Notes About an Artist
museu mVIEWS A quarterly newsletter for small and mid-sized art museums Summer 2010 PICASSO looks at DEGAS The following is a sampling from the introduc - fame Throughout his life Pablo Picasso was fas - tion and a chapter of this engaging study. increased…. cinated with the life and work of Edgar Degas. “Picasso initially encountered works by “…Never He collected Degas’s pictures, re-interpreted Degas and his peers in black-and-white illus - straightfor - ardly his subject matter, and created scenes that trations, and only began to see their original w included images of Degas himself. “Picasso pastels and paintings when he visited Paris imitative, Looks at Degas,” the summer exhibition at the several times from 1900 onward. Dating from Picasso’s Sterling and Francine Clark Art Institute in this moment are his first tentative gestures response to Degas was mercurial and competi - Williamstown (MA), brings together more than toward some of Degas’s signature themes: the tive, always involving an element of willful 100 works that shed light on the relationship cabaret singer, the prostitute, and, as Fagus transformation and sometimes bordering on between the two who, in fact, never met. “Yet indicated, racecourses, female nudes, and parody or pastiche. A parallel narrative… the café habitués, stage performers, bathers, dancers. After settling in Montmartre in 1904, concerns the gradually revealed affinity and ballerinas that Degas typically depicted Picasso became acquainted with several people between these two artists as professionals and also appear repeatedly in Picasso’s images, and who knew Degas, including the dealer as human beings, an affinity that Picasso was Degas the man appears in person in a substan - Ambroise Vollard, who briefly represented surely aware of.
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