Episode 9 ...And the Woman Clothed With
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2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
Red Dragon, the Cleft-Lip, and the Politics of Recognition
The Monster Without: Red Dragon, the Cleft-Lip, and the Politics of Recognition Timothy D. Harfield Rarely represented in popular film, the cleft lip and palate is more often than not used as the locus of some kind of monstrosity. Of films featuring characters affected by cleft lip and palate, for example, at least five figure them as agents of violence or death. From the school bully,1 to a hired killer,2 to a serial killer,3 to a zombie,4 it is common to use the cleft lip as a cue for menace, or as a thing to be feared. On the other side of violence, the recent film Psycho Beach Party5 features a young girl with a cleft lip as the first to be killed by a serial killer targeting youth with disabilities. Even the Swedish film Den Enfoldige Mördaren,6 or "The Simple-minded Murderer," acclaimed for the sympathetic portrayal of its protagonist, features a killer with a cleft lip. Following in this tradition, the recent film Red Dragon7 features a serial killer whose cleft lip is the primary factor motivating his murderous behaviour. Although the film initially capitalizes upon the tradition of linking cleft lip and palate with homicidal psychopathy, however, it does so through a keen awareness of the politics of identity formation, and so has the effect of ultimately shifting the locus of monstrosity away from the cleft lip, and toward those social systems of 1 Frank Whaley, Joe the King (USA: Lions Gate, 1999), videorecording. 2 Frank Tuttle, This Gun for Hire (USA: Universal Studios, 1942), videorecording. -
308 "The Great Red Dragon" FINAL DRAFT 01/26/15 2
Executive Producer: Bryan Fuller Executive Producer: Martha De Laurentiis !Executive Producer: Steve Lightfoot “The Great Red! Dragon” Written by Nick Antosca & Steve Lightfoot and Bryan !Fuller Directed by Neil Marshall! ! Based on the characters created by Thomas !Harris ! ! ! ! ! Episode #308 Final Shooting Script PROPERTY OF: GAUMONT INTERNATIONAL TELEVISION LLC ©2015 CHISWICK PRODUCTIONS LLC. ALL RIGHTS RESERVED. NO PORTIONS OF THIS SCRIPT MAY BE PERFORMED, OR REPRODUCED BY ANY MEANS, OR QUOTED, OR PUBLISHED IN ANY MEDIUM WITHOUT THE PRIOR WRITTEN CONSENT OF GAUMONT INTERNATIONAL TELEVISION LLC. HANNIBAL "The Great Red Dragon" TEASER SURFACE OF A DESERT PLANET A craggy, dry, arid landscape. Patterned ridges alternate with troughs as deep as canyons. A sense of aridness and desolation. It feels a thousand years old. CAMERA VERY SLOWLY PULLS OUT, moving upward, revealing this is no landscape... as the ridges resolve into -- THE CREASED SKIN OF A MAN'S KNUCKLE. PULL EVEN FURTHER OUT, and the back of a hand comes into view. The hand rests on a Formica table, beside a magazine. It is a strong, well-formed hand. But not a young one. Every wrinkle and crease is detailed in CRISP FOCUS. To look on this hand is to be aware of its age, its imperfections. Now reveal the man staring down at it -- its owner: FRANCIS DOLARHYDE. Dolarhyde, early 40s, is a large man, strong, muscular. With a hint of vulnerability and diffidence. The look in his eyes as he gazes down at that hand -- as if suddenly really seeing it for the first time -- might be mournful, fearful or both. -
Hannibal Lecter) Pdf, Epub, Ebook
RED DRAGON: (HANNIBAL LECTER) PDF, EPUB, EBOOK Thomas Harris | 432 pages | 07 May 2009 | Cornerstone | 9780099532934 | English | London, United Kingdom Red Dragon: (Hannibal Lecter) PDF Book Plot Keywords. External Sites. Added to Watchlist. Flautist John Rubinstein Lecter is visited by Will Graham, a gifted FBI agent who has the ability to empathize with psychopaths. The Musical Official Sites. Retrieved 13 June Believing Dolarhyde is dead, Graham's family moves back to the Florida home. Germany [1] United States [1]. The original hardcover and paperback editions mentioned Lecter being held in the "Chesapeake" hospital. Two days after the Leeds murders, agent Jack Crawford , Graham's mentor, goes to Graham's Marathon, Florida residence and pleads for his assistance; Graham reluctantly agrees. Molly Graham Philip Seymour Hoffman Dolarhyde then leaves the plant unseen and goes to Reba's house. Graham eventually realizes that the killer knew the layout of his victims' houses from their home movies, which he could only have seen if he worked for the film processing lab that developed them. Retrieved September 27, Universal Pictures [1] Imagine Corporation [1]. Back to School Picks. Graham later comforts her, telling her that there is nothing wrong with her, and that the kindness and affection she showed Dolarhyde probably saved lives. Francis Dolarhyde. Views Read Edit View history. Retrieved March 14, When it comes to The Silence of the Lambs and Hannibal's character, many people recall and remember the absolutely terrifying sequence in which Hannibal makes his prison escape. Here monsters have their grandeur, heroes their gravity. Color: Color DeLuxe. It is undoubtedly a horror movie, and its atmosphere is far more threatening than the one found in Silence. -
A Matter of Taste: Monstrosity, Consumption and Hannibal Lecter
ISSN 2319-5339 IISUniv.J.A. Vol.5(1), 1-9 (2016) A Matter of Taste: Monstrosity, Consumption and Hannibal Lecter Pramod K. Nayar Taste.The wine, the truffles. Taste in all things was a constant between Dr Lecter’s lives in America and Europe. Between his life as a successful medical practitioner and fugitive monster. (Hannibal 225) The monster, Jeffrey Jerome Cohen (1996: 7-12), among others, has proposed, is one who marks the outside, comes from an elsewhere. The monster is ‘not one of us’. He represents the limits of civilization and civility. Yet twentieth century’s most fascinating fictional monster, with his own cult following due to the TV series, is the very embodiment of civility and ‘high’ culture: Hannibal Lecter. Lecter, who makes his debut in Thomas Harris’ Red Dragon, finally gets to be the centrepiece of a series of horror-thrillers: TheSilence of the Lambs, Hannibal and Hannibal Rising. He is no alien or outsider though but rather, until he is caught, a Johns Hopkins Medical school graduate and respected clinical psychiatrist. LHM Ling notes: ‘Hannibal the Cannibal cannot remain an “alien” monster. He is, instead, a familiar, identifiable character: one of us. Put differently, the evil other now resides explicitly within’ (2004: 380, emphasis in original).Yet, Hannibal is unlike one of us for several reasons: he is a cannibal with a serious set of affectations, a man of supreme tastes in food, clothing, cars and drinks. He is extremely well-read in a wide variety of areas, from astronomy to gastronomy. He has an enviable knowledge of art and music. -
Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006
Clark 1 Survey of Contemporary Horror Fiction Kendyll Clark Summer II 2006 Clark 2 Introduction What scares you? Fear manifests in many different ways for every being on this earth. However diverse these horrific episodes may be, there is one universal element common to every human experience: We all have fears. One avenue through which we can explore, identify and even vicariously experience our most primal fears is through horror fiction. H.P. Lovecraft said: The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their truth must establish for all time the genuineness and dignity of the weirdly horrible tale as literary form (www.quotationspage.com). Coupled with Lovecraft's fear of the unknown is the fear of any threat to our fragile mortality, fear of anything that may potentially cause physical harm to our being. This is a phobia innate to every person. The most precious and frail endowment of human existence is our ability to sustain and promote our humanity. When this gift is threatened in any way, shape or form, a fear is created. There are several ways through which we can more concretely define these fears, subcategories to the dread of any danger to our delicate subsistence. For example, fear of the unexplained. This phobia can be defined as dread of that which we cannot rationalize with existing or obtainable evidence. Another is the fear of the unseen. This phobia could be described as fright of something that is intangible or concealed. -
A Família Gótica Na Ficção De William Faulkner, Thomas Harris E Anne Rice
DISSERTAÇÃO DE MESTRADO EM CRIAÇÕES LITERÁRIAS CONTEMPORÂNEAS Área de Especialização: Literatura Norte-Americana Contemporânea A Família Gótica na Ficção de William Faulkner, Thomas Harris e Anne Rice Grant Wood, American Gothic, 1930. Benilde da Piedade Caldeira dos Santos Gaião Orientadora: Professora Doutora Maria Antónia Lima Évora, Outubro de 2010 DISSERTAÇÃO DE MESTRADO EM CRIAÇÕES LITERÁRIAS CONTEMPORÂNEAS Área de Especialização: Literatura Norte-Americana Contemporânea A Família Gótica na Ficção de William Faulkner, Thomas Harris e Anne Rice Benilde da Piedade Caldeira dos Santos Gaião Orientadora: Professora Doutora Maria Antónia Lima Aos meus pais 4 A Família Gótica na Ficção de William Faulkner, Thomas Harris e Anne Rice A Família Gótica na Ficção de William Faulkner, Thomas Harris e Anne Rice Esta dissertação é um estudo que propõe revelar a complexidade e os paradoxos da família nas obras de três autores contemporâneos, William Faulkner: The Sound and the Fury (1929), As I Lay Dying (1930) e Light in August (1932), Thomas Harris: Red Dragon (1981), The Silence of The Lambs (1988) e Hannibal Rising (2006) e Anne Rice: Interview with the Vampire (1976) e The Vampire Lestat (1985). Este trabalho analisará a forma como estes autores desocultam o que convencionalmente deveria ser resguardado dos olhos do público, daí decorrendo o poder transgressor deste modo literário, evidenciado nos autores em questão. Ao expor os núcleos familiares, será fundamental reflectir na sua disfuncionalidade, no passado reprimido que “persegue” um presente condicionado pelo abJecto e repulsivo que paradoxalmente atrai o leitor. Devido à intemporalidade e universalidade do tema, serão estabelecidas relações entre estas obras e outras representações artísticas, tais como a pintura e o cinema. -
228 Hannibal, Seasons
The Irish Journal of Gothic and Horror Studies 16 (Autumn 2017) Hannibal, Seasons 1-3 (NBC, 2012-15) The TV series Hannibal was developed by Bryan Fuller and aired on NBC from April 2013 to August 2015. Unfortunately, the series was cancelled after Season 3 due to falling ratings, although it is now available on DVD and Netflix (and there are rumours that the show may be resurrected in the near future).1 Hannibal focuses on the character that first made his fictional debut in Thomas Harris’s Red Dragon (1981) and went on to appear in the novels The Silence of the Lambs (1988), Hannibal (1999), and Hannibal Rising (2006). Dr Hannibal Lecter then attained even wider fame via the novels’ five cinematic adaptations. Lecter (played here by Mads Mikkelsen) is a brilliant, elegant, and refined psychiatrist and an exceptional cook, with a gorgeous office and a polished, almost sterile house in Baltimore. The series functions as a prequel to the books and four of the films: Hannibal collaborates with the FBI in order to help capture serial killers, but he is himself a manipulative and sadistic murderer who cannibalises his victims’ organs. Hannibal is therefore a therapist who can dissect not only the minds of his patients and adversaries, but also the tissues of their very bodies.2 Each of the titles of almost every episode is the name of a dish, such as ‘Amuse Bouche’, ‘Mukozuke’, and ‘Antipasto’ (respectively in French, Japanese, and Italian). During the first two seasons, each episode largely consists of an investigation into the murders committed by a specific killer, although there are also a number of overarching storylines that span each season and portray the evolving relationships between the main characters. -
Dennis Rader
Dennis Rader Dennis Lynn Rader (born March 9, 1945) is an Amer- terminated Rader’s employment for failure to report to ican serial killer who murdered ten people in Sedgwick work or to call in. He had been arrested for the murders County, Kansas, between 1974 and 1991. five days earlier.[13] He is also known as the BTK Killer or the BTK Stran- Rader was a member of Christ Lutheran Church and had gler. “BTK” stands for “Bind, Torture, Kill”, which was been elected president of the church council.[6][14] He was his infamous signature. He sent letters describing the de- also a Cub Scout leader.[6] On July 26, 2005, after Rader’s tails of the killings to police and local news outlets during arrest, Sedgwick County District Judge Eric Yost waived the interval when the murders happened. the 60-day waiting period and granted an immediate di- After a hiatus in the 1990s to the early 2000s, Rader re- vorce for his wife, agreeing that her mental health was sumed sending letters in 2004, leading to his 2005 arrest in danger. Rader did not contest the divorce, and the 34- and subsequent guilty plea. He is currently serving 10 year marriage was ended. Paula Rader said in her divorce petition that her mental and physical condition was ad- consecutive life sentences at El Dorado Correctional Fa- [7][15] cility in Kansas. versely affected by the marriage. 1 Early life and career 2 Crimes Dennis Rader is the oldest of four sons, born to Dorothea 2.1 Victims Mae Rader (née Cook) and William Elvin Rader.[1] Though born in Pittsburg, Kansas, he grew up in Wichita. -
White Wolf Npcs
VOLUME 3: KINDRED AND RELATED Assamites ................................................................................................................................................... 4 Ahmed ..................................................................................................................................................... 4 Al-Ashrad (Amr of Alamut) ......................................................................................................................... 4 Coven, Montgomery (Once and Forever Prince) ............................................................................................. 5 Djuhah (Seraph of the Black Hand) ............................................................................................................ 6 al-Faqadi, Fatima (Hand of Vengeance) ........................................................................................................ 8 Izhim Ur-Baal (Seraph of the Black Hand) ................................................................................................... 8 Osiris (Unbound Bodyguard) ....................................................................................................................... 9 Solinda (Chicago Bishop and Dominion) ....................................................................................................... 9 Tariq the Silent (1996 Onward, Dominion) .................................................................................................. 10 Ur-Shulgi (The Shepherd) ........................................................................................................................ -
Episode 12 the Number of the Beast Is
Executive Producer: Bryan Fuller Executive Producer: Martha De Laurentiis !Executive Producer: Steve Lightfoot “The Number of the! Beast is 666” Written by Jeff Vlaming & Angela LaManna and Bryan Fuller & Steve Lightfoot! Directed by Guillermo! Navarro ! Based on the characters created by Thomas !Harris ! ! Episode #312 Final Shooting Script PROPERTY OF: GAUMONT INTERNATIONAL TELEVISION LLC ©2015 CHISWICK PRODUCTIONS LLC. ALL RIGHTS RESERVED. NO PORTIONS OF THIS SCRIPT MAY BE PERFORMED, OR REPRODUCED BY ANY MEANS, OR QUOTED, OR PUBLISHED IN ANY MEDIUM WITHOUT THE PRIOR WRITTEN CONSENT OF GAUMONT INTERNATIONAL TELEVISION LLC. HANNIBAL "The Number of the Beast Is 666" TEASER THE SILVER SURFACE OF A SHARD OF MIRROR PULL OUT to reveal it is placed in MOLLY's eye. CAMERA moves slightly to see WILL GRAHAM's reflection in it. GO WIDE THE FRAME is now filled with Blake's The Great Red Dragon and the Woman Clothed in Sun -- the Dragon rampant over the woman's body. CAMERA moves into the painting as the background deepens, pushes past the Dragon, onto the woman. As we watch, his tail coils and tightens on her body. And now we see she has Molly's face, mirrors in her eyes. PUSH IN CLOSER and CLOSER until we see Will reflected in the mirrors, her face raised in supplication to him. And then we REVERSE to -- MOLLY/THE WOMAN'S POV As if looking out of the painting, and we see -- THE GREAT RED DRAGON Standing in a NULL BLACK VOID, and he has Will Graham's face. CUT TO: INT. BEDELIA'S HOME OFFICE - DAY Will sits opposite BEDELIA, mid-therapy. -
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction REPRESENTATIONS: H E a LT H , DI SA BI L I T Y, CULTURE and SOCIETY
Disability, Literature, Genre: Representation and Affect in Contemporary Fiction REPRESENTATIONS: H E A LT H , DI SA BI L I T Y, CULTURE AND SOCIETY Series Editor Stuart Murray, University of Leeds Robert McRuer, George Washington University This series provides a ground-breaking and innovative selection of titles that showcase the newest interdisciplinary research on the cultural representations of health and disability in the contemporary social world. Bringing together both subjects and working methods from literary studies, film and cultural studies, medicine and sociology, ‘Representations’ is scholarly and accessible, addressed to researchers across a number of academic disciplines, and prac- titioners and members of the public with interests in issues of public health. The key term in the series will be representations. Public interest in ques- tions of health and disability has never been stronger, and as a consequence cultural forms across a range of media currently produce a never-ending stream of narratives and images that both reflect this interest and generate its forms. The crucial value of the series is that it brings the skilled study of cultural narratives and images to bear on such contemporary medical concerns. It offers and responds to new research paradigms that advance understanding at a scholarly level of the interaction between medicine, culture and society; it also has a strong commitment to public concerns surrounding such issues, and maintains a tone and point of address that seek to engage a general audience.