DOCSLIB.ORG

​Neil Young + Promise of the Real Confirmed for Tinderbox in Denmark

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Neil Young + Promise of the Real 2019-03-13 10:00 CET Neil Young + Promise of the Real confirmed for Tinderbox in Denmark The Canadian legend will play his only Scandinavian show this summer in Odense and will be joined on the poster by seminal Danish act The Savage Rose It finally happened! After many months of hard work, the deal is finally in place with one of rock's biggest names – the legendary Neil Young. This is the rock icon's only show in Scandinavia on this tour, and for his first concert at Tinderbox Neil Young will be backed by his friends in Promise of the Real. From his time in Buffalo Springfield over the records with Crosby, Stills, Nash & Young and the many high points that have been released since the late 60s, Neil Young has stood out as one of the most important voices in rock. He is a member of the Rock 'N' Roll Hall of Fame both as a solo artist and as a member of Buffalo Springfield, he has been involved in the founding of both Farm Aid and Bridge School concerts, and he has been nicknamed The Godfather of Grunge. An early highlight of Neil Young's career was the beautiful album "Harvest", which not only went to number one in the United States, but also became the best-selling album that year. The album is today considered to be one of the best releases of the 70’s, and 20 years later the album received a companion piece in the form of "Harvest Moon", which impressively is almost as highly regarded among reviewers and fans. The counterpoint to the two acoustic Harvest-records is a series of records recorded with the band Crazy Horse, whose incredible live energy was captured on "Rust Never Sleeps". Here you find the classic "Hey Hey, My My (Into the Black)", but the collaboration also shines on songs like "Cortez the Killer", "Mansion on the Hill", and "Cinnamon Girl" and has impressed crowds of thousands for decades. Born in 1945, but as vibrant as ever, the influential musician’s life can best be summed up in a line from one of his greatest hits - "Keep on Rockin" in the Free World". He is a one of a kind songwriter, performer, and humanitarian, and also an uncompromising tornado on stage, who isn’t afraid to venture into long guitar solos, where the feedback cries out so loudly that it can awaken the dead. There is no one like him and this summer Neil Young will for the first time ever visit Odense and headline the festival Tinderbox for his only Scandinavian stop on this tour. The most important Danish band from the same period is The Savage Rose with the wonderful Annisette Koppel in front. The band debuted in 1968 with an album, which today stands as one of the most groundbreaking Danish releases ever. The band could celebrate its 50th anniversary two years ago, but they haven’t slowed down a beat. The new edition of The Savage Rose is ready to deliver one of their usually sublime concerts, when they visit Tinderbox for the first time this summer. The program for Tinderbox 2019 now looks like this: A$AP Rocky, Benal, Billie Eilish, The Chainsmokers, Crown the Beast, Dermot Kennedy, Diplo, Dropkick Murphys, Duran Duran, Dzeko, EDX, Faustix, Gnags, Greta Van Fleet, Karenina, L.O.C., Lana Del Rey, Lil Uzi Vert, Lost Frequencies, Loud Luxury, The Lumineers , Lydmor, Macklemore, Martin Jensen, The Minds of 99, Neil Young + Promise of the Real, Nervo, Peter Sommer & Tiggerne, Phlake, Rick Astley, The Savage Rose, Sheryl Crow, Sigrid, Skunk Anansie, Suspekt, Swedish House Mafia, Trouble is, and Wolfmother. Tinderbox 2019 can be experienced in Odense on the 27th - 29th of June 2019, and tickets can be purchased via Tinderbox.dk. Kontaktpersoner Pressekontakt Pressekontakt [email protected] 92829297.
Recommended publications
  • Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006

    Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006

    M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests.
  • Death, Travel and Pocahontas the Imagery on Neil Young's Album

    Death, Travel and Pocahontas the Imagery on Neil Young's Album

    Hugvísindasvið Death, Travel and Pocahontas The imagery on Neil Young’s album Rust Never Sleeps Ritgerð til B.A.-prófs Hans Orri Kristjánsson September 2008 Háskóli Íslands Hugvísindasvið Enskuskor Death, Travel and Pocahontas The imagery on Neil Young’s album Rust Never Sleeps Ritgerð til B.A.-prófs Hans Orri Kristjánsson Kt.: 260180-2909 Leiðbeinandi: Sveinn Yngvi Egilsson September 2008 Abstract The following essay, “Death, Travel and Pocahontas,” seeks to interpret the imagery on Neil Young’s album Rust Never Sleeps. The album was released in July 1979 and with it Young was venturing into a dialogue of folk music and rock music. On side one of the album the sound is acoustic and simple, reminiscent of the folk genre whereas on side two Young is accompanied by his band, The Crazy Horse, and the sound is electric, reminiscent of the rock genre. By doing this, Young is establishing the music and questions of genre and the interconnectivity between folk music and rock music as one of the theme’s of the album. Young explores these ideas even further in the imagery of the lyrics on the album by using popular culture icons. The title of the album alone symbolizes the idea of both death and mortality, declaring that originality is transitory. Furthermore he uses recurring images, such as death, to portray his criticism on the music business and lack of originality in contemporary musicians. Ideas of artistic freedom are portrayed through images such as nature and travel using both ships and road to symbolize the importance of re-invention.
  • Songs of the Century

    Songs of the Century

    Songs of the Century T. Austin Graham hat is the time, the season, the historical context of a popular song? When is it most present in the world, best able Wto reflect, participate in, or construct some larger social reality? This essay will consider a few possible answers, exploring the ways that a song can exist in something as brief as a passing moment and as broad as a century. It will also suggest that when we hear those songs whose times have been the longest, we might not be hearing “songs” at all. Most people are likely to have an intuitive sense for how a song can contract and swell in history, suited to a certain context but capable of finding any number of others. Consider, for example, the various uses to which Joan Didion is able to put music in her generation-defining essay “Slouching Towards Bethlehem,” a meditation on drifting youth and looming apocalypse in the days of the Haight-Ashbury counterculture. Songs create a powerful sense of time and place throughout the piece, with Didion nodding to the Grateful Dead, Jefferson Airplane, Quick- silver Messenger Service, and “No Milk Today” by Herman’s Hermits, “a song I heard every morning in the cold late spring of 1967 on KRFC, the Flower Power Station, San Francisco.”1 But the music that speaks most directly and reverberates most widely in the essay is “For What It’s Worth,” the Buffalo Springfield single whose chiming guitar fifths and famous chorus—“Stop, hey, what’s that sound / Everybody look what’s going down”—make it instantly recognizable nearly five decades later.2 To listen to “For What It’s Worth” on Didion’s pages is to hear a song that exists in many registers and seems able to suffuse everything, from a snatch of conversation, to a set of political convictions, to nothing less than “The ’60s” itself.
  • Neil Young’S Worldwide Copyright and Income Interests in His Entre Song Catalogue Comprising 1,180 Songs

    Neil Young’S Worldwide Copyright and Income Interests in His Entre Song Catalogue Comprising 1,180 Songs

    6 January 2021 Hipgnosis Songs Fund Limited (“Hipgnosis” or the “Company”) Acquisi=on of Music Catalogue The Board of Hipgnosis Songs Fund Limited, the first UK listed investment Company offering investors a pure-play exposure to songs and assoCiated intelleCtual property rights, and its Investment Adviser, The Family (MusiC) Limited, are pleased to announCe that the Company has acquired 50% of Neil Young’s worldwide Copyright and inCome interests in his enTre song Catalogue Comprising 1,180 songs. Merck Mercuriadis, Founder of The Family (Music) Limited and Hipgnosis Songs Fund Limited, said: “I bought my first Neil Young album aged 7. ‘Harvest’ was my Companion and I know every note, every word, every pause and silenCe inTmately. Neil Young, or at least his musiC, has been my friend and Constant ever sinCe. Over the last 50 years that friendship took me back to Buffalo Springfield, Crosby, STlls, Nash & Young, 'Everybody Knows This Is Nowhere’, ‘A`er The Gold Rush’, and guided me forward to 'On The Beach', 'Tonight’s The Night', ‘Zuma', 'Comes A Time', 'Rust Never Sleeps', ‘Trans', 'This Notes For You', ‘Freedom', 'Ragged Glory', ‘Greendale' and through each suCCessive album and on to last year’s ‘Colorado’. They're part of who I am, they're in many ways responsible for who I’ve beCome and they're most Certainly in my dNA. I knew I would never be a singer or songwriter myself so my love for Neil also extended to his manager Elliot Roberts, who is sadly no longer with us. Elliot was the template for who I wanted to be.
  • Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**

    Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**

    BandWorks Song List **Please circle all songs you would like to perform in the next session** After Midnight (Eric Clapton) Break on Through (Doors) Don’t Change Horses [In the Middle A Hard Day’s Night (Beatles) Breathe (Pink Floyd) of a Stream] (Tower of Power) Ain’t That Peculiar (Marvin Gaye) Brick House (Commodores) Don’t Let the Sun Catch You Cryin’ Ain’t Wastin’ Time No More (Allman Bros.) Brown-Eyed Girl (Van Morrison) (Ray Charles) Alison (Elvis Costello) Buddy Holly (Weezer) Don’t Lose Your Cool (Albert Collins) Alive (Pearl Jam) Burning Down the House (Talking Heads) Don’t Speak (No Doubt) All Along the Watchtower (Bob Dylan) Burn to Shine (Ben Harper) Don’t Talk About My Mama All Apologies (Nirvana) By the Way (Red Hot Chili Peppers) (Mem Shanon) All For You (Sister Hazel) Cabron (Red Hot Chili Peppers) Don’t Throw That Mojo on Me All My Love (Led Zeppelin) Caldonia (Bb King) (Wynona Judd) All You Need Is Love (Beatles) Caledonia Mission (The Band) Do Your Thing (Lyn Collins) All Your Love (Otis Rush) California (Lenny Kravitz) Down Payment Blues (AC/DC) Alone (Susan Tedeschi) Callin’ San Francisco (Tommy Castro) Dreams (Fleetwood Mac) American Girl (Tom Petty) Call Me the Breeze (Lynyrd Skynyrd) Dr. Feelgood (Aretha Franklin) American Idiot (Green Day) Can’t Find My Way Home (Blind Faith) Drive South (John Hiatt) And It Stoned Me (Van Morrison) Can’t Get Next to You (Al Green) Drops of Jupiter (Train) And She Was (Talking Heads) Canteloupe Island (Herbie Hancock) Elevation (U2) Angel (Jimi Hendrix) Caravan (Van Morrison)
  • Rust Never Sleeps Recognizing Metals and Their Corrosion Products Library and Archives Canada Cataloguing in Publication

    Rust Never Sleeps Recognizing Metals and Their Corrosion Products Library and Archives Canada Cataloguing in Publication

    Rust Never Sleeps RECOGNIZING METALS AND THEIR COrrOSION PRODUCTS Library and Archives Canada Cataloguing in Publication Rust never sleeps : recognizing metals and their corrosion products/Bart Ankersmit ... [et al.]. Issued also in French under title: Contre le temps, contre la rouille. ISBN 978-0-662-48099-0 Cat. no.: R62-398/2008E 1. Metals--Corrosion fatigue. 2. Corrosion and anti-corrosives. 3. Antiquities--Collection and preservation. I. Parks Canada, Western and Northern Service Centre II. Title TA462.R87 2008 620.1’1223 C2008-980106-7 Weeping iron (droplets of water), Nestor Gonzalez, H. L. Hunley Project, Warren Lasch Conservation Center, South Carolina. RUST NEVER SLEEPS Acknowledgements Recognizing Metals and Their Corrosion Products Parks Canada conservators regularly visit national historic sites and parks to perform by Bart Ankersmit, Martina Griesser-Stermscheg, artifact assessments, and to provide on-site conservation treatments and training Lyndsie Selwyn and Susanne Sutherland for collections management staff and seasonal employees. Producing a corrosion identification booklet for staff was born during a site visit in 2002. I hear and I forget, Thanks to Lana Chan and Liz Croome of Cultural Resource Services in the Western and Northern Service Centre, the booklet took on a life of its own. From 2003 until I see and I remember, publication we have had the generous assistance and guidance of Lyndsie Selwyn, I do and I understand. corrosion scientist at the Canadian Conservation Institute (CCI). We also collaborated The wisdom of this Chinese proverb guided us in writing and illustrating this with Martina Griesser-Stermscheg, University of Applied Arts Vienna and Bart booklet.
  • NY Unofficial Archive V5.2 22062018 TW.Pdf

    NY Unofficial Archive V5.2 22062018 TW.Pdf

    ........................................................................................................................................................................................... THE UNOFFICIAL ARCHIVE: NEIL YOUNG’S “UNRELEASED” SONGS ©Robert Broadfoot 2018 • [email protected] Version 5.2 -YT: 22 June 2018 Page 1 of 98 CONTENTS CONTENTS ............................................................................................................................. 2 FOREWORD .......................................................................................................................... 3 A NOTE ON SOURCES ......................................................................................................... 5 KEY .......................................................................................................................................... 6 I. NEIL YOUNG SONGS NOT RELEASED ON OFFICIAL MEDIA PART ONE THE CANADIAN YEARS .............................................................................. 7 PART TWO THE AMERICAN YEARS ........................................................................... 16 PART THREE EARLY COVERS AND INFLUENCES ........................................................ 51 II. NEIL YOUNG PERFORMING ON THE RELEASED MEDIA AND AT CONCERT APPEARANCES, OF OTHER ARTISTS ..................................................... 63 III. UNRELEASED NEIL YOUNG ALBUM PROJECTS PART ONE DOCUMENTED ALBUM PROJECTS ....................................................... 83 PART TWO SPECULATION
  • Incredible Adventures of Cinnamon

    Incredible Adventures of Cinnamon

    INCREDIBLE ADVENTURES OF CINNAMON GIRL, THE Author / Illustrator: ISBN – 13: Melissa Keil / Mike 9781561459056 Lawrence Retail Price: Pub Date: $17.95 04/16 BISAC Codes: JUV008000 JUVENILE FICTION / Comics & Graphic Novels / General JUV026000 JUVENILE FICTION / Love & Romance JUV039060 JUVENILE FICTION / Social Issues / Friendship Category / Format / Trim size: illustrations: Junior High/YA Fiction / HC / 22 black & white 5¼ x 8 illustrations Age Range /Grade Page count: Range: 352 pages Ages 12+ / 7+ Territory: Rights: US, Territories, Dependencies, Philippines, Canada Text: Hardie Grant Egmont; Art: Peachtree Sales Handle: Alba wants to stop time so she can stay in her small town forever-- but the end of the world might just force her to confront her future. Description: Alba loves her life just as it is. She loves living behind the bakery and waking up in a cloud of sugar and cinnamon. She loves drawing comics and watching bad TV with her friends. The only problem is she's overlooked a few teeny details. Like, the guy she thought long gone has unexpectedly reappeared. And the boy who has been her best friend since forever has suddenly gone off the rails. Even her latest comic book creation is misbehaving. Also, the world might be ending-- which is proving to be awkward. As doomsday enthusiasts flock to idyllic Eden Valley, Alba's life is thrown into chaos. Whatever happens next, it's the end of the world as she knows it. But when it comes to figuring out her heart, Armageddon might turn out to be the least of her problems. Selling
  • Buffalo Springfield Reunited

    Buffalo Springfield Reunited

    Children, what's that sound? Buffalo Springfield reunited By Marco R. della Cava, USA Today, 10/25 MOUNTAIN VIEW, Calif. — Wow, man. There's tie-dyed Woodstock emcee Wavy Gravy getting wanded by security. Backstage, check out psychedelic album-art maestro Stanley Mouse, sketching up a storm. On stage? How about Buffalo Springfield, ripping through nearly a dozen of the band's hits? Who says you can't go back? Saturday's '60s throwback came courtesy of Neil and Pegi Young's 24th annual benefit concert to support the Bridge School, which educates 1 / 7 Children, what's that sound? Buffalo Springfield reunited children with severe impairments. Although the lineup for the all-acoustic, eight-hour affair was typically eclectic, the undeniable focus was on Young's first public reunion with remaining original members of his old band, formed with Stephen Stills and Richie Furay in the musical cauldron of 1966 and disbanded two years later. Springboard to fame The surviving trio did their late bandmates, Bruce Palmer and Dewey Martin, proud. Opening with a slightly slowed version of the Furay-led On the Way Home, Stills and Young dutifully fell into supporting roles on harmony. 2 / 7 Children, what's that sound? Buffalo Springfield reunited Furay, dressed in a black cowboy shirt, stayed in the spotlight with A Child's Claim to Fame, Do I Have to Come Right Out and Say It and Kind Woman. But the men flanking him would soon show their stuff, making it instantly clear why Springfield was fated to be a passing phenomenon.
  • Cinnamon Girl (Neil Young)

    Cinnamon Girl (Neil Young)

    Cinnamon Girl (Neil Young) [Verse 1] I want to live With a cinnamon girl I could be happy The rest of my life With a cinnamon girl [Chorus] A dreamer of pictures I run in the night You see us together Chasing the moonlight My cinnamon girl [Verse 2] Ten silver saxes A bass with a bow The drummer relaxes And waits between shows For his cinnamon girl [Chorus] [Outro] Pa sent me money now I'm going to make it somehow I need another chance You see your baby loves to dance Yeah yeah yeah 37 "Cinnamon Girl" debuted on the 1969 album Everybody Knows This Is Nowhere, which was also Young's first album with backing band Crazy Horse. Released as a single the following year, it reached #55 on the Billboard Hot 100 in 1970. Like two other songs from Everybody Knows This Is Nowhere, "Cowgirl in the Sand" and "Down by the River", Young wrote "Cinnamon Girl" while he was suffering from the flu with a high fever at his home in Topanga, California. This song displays the very prominent role played by Danny Whitten in the sound of Young's early recordings. The vocals are a duet, with Whitten singing the high harmony against Young's low harmony. (The 45 rpm single mix of the song, in addition to being in mono and cutting off the guitar outro, features Whitten's vocal more prominently than the album version.) Young performed the song on his then-recently acquired Gibson Les Paul, "Old Black". The lyrics have the singer daydreaming for a girl to love, singing that he waits "between shows" for his lover.
  • Strange Brew√ Fresh Insights on Rock Music | Edition 02 of September 28 2006

    Strange Brew√ Fresh Insights on Rock Music | Edition 02 of September 28 2006

    M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 02 of September 28 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part one Forty years ago, in 1966, Neil Young made his At a time when so many of the inspired and recording debut as a 20-year-old member of the inspiring musicians of the 1960s and 1970s have seminal, West Coast folk-rock band, Buffalo become parodies of their former selves with little Springfield, with the release of this band’s or nothing of any artistic substance to contribute eponymous first album. After more than 35 solo to rock culture, Young’s heart continues to studio albums, The Godfather of Grunge is still pound with passion – and this is the dominant on fire, raging against the System, the neocons, spirit of his new album. This work is reviewed in war, corruption, propaganda, censorship and the the next edition of Strange Brew (edition three: demise of human decency. Michael Waddacor Neil Young, part two). Living with War is an pays tribute the Canadian-born songwriter and imploring, heart-felt cry for a return to human musician for his unrelenting courage and decency and freedom from the malaise of uncompromising individualism in a world gone modern living: Third World exploitation, debt crazy and short of adorable eccentrics in the and misery, idiotic political and business realms of rock music.
  • Elenco CD Rock

    Elenco CD Rock

    AUTORE TITOLO SEGNATURA 2 CELLOS CELLOVERSE MUS DUE CEL AC/DC BACK IN BLACK MUS ACD BAC AC/DC HIGH VOLTAGE MUS ACD HIG AC/DC HIGHWAY TO HELL MUS ACD TOH AC/DC LET THERE BE ROCK MUS ACD LET AC/DC LIVE '92 MUS ACD LIV AC/DC ROCK OR BUST MUS ACD ROC BRYAN ADAMS LIVE! LIVE! LIVE! MUS ADA LIV BRYAN ADAMS RECKLESS MUS ADA REC AEROSMITH GET A GRIP MUS AER GET AEROSMITH PERMANENT VACATION MUS AER PER AEROSMITH TOUGH LOVE: BEST OF THE BALLADS MUS AER TOU AEROSMITH TOYS IN THE ATTIC MUS AER TOY AFTERHOURS BALLATE PER PICCOLE IENE MUS AFT BAL AFTERHOURS GERMI MUS AFT GER AFTERHOURS HAI PAURA DEL BUIO? MUS AFT HAI AFTERHOURS NON E' PER SEMPRE MUS AFT NON AFTERHOURS QUELLO CHE NON C'E' MUS AFT QUE ALAN PARSONS PROJECT GAUDI' MUS ALA GAU ALICE IN CHAINS NOTHING SAFE - THE BEST OF THE BOX MUS ALI NOT THE ALLMAN BROTHERS AT FILLMORE EAST MUS ALL FIL THE ALLMAN BROTHERS EAT A PEACH MUS ALL EAT THE ALLMAN BROTHERS THE BEST OF THE ALLMAN BROTHERS MUS ALL BES AMERICA HISTORY - AMERICA'S GREATEST HITS MUS AME HIS THE ANIMALS ANIMALISMS MUS ANI ANI THE ANIMALS THE COMPLETE ANIMALS MUS ANI COM ARCADE FIRE NEON BIBLE MUS ARC NEO ARCADE FIRE THE SUBURBS MUS ARC SUB AREA ANTO/LOGICAMENTE MUS ARE ANT AREA ARBEIT MACHT FREI MUS ARE ARB LOUIS ARMSTRONG WHAT A WONDERFUL WORLD MUS ARM WHA JOAN BAEZ DAY AFTER TOMORROW MUS BAE DAY BANCO DEL MUTUO SOCCORSO B.M.S.