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NECROPHILIC and NECROPHAGIC SERIAL KILLERS Approval Page
Running head: NECROPHILIC AND NECROPHAGIC SERIAL KILLERS Approval Page: Florida Gulf Coast University Thesis APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Science Christina Molinari Approved: August 2005 Dr. David Thomas Committee Chair / Advisor Dr. Shawn Keller Committee Member The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. NECROPHILIC AND NECROPHAGIC SERIAL KILLERS 1 Necrophilic and Necrophagic Serial Killers: Understanding Their Motivations through Case Study Analysis Christina Molinari Florida Gulf Coast University NECROPHILIC AND NECROPHAGIC SERIAL KILLERS 2 Table of Contents Abstract ........................................................................................................................................... 5 Literature Review............................................................................................................................ 7 Serial Killing ............................................................................................................................... 7 Characteristics of sexual serial killers ..................................................................................... 8 Paraphilia ................................................................................................................................... 12 Cultural and Historical Perspectives -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
Red Dragon, the Cleft-Lip, and the Politics of Recognition
The Monster Without: Red Dragon, the Cleft-Lip, and the Politics of Recognition Timothy D. Harfield Rarely represented in popular film, the cleft lip and palate is more often than not used as the locus of some kind of monstrosity. Of films featuring characters affected by cleft lip and palate, for example, at least five figure them as agents of violence or death. From the school bully,1 to a hired killer,2 to a serial killer,3 to a zombie,4 it is common to use the cleft lip as a cue for menace, or as a thing to be feared. On the other side of violence, the recent film Psycho Beach Party5 features a young girl with a cleft lip as the first to be killed by a serial killer targeting youth with disabilities. Even the Swedish film Den Enfoldige Mördaren,6 or "The Simple-minded Murderer," acclaimed for the sympathetic portrayal of its protagonist, features a killer with a cleft lip. Following in this tradition, the recent film Red Dragon7 features a serial killer whose cleft lip is the primary factor motivating his murderous behaviour. Although the film initially capitalizes upon the tradition of linking cleft lip and palate with homicidal psychopathy, however, it does so through a keen awareness of the politics of identity formation, and so has the effect of ultimately shifting the locus of monstrosity away from the cleft lip, and toward those social systems of 1 Frank Whaley, Joe the King (USA: Lions Gate, 1999), videorecording. 2 Frank Tuttle, This Gun for Hire (USA: Universal Studios, 1942), videorecording. -
Winter 2006-2007
UNIVERSITY OF NEBRASKA–LINCOLN COLLEGE OF JOURNALISM AND MASS COMMUNICATIONS ALUMNI MAGAZINE WINTER 2006-2007 Q&A With Steve Pederson Pages 44–51 Photo courtesy Lincoln Journal Star M E D I A Wesley G. Pippert ‘JUST POLITICS’ The nation has been reminded in recent days of the quality of There had been jokes that Ford had played football too long President Gerald R. Ford’s life and the easy, comfortable rela- without a helmet, making light of his presumed lack of wit — tionship he had with members of the press corps. even though he finished in the top third of his class both at In many ways, this relationship was another demonstration Michigan and the Yale law school. So during the speech Ford of Ford’s general friendliness with everyone. And it seems to me tried to put on an old helmet he had worn — but it wouldn’t fit. that it also was the result of his having worked on a frequent, “Heads tend to swell in Washington,” he said, a remark that daily basis with reporters during a quarter of a century in brought down the house. Congress. It was something of a surprise, then, when in 1974 Ford In times past, reporters gathered on the floor of the Senate a vetoed a bill that would have strengthened the 1966 Freedom of few minutes before the start of the session for what was called Information Act. (FOIA gives any citizen the right to gain access “dugout chatter,” a time when the majority leader would answer to government documents, with certain exceptions such as questions. -
308 "The Great Red Dragon" FINAL DRAFT 01/26/15 2
Executive Producer: Bryan Fuller Executive Producer: Martha De Laurentiis !Executive Producer: Steve Lightfoot “The Great Red! Dragon” Written by Nick Antosca & Steve Lightfoot and Bryan !Fuller Directed by Neil Marshall! ! Based on the characters created by Thomas !Harris ! ! ! ! ! Episode #308 Final Shooting Script PROPERTY OF: GAUMONT INTERNATIONAL TELEVISION LLC ©2015 CHISWICK PRODUCTIONS LLC. ALL RIGHTS RESERVED. NO PORTIONS OF THIS SCRIPT MAY BE PERFORMED, OR REPRODUCED BY ANY MEANS, OR QUOTED, OR PUBLISHED IN ANY MEDIUM WITHOUT THE PRIOR WRITTEN CONSENT OF GAUMONT INTERNATIONAL TELEVISION LLC. HANNIBAL "The Great Red Dragon" TEASER SURFACE OF A DESERT PLANET A craggy, dry, arid landscape. Patterned ridges alternate with troughs as deep as canyons. A sense of aridness and desolation. It feels a thousand years old. CAMERA VERY SLOWLY PULLS OUT, moving upward, revealing this is no landscape... as the ridges resolve into -- THE CREASED SKIN OF A MAN'S KNUCKLE. PULL EVEN FURTHER OUT, and the back of a hand comes into view. The hand rests on a Formica table, beside a magazine. It is a strong, well-formed hand. But not a young one. Every wrinkle and crease is detailed in CRISP FOCUS. To look on this hand is to be aware of its age, its imperfections. Now reveal the man staring down at it -- its owner: FRANCIS DOLARHYDE. Dolarhyde, early 40s, is a large man, strong, muscular. With a hint of vulnerability and diffidence. The look in his eyes as he gazes down at that hand -- as if suddenly really seeing it for the first time -- might be mournful, fearful or both. -
Serial Murder and Media Coverage
University of Central Florida STARS Honors Undergraduate Theses UCF Theses and Dissertations 2020 Serial Murder and Media Coverage Molly Gross University of Central Florida Find similar works at: https://stars.library.ucf.edu/honorstheses University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by the UCF Theses and Dissertations at STARS. It has been accepted for inclusion in Honors Undergraduate Theses by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Gross, Molly, "Serial Murder and Media Coverage" (2020). Honors Undergraduate Theses. 794. https://stars.library.ucf.edu/honorstheses/794 SERIAL MURDER AND MEDIA COVERAGE by MOLLY GROSS A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Criminal Justice in the College of Community Innovation and Education and in the Burnett Honors College at the University of Central Florida Orlando, Florida Summer Term, 2020 Thesis Chair: Stephen Holmes ABSTRACT This study sets out to explore the relationship between news media coverage on serial killers and their behavior. As a result of the lack of previous research on this topic, utilizing past research on a few historically well-known serial killers and news media reports about those serial killers, this study attempts to determine if news media has any effect on a serial killer’s behavior prior to apprehension. After a review of the history of serial murder and the past findings about serial murderers, as well as background on the history of the media coverage of crime, this study will look closely at the media coverage and behavior of Dennis Rader, the BTK Killer; David Berkowitz, Son of Sam; and John Allen Muhammad and John Lee Malvo, the D.C. -
A Wolf in Sheep's Clothing: Decoding the Language of a Psychopath BY
A Wolf in Sheep’s Clothing: Decoding the Language of a Psychopath BY KERRI ANDERSON A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Forensic Psychology California Baptist University School of Behavioral Sciences 2017 ii SCHOOL OF BEHAVIORAL SCIENCES The thesis of Kerri Anderson, approved by her Committee, has been accepted and approved by the Faculty of the School of Behavioral Sciences, in partial fulfillment of the requirements for the degree of Master of Arts in Forensic Psychology. Thesis Committee: _____________________________ [Name, Title] _____________________________ [Name, Title] _____________________________ [Name, Title] Committee Chairperson [Date] iii DEDICATION It is so common to be traditional and dedicate a work of science to one’s parents, spouses, children, friends, and mentors. As if one felt the need to give back for what has been taken. But a contribution to science, and I have desperately tried here to make a contribution to science, always includes a vast amount of taking from previous researchers, professors, and scholars. Then adding a little bit according to one’s ability and then giving back not to one’s scholars and colleagues but to the whole community and to other people as well, who might find the work interesting and resourceful, and bring it on. It is for those individuals that this work has been written and to them that it is dedicated so, here is my Forensic Psychology Master’s Thesis to whoever finds it interesting and a viable contribution to uncovering the root causes of psychopathy. iv ACKNOWLEDGMENTS I would first like to thank my thesis advisor, Dr. -
Hannibal Lecter) Pdf, Epub, Ebook
RED DRAGON: (HANNIBAL LECTER) PDF, EPUB, EBOOK Thomas Harris | 432 pages | 07 May 2009 | Cornerstone | 9780099532934 | English | London, United Kingdom Red Dragon: (Hannibal Lecter) PDF Book Plot Keywords. External Sites. Added to Watchlist. Flautist John Rubinstein Lecter is visited by Will Graham, a gifted FBI agent who has the ability to empathize with psychopaths. The Musical Official Sites. Retrieved 13 June Believing Dolarhyde is dead, Graham's family moves back to the Florida home. Germany [1] United States [1]. The original hardcover and paperback editions mentioned Lecter being held in the "Chesapeake" hospital. Two days after the Leeds murders, agent Jack Crawford , Graham's mentor, goes to Graham's Marathon, Florida residence and pleads for his assistance; Graham reluctantly agrees. Molly Graham Philip Seymour Hoffman Dolarhyde then leaves the plant unseen and goes to Reba's house. Graham eventually realizes that the killer knew the layout of his victims' houses from their home movies, which he could only have seen if he worked for the film processing lab that developed them. Retrieved September 27, Universal Pictures [1] Imagine Corporation [1]. Back to School Picks. Graham later comforts her, telling her that there is nothing wrong with her, and that the kindness and affection she showed Dolarhyde probably saved lives. Francis Dolarhyde. Views Read Edit View history. Retrieved March 14, When it comes to The Silence of the Lambs and Hannibal's character, many people recall and remember the absolutely terrifying sequence in which Hannibal makes his prison escape. Here monsters have their grandeur, heroes their gravity. Color: Color DeLuxe. It is undoubtedly a horror movie, and its atmosphere is far more threatening than the one found in Silence. -
A Matter of Taste: Monstrosity, Consumption and Hannibal Lecter
ISSN 2319-5339 IISUniv.J.A. Vol.5(1), 1-9 (2016) A Matter of Taste: Monstrosity, Consumption and Hannibal Lecter Pramod K. Nayar Taste.The wine, the truffles. Taste in all things was a constant between Dr Lecter’s lives in America and Europe. Between his life as a successful medical practitioner and fugitive monster. (Hannibal 225) The monster, Jeffrey Jerome Cohen (1996: 7-12), among others, has proposed, is one who marks the outside, comes from an elsewhere. The monster is ‘not one of us’. He represents the limits of civilization and civility. Yet twentieth century’s most fascinating fictional monster, with his own cult following due to the TV series, is the very embodiment of civility and ‘high’ culture: Hannibal Lecter. Lecter, who makes his debut in Thomas Harris’ Red Dragon, finally gets to be the centrepiece of a series of horror-thrillers: TheSilence of the Lambs, Hannibal and Hannibal Rising. He is no alien or outsider though but rather, until he is caught, a Johns Hopkins Medical school graduate and respected clinical psychiatrist. LHM Ling notes: ‘Hannibal the Cannibal cannot remain an “alien” monster. He is, instead, a familiar, identifiable character: one of us. Put differently, the evil other now resides explicitly within’ (2004: 380, emphasis in original).Yet, Hannibal is unlike one of us for several reasons: he is a cannibal with a serious set of affectations, a man of supreme tastes in food, clothing, cars and drinks. He is extremely well-read in a wide variety of areas, from astronomy to gastronomy. He has an enviable knowledge of art and music. -
Episode 9 ...And the Woman Clothed With
Executive Producer: Bryan Fuller Executive Producer: Martha De Laurentiis !Executive Producer: Steve Lightfoot “…and the Woman Clothed! with the Sun” Written by Jeff Vlaming & Helen Shang and Bryan Fuller & Steve Lightfoot! Directed by John !Dahl ! Based on the characters created by Thomas !Harris ! ! ! Episode #309 Final Shooting Script PROPERTY OF: GAUMONT INTERNATIONAL TELEVISION LLC ©2015 CHISWICK PRODUCTIONS LLC. ALL RIGHTS RESERVED. NO PORTIONS OF THIS SCRIPT MAY BE PERFORMED, OR REPRODUCED BY ANY MEANS, OR QUOTED, OR PUBLISHED IN ANY MEDIUM WITHOUT THE PRIOR WRITTEN CONSENT OF GAUMONT INTERNATIONAL TELEVISION LLC. HANNIBAL "...and the Woman Clothed with the Sun" TEASER INT. BSHCI - HANNIBAL LECTER'S CELL - DAY CAMERA SLOWLY PUSHES IN on the wall of secure glass, DRIFTING THROUGH one of the many holes that dot its surface, to find: HANNIBAL LECTER. He lies on his cot, asleep, his head propped on a pillow against the wall. Alexandre Dumas's Grand Dictionnaire de Cuisine is open on his chest. Eyes still closed, he takes a long slow breath through his nose, smelling the current of air that the CAMERA traveled. He opens his eyes. HANNIBAL That's the same atrocious aftershave you wore in court. Hannibal rises from the bed and approaches the wall as CAMERA reveals he is now standing face to face with WILL in profile; the thin line of glass between them makes it look as if they are disparate reflections in a mirror. WILL GRAHAM Hello, Dr. Lecter. HANNIBAL Hello, Will. (then) Did you get my note? WILL GRAHAM I got it. Thank you. HANNIBAL Did you read it before you destroyed it? Or did you simply toss it into the nearest fire? WILL GRAHAM I read it. -
Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006
Clark 1 Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006 Clark 2 Introduction What scares you? Fear manifests in many different ways for every being on this earth. However diverse these horrific episodes may be, there is one universal element common to every human experience: We all have fears. One avenue through which we can explore, identify and even vicariously experience our most primal fears is through horror fiction. H.P. Lovecraft said: The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their truth must establish for all time the genuineness and dignity of the weirdly horrible tale as literary form (www.quotationspage.com). Coupled with Lovecraft's fear of the unknown is the fear of any threat to our fragile mortality, fear of anything that may potentially cause physical harm to our being. This is a phobia innate to every person. The most precious and frail endowment of human existence is our ability to sustain and promote our humanity. When this gift is threatened in any way, shape or form, a fear is created. There are several ways through which we can more concretely define these fears, subcategories to the dread of any danger to our delicate subsistence. For example, fear of the unexplained. This phobia can be defined as dread of that which we cannot rationalize with existing or obtainable evidence. Another is the fear of the unseen. This phobia could be described as fright of something that is intangible or concealed. -
Inside the Mind of BTK the True Story Behind the Thirty-Year Hunt for the Notorious Wichita Serial Killer John Douglas and Johnny Dodd
ffirs.qxp 6/11/07 7:51 PM Page iii Q Inside the Mind of BTK The True Story Behind the Thirty-Year Hunt for the Notorious Wichita Serial Killer John Douglas and Johnny Dodd John Wiley & Sons, Inc. ffirs.qxp 6/11/07 7:51 PM Page ii ffirs.qxp 6/11/07 7:51 PM Page i Inside the Mind of BTK ffirs.qxp 6/11/07 7:51 PM Page ii ffirs.qxp 6/11/07 7:51 PM Page iii Q Inside the Mind of BTK The True Story Behind the Thirty-Year Hunt for the Notorious Wichita Serial Killer John Douglas and Johnny Dodd John Wiley & Sons, Inc. ffirs.qxp 6/11/07 7:51 PM Page iv Copyright © 2007 by Mindhunter Investigative Support, Inc. All rights reserved. Published by Jossey-Bass A Wiley Imprint 989 Market Street, San Francisco, CA 94103-1741 www.josseybass.com Wiley Bicentennial logo: Richard J. Pacifico No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or other- wise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600, or on the Web at www.copyright.com. Requests to the publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, 201-748-6011, fax 201-748-6008, or online at www.wiley.com/go/permissions.