Dickens Universe 2016 Dombey and Son Bibliography The
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London, Radical Culture, and the Making of the Dickensian Aesthetic
London, Radical Culture, and the Making of the Dickensian Aesthetic London, Radical Culture, and the Making of the Dickensian Aesthetic Sambudha Sen The Ohio State University Press / Columbus Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Sen, Sambudha. London, radical culture, and the making of the Dickensian aesthetic / Sambudha Sen. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1192-2 (cloth : alk. paper)—ISBN 978-0-8142-9293-8 (cd) 1. English fiction—19th century—History and criticism. 2. Dickens, Charles, 1812– 1870—Criticism and interpretation. 3. Thackeray, William Makepeace, 1811–1863— Criticism and interpretation. 4. Literature and society—Great Britain—History—19th century. 5. Radicalism—Great Britain—History—19th century. I. Title. PR861.S46 2012 823'.809—dc23 2012007257 Cover design by Greg Betza Text design by Juliet Williams Type set in Adobe Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS List of Illustrations vii Acknowledgments ix INTRODUCTION 1 CHAPTER 1 Dickens, Thackeray, and “The Language of Radicalism” 13 CHAPTER 2 The Aesthetics and Politics of Caricature: Bleak House, Little Dorrit, and Vanity Fair in Relation to “Radical Expression” 36 CHAPTER 3 Re-Visioning the City: The Making of an Urban Aesthetic from Hogarth to the Stereoscope 65 CHAPTER 4 Novelizing the City: Bleak House, Vanity Fair, and the Hybridizing Challenge 94 CHAPTER 5 Radical Culture, the City, and the Problem of Selfhood: Great Expectations and Pendennis 116 CHAPTER 6 Working with Fragments: Our Mutual Friend as a Reflection on the Popular Aesthetic 141 Notes 163 Bibliography 177 Index 184 IllUSTRATIONS 1. -
Dombey and Son: an Inverted Maid's Tragedy
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 6 No. 3; June 2015 Flourishing Creativity & Literacy Australian International Academic Centre, Australia Dombey and Son: An Inverted Maid's Tragedy Taher Badinjki Department of English, Faculty of Arts, Al-Zaytoonah University P O box 1089 Marj Al-Hamam, Amman 11732, Jordan E-mail: [email protected] Doi:10.7575/aiac.alls.v.6n.3p.210 Received: 14/02/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.6n.3p.210 Accepted: 29/04/2015 Abstract Ross Dabney, J. Butt & K. Tillotson, and others think that Dickens revised the role of Edith in the original plan of Dombey and Son upon the advice of a friend. I tend to believe that Dickens's swerve from his course was prompted by two motives, his relish for grand scenes, and his endeavour to engage the reader's sympathies for a character who was a victim of a social practice which he was trying to condemn. Dickens's humanitarian attitude sought to redeem the sinner and condemn the sin. In engaging the reader's sympathies, Dickens had entrapped his own. Both Edith and Alice are shown as victims of rapacious mothers who sell anything, or anybody for money. While Good Mrs Brown sells Alice's virtue and innocence for cash, Mrs Skewton trades on Edith's beauty in the marriage market to secure fortune and a good establishment. Edith and Alice's maturity and moral growth and their scorn and anger at their mothers' false teaching come in line with public prudery. -
Seman 1 Dickens Against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A
Seman 1 Dickens against the Grain Gendered Spheres and Their Transgressors in Bleak House, Hard Times, and Great Expectations A Thesis Presented to the Honors Tutorial College Ohio University In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the Degree of Bachelor of Arts in English by Taylor J. Seman June 2011 Seman 2 This thesis has been approved by The Honors Tutorial College and the Department of English __________________________ Dr. Carey Snyder Associate Professor, English Thesis Advisor and Director of Studies ___________________________ Dr. Jeremy Webster Dean, Honors Tutorial College Seman 3 Table of Contents Introduction…………………………………………………………………………….4 Chapter One: Transgressive Characters………………………………………………..9 Chapter Two: Idealized Characters…………………………………………………...28 Chapter Three: Female Power in Unusual Places…………………………………….45 Conclusion…………………………………………………………………………....56 Bibliography…………………………………………………………………………..58 Seman 4 Introduction Charles Dickens certainly cannot be considered a participant in a precursory movement towards feminism; in fact, many of Dickens‘s novels uphold traditional ideas about femininity and punish the usurpation of male privilege. In Bleak House, Hard Times, and Great Expectations—the three novels that form the basis of this study—Dickens punishes characters who transgress gender norms (such as Mrs. Jellyby, Louisa, and Mrs. Joe) both through explicit condemnation by the narrator and the adversity that befalls them in the plot. These characters have been created to appear ridiculous, no matter their accomplishments in the community or in the world at large. Yet in these same novels, Dickens presents a socially relevant depiction of female power and agency that subverts the sexism he exhibits in the creation and punishment of other characters. -
Oliver Twist; Or, the Parish Boy's Progress (1838) Is Charles Dickens's Second Novel
Oliver Twist; or, The Parish Boy's Progress (1838) is Charles Dickens's second novel. It was first published as a book by Richard Bentley in 1838. It tells the story of an orphan boy and his adventures among London's slums. Oliver is captured by, and forced to work among, pickpockets and thieves until redeemed by a gentleman who has taken an interest in him. Characters include Fagin, Nancy, Bill Sykes, and the Artful Dodger. The book David Copperfield is a novel by Charles is one of the earliest examples of the social novel. It draws the Dickens. Like his other novels, it first came out as a series in a reader's attention to contemporary evils such as child labour, the magazine under the title The Personal History, Adventures, recruitment of children as criminals, and the presence of street Experience and Observation of David Copperfield the Younger of children. Blunderstone Rookery (which he never meant to publish on any The novel may have been inspired by the story of Robert Blincoe, account)[1] an orphan whose account of hardships as a child labourer in a The story is told in the first person. Some of the greatest Dickens cotton mill was widely read in the 1830s. It is likely that Dickens's characters appear in the novel, such as the evil clerk Uriah Heep. own early youth as a child labourer contributed to the story's Other villains in David's life are his brutal stepfather, Edward development. The book influenced American writer Horatio Alger, Murdstone, and Mr. -
Liminal Dickens
Liminal Dickens Liminal Dickens: Rites of Passage in His Work Edited by Valerie Kennedy and Katerina Kitsi-Mitakou Liminal Dickens: Rites of Passage in His Work Edited by Valerie Kennedy and Katerina Kitsi-Mitakou This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Valerie Kennedy, Katerina Kitsi-Mitakou and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8890-7 ISBN (13): 978-1-4438-8890-5 To Dimitra in love and gratitude (Katerina Kitsi-Mitakou) TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Abbreviations ................................................................................... x Introduction ................................................................................................. 1 Liminal Dickens: Rites of Passage in His Work Valerie Kennedy, Katerina Kitsi-Mitakou Part I: Christian Births, Marriages and Deaths Contested Chapter One ............................................................................................... 20 Posthumous and Prenatal Dickens Dominic Rainsford Chapter -
David Copperfield: Victorian Hero
David Copperfield: Victorian Hero by James A. Hamby A Dissertation Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the College of Graduate Studies of Middle Tennessee State University Murfreesboro, Tennessee August 2012 UMI Number: 3528680 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. OiSi«Wior» Ftattlisttlfl UMI 3528680 Published by ProQuest LLC 2012. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Submitted by James A. Hamby in partial fulfillment of the requirements for the degree of Doctor of Philosophy, specializing in English. Accepted on behalf of the Faculty of the College of Graduate Studies by the dissertation committee: Date: Quaul 3-1.9J310. Rebecca King, Ph.D. ^ Chairperson Date:0ruu^ IX .2.612^ Elvira Casal^Ph.D. N * Second Reader f ./1 >dimmie E. Cain, Ph.D. Af / / / y # Third Reader / diPUt Date:J Tom Strawman, Ph.D. Chair, Department of English (lULa.lh Qtt^bate: 7 SI '! X Michael D.)'. Xllen, Ph.D. Dean of the College of Graduate Studies © 2012 James A. Hamby ALL RIGHTS RESERVED ii For my family. -
FLORENCE AS CHRIST-FIGURE in DOMBEY and SON Sarah Flenniken John Carroll University, [email protected]
John Carroll University Carroll Collected Masters Essays Theses, Essays, and Senior Honors Projects Spring 2017 TOUCHED BY LOVE: FLORENCE AS CHRIST-FIGURE IN DOMBEY AND SON Sarah Flenniken John Carroll University, [email protected] Follow this and additional works at: http://collected.jcu.edu/mastersessays Part of the English Language and Literature Commons Recommended Citation Flenniken, Sarah, "TOUCHED BY LOVE: FLORENCE AS CHRIST-FIGURE IN DOMBEY AND SON" (2017). Masters Essays. 61. http://collected.jcu.edu/mastersessays/61 This Essay is brought to you for free and open access by the Theses, Essays, and Senior Honors Projects at Carroll Collected. It has been accepted for inclusion in Masters Essays by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. TOUCHED BY LOVE: FLORENCE AS CHRIST-FIGURE IN DOMBEY AND SON An Essay Submitted to the Office of Graduate Studies College of Arts & Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Sarah Flenniken 2017 The essay of Sarah Flenniken is hereby accepted: ______________________________________________ __________________ Advisor- Dr. John McBratney Date I certify that this is the original document ______________________________________________ __________________ Author- Sarah E. Flenniken Date A recent movement in Victorian literary criticism involves a fascination with tactile imagery. Heather Tilley wrote an introduction to an essay collection that purports to “deepen our understanding of the interconnections Victorians made between mind, body, and self, and the ways in which each came into being through tactile modes” (5). According to Tilley, “who touched whom, and how, counted in nineteenth-century society” and literature; in the collection she introduces, “contributors variously consider the ways in which an increasingly delineated touch sense enabled the articulation and differing experience of individual subjectivity” across a wide range of novels and even disciplines (1, 7). -
Selected Bibliography on Our Mutual Friend for the 2014 Dickens Universe August 3-9 UC Santa Cruz
Selected Bibliography on Our Mutual Friend for the 2014 Dickens Universe August 3-9 UC Santa Cruz (*starred items are strongly recommended) Reference Works Cotsell, Michael. 1986. The Companion to Our Mutual Friend. Boston: Allen & Unwin; rpt. New York: Routledge, 2009. Brattin, Joel J., and Bert. G. Hornback, eds. 1984. Our Mutual Friend: An Annotated Bibliography. New York: Garland. Heaman, Robert J. 2003. “Our Mutual Friend: An Annotated Bibliography: Supplement I, 1984-2000.” Dickens Studies Annual 33: 425-514. Selected articles and chapters Allen, Michelle Elizabeth. 2008. “A More Expansive Reach: The Geography of the Thames in Our Mutual Friend.” In Cleansing the City: Sanitary Geographies in Victorian London, ch. 2. Athens: Ohio University Press. Alter, Robert. 1996. “Reading Style in Dickens.” Philosophy and Literature 20, no. 1: 130-7. Arac, Jonathan. 1979. “The Novelty of Our Mutual Friend.” In Commissioned Spirits: The Shaping of Social Motion in Dickens, Carlyle, Melville, and Hawthorne, 164-185. New York: Columbia University Press. Baumgarten, Murray. 2000. “The Imperial Child: Bella, Our Mutual Friend, and the Victorian Picturesque.” In Dickens and the Children of Empire, edited by Wendy S. Jacobson, 54-66. New York: Palgrave. Baumgarten, Murray. 2002. “Boffin, Our Mutual Friend, and the Theatre of Fiction.” Dickens Quarterly 19: 17-22. Bodenheimer, Rosemarie. 2002. “Dickens and the Identical Man: Our Mutual Friend Doubled.” Dickens Studies Annual 31: 159-174. Boehm, Katharina. 2013. “Monstrous Births and Saltationism in Our Mutual Friend and Popular Anatomical Museums.” In Charles Dickens and the Sciences of Childhood: Popular Medicine, Child Health and Victorian Culture, ch. 5. New York: Palgrave Macmillan. -
Five Novels Oliver Twist a Christmas Carol David Copperfield Tale of Two Cities Great Expectations Charles Dickens
FIVE NOVELS OLIVER TWIST A CHRISTMAS CAROL DAVID COPPERFIELD TALE OF TWO CITIES GREAT EXPECTATIONS CHARLES DICKENS PDF-29FNOTACCDCTOTCGECD0 | Page: 117 File Size 5,182 KB | 24 Feb, 2021 TABLE OF CONTENT Introduction Brief Description Main Topic Technical Note Appendix Glossary PDF File: Five Novels Oliver Twist A Christmas Carol David Copperfield Tale Of Two Cities Great 1/2 Expectations Charles Dickens - PDF-29FNOTACCDCTOTCGECD0 Five Novels Oliver Twist A Christmas Carol David Copperfield Tale Of Two Cities Great Expectations Charles Dickens e-Book Name : Five Novels Oliver Twist A Christmas Carol David Copperfield Tale Of Two Cities Great Expectations Charles Dickens - Read Five Novels Oliver Twist A Christmas Carol David Copperfield Tale Of Two Cities Great Expectations Charles Dickens PDF on your Android, iPhone, iPad or PC directly, the following PDF file is submitted in 24 Feb, 2021, Ebook ID PDF-29FNOTACCDCTOTCGECD0. Download full version PDF for Five Novels Oliver Twist A Christmas Carol David Copperfield Tale Of Two Cities Great Expectations Charles Dickens using the link below: Download: FIVE NOVELS OLIVER TWIST A CHRISTMAS CAROL DAVID COPPERFIELD TALE OF TWO CITIES GREAT EXPECTATIONS CHARLES DICKENS PDF The writers of Five Novels Oliver Twist A Christmas Carol David Copperfield Tale Of Two Cities Great Expectations Charles Dickens have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication. The creators will not be held accountable for any unintentional flaws or omissions that may be found. PDF File: Five Novels Oliver Twist A Christmas Carol David Copperfield Tale Of Two Cities Great 2/2 Expectations Charles Dickens - PDF-29FNOTACCDCTOTCGECD0. -
Troubled Masculinity at Midlife: a Study of Dickens's Hard Times
235 Troubled Masculinity at Midlife: A Study of Dickens’s Hard Times HATADA Mio Hard Timesで提示される “Fact”と“Fancy”の2つの対照的な世界、あるいは価値観は、一見 すると相反するもののように思われるが、この小説は両者の対立よりもむしろ、両者がいかに 密接な関係を持っているかを暗示しているように思われる。そして、主要な登場人物は複雑に 絡まり合ったこれら2つの世界に、それぞれのやり方で関わりを持ち、反応を示す。興味深い ことに、2つの絡み合う世界は、主要な人物(その多くは中年の男性である)の抱えている問 題とも密接な関係を持っている。本稿ではHard Timesにおける2つの世界を、作品中で直接姿 を現すことのないSissy の父親の存在を手がかりに、中年期の男性が経験するmasculinityの危 機、という観点から再考している。 キーワード:aging, masculinity, gender Introduction It is well known that F. R. Leavis included Hard Times in his work The Great Tradition, calling it “a completely serious work of art” (Leavis 258) with the “subtlety of achieved art” (Leavis 279). Much earlier, John Ruskin estimated the novel as “the greatest” of Dickens’s novels, and asserted that it “should be studied with close and earnest care by persons interested in social questions” (34). Many other critics make much of the aspect of Hard Times as a critique of the contemporary society, and it has often been treated with other industrial novels such as Elizabeth Gaskell’s North and South (1855). Humphry House, for instance, points out that Dickens was “thinking much more about social problems,” and that “Hard Times is one of Dickens’s most thought-about books.” He goes on to assert that “in the ’fi fties, his novels begin to show a greater complication of plot than before” because “ he was intending to use them as a vehicle of more concentrated sociological argument” (House 205). David Lodge, too, affi rms, “Hard Times manifests its identity as a polemical work, a critique of mid-Victorian industrial society dominated by materialism, acquisitiveness and ruthlessly competitive capitalist economics,” which are “represented... by the Utilitarians” (Lodge 69‒70). -
Katie Wetzel MA Thesis Final SP12
DOMESTIC TRAUMA AND COLONIAL GUILT: A STUDY OF SLOW VIOLENCE IN DOMBEY AND SON AND BLEAK HOUSE BY KATHERINE E. WETZEL Submitted to the graduate degree program in English and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. _____________________________ Chairperson Dr. Dorice Elliott _____________________________ Dr. Anna Neill _____________________________ Dr. Paul Outka Date Defended: April 3, 2012 ii The Thesis Committee for Katherine E. Wetzel certifies that this is the approved version of the following thesis: DOMESTIC TRAUMA AND COLONIAL GUILT: A STUDY OF SLOW VIOLENCE IN DOMBEY AND SON AND BLEAK HOUSE _______________________________ Chairperson Dr. Dorice Elliott Date Approved: April 3, 2012 iii Abstract In this study of Charles Dickens’s Dombey and Son and Bleak House, I examine the two forms of violence that occur within the homes: slow violence through the naturalized practices of the everyday and immediate forms of violence. I argue that these novels prioritize the immediate forms of violence and trauma within the home and the intimate spaces of the family in order to avoid the colonial anxiety and guilt that is embedded in the naturalized practices of the everyday. For this I utilize Rob Nixon’s theory on slow violence, which posits that some practices and objects that occur as part of the everyday possess the potential to be just as violent as immediate forms of violence. Additionally, the British empire’s presence within the home makes the home a dark and violent place. Dombey and Son does this by displacing colonial anxiety, such as Mr. -
Domestic Trauma and Imperial Pessimism: the Crisis at Home in Charles Dickens’S Dombey and Son
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 21 (2019) Issue 5 Article 13 Domestic Trauma and Imperial Pessimism: The Crisis at Home in Charles Dickens’s Dombey and Son Katherine E. Ostdiek University of Iowa Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies.