congregation and Houston striving for growth in spiritual when Jesus said, “I thirst,” a was downtown at Milam and McGowen Streets, life. leads change ladder was raised, and he was where they worshiped until 1927 when it was deter- for the common offered a sponge of wine and mined that further physical expansion was not feasi- gall, as a mild sedative. But Other Symbols ble. Ground was broken in April 1929 for the present good he refused it. church building at 5501 Main Street. For additional The four-leaf design in the of all peoples information, see the brochure “History of St. Paul’s.” glass above the doors and in and The fourth depicts a pin- Copies should be in the church information racks. cer and mallet. These were the wooden above the doors communities. used to remove the nails in the narthex symbolizes the Tours Four Gospels. from Christ’s body when the For more about the sanctuary, including the Among the many other cross was lowered. stained-glass windows, see the brochure “A Self-Guid- symbols in the woodwork and ed Tour of the Sanctuary of St. Paul’s United Method- the windows are the triangle, ist Church, Houston,” also in the information racks. trefoil, and circle. Group tours or guided tours during the week may be The triangle symbolizes the arranged by calling the church at 713-528-0527. Spires three persons of the Trinity. The acorns on the reredos spires represent life The trefoil, or three circles with centers removed, everlasting. ST. PAUL’S represents the equality, Location St. Paul’s is located at 5501 Main Street at Binz/ UNITED METHODIST eternity, and unity of the Bissonnet, across from the Museum of Fine Arts. Baptismal Font persons of the Trinity. CHURCH The marble baptismal Parking is free of charge in two lots across Fannin 5501 Main Street at Binz/ The circle symbolizes the font at the chancel was Street from the Sanctuary Building. The church is Bissonnet eternal existence of God, given by Dr. and Mrs. J. within a block of both Museum District MetroRail Houston, TX 77004 without beginning or end. Edward Hodge in memory stops. Please cross Fannin at the designated crosswalk. in the Museum District of an infant son who died 713-528-0527 Phone in 1909. It was brought Fountain The drinking fountain The information in this brochure is based on 713-528-7748 FAX from St. Paul’s first sanctu- in the narthex features a ce- www.stpaulshouston.org ary building at Milam and a compilation by the History and Education ramic frieze of two peacocks. McGowen. The peacock is symbolic of Committee of St. Paul’s Altar Guild. To echo the design of Traditional worship eternal life. The sketches are by Alicia J. Moore. that structure, the base is for contemporary people 10/15/18-200 Symbols have always played an important role in The main body of the church proper, between the In the center of the cross on the the Christian faith. In the first century, when Chris- west end and the chancel, is called the nave, from the panel behind the altar are the letters tians were often persecuted for their beliefs, symbols Latin word navis, meaning ship. In the early days, “X” and “P,” or Chi Rho in Greek. were used as a secret language. Symbols of the resur- the church was the ark or “ship of the Lord on which The first letters of “Christ” in that rection and of life everlasting helped maintain their Christians sailed the sea of life.” language, the Chi Rho is one of the morale. The original Phoenician temples were ships turned most ancient monographs used to In later times, the church’s teaching and worship upside down, hence the symbolic custom of Gothic remind us of Christ. inspired other symbols that served to bring people church ceilings resembling the hull of a ship. The The cross used in processionals closer to Christ. Symbols also were aids for those who ceiling in St. Paul’s is pecky cypress. at St. Paul’s is a Jerusalem Cross. could not read. One of the meanings of this cross Symbols remain an interesting and valuable sup- Chancel is that the large cross in the center plement to preaching and religious education. Today, Separated from the nave by represents the first Christian church they are used to indicate pictographically the ele- a railing, the eastern part of in Jerusalem founded by the disciples, ments of our Christian faith, tradition, and teaching. the cruciform is divided into and the four small Greek crosses on two parts, the chancel and the the sides represent the four corners of Siting and Architecture sanctuary. the earth to which the Gospel spread. The architecture and the way the church building At the front of the chancel A simpler form of this cross, right, is is situated on the land are as symbolic as the more on the left side is the lectern, or Sanctuary and Altar used in St. Paul’s logo. readily recognized symbols within the building. The Behind the chancel is the sanctuary, or sanctum, Epistle side, for reading scriptures The processional cross used during most of the custom of building churches on an east and west line the holy place where the altar stands. This area also and making announcements. year was designed and made by Val Link, a University is believed to have its origin in the ancient practice of has seats for the ministers and those who take part in On the right side is the pulpit, of Houston Fine Arts professor. Provided through facing Jerusalem when in prayer. The entrance to St. liturgical functions. Most likely the idea of the sanctu- or Gospel side, for reading the funds from Wayne Swallows, it was first used in late Paul’s is to the west, and the altar is to the east. ary and altar came from the part of the Jewish Temple Gospel and preaching the Word. 1996. A processional cross carved in The architecture of St. Paul’s is modified English where animal sacrifices were offered. Carved on the pulpit front are olive wood is used during Lent when Gothic. In this type of architecture, the worship area The Christian altar is a reminder of Jesus’ sacrifice symbols of a crown and a shield containing a descend- shiny objects are not used. is in the form of a cross, called a cruciform. The tran- and a place where we offer gifts of bread and wine to ing dove. (See below.) The crown is the symbol of septs correspond to the transverse bar of a Latin cross. be sanctified for remembrance of his suffering and Christ’s heavenly kingship, proclaiming him as the Facing the altar, the north transept is on the left; the triumph. Reredos King of Kings. The panel behind the altar is called south transept is on the right. The grape clusters, vine, and leaves carved around The shield signifies trust. It is also a symbol of St. the reredos (rear dahs). The large rose The vestibule at the west entrance is called the the top of the altar are symbolic of the Holy Com- Paul. In Ephesians 6:16, St. Paul describes the armor on each side signifies the promised narthex. This is from a Greek word meaning outer munion. The 12 clusters of grapes represent the 12 of a Christian as including the “shield of faith.” The Messiah. (Isa. 35:1) Since the 13th court.
Load more

Recommended publications
  • Sign of the Son of Man.”
    Numismatic Evidence of the Jewish Origins of the Cross T. B. Cartwright December 5, 2014 Introduction Anticipation for the Jewish Messiah’s first prophesied arrival was great and widespread. Both Jewish and Samaritan populations throughout the known world were watching because of the timeframe given in Daniel 9. These verses, simply stated, proclaim that the Messiah’s ministry would begin about 483 years from the decree to rebuild Jerusalem in 445BC. So, beginning about 150 BC, temple scribes began placing the Hebrew tav in the margins of scrolls to indicate those verses related to the “Messiah” or to the “Last Days.” The meaning of the letter tav is “sign,” “symbol,” “promise,” or “covenant.” Shortly after 150 BC, the tav (both + and X forms) began showing up on coins throughout the Diaspora -- ending with a flurry of the use of the symbol at the time of the Messiah’s birth. The Samaritans, in an effort to remain independent of the Jewish community, utilized a different symbol for the anticipation of their Messiah or Tahib. Their choice was the tau-rho monogram, , which pictorially showed a suffering Tahib on a cross. Since the Northern Kingdom was dispersed in 725 BC, there was no central government authority to direct the use of the symbol. So, they depended on the Diaspora and nations where they were located to place the symbol on coins. The use of this symbol began in Armenia in 76 BC and continued through Yeshua’s ministry and on into the early Christian scriptures as a nomina sacra. As a result, the symbols ( +, X and ) were the “original” signs of the Messiah prophesied throughout scriptures.
    [Show full text]
  • Th E Bells of St. M Ar
    GOD IS GOD IS FEBRUARY 2017 Dear Saint Mary's family, We are off to a good start for 2017. As I write this letter we are just three full weeks in to the new year and already so much is happening. We have held our first Annual Meeting together, and the response has been very posi- tive. At that meeting we were able to make amendments to the church’s By-Laws that will allow us to go forward with a smaller eight person Vestry, all of whom were elected unanimously by the members present at the meeting. At our February Vestry meeting we will vote for a Junior Warden, Treasurer, and Secretary. With that accomplished we will begin the process of looking at all of the different aspects of the way we at Saint Mary’s currently do things. The end goal of that process is to identify and eliminate any barriers to growth that might not have been considered, and to find ways to improve upon many of the things we are already doing well. To that end, please begin to pray to see if God may be calling you to participate in any of the ministries that currently exist at Saint Mary’s. This is going to be a fun and exciting time for us to bond and grow together as we seek to strengthen the teams and look at the ways they function. Ushers and Greeters, the Flower and Altar Guilds, Eucharistic Ministers and Visi- tors… Perhaps you have a special talent or hobby that could be used to the Glory of God and you have never considered how.
    [Show full text]
  • The Cross and the Crucifix by Steve Ray
    The Cross and the Crucifix by Steve Ray Dear Protestant Friend: You display a bare cross in your homes; we display the cross and the crucifix. What is the difference and why? The cross is an upright post with a crossbeam in the shape of a “T”. A crucifix is the same, but it has Christ’s body (corpus) attached to the cross. As an Evangelical Protestant I rejected the crucifix—Christ was no longer on the cross but had ascended to heaven. So why do I now tremble in love at the site of a crucifix? Let’s examine the history and issues surrounding the two. I will start with the Old Testament and the Jews’ use of images and prohibition of idols. I know in advance that it is not a thorough study, but it will give a general overview of the issues. I will try to provide a brief overview of the Cross and the Crucifix, the origin, the history, and the differing perspectives of Catholic and Protestant. It will try to catch the historical flow and include the pertinent points. The outline is as follows: 1. The Three Main Protestant Objections to the Crucifix 2. Images and Gods in the Old Testament 3. Images and Images of Christ in the New Testament 4. The Cross in the First Centuries 5. The Crucifix Enters the Picture 6. The “Reformation” and Iconoclasm 7. Modern Anti-Catholics and the Crucifix 8. Ecumenical Considerations The Three Main Protestant Objections to the Crucifix Let me begin by defining “Protestant” as used in this article.
    [Show full text]
  • Christian Cruciform Symbols and Magical Charaktères Luc Renaut
    Christian Cruciform Symbols and Magical Charaktères Luc Renaut To cite this version: Luc Renaut. Christian Cruciform Symbols and Magical Charaktères. Polytheismus – Monotheismus : Die Pragmatik religiösen Handelns in der Antike, Jun 2005, Erfurt, Germany. hal-00275253 HAL Id: hal-00275253 https://hal.archives-ouvertes.fr/hal-00275253 Submitted on 24 Apr 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHRISTIAN CRUCIFORM SYMBOLS victory in Milvius Bridge, Constantine « was directed in a dream to cause AND MAGICAL CHARAKTÈRES the heavenly sign of God ( caeleste signum Dei ) to be delineated on the Communication prononcée dans le cadre du Colloque Polytheismus – Mono- shields of his soldiers, and so to proceed to battle. He does as he had been theismus : Die Pragmatik religiösen Handelns in der Antike (Erfurt, Philo- commanded, and he marks on the shields the Christ[’s name] ( Christum in sophische Fakultät, 30/06/05). scutis notat ), the letter X having been rotated ( transversa X littera ) and his top part curved in [half-]circle ( summo capite circumflexo ). »4 This As everyone knows, the gradual political entrance of Christian caeleste signum Dei corresponds to the sign R 5.
    [Show full text]
  • {DOWNLOAD} Cross
    CROSS PDF, EPUB, EBOOK James Patterson | 464 pages | 29 Apr 2010 | Headline Publishing Group | 9780755349401 | English | London, United Kingdom Cross Pens for Discount & Sales | Last Chance to Buy | Cross The Christian cross , seen as a representation of the instrument of the crucifixion of Jesus , is the best-known symbol of Christianity. For a few centuries the emblem of Christ was a headless T-shaped Tau cross rather than a Latin cross. Elworthy considered this to originate from Pagan Druids who made Tau crosses of oak trees stripped of their branches, with two large limbs fastened at the top to represent a man's arm; this was Thau, or god. John Pearson, Bishop of Chester c. In which there was not only a straight and erected piece of Wood fixed in the Earth, but also a transverse Beam fastened unto that towards the top thereof". There are few extant examples of the cross in 2nd century Christian iconography. It has been argued that Christians were reluctant to use it as it depicts a purposely painful and gruesome method of public execution. The oldest extant depiction of the execution of Jesus in any medium seems to be the second-century or early third-century relief on a jasper gemstone meant for use as an amulet, which is now in the British Museum in London. It portrays a naked bearded man whose arms are tied at the wrists by short strips to the transom of a T-shaped cross. An inscription in Greek on the obverse contains an invocation of the redeeming crucified Christ.
    [Show full text]
  • Practicing Love of God in Medieval Jerusalem, Gaul and Saxony
    he collection of essays presented in “Devotional Cross-Roads: Practicing Love of God in Medieval Gaul, Jerusalem, and Saxony” investigates test case witnesses of TChristian devotion and patronage from Late Antiquity to the Late Middle Ages, set in and between the Eastern and Western Mediterranean, as well as Gaul and the regions north of the Alps. Devotional practice and love of God refer to people – mostly from the lay and religious elite –, ideas, copies of texts, images, and material objects, such as relics and reliquaries. The wide geographic borders and time span are used here to illustrate a broad picture composed around questions of worship, identity, reli- gious affiliation and gender. Among the diversity of cases, the studies presented in this volume exemplify recurring themes, which occupied the Christian believer, such as the veneration of the Cross, translation of architecture, pilgrimage and patronage, emergence of iconography and devotional patterns. These essays are representing the research results of the project “Practicing Love of God: Comparing Women’s and Men’s Practice in Medieval Saxony” guided by the art historian Galit Noga-Banai, The Hebrew University of Jerusalem, and the histori- an Hedwig Röckelein, Georg-August-University Göttingen. This project was running from 2013 to 2018 within the Niedersachsen-Israeli Program and financed by the State of Lower Saxony. Devotional Cross-Roads Practicing Love of God in Medieval Jerusalem, Gaul and Saxony Edited by Hedwig Röckelein, Galit Noga-Banai, and Lotem Pinchover Röckelein/Noga-Banai/Pinchover Devotional Cross-Roads ISBN 978-3-86395-372-0 Universitätsverlag Göttingen Universitätsverlag Göttingen Hedwig Röckelein, Galit Noga-Banai, and Lotem Pinchover (Eds.) Devotional Cross-Roads This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
    [Show full text]
  • The Key of the Mysteries
    THE KEY OF THE MYSTERIES (LA CLEF DES GRANDS MYSTÈRES) BY ELIPHAS LEVI THE KEY OF THE MYSTERIES ACCORDING TO ENOCH, ABRAHAM, HERMES TRISMEGISTUS AND SOLOMON BY ELIPHAS LEVI TRANSLATED, WITH AN INTRODUCTION, BY ALEISTER CROWLEY “Religion says: ‘Believe and you will un- derstand.’ Science comes to say to you: ‘Un- derstand and you will believe.’ “At that moment the whole of science will change front; the spirit, so long dethroned and forgotten, will take its ancient place; it will be demonstrated that the old traditions are all true, that the whole of paganism is only a system of corrupted and misplaced truths, that it is sufficient to cleanse them, so to say, and to put them back again in their place, to see them shine with all their rays. In a word, all ideas will change, and since on all sides a multitude of the elect cry in concert, ‘Come, Lord, come!’ why should you blame the men who throw themselves forward into that majestic future, and pride themselves on having foreseen it?” (J. De Maistre, Soirées de St. Petersbourg.) TRANSLATOR’S NOTE IN the biographical and critical essay which Mr. Waite prefixes to his Mysteries of Magic he says: ‘A word must be added of the method of this digest, which claims to be something more than translation and has been infinitely more laborious. I believe it to be in all respects faithful, and where it has been necessary or possible for it to be literal, there also it is invariably literal.’ We agree that it is either more or less than translation, and the following examples selected at haz- ard in the course of half-an-hour will enable the reader to judge whether Mr.
    [Show full text]
  • Mater Dei Chapel Stained Glass Windows | Self-Guided Reflections Prepared by Marge Kloos, SC
    Mater Dei Chapel Stained Glass Windows | Self-Guided Reflections Prepared by Marge Kloos, SC This prayer reflection is designed for a 10-minute reflection each day during the academic year. View the window for that week and pray for 10 minutes with the reflection question or Scripture indicated. There are 32 weeks of the academic year and 28 windows. During the third week of Lent, you are encouraged to simply experience the cross in the sanctuary, followed by the fourth and fifth weeks of Lent, when you can walk around the Chapel and experience the Stations of the Cross. The week following Easter presents itself as the perfect time to close your eyes and see how your own imagination reveals the Resurrection. Resurrection is the central mystery within Christianity. Artistic renderings of resurrection are perhaps best left to the imagination and the work of the Spirit. With the crucifix at the front, begin in the sanctuary, facing the right side, moving left to right: Window #1 | Week 1 Symbols Rex Gloria: King of Glory Latin Cross Inside an Oval Archway: The oval shaped archway, or vesica, represents Mary’s womb, from which Christ came, the cross signifies Christ. Together they represent the birth of Christ. Reading 1 Timothy 6:15 Revelations 19:16 Luke 11:27 - Blessed is the woman who gave you birth and nursed you. Reflections Jesus, ordinary human, becomes the glorious one sent from God, through the womb of a woman, to be the way, the truth and the life. How do you praise God for such a great mystery? Window #2 | Week 2 Symbols Gladiolus: This flower represents the incarnation, the word made flesh.
    [Show full text]
  • Philip the Apostle 1 Philip the Apostle
    Philip the Apostle 1 Philip the Apostle See also: Philip the Evangelist Philip the Apostle St. Philip, by Peter Paul Rubens, from his Twelve Apostles series (c. 1611), at the Museo del Prado, Madrid Apostle and Martyr Born Bethsaida, Galilee, Roman Empire Died c. 80 Hierapolis, Anatolia, Roman Empire Honored in Christianity Islam (named in exegesis) Canonized Pre-congregation Feast 3 May (Roman Catholic Church), 14 November (Eastern Orthodox Church), 1 May (Anglican Communion, Lutheran Church and pre-1955 General Roman Calendar), 11 May (General Roman Calendar, 1955–69) Attributes Elderly bearded saint and open to God man, holding a basket of loaves and a Tau cross Patronage Cape Verde; Hatters; Pastry chefs; San Felipe Pueblo; Uruguay. Philip the Apostle (Greek: Φίλιππος, Philippos) was one of the Twelve Apostles of Jesus. Later Christian traditions describe Philip as the apostle who preached in Greece, Syria, and Phrygia. In the Roman Catholic Church, the feast day of Philip, along with that of James the Just, was traditionally observed on 1 May, the anniversary of the dedication of the church dedicated to them in Rome (now called the Church of the Twelve Apostles). The Eastern Orthodox Church celebrates Philip's feast day on 14 November. One of the Gnostic codices discovered in the Nag Hammadi library in 1945 bears Philip's name in its title, on the bottom line. [1] New Testament The Synoptic Gospels list Philip as one of the apostles. The Gospel of John describes Philip's calling as a disciple of Jesus. [Jn 1:43] [2] Philip is described as a disciple from the city of Bethsaida, and connects him to Andrew and Peter, who were from the same town.
    [Show full text]
  • Antique French Altar Corpus Christi Hardwood Cross & Base
    anticSwiss 01/10/2021 06:45:41 http://www.anticswiss.com Antique French Altar Corpus Christi Hardwood Cross & Base FOR SALE ANTIQUE DEALER Period: 20° secolo - 1900 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:28cm Width:18cm Depth:9cm Price:300€ DETAILED DESCRIPTION: This is a distinctive antique French dark patinated altar Corpus Christi of Christ crucified on a hardwood cross, circa 1900 in date. The details are very impressive, the Corpus Christi is very life-like, wearing a flowing linen cloth, his eyes closed and head upper-turned. The hardwood cross and stepped base are highly evocative featuring suggestive stylized thorns - hence, recalling the woven crown of thorns that was placed on the head of Jesus during the events leading up to the crucifixion. Pieces like these really are in a class of their own, as such, work beautifully anywhere. The craftsmanship is second to none throughout all aspects of this magnificent altar Corpus Christi which is sure to add an unparalleled touch of sacred art to your home. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 28 x Width 18 x Depth 9 Dimensions in inches: Height 11.0 x Width 7.1 x Depth 3.5 The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus, is the best-known symbol of Christianity. It is related to the crucifix (a cross that includes a corpus, usually a three-dimensional representation of Jesus' body) and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English (as in many other western languages).
    [Show full text]
  • Divine Inspiration
    By Michael Houser State Architectural Historian Olympia Spokane Seattle Puyallup Spokane Seattle Spokane Seattle Cashmere Burien Seattle Seattle Spokane Seattle Uniontown Chewelah Parkland Quincy Centerville Rosalia Elbe Frances Frances Tolt Everett Colfax Church Designs Baptist Church – Oysterville Methodist Church – Cle Elum Church Designs Financial Assistance Map from the Baptist Missionary Society - 1892 “Messenger of Peace” Chapel Car 1898 - 1948 Church Designs Architect George Krammer – 1910 Architect Ben Bartlett - 1875 Architects Frederick V. Lockman First Baptist Church, Port Angeles - 1939 Stuart Memorial Chapel, Carnation - 1937 Queen Anne Baptist Church, Seattle - 1925-39 University Baptist Church (Navy Unit), Seattle- 1938 Haller Lake United Methodist Church, Seattle- 1949 Architects Robert L. Durham Ezra Bessaroth Synagogue, Seattle - 1969 Highland Covenant Church, Bellevue - 1964 St. James Presbyterian Church, Bellingham - 1957 Fauntleroy Congregational Church, Seattle - 1952 St. Elizabeth Church, Burien- 1956 Mt. Zion Baptist Church, Seattle - 1975 Church Components Plan Narthex Nave Transept Chancel Altar Apse Typical Crucifix Plan Church Components Symbols Latin Cross Greek Cross Papal Cross St. Peter’s Cross Tau Cross Russian Cross Maltese Trinity Triumphant Star (Crusaders’) Church of Cross Cross David Church Components Arches Gothic Arch Mutlifoil Arch Pointed (Ogee) Arch Round Arch Moorish (Horseshoe) Arch Tudor Arch Church Components Forms Central Steeple Ridge Steeple Double Steeple Side Steeple Inset Corner Steeple Independent Steeple No Steeple Dome Church Forms Central Steeple Church – Gig Harbor Church of Christ - Centerville St Patrick’s Mary Queen of Heaven Catholic Catholic Church – Sprague Church – Colfax Church Forms Ridge Steeple Catholic Church – Garfield United Methodist First Assembly - Avon of God – Kelso Methodist Church – Snohomish Church Forms Double Steeple St.
    [Show full text]
  • F Ai Th from Generation to Generation
    • Sy1nbols of our----------­ F ai th from generation to generation 1952 - 1992 St. Michael's in the Hills Episcopal Church 4718 Brittany Road -------- Toledo, Ohio 43615 The Reverend Paul E. Hannaford, Rector ,- . Symb{)ls of our Faith 50th Anniversary Celebration Edition 1952-2002 St. Michael's in the Hills Episcopal Church 4718 BrittanyRd. Toledo, Oh 43615 The Reverend Gregory Sammons, Rector The Reverend MargaretH. Sammons, Associate Rector The Reverend Collins E. Asonye, Assistant Rector • SYMBOLS OF OUR FAITH FROM GENERATION TO GENERATION 1952 - 1992 PRESENTED TO SAINT MICHAEL'S IN THE HILLS EPISCOPAL CHURCH BY THE ALTAR GUILD IN RECOGNITION OF THE 40th ANNIVERSARY OF THE CHURCH, MAY 17, 1992. Betty Stykemain, Director Virginia Ryan, Assistant Director Isabelle Carter, Chairperson Editor and Photographer Isabelle Carter Cover Design Patricia Eckhart I CONTENTS INTRODUCTION ••••••••• ii BRIEF HISTORY OF THE KNEELERS . iii FROM GENERATION TO GENERATION, 1952-1992 v SYMBOLS 1. ANGELS, EVANGELISTS, SAINTS • 1 2. ANIMALS, BIRDS, INSECTS • 7 3. APOSTLES •••••• 13 18 4. CROSSES • 5. EARTH AND SKY • 39 41 6. FLOWERS, PLANTS, TREES 7. GEOMETRIC IMAGES .•••• 49 8. HUMAN BODY 55 9. LETTERS, NUMBERS 57 64 10. PRAYER ANO PR�ISE ••. 11. RELIGIOUS OBJECTS 71 RESOURCES 80 i I INTRODUCTION Canon Edward N. West of New York 1s Cathedral of St. John the Divine has referred to symbols for Christians as 11the shorthand of their faith. 11 He also says that 11symbolism is so powerful that if one takes two sticks to form a cross, the whole message, including the theology, is conveyed. 11 At Saint Michael 1s Church, whenever we are gathered for worship in the nave, we find ourselves in the midst of hundreds of symbols of our faith.
    [Show full text]