neil young hitchhiker full download hitchhiker full album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66c77b950bfb0d2e • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Neil Young – Discography (1968 – 2019) Neil Young – Discography (1968 – 2019) EAC Rip | 104xCD + DVD | FLAC/WV Tracks & Image + Cue + Log | Full Scans Included Total Size: 48.3 GB | 3% RAR Recovery STUDIO | LIVE ALBUMS | COMPILATIONS | ARCHIVES | CO-AUTHORING | EP | SOUNDTRACKS Label: Various | Genre: , Classic Rock. UPDATED. After Neil Young left the California folk-rock band in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/ of his generation. Young’s body of work ranks second only to in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic. From the beginning of his solo career in the late ’60s through to the 21st century, he never stopped writing, recording, and performing; his official catalog only represented a portion of his work, since he kept countless tapes of unreleased songs in his vaults. Just as importantly, Young continually explored new musical territory, from rockabilly and the blues to electronic music. But these stylistic exercises only gained depth when compared to his two primary styles: gentle folk and country-rock, and crushingly loud electric guitar rock, which he frequently recorded with the Californian garage band Crazy Horse. Throughout his career, Young alternated between these two extremes, and both proved equally influential; there were just as many singer/songwriters as there were and country-rock bands claiming to be influenced by Neil Young. Despite his enormous catalog and influence, Young continued to move forward, writing new songs and exploring new music. That restless spirit ensured that he was one of the few rock veterans as vital in his old age as he was in his youth. Born in Toronto, Canada, Neil Young moved to with his mother following her divorce from his sports journalist father. Young began playing music in high school. Not only did he play in outfits like , but he also played in local folk clubs and coffeehouses, where he eventually met and . During the mid-’60s, he returned to Toronto, where he played as a solo folk act. By 1966, he joined , which also featured bassist and . The group recorded an album’s worth of material for , none of which was released at the time. Frustrated by his lack of success, Young moved to Los Angeles in his Pontiac hearse, taking Palmer along as support. Shortly after they arrived in L.A., they happened to meet Stills, and they formed Buffalo Springfield, who quickly became one of the leaders of the Californian folk-rock scene. ― Allmusic. 1. STUDIO: 1968. Neil Young (1987, Reprise, 6317-2, USA) 1968. Neil Young (1989, Reprise, 7599-27444-2, W.Germany) 1968. Neil Young (2009, Reprise, 9362-494975, EU, HDCD) 1969. Everybody Knows This Is Nowhere (1987, Reprise, 2282-2, USA) 1969. Everybody Knows This Is Nowhere (1990, Reprise, 7599- 27242-2, Germany) 1969. Everybody Knows This Is Nowhere (2009, Reprise, 9362-49790-3, EU, HDCD) 1970. (1987, Reprise, 2283-2, USA) 1970. After The Gold Rush (2009, Reprise, 9362-494975, EU, HDCD) 1970. After The Gold Rush (2009, Reprise, 9362-49790-1, EU, HDCD) 1970. After The Gold Rush (2009, Warner Music, WPCR-13241, Japan, SHM- CD) 1972. Harvest (1989, Reprise, 7599-27239-2, W.Germany) 1972. Harvest (2009, Reprise, 9362-49789-9, EU, HDCD) 1974. On The Beach (2003, Warner Bros., 9362-48526-2, Germany, HDCD) 1975. Tonight’s The Night (1993, Reprise, 7599-27221-2, Germany) 1975. Zuma (1993, Reprise, 2242-2, USA) 1975. Zuma (1993, Reprise, 7599-27226-2, Germany) 1977. American Stars’n’Bars (2003, Reprise, 48496-2, USA, HDCD) 1978. (1993, Reprise, 7599-27235-2, Germany) 1979. (1993, Reprise, 7599-27249-2, Germany) 1979. Rust Never Sleeps (1994, Reprise, 2295-2, USA) 1979. Rust Never Sleeps (2005, Warner Music, WPCR-75096, Japan) 1980. Hawks And Doves (2003, Warner Bros., 9362-48528-2, Germany, HDCD) 1981. Re-ac-tor (2003, Reprise, 48498-2, Germany, HDCD) 1981. Re-ac-tor (2003, Reprise, 48498-2, USA, HDCD) 1982. Trans (1997, Geffen, GED02018, Germany) 1982. Trans (1997, Geffen, GFLD 19357, Germany) 1983. Everybody’s Rockin’ (1993, Geffen, GED04013, Germany) 1983. Everybody’s Rockin’ (2000, Geffen, 069 490 706-2, USA) 1985. (2000, Geffen, 069490 705-2, USA) 1986. (1986, Geffen, 9 29104-2, W.Germany) 1986. Landing On Water (1986, Geffen, GEFD 24109, W.Germany) 1987. Life (1987, Geffen, 924 154-2, Germany) 1987. Life (2000, Geffen, 069 490 798-2, USA) 1988. This Note’s For You (1988, Reprise, 9 25719-2, USA) 1989. Freedom (1995, Reprise, 7599-25899-2, Germany) 1990. Ragged Glory (1990, Reprise, 7599-26315-2, Germany) 1990. Ragged Glory (1994, Reprise, 9 26315-2, USA) 1992. Harvest Moon (1992, Reprise, 9 45057-2, USA) 1992. Harvest Moon (1992, Reprise, 9362-45057-2, Germany) 1994. Sleeps With Angels (1994, Reprise, 9362-45749-2, Germany) 1995. Mirror Ball (1995, Reprise, 9362-45934-2, Germany, HDCD) 1996. Broken Arrow (1996, Reprise, 9 46291-2, USA, HDCD) 1996. Broken Arrow (1996, Reprise, 9362-46291-2, EU, HDCD) 2000. Silver & Gold (2000, Reprise, 9362-47305-2, Germany) 2002. Are You Passionate (2002, Reprise, 9362-48111-2, Germany) 2003. Greendale (2003, Reprise, 9362-48543-2, USA, HDCD) 2005. (2005, Reprise, 9362-49593-2, USA, HDCD) 2006. (2006, Reprise, 9362-44335-2, EU, HDCD) 2006. Living With War. In The Beginning (2006, Reprise, 9362-43265-2, EU, HDCD) 2007. Chrome Dreams II (2007, Reprise, 311932-2, USA, HDCD) 2009. (2009, Reprise, 9362-49787-5, EU) 2010. (2010, Reprise, 9562-49618-6, EU) 2012. Americana (2012, Reprise, 531195-2, USA, HDCD) 2012. (2012, Reprise, 9362-49485-9, EU, 2CD, HDCD) 2014. (2014, Reprise, 9362-49399-9, EU) 2014. (2014, Reprise, 93624 49517 0, EU) 2014. Storytone (2014, Reprise, 546105-2, USA, 2CD, Deluxe Ed) 2015. The Years (2015, Reprise, 9362-49259-9, EU, CD+DVD) 2016. Peace Trail (2016, Reprise, 9362491504, EU) 2017. The Visitor (2017, Reprise, 9362-49086-6, EU) 2019. Colorado (2019, Reprise, 093624898900, USA) 2. LIVE: 1989. Kind Of Blue (–, Blue Note, 81888, Japan, 3CD) 1991. Weld (1991, Reprise, 9 26671-2, USA, 2CD) 1991. Weld (1994, Reprise, 7599-26671-2, Germany, 2CD) 1993. Unplugged (1993, Reprise, 9362-45310-2, Germany) 1997. (1997, Warner Music, WPCR-1288. 9, Japan, 2CD, HDCD) 2000. Road Rock Vol. 1 (2000, Reprise, 48036-2, USA, HDCD) 2016. Earth (2016, Reprise, 554514-2, USA, 2CD) 3. COMPILATION: 1977. Decade (2002, Reprise, 7599-27233-2, Germany, 2CD) 1993. Lucky Thirteen (1993, Geffen, GED24452, Germany) 4. ARCHIVES: 2006. Live At The Fillmore East (2006, Reprise, 44429-2, USA, HDCD) 2007. (2007, Reprise, 43328-2, USA, HDCD) 2008. Sugar Mountain (2008, Reprise, 516758-2, USA, HDCD) 2009. Dreamin’ Man Live ’92 (2009, Reprise, 511277-2, USA, HDCD) 2011. (2011, Reprise, 527650-2, USA, HDCD) 2013. (2013, Reprise, 535854-2, USA, HDCD) 2015. Bluenote Café (2015, Reprise, 550219-2, USA) 2017. Hitchhiker (2017, Reprise, 9362-49113-8, EU) 2018. Roxy: Tonight’s The Night Live (2018, Reprise, 567390-2, USA) 2018. Songs For Judy (2018, Shakey Pictures, 9362-49037-8, EU) 2019. Tuscaloosa (2019, Reprise, 587621-2, USA) 5. CO-AUTHORING: 1976. The Stills-Young Band – (1990, Warner Bros., 7599-27230-2, Germany) 6. EP: 1989. Eldorado (1989, Warner-Pionner, 20P2-2651, Japan) 7. SOUNDTRACK: 1972. Journey Through The Past (1987, Warner Bros., 2XS 6480) 1996. Deadman (1996, Vapor, 9362-46171-2, Germany, HDCD) 2018. (2018, Reprise, 565704-2, USA) Password for rar files: www.LosslessMA.net. If you encounter broken links or other problem about this publication, please let me know and write your comment below. I will reply and fix as soon as possible. Hitchhiker (album) Hitchhiker is the 37th studio album by Canadian / American singer- Neil Young, issued September 8, 2017 on Reprise Records. It is the ninth release in Young's ongoing archival release series and the first of the Special Release series. Contents. Background and recording Critical reception Track listing Charts Weekly Year-end References. Co-produced by Young and David Briggs with post-production from John Hanlon, the album was originally recorded on August 11, 1976 at Indigo Ranch Recording Studio in Malibu, California. [1] Young intended to release the album shortly after it was recorded, but executives at Reprise felt that it "wasn't a real record, but a collection of demos," with the musician saying that he "was advised to record the songs with a band." [2] Eight of the ten songs found on Hitchhiker were released on various Neil Young studio albums over the next three decades, though mostly as versions from different live or studio recordings. Three songs from the session ("Captain Kennedy", "Pocahontas" and "Campaigner") were released in nearly the same form as they are found on Hitchhiker . Two of the songs ("Hawaii" and "Give Me Strength") were previously unreleased in any form prior to this album. Background and recording. Between 1975 and 1977, Young and producer David Briggs periodically conducted recording sessions at Indigo Ranch on nights of the full moon. These sessions took place during a particularly productive period for Young and yielded such songs as "" and "Stringman." Briggs said of the time, "He'd turn to me and go, 'Guess I’ll turn on the tap'—and then out came 'Powderfinger,' 'Pocahontas,' 'Out of the Blue,' 'Ride My Llama.' Two days, a day. I'm not talkin' about sittin' down with a pen and paper, I'm talkin' about pickin' up a guitar, sittin' there and lookin' me in the face and in twenty minutes—'Pocahontas.'" [3] The songs on the album were recorded in a single night. In his memoir Special Deluxe , Young described the session, "It was a complete piece, although I was pretty stony on it, and you can hear it in my performances. I laid down all the songs in a row, pausing only for weed, beer, or coke. Briggs was in the control room, mixing live on his favorite console." [4] Many of the songs would appear on future Young albums: "Pocahontas" is the same take used on Rust Never Sleeps sans overdubs; "Captain Kennedy" remains virtually unchanged from Hawks & Doves ; "Campaigner" is presented in its unedited length with an additional verse as it appeared on the test pressings and the first German pressing of Decade but is otherwise unchanged; whereas the others appeared on American Stars 'n Bars , Comes a Time , Rust Never Sleeps , and Le Noise , albeit from different sessions and performances. Hitchhiker also contains a pair of never-before-released songs: "Hawaii" and "Give Me Strength;" the latter has occasionally been performed live. [1] In an interview with KOTO FM (which was also posted to his public Facebook page), Young stated that the session was intended to be released as an album not long after it was recorded, but Reprise executives were unimpressed. The material was considered to be no more than a collection of demos not fit for release, and the label suggested that Neil rerecord the songs with a backing band. [2] Critical reception. ,"params": >">,"rev1": ,"rev1score": > > Songs, Reviews, Credits|work=[[AllMusic]]|last=Erlewine|first=Stephen Thomas|author-link=Stephen Thomas Erlewine|access-date=September 1, 2017>>">,"rev2": ,"rev2score": >">,"rev3": ,"rev3score": >">>,"i":0>>]>" > Professional ratings Aggregate scores Source Rating Metacritic 88/100 [5] Review scores Source Rating AllMusic [6] The A.V. Club B+ [7] Pitchfork 8.4/10 [8] Upon release, Hitchhiker received universal acclaim from contemporary music critics. On the review aggregator Metacritic, the album received an average score of 88 out of 100, based on 13 reviews. [5] In a four-out-of-five star review for AllMusic, editor Stephen Thomas Erlewine stated "On Hitchhiker , Young still isn't certain if he's exorcized those demons, and that unease gives just enough complexity to the album's soothing ebb and flow." [6] Writing for The A.V. Club , Josh Modell gave the album a B+ rating and called it a "fantastic" artifact of Young's fruitful 1970's songwriting period. Additionally, Modell praised the "naked and intimate" sound of "Pocahontas" and "Powderfinger" and concluded, "If the bottom of the barrel sounds this good, [Young] should keep 'em coming." [7] Pitchfork contributor Sam Sodomsky also praised the album, giving it an 8.4/10 score. Sodomsky wrote, "Young was on the verge of an epiphany in the summer of ’76: his past, present, and future cohabitating in a body of work with the potential to get torn up and rewritten with any sudden vision, any chemical impulse. Beautiful, strange, and stoned, Hitchhiker lets us in on one of those nights." [8] Track listing. ,"params": ,"extra_column": ,"title1": ,"extra1": ,"length1": ,"title2": ,"extra2": ,"length2": ,"title3": ,"extra3": ,"length3": ,"title4": ,"extra4": ,"length4": ,"title5": ,"extra5": ,"length5": ,"title6": ,"extra6": ,"length6": ,"title7": ,"extra7": ,"length7": ,"title8": ,"extra8": ,"length8": ,"title9": ,"extra9": ,"length9": ,"title10": ,"extra10": ,"length10": >,"i":0>>]>" > No. Title Original release Length 1. "Pocahontas" Rust Never Sleeps (1979), with overdubs 3:27 2. "Powderfinger" Rust Never Sleeps (1979), recorded live with Crazy Horse 3:22 3. "Captain Kennedy" Hawks & Doves (1980) 2:51 4. "Hawaii" previously unreleased 2:38 5. "Give Me Strength" previously unreleased 3:40 6. "Ride My Llama" Rust Never Sleeps (1979), in a solo live performance 1:50 7. "Hitchhiker" Le Noise (2010), recorded with electric guitar 4:37 8. "Campaigner" Decade (1977), edited to remove a verse 4:19 9. "" Comes a Time (1978), recorded with band 3:16 10. "The Old Country Waltz" American Stars 'n Bars (1977), recorded with Crazy Horse and The Bullets 3:37. Charts. Weekly. Chart (2017) Peak position ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Australian Albums (ARIA) [9] 22 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Austrian Albums (Ö3 Austria) [10] 9 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Belgian Albums ( Flanders) [11] 9 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Belgian Albums (Ultratop Wallonia) [12] 13 ,"params": ,"2": ,"artist": ,"rowheader": ,"access-date": >,"i":0>>]>" > Canadian Albums ( Billboard ) [13] 23 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Danish Albums () [14] 26 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Dutch Albums (Album Top 100) [15] 14 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Finnish Albums (Suomen virallinen lista) [16] 6 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >French Albums (SNEP) [17] 18 ,"params": ,"2": ,"id": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >German Albums (Offizielle Top 100) [18] 8 ,"params": ,"2": ,"artist": ,"rowheader": ,"access-date": >,"i":0>>]>" >Irish Albums (IRMA) [19] 7 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Italian Albums (FIMI) [20] 31 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >New Zealand Albums (RMNZ) [21] 18 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Norwegian Albums (VG-lista) [22] 10 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Portuguese Albums (AFP) [23] 36 ,"params": ,"2": ,"date": ,"rowheader": ,"access-date": >,"i":0>>]>" > Scottish Albums (OCC) [24] 2 Spanish Albums (PROMUSICAE) [25] 15 Swedish Albums () [26] 7 ,"params": ,"2": ,"artist": ,"album": ,"rowheader": ,"access-date": >,"i":0>>]>" >Swiss Albums (Schweizer Hitparade) [27] 13 ,"params": ,"2": ,"date": ,"rowheader": ,"access-date": >,"i":0>>]>" > UK Albums (OCC) [28] 6 ,"params": ,"2": ,"artist": ,"rowheader": ,"access-date": >,"i":0>>]>" >US Billboard 200 [29] 20 ,"params": ,"2": ,"artist": ,"rowheader": ,"access-date": >,"i":0>>]>" >US Top Rock Albums ( Billboard ) [30] 5. Year-end. Chart (2017) Position Belgian Albums (Ultratop Flanders) [31] 192. Related Research Articles. Rust Never Sleeps is a live album by Canadian American singer-songwriter Neil Young and American band Crazy Horse. It was released on June 22, 1979, by Reprise Records. Most of the album was recorded live, then overdubbed in the studio. Young used the phrase "rust never sleeps" as a concept for his tour with Crazy Horse to avoid artistic complacency and try more progressive, theatrical approaches to performing live. Sleeps with Angels is the 20th studio album by Canadian / American musician Neil Young, released on August 16, 1994, on Reprise as a double LP and as a single CD. Co-produced by David Briggs, the album is Young's seventh with Crazy Horse. Homegrown is the 40th studio album by Neil Young, released June 19, 2020. The album consists of material recorded between June 1974 and January 1975. The album was recorded after the release of On the Beach and before the sessions for Zuma . Like those two albums, much of the material was inspired by Young's relationship with actress , which was deteriorating in 1974. The album was compiled and prepared for release in 1975. Instead, Tonight's the Night was released in its place, and Homegrown remained unreleased for decades. It was finally set for release as part of Record Store Day 2020, amid Neil Young's ongoing Archives campaign. Its release was again delayed by Record Store Day's postponement due to the COVID-19 pandemic, before finally seeing release on June 19. Chrome Dreams is a 1977 unreleased album by Neil Young, and also an acetate from that period which is claimed to be of that album. Living With War is the 27th studio album by Canadian / American musician Neil Young, released on May 2, 2006. The album's lyrics, titles, and conceptual style are highly critical of the policies of the George W. Bush administration; the CTV website defined it as "a musical critique of U.S. President George W. Bush and his conduct of the war in Iraq". The record was written and recorded over the course of only nine days in March and April 2006. Live at Massey Hall 1971 is a live album by Canadian-American musician Neil Young. Released in 2007, the album features a solo, acoustic performance from Massey Hall in Toronto, , Canada on 19 January 1971 during the Journey Through the Past Solo Tour. It is the second release in Young's Archives Performance Series . It reached #1 in Canada with 11,000 units sold in its first week. It debuted at #9 on the Irish Charts, and #30 on the UK albums chart. Fork in the Road is the 29th studio album by Canadian / American musician Neil Young, released April 7, 2009, on Reprise Records. The album was released on vinyl on July 26, 2009. Americana is the 31st studio album by Canadian / American musician Neil Young, released on June 5, 2012. The album was Young's first collaboration with backing band Crazy Horse since their 2003 album, Greendale , and its associated tour. Storytone is the 34th studio album by Canadian musician Neil Young, released on November 4, 2014 on Reprise Records. The album was released in two formats: a single disc, which features orchestral and big band arrangements of the songs, and a deluxe edition which includes stripped-back recordings of the songs. Young subsequently released a third version of the album, Mixed Pages of Storytone , merging elements of both, later in the year. Earth is a live album by Neil Young and Promise of the Real, released on June 17, 2016 on Reprise Records. Recorded during 's Rebel Content Tour in 2015, the album was produced by Young and John Hanlon and features live performances augmented by studio overdubs and additional nature and animal sounds. The Complete Trio Collection is compilation album by American singer-songwriters Dolly Parton, Emmylou Harris and . It brings together newly remastered versions of their two award-winning albums, 1987's Trio and 1999's Trio II , with a third disc compiling 20 alternate takes and unreleased material. It was released worldwide on September 9, 2016, by Rhino Entertainment. A stand-alone version of the third disc, titled Farther Along , was released separately on vinyl. 4Ever , also known as Prince 4Ever , is a greatest hits album by American recording artist Prince, released on November 22, 2016, by NPG Records and Warner Bros. Records. It is the first Prince release following the musician's death on April 21, 2016. Peace Trail is the 36th studio album by Canadian / American singer-songwriter Neil Young, released on December 9, 2016 on Reprise Records. Co-produced by Young and John Hanlon, the album was recorded at Rick Rubin's Shangri-La Studios. The discography of Josh Tillman, an American singer-songwriter, consists of twelve studio albums, seven EPs, eleven singles, a soundtrack and several contributions. The Bootleg Series Vol. 13: Trouble No More 1979–1981 is a set of recordings from 1979 to 1981 by Bob Dylan that showcases the music he wrote and performed during his born-again Christian period, covered in the studio albums Slow Train Coming , Saved and Shot of Love . The Visitor is the 38th studio album by Canadian / American singer-songwriter Neil Young and his second studio album with American rock group Promise of the Real. The album was released on December 1, 2017, on Reprise Records. The album was preceded by the singles "Children of Destiny", which was released on July 4, 2017, and "Already Great", which was released on November 3, 2017 and is in response to President Donald Trump's campaign slogan of Make America Great Again. Roxy: Tonight's the Night Live is a live album by Canadian musician Neil Young. The album is culled from live recordings made at the Roxy Theatre on the Sunset Strip in Los Angeles, shows that celebrated the club's opening as part of Neil Young Tonight's the Night Tour 1973. Neil Young and the backing band he called the Santa Monica Flyers played two sets a night on September 20, 21, and 22, 1973, shortly after the band had finished recording Tonight's the Night . Because of that, almost the entire concert is made up of that album. Tuscaloosa is a live album by Canadian / American musician Neil Young, released on June 7, 2019, on Reprise Records. It is Volume 04 in the Performance Series of Neil Young Archives. Colorado is the 39th studio album by Canadian-American singer-songwriter Neil Young, released on October 25, 2019, by Reprise Records. The album was preceded by the singles "Milky Way" and "Rainbow of Colors" and is dedicated to , Young's manager since 1967, who died aged 76 on June 21, 2019.It was also the first album to feature as a member of Crazy Horse since 1971. is a live album and concert film from American-Canadian folk rock musician Neil Young recorded in 1971, and released on March 26, 2021. Recorded three days after Live at Massey Hall 1971 , during the Journey Through the Past Solo Tour. Neil Young News. An unofficial news blog for Neil Young fans from Thrasher's Wheat with concert and album updates, reviews, analysis, and other Rock & Roll ramblings. Separating the wheat from the chaff since 1996. Tuesday, September 12, 2017. TRANSCRIPT: Neil Young's Track by Track Commentary on New Album 'Hitchhiker' On August 31, Neil Young streamed a Live Facebook session from a radio station in Telluride, CO. Thanks to Nicolas in France, we have a transcript of the session and Neil Young's fascinating track by track commentary. Neil Young's new album 'Hitchhiker' was released last week and is currently #4 #3 #2 on Amazon Top Sellers. Even more surprising is that the Vinyl Edition of Neil Young's "Hitchhiker" is #17 #16 #14 on Amazon Top Sellers in all formats -- MP3, CD, etc. Positive: 15 out of 15 Mixed: 0 out of 15 Negative: 0 out of 15. Here is a transcript of Neil Young's track by track commentary on the new album Hitchhiker. (Thanks Nicolas!) Hello, this is Neil Young… Around the time of the full moon on August 11th 1976, my producer David Briggs and I recorded an album in one night, at Indigo Studio in the hills above Malibu, California. My friend was in the studio with me as I sang these songs. No one had ever heard them before. The album was called Hitchhicker. I had no accompaniment but my guitar, harmonica and a studio piano as I sang those songs in the order you still hear them today on the album Hitchhicker. The idea I had at the time was to present these new songs in their purest and most simple form, just as they had been written. I loved the old records by Bob Dylan, Woody Guthrie, Robert Johnson, Ledbetter and many other old folk recordings. I had a deep connection with the 1960's folk movement and loved the music played in the coffee houses I visited so often. That's when I first heard Sonny Terry, my favorite harmonica player, as he played with Brownie McGee at the 4th Dimension coffee house in Winnipeg. I was still in high school. These influences remain with me today. As Briggs, Stockwell and I drove the winding dirt road to Indigo, the sun setting in the Pacific, we passed 's old house, the last house on the road before Indigo. There're only three or four houses on this 3-mile dirt road winding on the mountainside. Dust rose behind our aging 1959 Cadillac convertible which Briggs had named 'Nanu the Lovesick Moose'. We pulled up at Indigo and I got an old Gibson J-45 guitar and some capos out of Nanu's spacious trunk. Briggs was already in the building as Dean and I followed him and went in. He was inside the studio with the owner, Richard Kaplan, and they were setting up microphones. I was exited to put these tunes down, really feeling good about the session. I smoked a little weed with Dean and we settled in to this small room where I would play acoustic and sing. Dean drank a little Tequila and sat in a chair that was established previously as being the quietest one in the studio, so Briggs would no be recording any squeaks or rattles during the taping. We were all feeling just fine. I strapped a capo on the old Gibson ; "ready Briggs?" I asked, and he nodded "yes" through the control room glass. I started with Pocahontas, a song I had recently written. I previously tried it, recording with Crazy Horse for an album called Zuma, but that version did not make the cut. Then came another capo change for Powderfinger, which I had also tried for Zuma with The Horse and not captured well enough to use. Then, came Captain Kennedy, a complete (. ) I had never played before, followed by Hawaii and Give Me Strength, two songs written around my recent breakup with Carrie Snodgress, mother of my first son Zeke. At this time, Briggs joined us in the playing room and we stopped the proceeding to do some more libations. That accomplished, Briggs returned to the control room; "Rolling!" he announced. We continued with Ride My Lama, another outtake from Zuma, followed by Hitchhicker. You may be able to hear the drugs kicking in here… Then came Campaigner, a song I had written about politics and Nixon. Human Highway was next. At that point we moved my vocal microphone to the piano outside in the main studio for the last song, The Old Country Waltz. Briggs did not want to change the mic, so we had to carry it out there. It was the same mic I had sung into; he wanted the songs to all be consistent without any unnecessary distractions or changes. He was mixing live as the songs went down, and my vocal mic was part of the sound. By the time we were done, it was about 2 a.m. and we celebrated; we knew we had done something. After the celebration, Dean, Briggs and I got in Nanu and headed down the mountains to the ocean under the light of the full moon: it was really beautiful. The Pacific Ocean, the full moon, reflecting…we had a great vibe that I can still feel, and as I hear it today I am happy to share it with you now, in the record Hitchhicker. Back then when we played this record for business folks, the reaction was that it was not a real record, but a collection of demos. I was advised to record the songs with a band, but the Hitchhicker versions are the true originals, recorded earlier than any versions you may have ever heard, and I always knew the original album would find its place and surface. That time is now. The album will be finally released. A long time, a long wait, but worth it. This music is the essence of those times, pure and undisturbed, just as it was 40 years back. Some have noted, after hearing this, that this recording may be a high water mark for me, hard to match, yet here we are 40 years later and The Visitor will arrive soon, with his own ideas. More on Neil Young's New Album "Hitchhiker": (5+ Comments) (15+ Comments) (15+ Comments) (15+ Comments) (15+ Comments) (25+ Comments) (25+ Comments) (2+ Comments) (20+ Comments) (10+ Comments) (10+ Comments) (15+ Comments) 25 Comments: I am absolutely enjoying this new/old record! Please read any of the words I choose here in that context and spirit. There's lots to enjoy here. The reappearance of Campaigner could not be more timely and I've long had a soft spot for Ride My Llama (am I the only one?) Hawaii is captivating, right from the opening tag with Neil's goofy chuckle and "Come on in here!" This seems like a cheeky invitation to all of us listeners, coming, as it does, upon the juncture at which we receive the two (officially) unreleased songs. Neil seems to be inviting us into the depths of the Archives: "Here's something you might be looking for. " Of the two "new" numbers, my favorite is Hawaii; an elusive lyric captured in this unvarnished setting. I deeply appreciate how it eschews the verse/chorus structure, while the melody creeps up beautifully. I am certain this one will become one of my "go-to" Neil songs, one of the pieces that pops up in my mind when I need a quick, unfiltered Neil fix. That should not be read as a slight on Give Me Strength, which fits perfectly where it is. More an observation of personal taste. More broadly, the experience of listening to Hitchhiker, the album, keeps reminding me of looking through that Distant Camera, "reconnecting thoughts and actions, fragments of our missing dream. Pieces from here and there fall in place along the line. " Those lyrics drifted into my mind last night, and they are almost uncannily appropriate to describe the experience, from a fan perspective, of the Neil Young Archives. Certainly "pieces from here and there" are gradually filling in the timeline. And compared to all the things we haven't heard or seen yet, Hitchhiker can be viewed/listened to as a fragment of the expansive body of work these Archives will, hopefully, come to present. It should be understood that I am not using the word "fragment" in a belittling or dismissive context. Far from it. A fanciful comparison would be to unearthing ancient codicies through an archeological dig. Each piece found is of great significance, and the process of discovery is exciting, not least because you know there's much more to find. With each new element discovered, we are able to further reconstruct the history of the writings and the world surrounding them. Simultaneously, old questions are answered and new ones spring up. The mystery thickens and we are inexorably drawn to continue the search. Here we have a slab of NY Vintage '76 in an intimate, unpolished setting I don't think we have ever quite been privy to in the past. This sound setting, to me, expresses equally cold isolation and heat, from a fireside and from the relentless energetic buzz in the center of the creative brain. The question remains: "Are you ready, Briggs?" Great comment Ian! love it! not that easy to go back 40 years and perceive kinda feelings as we were in 1976, but with Neil. yes we can. Ian that was a great review. Lester Bangs would be proud. I was taken aback by how moved I was by Hitchhiker . after Archives I my expectations were somewhat low and my attitude was, can something so old make a difference? From the first note it was clear that this was something really special . a window into one of Neil's most prolific periods, on a prolific night, as Neil layed down so of his timeless masterpieces for the first time . perhaps its the vibe or the versions, but maybe its the feeling of one witnessing the birth of these incredible songs, played in their most basic, stripped down fashion in succession and experiencing them in their truest essence . its hard to argue that Hitchhiker if released wouldn't have become one of Neil's classic records. Given all of his 70s output its mind boggling that he had even MORE great work locked in that vault . this release has given me a sense of renewed hope and anticipation for what other gems are lurking in Neil's vault and to seeing them released before too long. Nicolas in France, could you share your experience doing the transcription from start to finish of Neil's Facebook reading? Am sure that process would be of interest to most of the readers as a sort of behind the scenes look at how we do it in the modern world in the same manor that "Hitchhiker" is sort of behind the scenes look at the recording process. At this moment I'm looking at ninety tapes that are rather poorly labeled that were just "working tapes" I did when I interviewed musicians in the Detroit area and during eight Cayamo cruises. Have a couple thousand images of Cayamo cruise to the islands that were so devastated with the 185 mph winds during Irma. PM if you'd like to see them that are sort of like an Americana vesion of the back cover of Buffalo Springfield "Again." Thanks all for the praise! After the archeology metaphor, I tried to move in a less florid direction. but I guess that's not in my DNA. This comment has been removed by the author. I like the new record & couldn't care less about what any critic or thinks. They aren't fans & they don't matter. this is preposterous --- people yapping about a record recorded last century --- maybe we can critique grand railroads studio out-takes ? neil young is passe in todays polite society. @KONWAKITON: Isn't that Cattle at Burgertown? Thank you Thrasher for sharing "my"transcript and thank you all for your comments. I actually initially decided to write this transcript to help some of my fellow French Rusties who have difficulties to understand spoken English. I do understand spoken English relatively well, but it is not my native language and I am not bilingual; it was not very difficult since Neil was reading slowly (I however missed a word when he described Captain Kennedy. Some think this word might be "cheery"; I actually hear something like "cherria". ). When I was finished, I thought that it was an interesting and nicely written story and decided to share it; happy most of you seem to like it! KONWAKITON, any chance you had a different name a few weeks ago? @ Ian - So many are absolutely enjoying this new/old record, no doubt, at least judging by the charts. Probably Neil's best charting album in sometime. But numbers add up to nothing. And Red *Men* run, right?! For Hawaii's goofy chuckle intro, we imagine that Neil is fiddling with his capo on his guitar trying to get it right. The point on reflections of that Distant Camera, "reconnecting thoughts and actions, fragments of our missing dream. Pieces from here and there fall in place along the line. " is quite appropo. The question is answered: "Briggs was ready." @Dan1 - everyone remarks on the intimacy of the album which may explain your being taken aback by how moved you are by Hitchhiker. And it's almost like no one saw this really coming, 40+ years on. Absolutely a window into one of Neil's most prolific periods. We are witnesses to the birth of these incredible songs in their essence. . its hard to argue that Hitchhiker if released wouldn't have become one of Neil's classic records. Given all of his 70s output its mind boggling that he had even MORE great work locked in that vault . this release has given me a sense of renewed hope and anticipation for what other gems are lurking in Neil's vault and looking forward to seeing them released before too long. @ Jim - good luck on those transcripts. They can always find a home here on TW! @ KONWAKITON -ok, whatev. @ Peacelover Doc - of course. But since we spend a lot of time here talking about how the critics are always wrong, we have to be fair and note when they are correct. As they say, even a broken clock is right twice a day. @ Nicolas - yes, thanks gain for your service here. Excellent english and we're sure many have benefited from this very key track by track rundown. And only imagine if Neil had done something similar for all of his albums? Would there be more or less speculation today? @ Syscrusher - well at least KONWAKITON got his CAPS LOCK fixed. It's weird, I've been listening to Neil for over 30 years, studying how he plays guitar to help me in my own playing, and I've never been aware of him using a capo. I've never seen one picture of him playing acoustic with a capo on his guitar. I've seen him play "Pocahontas" live, watched many videos, and not once have I noticed a capo. But apparently on this album he's using one on many of the songs. @ Richard - now that is weird, isn't it? Well, we don't play guitar so what do we know? But we do seem to recall somewhere in the making of this that the capo buisness came up. Maybe the Indigo session interviews w/ Kaplan? Anyways. We think Neil graduated from capos. As in he eventually got to the point where he would surround himself with like 12 guitars w/ different tunings and just pick one up and go to next song in whatever tuning he pleased. Speaking of tunings, ever listen to his early live concerts when he seems to spend what seems like eternity tuning? As neil said once, "We tune because we care." I just went to Sugar Mountain and checked out the section where they show pictures of Neil with all of the guitars that he played over the years. There are many pictures of Neil playing acoustic, and I did see one where he's playing a 12-string, and has a capo on the third fret. The picture looked like it came from either The Boarding House or the Rust shows, so it could very well be him playing "Pocahontas". I'm sure that back in the "ol folkie days" when he was lugging around one guitar, he probably used a capo quite a bit. These days, though, armed with multiple guitars set at different tunings, Neil probably has no need for a capo. Like I said earlier, I look for these things, and I've never seen any video of him using one. It seems to me that Neil messed with lots of alternate tunings in the Springfield/early solo days, but not as much as the years went on, other than dropping down the low E-string down to D. I saw him play this in Gothenburg ( Sweden) the same year but I couldn´t find a good video of it,so i posted another on. It´s the only time i´ve seen him use a capo live! Anton, I couldn't click on your video. Please tell me what song it is that he's using the capo on. Oh lonsome me. Calgary october 9 -08! Really? Cool, I gotta check that out! That's one I've always liked playing, I do it normal tuning, simple E to A kinda thing, with a cool bridge. I'll be interested to try playing it with a capo. Thanks for the info! Richard. I play Pocahontas with a capo on the 3rd fret. the song starts in the A major finger position. Jonathan, that makes sense because playing the regular A major shape while a capo is on the third fret is basically playing a C chord, which is the correct key for the song. Whenever I play "Pocahontas", I play it using the normal C chord. When you hear the released Rust/Hitchhiker version, the guitar does have a higher "jangly" type sound that you would get using a capo. I have seen videos of Neil playing it, as well as live versions I've seen myself, and he's never used the capo, he played the C chord in its normal position. I watched the video that Anton mentioned, of Neil playing "", and it was weird to see Neil using a capo, the only time that I've seen that. The word is 'cherry'. As in the fruit you eat. He just means it was a. completely new song never recorded before. Watch a video for Neil Young’s 1976 version of “Powderfinger” from his new archival album, “Hitchhiker” Reprise Records Neil Young ‘s acoustic archival studio album, Hitchhiker — recorded live in one evening in August 1976 at Indigo Studio in Malibu, California — hits stores today, September 8. In honor of the release, an official video for his performance of “Powderfinger” has premiered on Amazon. The clip uses a series of animated paintings to bring to life the song, which tells the story of a young man who is shot and killed while trying to defend his rural home from a boat which is apparently full of law-enforcement officials. “Powderfinger” was first officially released on Young’s 1979 album Rust Never Sleeps , although that version was an electric rendition that Neil recorded with Crazy Horse . All of the songs on Hitchhiker were recorded solo by Young, accompanying himself on harmonica, guitar and piano. In addition to “Powderfinger,” the album features versions of seven other tunes that went on to appear on other Young albums, including “Pocahontas,” “Human Highway,” and the title track. Hitchhiker also boasts two previously unreleased tunes: “Hawaii” and “Give Me Strength.” The original Hitchhiker session was produced by frequent Neil collaborator David Briggs , who died in 1995. The album is available on CD, vinyl and as a digital download.