The Corning Museum of Annual Report 2014 Cover: Officers The Fellows of The Corning Kenneth R. Treis The galleries in the Museum’s Museum of Glass Harley N. Trice James B. Flaws A. A. Trinidad Jr. Contemporary Art + Design Chairman of the Board Carole Allaire Wing feature a sophisticated Deborah Truitt E. Marie McKee James K. Asselstine Durk Valkema light-filtering system using Sheldon Barr diffusing roof skylights. President William Warmus Mike Belkin Mark J. West James R. Houghton William W. Boeschenstein* Karol B. Wight Opposite: Vice President Alan L. Cameros Rainer M. Zietz Construction crews work on Linda E. Jolly James Carpenter Maris Zuika the Amphitheater Hot Shop, Secretary Lt. Gen. Christian Clausen, retired§ which will seat 500 people. Simon Cottle Melissa J. Gambol * Life Fellow Kenneth C. Depew Assistant Secretary + Honorary Fellow Thomas P. Dimitroff § Fellow Emeritus Mark S. Rogus Jay R. Doros † Deceased, March 10, 2014 Treasurer Micki Doros Michael J. Burns III David Dowler Assistant Treasurer Christopher T. G. Fish Alice Cooney Frelinghuysen The Fellows of The Corning Karol B. Wight David Fuchshuber Executive Director Museum of Glass are among William Gudenrath the world’s leading glass col­- Douglas B. Heller lectors, scholars, dealers, and Trustees Lawrence Jessen glassmakers. The objectives Kenneth L. Jobe Roger G. Ackerman* + of this organization are (1) Dorothy-Lee Jones to disseminate knowl­edge Peter S. Aldridge + Olive Jones about the history and art of Van C. Campbell* + Helena Koenigsmarková glassmaking and (2) to sup- Dale Chihuly* + Stephen P. Koob port the acquisitions program Patricia T. Dann* of the Museum’s Rakow Michael Kovacek Robert Duke* Research Library. Admission Anna Laméris Alan T. Eusden to the fellowship is intended Kitty Laméris Jeffrey W. Evenson to recognize accomplishment, Willem Laméris James B. Flaws and is by invitation. David Landau John P. Fox* Dwight P. Lanmon Polly W. Guth* + Howard J. Lockwood Randi L. Hewit Louise Luther Amory Houghton Jr.* Kenneth W. Lyon Arthur A. Houghton III* § Malcolm N. MacNeil Photo Credits James D. Houghton Douglas C. McCorkle James R. Houghton All of the photographs in this E. Marie McKee Sir Mark Ellis Powell Jones Annual Report are by The Corning Gregory A. Merkel Museum of Glass (Nicholas L. Wil­liams, Thomas C. MacAvoy* Kirk J. Nelson+ Andrew M. Fortune, Allison S. Lavine, E. Marie McKee Barbara H. Olsen Robert K. Cassetti, Mieke L. Fay, David L. Morse § Elmerina L. Parkman Rebecca C. Hopman, Amanda S. Kritzeck, Carl H. Pforzheimer III Paul D. Parkman and Karol B. Wight), with the following Carlos A. Picón Lindsy R. Parrott exceptions: Helmut Ricke* Paul N. Perrot Cover, title page, and page 3 (top): Mark S. Rogus + John V. B. Perry Iwan Baan Antony E. Snow* Joan P. Randles Susan M. Taylor Pages 5 (center and bottom, left) Richard F. Randles and 13 (right): Gary Hodges Charles L. Venable Peter B. Rath Peter F. Volanakis* Page 5 (bottom, right): Courtesy Rachel Russell Wendell P. Weeks of Pamela Hatchfield Josh Simpson Ian McKibbin White* John P. Smith Page 12: Amanda Williams Karol B. Wight Walter Spiegl+ Pages 15 (bottom), 45, and 46: Jane Shadel Spillman Maria Strinni * Trustee Emeritus + Paul J. Stankard Page 16: Molly Cagwin Prof. Dr. Rudolf von Strasser§ † Pages 18 and 20 (top and bottom): Robyn Wishna Catherine M. V. Thuro-Gripton+ The Annual Report 2014

An educational institution dedicated to the history, art, and science of glass

Chartered by the Board of Regents of the University of the State of New York April 27, 1951 (6026)

Accredited by the American Alliance of Museums 1973, 1986, 1999, 2010 For The Corning Museum of Glass, the Under Marie’s leadership, our annual at­ The Year year 2014 was marked by great success but tendance has doubled in the last decade to in Review also significant transformation and ongoing more than 440,000 visitors, and the average transition. In 2013’s Annual Report, I spent time a visitor spends at the Museum has risen time noting important departures from and from a little over one hour to more than four arrivals at the Museum. As 2014 unfolded, hours. The acquisitions budget quadrupled, important staffing and physical changes con- and key donations of glass collections were tinued at our institution. made to the Museum, including the Heineman The most important transition was the family collection, considered to be one of the departure on December 31 of our president, finest private collections of contemporary glass E. Marie McKee. During her 16-year tenure, in the nation. Marie enabled the transition of Marie oversaw major growth and transfor­ the Museum to a strong global presence, and mation at the Museum. She directed a $65 she established a powerful legacy of achieve- million reconstruction project that opened in ment that I, as her successor, will strive to up- The Museum said good- 2001. It included an expanded facility for the hold. bye to Marie McKee Museum’s Rakow Research Library, an ex- Marie’s last major project, one that will (shown here with her pansion of The Studio to include a Make Your have a profound impact on the Museum for husband, Robert Cole Jr.), who retired after Own Glass experience for visitors, creation of many years, was to see the final stages com- serving 16 years as the the popular Hot Glass Show, and a renovation pleted on another major expansion: the con- Museum’s president. of the main Museum building. struction of the Contemporary Art + Design Wing. We have witnessed the transformation of the north wing from a construction site to remarkable architectural spaces. One portion is white and light-filled, with soaring walls and evocative vistas; the other is a dark and masterful statement in industrial design. As the completion of our Contemporary Galleries and Amphitheater Hot Shop is realized, we are delighted with the manner in which these new spaces have become a significant architec- tural footprint for our Museum campus. The opening of these spaces is scheduled for March 2015, and as I write these words, collections staff are busy installing our contemporary glass collection within the new gallery spaces, while hot-glass teams are breaking in a new, state-of-the-art hot shop, one that is the best in the country for demonstrating hot glass mak- ing to our visitors and for welcoming glass artists to create new work. We are looking forward with great anticipation to unveiling our contemporary wing to the public. Our professional staff grew in 2014. We are pleased to welcome Alan T. Eusden as our first chief operating officer. Alan joins us after 31 years of business leadership in Corning Incorporated, bringing substantial strength in business logic and processes to our expanding organization. We also welcomed Dr. Scott Sayre as our first chief digital officer, and Kris Wetterlund as our new director of education and interpretation. As leaders in their respec- tive fields, they have brought with them years of experience in the museum world, and they are spearheading our efforts to reinterpret our

2 Work continues on the Museum’s Contemporary Art + Design Wing, which opens March 20, 2015. The new wing will be the world’s largest space dedicated to the display of contemporary art and design in glass.

The Museum welcomed to its staff (clockwise from top, left) Alan T. Eusden, Dr. Scott Sayre, Mary Anne Hamblen, and Kris Wetterlund. collections and to share them digitally with our visitors. The opening of the Contemporary Galleries will enable the launch of GlassApp, a program designed to deliver rich content about the contemporary collection to visitors’ hand-held devices—smartphones or tablets. The efforts being expended here will be carefully evaluated and will influence the interpretation of the rest of our collection in years to come. Our world-renowned glass collection con- tinued to grow considerably, as well. Tina Oldknow, promoted to senior curator of mod- ern and contemporary glass, paid close atten- tion to expanding her area with the acquisition of works by major artists and designers such as Fred Wilson and Jeroen Verhoeven. She also acquired at auction one of Steuben’s iconic vessels from its “Twenty-Seven Contemporary Artists” series—an engraved vase designed by Fernand Léger—supported by funds from the Museum’s Ennion Society. Tina was also in- strumental in the selection of the American artist Amber Cowan for the 2014 Rakow Commission. Ms. Cowan created a compelling sculptural work of repurposed, flameworked white glass titled Garden of the Forgotten and Extinct. The Museum’s new curators were also ac- tive with acquisitions, and other areas of the

3 collection were enhanced by important arrivals of American, European, and scientific glass. At the end of the year, a beautiful Tiffany ink- stand in a poppy design was acquired by Kelly Conway. Audrey Whitty discovered an impor- tant Indian mirrored and reverse-painted por- trait of a Mughal nobleman. And Marvin Bolt acquired a collection of Geissler tubes as the first new items for the science and technology collection. Our collections staff also received national recognition. Tina Oldknow was named an honorary fellow of the American Craft Coun- cil, and Stephen Koob, chief conservator, was honored by the American Institute for Conser- vation of Historic and Artistic Works with the Sheldon and Caroline Keck Award for “a sus- tained record of excellence in the education and training of conservation professionals.” Each of these awards was richly deserved be- cause of its recipient’s significant contributions to the field. Our hot-glass departments were busy in 2014. The Studio welcomed a roster of inter- national students, instructors, and resident artists. A class led by the Australian glass artist Mel George found inspiration at the Rakow Research Library to kiln-form glass books, an homage to the Library’s world- renowned holdings on the history, science, art, and technology of glass. Our Hot Glass Roadshow traveled to the Knoxville Museum

To Die Upon a Kiss, blown, hot-worked, as- sembled; electrical fit- tings. Italy, Murano, Fred Wilson (American, b. 1954), 2011. A.P. 1 from an edition of 6 + 2 artist proofs. H. 177.8 cm, D. 174 cm (2014.3.10).

Landscape in four vignettes. Great Britain, William Beilby Jr. (1740–1819), about 1765. Watercolor on paper. H. 20 cm, W. 32 cm (CMGL 141703). Purchased with funds from the Fellows Fund.

4 of Art in Tennessee to take part in the unveil- formula, which can be hot-worked with Kovar ing of that museum’s major installation by the steel. A new art form has been created from American artist Richard Jolley. In collabora- this engagement, and we look forward to wel- tion with Corning Incorporated, the Museum coming a new artist to this residency in 2015. welcomed the eminent American artist Albert A new staff member joined the Rakow Re- Paley as our first specialty glass resident. This search Library: special collections and archives new residency is designed to introduce artists librarian Mary Anne Hamblen. The Library’s to some of the specialty materials developed collections continue to expand with the ad­ by Corning Incorporated. Paley, a noted sculp- dition of special materials and archives. In tor of metal, investigated Corning’s 7056 glass 2014, the Fellows of the Museum supported

Amber Cowan, recipi­- ent of the 2014 Rakow Commission, stands by Garden of the Forgotten and Extinct, which is made entirely from mass-produced vintage American pressed glass.

Tina Oldknow, senior curator of modern and contemporary glass, was named honorary fellow of the American Craft Council.

Pamela Hatchfield, president of the Amer­ ican Institute for Con­ servation of Historic and Artistic Works, pre­ sents the Sheldon and Caroline Keck Award to Stephen P. Koob.

5 The artist Mel George dis- cusses kiln-formed glass books made by students in her Kiln Allegories class. This project was inspired by the mission and col­ lections of the Rakow Research Library.

The American sculptor Albert Paley (right) was the first artist selected to participate in the Specialty Glass Residency,­ a collabo­ ­ ration between the Museum and Corning Incorporated.

the Library’s acquisitions when their contri­ butions were used to acquire design draw­ings by William and Thomas Beilby, among other works. While the Museum experienced much growth and many changes in 2014, we antici- pate that 2015 will be an even more remark- able year as we open our Contemporary Art + Design Wing and share it with the world. We look forward to welcoming you to Corning soon. We thank, as always, our benefactors, great and small. Most notable among them is Corning Incorporated, which continues to support the Museum in many important ways. We gratefully thank the company for this sup- port, which enables us to be an important cul- tural contributor not only to our region but also to the world.

Karol Wight President and Executive Director

6 European American Selected Goblet, blown, applied, gilded, diamond- Transcontinental railroad lantern, blown, Additions point engraved. Austria, probably Tyrol, Hall engraved; brass. U.S., about 1860–1870. H. in Tyrol (glass), and the Netherlands (engrav- (with handle down) 17.9 cm, D. (base) 8.8 cm to the ing), about 1550–1599, engraved in 1652. (2014.4.14). H. 21 cm, D. 12.3 cm (2014.3.4). Crown Milano covered ewer, blown, enam- Glass Miniature covered tankard, blown, hot- eled, gilded; applied glass jewels. U.S., New * worked, applied; chased, repoussé, and gilded Bedford, MA, Mt. Washington Glass Company, Collection silver. Possibly Venice, 1550–1599. H. 10.7 about 1891–1895. H. 47.5 cm, D. 18.2 cm cm, D. 6.5 cm (2014.3.14). Purchased with (2014.4.31). Purchased with the assistance of funds from the estate of Richard Andrasi. the Karl and Anna Koepke Endowment Fund. Covered tankard, blown, hot-worked, ap- Vase, “Forget-Me-Not” vase, and “Lilac” plied; silver mount: cast, chased, partly gilded. vase, blown, optic-molded, applied. U.S., Possibly Belgium, the Netherlands, or Ger­ Somerville, MA, Union Glass Company, many, 17th century (tankard), about 1700 about 1900. Tallest: H. 30.2 cm, D. 9.1 cm (mount). H. 30.4 cm, D. 13.5 cm (2014.3.15). (2014.4.6, .5, .4). Purchased with funds from Purchased with funds from the estate of the Martha J. Herpst Estate. Richard Andrasi. “Poppy” inkstand, tesserae; Filigrana a retortoli wineglass, blown, ap- pressed glass; bronze. U.S., Corona, NY, Side chair, cut, assem- bled; brass, wood, velvet, plied. Venice, about 1700. H. 17.1 cm, D. Tiffany Studios, Clara Pierce Wolcott Driscoll metal. U.K., Birmingham, (bowl) 9.1 cm (2014.3.24). Purchased in part (American, 1861–1944), about 1901. H. 7.3 F. & C. Osler, about with funds from Kenneth R. Treis, The Greater cm, D. 10.4 cm (2014.4.79). Purchased in part 1860–1900. H. 110 cm, Milwaukee Foundation. with funds from the F. M. Kirby Foun­dation. W. 52 cm (2014.2.5). Pair of Rococo girandoles, blown, hot- worked, assembled. Venice, probably Giuseppe Lorenzo Briati (Venetian, 1686–1772), about 1750. H. 82 cm, W. 45 cm (2014.3.20A, B). Reverse-painted portrait of a Mughal noble­ man, mirror glass, painted, silvered; mounted in 20th-century chinoiserie wood frame. India, West Bengal, possibly Calcutta, 1760–1780. With frame: H. 96.5 cm, W. 66 cm (2014.6.18). Pair of girandoles, blown, hot-worked, cut, assembled. Great Britain, probably Wedgwood (plaques), about 1785. H. 67.9 cm, W. 41.3 cm (2014.2.7A, B). Flussglas vase with ormolu mount and mar- ble base. Germany, Berlin, Werner and Mieth, about 1795–1800. H. 28.6 cm, D. 24.3 cm (2014.3.25). Pair of wall lights, blown, cut, pressed, gilded, assembled; brass. U.K., Birmingham, F. & C. Osler, about 1860–1880. H. 67 cm, W. 65 cm (2014.2.6A, B). Side chair, cut, assembled; brass, wood, velvet, metal. U.K., Birmingham, F. & C. Osler, about 1860–1900. H. 110 cm, W. 52 cm (2014.2.5).

* For more information about many of these acquisi- tions, see The Corning Museum of Glass: Notable Acquisitions 2014 (May 2015) or visit www.cmog.org.

7 Reverse-painted portrait Goblet and champagne glass in “Sanssouci” Glass Chair, float glass, Photobond 100 ad- of a Mughal noble­man, pattern, blown, cut, engraved. U.S., Morgan- hesive. Japan, Tokyo, Mihoya Glass Company mirror glass, painted, town, WV, , about Ltd., Shiro Kuramata (Japanese, 1934–1991), silvered; mounted in 1930. Goblet: H. 21.1 cm, D. 10.3 cm 1976. Edition 34 of 40. H. 88 cm, W. 90 cm 20th-century chinoiserie wood frame. India, West (2014.4.10, .11). Gift of Frederick Campbell (2014.6.19). Bengal, possibly Calcut- Hovey. Burial Raft, blown, hot-worked, applied ta, 1760–1780. With Goblet in “Monticello” pattern, blown, glass powders, acid-etched; painted steel frame: H. 96.5 cm, W. molded. U.S., Toledo, OH, Libbey Glass Com- stand. U.S., Stanwood, WA, William Morris 66 cm (2014.6.18). pany, designed by Edwin W. Fuerst (American, (American, b. 1957), 1993. H. 17.8 cm, W. 1903–1988), 1940. H. 22.3 cm, D. 9.8 cm 50.8 cm (2014.4.16). Gift of Irwin R. Berman, Transcontinental rail- (2014.4.8). Gift of Frederick Campbell Hovey. M.D., in memory of his wife, Linda. road lantern, blown, engraved; brass. U.S., Goblet in “Blair House” pattern, blown, Through the Cone, mold-melted, cut, pol- about 1860–1870. H. cut, molded, pressed. U.S., Tiffin, OH, Tiffin ished. Czech Republic, Železný Brod, Stanislav (with handle down) Glass Company, 1957. H. 17.4 cm, D. 9 cm Libenský (Czech, 1921–2002) and Jaroslava 17.9 cm, D. (base) 8.8 (2014.4.9). Gift of Frederick Campbell Hovey. Brychtová (Czech, b. 1924), 1995–1997. H. cm (2014.4.14). 91.8 cm, W. 126.7 cm (2014.3.2). Purchased Modern with funds from James B. Flaws and Marcia D. Weber. Vase with Cubist composition (“Twenty- Four Figures Chandelier, blown, cast, flame­ Seven Contemporary Artists” series), mold- worked; brass, bronze, aluminum, steel; nickel blown, engraved. U.S., Corning, NY, Steuben plate, gold plate, patination. U.S., Kensington, Glass Inc., Fernand Léger (French, 1881–1955), NH, Dan Dailey (American, b. 1947), 2007. 1939. H. 27 cm, D. 28 cm (2014.4.30). Gift H. 108 cm, W. 60 cm (2014.4.67). Gift of of the Ennion Society. Gary Hoffman in memory of Ileene Hoffman.

8 Sheer Volume, float glass; clay wash, alumi- num, stone. U.S., Central Falls, RI, Michael Scheiner (American, b. 1956), 2010. H. 160 cm, W. 120 cm (2014.4.1). Gift of the artist. To Die Upon a Kiss, blown, hot-worked, assembled; electrical fittings. Italy, Murano, Fred Wilson (American, b. 1954), 2011. A.P. 1 from an edition of 6 + 2 artist proofs. H. 177.8 cm, D. 174 cm (2014.3.10). Cocodrilos en aguas turbias (Crocodiles in troubled waters), sand-cast glass, glass pow- ders, cut, engraved. Panama, Panama City, and U.S., Millville, NJ, WheatonArts, Isabel De Obaldía (Panamanian, b. , 1957), 2013. H. 21.6 cm, W. 101.6 cm (2014.5.1). Garden of the Forgotten and Extinct, found American pressed , broken, flame- worked, hot-worked, fused, sandblasted; sili- cone, wood, paint, metal. U.S., Philadelphia, PA, Amber Cowan (American, b. 1981), 29th Rakow Commission, 2014. H. 77 cm, W. 111 cm (2014.4.75). “Triscosta” cabinet, cast glass; iron. France, Paris, Christophe Côme (French, b. 1965), de- signed in 2001 and made in 2014. H. 80 cm, W. 152 cm (2014.3.19).

Vase with Cubist compo- sition (“Twenty-Seven Contemporary Artists” series), mold-blown, en- graved. U.S., Corning, NY, Steuben Glass Inc., Fernand Léger (French, 1881–1955), 1939. H. 27 cm, D. 28 cm (2014.4.30). Gift of the Ennion Society.

Garden of the Forgotten and Extinct, found Amer­ ican pressed milk glass, broken, flameworked, hot-worked, fused, sand- blasted; silicone, wood, paint, metal. U.S., Phil­ adelphia, PA, Amber Cowan (American, b. 1981), 29th Rakow Commission, 2014. H. 77 cm, W. 111 cm (2014.4.75).

9 Eight works on paper. Great Britain, travels and education of Faassen, a glass man- Selected William Beilby Jr. (British, 1740–1819) and ufacturer who was born in Ansbach, Germany. Additions Thomas Beilby (British, 1747–1826), about Eugène Frederic Ferdinand Hucher (French, 1765. Paint on paper, mounted on card, 1814–1889), Calques des vitraux peints de la to the framed; watercolor on paper. Largest: H. 20 Cathédrale du Mans . . . (Tracings of the paint- cm, W. 32 cm (CMGL 141703–141710). Pur- ed windows of Le Mans Cathe- Library chased with funds from the Fellows Fund. dral), Paris: Didron and A. Morel et Cie., and D[avid] Ironmonger (British, fl. 1825–1840), Le Mans: Monnoyer Frères, 1864. [42] pp., Collection Instructions for the New Improved Harmoni- [98] leaves of plates. H. 87 cm (CMGL con , London: R. W. Keith and Co., 138207). [1825?]. 16 pp. H. 18 cm, W. 27 cm (CMGL Six watercolors. France, Nancy, Etablisse- 139069). Includes “Principle [sic] Rules of ments d’Emile Galle, Paul Nicolas (French, Rudiments of Music for the Harmonicon” 1875–1952), 1895–1899. Watercolor and ink and selection of musical pieces. on paper. Largest: H. 36 cm, W. 23 cm “Scott’s Splendid Glass Working Exhibition (CMGL 139585–139590). Purchased with in Miniature.” [U.K.: publisher not identified, funds from the Fellows Fund. Possibly design 1830]. H. 20 cm, W. 15 cm (CMGL 138463). drawings for enameled or cameo glass pieces, Handbill advertising a glass demonstration in showing various flowers, a floral spray, and Brighton, U.K., featuring a woodcut image of a forest landscape. Design drawing for a glass artist, several pieces of glass, and a Jean Rey (French, b. Switzerland, 1861– flower stencil. France, spinning wheel used to create glass fibers. 1935), Notice sur les feux-éclairs à l’huile Nancy, Etablissements Gustav Friedrich Faassen (German, 1823–?), et à l’électricité (Remarks on flashing lights d’Emile Galle, Paul “Die Wanderschaft des Glasergesellen Gustav powered by oil and by electricity), Paris: [pub- Nicolas (French, 1875– Friedrich Faassen . . .” (The wanderings of lisher not identified], and [Lille: Impr. Lefebvre- 1952), 1895–1899. the glazier journeyman Gustav Friedrich Ducrocq], 1896. 153 pp., 17 plates. H. 37 cm Watercolor and ink on Faassen . . .), 1845. 428 pp., illustrations, (CMGL 140249). Treatise on the technology paper. H. 12 cm (CMGL 139590). Purchased with two color maps (folded). H. 21 cm (CMGL and application of lighthouses in Europe at the funds from the Fellows 140012). Purchased in part with funds pro­ end of the 19th century. Plates depict light- Fund. vided by Jay and Micki Doros. Documents the houses and optics manufactured by Sautter & Harle in Paris. Two batch books. U.K., Wordsley (Stour- bridge), Henry G. Richardson & Sons, [undat- ed, about 1900 and 1923–1926]. 2 vv. Larger: H. 19 cm (CMGL 139669, 138824). Luminaire: Bronze, bois, fer (Lighting de- vices: Bronze, wood, iron). France, Vincennes, E. Cazes Dessins, about 1912. H. 39 cm, W. 28 cm (CMGL 138909). Purchased in part with funds from the Norma Jenkins Fund. Portfo- lio of 48 original watercolor designs for lamps and lighting fixtures in style. Design drawings for vase with stylized floral motif and flower bowl in metal. U.S., Corning, NY, Corning Glass Works, Steuben Division, designed and etched by Bolislav Manikowski (American, b. Germany, about 1892–1962), 1931 and 1935. Pencil on paper. Larger: H. 46 cm, W. 31 cm (CMGL 141509, 141360). Gift of Becky and John Stranges. Rudolf von Strasser (Austrian, 1919–2014) archive, containing materials pertaining to glassware and to glass painting and staining in 19th-century Austria. About 1950s–1980s. Three boxes (CMGL 44126). Gift of Rudolf and Daisy von Strasser.

10 Special Exhibition of Glass,” Bellarmine Museum of Art, Fairfield, CT, April 10, 2014–June 13, 2014; 33 objects. Exhibitions René Lalique: Enchanted by Glass “Michael Graves, Past as Prologue,” and Loans Changing Exhibitions Gallery Grounds for Sculpture, Hamilton, NJ, October May 17, 2014–January 4, 2015 18, 2014–April 5, 2015; one object. “Ennion: Master of Roman Glass” (traveling Other Exhibitions exhibition organized by The Metropolitan Museum of Art, New York, NY), The Metro- Designing for a New Century: Works on Paper politan Museum of Art, December 9, 2014– by Lalique and His Contemporaries April 13, 2015; three objects. Rakow Research Library May 17, 2014–January 4, 2015

The Flood of ’72: Community, Collections, and Conservation Rakow Research Library Through January 3, 2014

Masters of Studio Glass: Richard Marquis Focus Gallery Through February 2, 2014

Glass on Loan

In 2014, the Museum had 59 objects on loan to seven exhibitions in the United States. The special exhibition These loans are listed below in chronological “René Lalique: Enchant- order. ed by Glass” brought “Inventing the Modern World: Decorative together glass, jewelry, Arts at the World’s Fairs, 1851–1939” (travel- production molds, and design drawings by ing exhibition co-organized by The Nelson- Lalique. Atkins Museum of Art, Kansas City, MO, and the Carnegie Museum of Art, , PA), The Mint Museum, Charlotte, NC, through January 19, 2014; six objects. “Links: Australian Glass and the Pacific Northwest” (traveling exhibition organized by the Museum of Glass, Tacoma, WA), Mu- seum of Glass, through January 26, 2014; Wichita Art Museum, Wichita, KS, May 31, 2014–September 14, 2014; Palm Springs Art Mu­seum, Palm Springs, CA, October 18, 2014–January 25, 2015; four objects. “Renaissance Remix,” Memorial Art Gal- lery, University of Rochester, Rochester, NY, through June 2017; seven objects. “Poseidon and the Sea: Myth, Cult, and Daily Life” (traveling exhibition organized by the Tampa Museum of Art, Tampa, FL), Joslyn Art Museum, Omaha, NE, February 8, 2014– May 11, 2014; Tampa Museum of Art, June 14, 2014–November 30, 2014; four objects (five in Tampa only). “La Ragnatela/The Spiderweb: Works by Giampaolo Seguso from The Corning Museum

11 Adult Programs The Late Show Education You Design It; We Make It! and Public Beadmaker’s Marathon for Beads of Courage, February 23 GlassLab Programs Brilliant Weekend Affair (hosted by the Mu- Glass Design Workshops, Domaine de Bois- seum and presented by the Eastern Lakes buchet, Lessac, France: Liquid Fusion, and Mid-Atlantic chapters of the American June 29–July 5 (instructor: Paul Haigh; Cut Glass Association), April 5 and 6 glassmakers: Lewis Olson, D. H. McNabb, Carder Steuben Club, 14th annual symposium, Damien François, Amy Kruger), and Vitri- co-hosted by the Museum, September 19 fication, July 2–12 (instructor: Max Lamb; and 20 glass and ceramic artists: Fred Herbst, Tom Ryder) Hot Glass Programs Demonstrations at the Museum Hot Glass Show and in Corning Corning, NY, GlassFest (fifth annual), May Hot Glass Roadshow Visitors to the Museum 22–25 (glassmakers: George Kennard, Knoxville Museum of Art, Knoxville, TN, can enjoy glass-breaking Annette Sheppard, Chris Rochelle, Dan April 29–May 4 (glassmakers: George and flameworking dem­ on­strations, which are Mirer, Lauren Hunt) Kennard, Aaron Jack, Catherine Ayers, offered throughout the Flameworking, Glass Breaking, How’d They Stephen Cox) day. Do That?, Optical Fiber SOFA Chicago, Chicago, IL, November 7–9 (glassmakers: Eric Meek, George Kennard, Eric Goldschmidt, Chris Rochelle)

Hot Glass at Sea Presented live narrated demonstrations in “Blow Glass at Sea” program on Celebrity Eclipse (gaffers: G. Brian Juk, Aaron Jack, Ryan Doolittle, Annette Sheppard, Jamie Perian, Robert Swidergal, Taryn Bertolino, Brandyn Callahan, Chris Rochelle), Celeb- rity Equinox (gaffers: Daniel Alexander, Charlyn Reynolds, Julian Maturino, Ryan Doolittle, Everett Hirche, Thomas Ryder, Dane Jack, Catherine Ayers, John Gramann, Annette Shepherd, Celia Garland, Heather Spiewak, Stephen Cox), and Celebrity Sol- stice (gaffers: Helen Tegeler, Ian Schmidt, Daniel Alexander, Emma Walters, G. Brian Juk, Charlyn Reynolds, Carl Siglin, Kenton Pratt, Diane Stendahl, Elizabeth Perkins, Aaron Jack, Megan Mathie)

A Life in Archaeology and Glass: A Seminar Honoring David Whitehouse (1941–2013) Lectures March 14 “Coincidental Developments? Mamluk and , 1275–1425,” Rachel Ward “Glass of Knights, Merchants, and Laymen: Crusader Glass from the Holy Land,” Yael Gorin-Rosen “Memories of a Mentor and Friend,” Lisa Pilosi “A New Roman Inlaid Bowl at The Corning Mu­­ seum of Glass: Interpretation, Conservation,

12 and Manufacture,” Karol Wight, Stephen Other Activities William Gudenrath Koob, and William Gudenrath Dedication of Memorial Terrace at the Rakow makes a Roman vessel “Observations about a Mold-Pressed Bowl Research Library during his demonstra- tion, “The Art of Exper- Fragment in The Metropolitan Museum Demonstration: “The Art of Experiment,” iment,” at the seminar of Art,” Christopher S. Lightfoot William Gudenrath honoring David White- “Sasanian Glass from the Caucasus, Mesopo- “Demonstration for a Friend,” Lino Taglia­ house. tamia, and Gilan,” St John Simpson pietra “Working with David,” Amy Schwartz Dr. Paul Roberts, for- “Behind the Glass” Lecture Series merly of The British March 15 “Curators and Collecting,” with the curatorial Museum, presents “Life and Death in Pompeii “The Art of Experiment,” William Gudenrath staff of The Corning Museum of Glass: and Hercu­laneum” at a “Blaschka Glass: Materials and Preservation,” Karol Wight, Marvin Bolt, Kelly Conway, “Behind the Glass” lec- Astrid van Giffen Tina Oldknow, and Audrey Whitty, January ture. “The Blaschkas’ Botanical Models: A Lifelong 9 Passion,” Susan Rossi-Wilcox “The of ,” with “Chemical Analysis of Early Islamic Glass author Paul Doros and Museum curators from Nishapur,” Mark Wypyski Kelly Conway and Tina Oldknow, February “Family Connections: The Formative Years 13 of Beilby Enameled Glass, 1760–1765,” “Life and Death in Pompeii and Herculaneum,” Simon Cottle with Dr. Paul Roberts, senior curator and “Júlia Báthory,” John P. Smith head of Roman collections, Greek and “Lady Layard and Mr. Arbib,” Rosa Barovier Roman Department, The British Museum, Mentasti London, U.K., March 13 “Mining the Past: The Reuse and Recycling “Meet the Artist: Mark Peiser,” April 10 of Roman Glass through 2,000 Years,” Ian “The Art of Seeing at a Distance,” Marvin Bolt, Freestone Museum’s curator of science and technology, “Two Masterpieces of Glass from the Waddes- October 9 don Bequest in The British Museum,” Dora “Meet the Artist: Amber Cowan” (Rakow Thornton and Andrew Meek Commission), November 13

13 “Designing for the ‘Modern Woman’: René Lalique’s Consumer Products,” Elizabeth Everton “Lalique Inside and Out: Process and Tech- nique,” Amie McNeel “Overview of ‘René Lalique: Enchanted by Glass’ Exhibition,” Kelley Elliott “René Lalique: The Innovator of the Perfume Industry,” Christie Mayer Lefkowith “René Lalique and the Art of Jewelry,” Stefanie Walker “Welcome and New Acquisitions,” Karol Wight

October 18 “Art Nouveau to Art Deco: Documenting Design at the Rakow Research Library,” Regan Brumagen and Gail Bardhan “A Glimpse into the Future: René Lalique’s Achievements in Glass at the 1925 Expo­ sition Internationale des Arts Décoratifs et Industriels Modernes,” Rachel Delphia “The Introduction of Lalique Glass in Europe and the United States,” Lennart Booij The artist Kait Rhoads Members’ Events “The Lalique Adventure in Wingen-sur-Moder,” discusses her work with Reception with Marvin Bolt, Kelly Conway, Véronique Brumm members of the Ennion Tina Oldknow, Audrey Whitty, and Karol “Lalique Inside and Out: Process and Tech- Society during their visit to her studio in Seattle, Wight, “Behind the Glass: Curators and nique,” Amie McNeel WA. Collecting,” January 9 “Pleasures and Pitfalls in Collecting the Art Reception with Dr. Paul Roberts, “Behind the of René Lalique,” Nicholas Dawes Glass: Life and Death in Pompeii and Herculaneum,” March 13 Demonstration Reception with Mark Peiser (Meet the Artist), “Lalique Inside and Out: Process and Tech- April 10 nique” (blowing into a lost-wax plaster Members’ opening of “René Lalique: Enchant- mold and a part mold, creating multiple ed by Glass” and “Designing for a New forms in colorless and colored glass), Amie Century,” May 16 McNeel Ennion Society trip to Seattle, WA, May 22–28 (Donors’ event) Other Events Members’ behind the scenes tour: Tiffany in Guided gallery tours with William Gudenrath the Rakow Library, June 14 and members of the Museum’s curatorial Members’ behind the scenes tour: Rare Books staff: Marvin Bolt, Kelly Conway, Kelley in the Rakow Library, July 17 Elliott, and Audrey Whitty Members’ behind the scenes tour: Design Medallion pressing at The Studio Drawings in the Rakow Library, August 15 Reception with Amber Cowan, Rakow Com- 2300° mission artist, November 13 “Drink It In: Finger Lakes Wine Tastings,” January 16 Seminar on Glass (53rd annual): “Multiplied,” February 20 “René Lalique: Enchanted by Glass,” “March Madness,” March 20 October 17 and 18 “GlassFest,” May 22 Lectures “Cornucopia,” November 20 October 17 “Cheers!,” December 18 “Art Nouveau 1900 Exhibition,” Anne-Marie Quette and Audrey M. Whitty

14 Family Programs School Programs

Bead It!, March 22 Glass: It’s Art, History, Science, and More! Family Exploration Series (attended by 10,833 children) “Families Explore: Animals” (animals in the Student Art Show (46th annual), April 24–27 galleries, puppet theater, animal mosaics), February 16 Teacher Programs “Families Explore: Color” (nanotechnology and color, beads that change color, Hot Evening for Educators, March 20 (speakers: Glass Show), March 16 Marvin Bolt on science connections to cur- Family Night at the Museum, March 7 and riculum and Kelley Elliott on the Lalique September 26 exhibition) and November 20 (speakers: Fun with Glass Holiday Open House, December 6 and 7

Children’s Programs

Little Gather (storytelling, ages 3–10) In Jest Presents Science Circus, July 9 Doc Possum, July 16 Madcap Puppets: Twain’s Twisted Tales, July 23 Diaspora Drumming Ensemble: Echoes of Marvin Bolt, curator of Africa, July 30 science and technology Mythmasters, August 6 (right), works with stu- Science Rocks: Get Fit, Get Active with dents attending the FLUMPA®, August 13 Junior Scientists program during a session at the Youth Programs Rakow Research Library.

Warren Bunn, collections Explainers and exhibitions manager Fire Up Your Future! Science (with Dr. Tim (left), explains packing Gross, research scientist, Corning Incorpo- glass to participants in rated), January 10 the Junior Curators pro- Junior Curators (included exhibition “Never in gram. Your Wildest Dreams: Connections through Imagination”), June 12–December 31 Junior Scientists (included a symposium), February 25–June 10 Scout Programs All Scouts Fun with Glass Boy Scouts Art Geology Science Girl Scouts Advanced Bead It!, March 22 Art Bead It!, March 22 Science Tour Assistants (summer volunteer program)

15 Museum Careers (high school and college) Pebbles, Sand, and Silt (first grade) Uses of Glass (elementary school)

Guided Tours and Gallery Activities

Tours of “René Lalique: Enchanted by Glass” and “Designing for a New Century” exhi- bitions Curator’s Choice tour Family Hidden Treasures tours Glass Detectives (scavenger hunts) Garden Gallery Hunt (Glass Collection Galleries) Harvest Hunt (Glass Collection Galleries) Searching for Animals (Glass Collection Galleries) What Inspired ? (Carder Gallery) Winter Wonders Hunt (Glass Collection Galleries) Kelley Elliott, assistant representatives from WSKG TV and Hidden Treasures tours curator of modern and Radio, Binghamton, NY, on classroom Meet the Museum (adult groups) contemporary glass, materials about the flood of 1972, and Museum Explainers’ Gallery Carts leads a tour of the exhi- bition “René Lalique: Mieke Fay on the architectural history Ancient Glass Enchanted by Glass.” of the Museum) Caneworking and Murrine Teacher Appreciation Week (includes Casting Techniques curriculum-based tour), May 5–11 Glass Recipes and Cameo Glass Optics Educational Tours Pressed and Cut Glass Stained Glass Adventures in Glass: Art, History, Science (all Science tours grades/interdisciplinary or subject-focused) Tours of Rakow Research Library Ancient Civilizations (middle school and up) “Kids’ Top 10” (self-guided tour, Museum Architecture (high school and college) Collection) Be a Designer (all grades) “Science Top 10” (self-guided tour, Museum Chemistry (high school) Collection) Exploring Shapes and Colors (pre-kindergarten “Top 10 Favorites” (self-guided tour, Museum and kindergarten) Collection) Glass and Our Community (third grade)  Glass: It’s All Shapes and Sizes (first and second grades) The Studio Glass Matters! (fifth grade) Geology (Scouts, middle school and up) Intensive Courses International Baccalaureate Program: Chem- January 6–11 istry and World History Interdisciplinary “Advanced Floral Murrine” (flameworking), Study Loren Stump Introduction to the Rakow Library: Services “Blowing Your Mind” (), Janusz and Collections (all grades/interdisciplinary Poźniak or subject-focused) “An In-Depth Introduction to Venetian Tech- Measurement (third grade) niques, Session 1” (glassblowing), William Meet Me at the Museum (tour in partnership Gudenrath with the Alzheimer’s Association, Rochester “Introduction to Lost Wax and Reverse Relief & Finger Lakes Region) Casting” (kiln working), Milon Townsend Mixtures and Solutions (fifth grade)

16 January 13–18 June 9–14 “Flameworking for Everybody,” Emilio Santini “Flameworking Natural Forms,” Wesley “An In-Depth Introduction to Venetian Tech- Fleming niques, Session 2” (glassblowing), William “Mold Making Mash Up” (kiln working), Gudenrath Matthew Day Perez “Problem Solving for Glass Casting” (kiln “A Poacher’s Tour of Europe” (furnace work- working), Daniel Clayman ing), Christopher Watts “Spirals and Stripes Forever” (glassblowing), Jordana Korsen June 16–21 “Beginning Glassblowing,” Bruce Ferguson January 20–25 “An In-Depth Introduction to Venetian “Beginning Glassblowing,” Amanda Gundy Techniques” (furnace working), William “Engraving and Cold-Working Techniques,” Gudenrath Max Erlacher “Something Old, Something New” (kiln work- “Flamework Glass Sculpting: Solid and Blown ing), Joanna Manousis Forms,” Suellen Fowler and Hugh Salkind “Torch in Your Toolbox” (flameworking), Amber Cowan January 27–February 1 “Cold Construction” (cold working), Martin June 23–28 Rosol and Pavel Novak “Wildflower Glass Gardens” (flameworking), “Goblets, Vessels, and Figurative Sculptures” Leah Fairbanks (flameworking), Steve Sizelove “The Graphic Image: Sandblasting and Paint- June 23–July 4 ing,” Denise Stillwaggon Leone “A Detailed Approach” (furnace working), “Looking at Patterns and Murrine” (glass- Boyd Sugiki and Lisa Zerkowitz blowing), Giles Bettison “Glass Engraving” (cold working), Katharine Coleman February 3–8 “Kiln Allegories” (kiln working), Mel George The creative talents of “Encasing Flamework: Designs under Glass,” more than 2,000 local Debbie Tarsitano June 30–July 5 students were on display “From Reality to Abstraction to Reality” (kiln “Flameworking Cocktail,” Karina Guévin at the 46th annual Stu- working), Steve Klein and Cédric Ginart dent Art Show.

February 10–15 “Beadmaking: Expanding Your Skills” (flame- working), Kristina Logan “A Different Way” (glassblowing), David McDermott “From the Kiln to the Hot Shop (and Back Again)” (kiln working and glassblowing), Mark Ditzler and Gayla Lee

March 24–29 “Creating and Using Murrine” (furnace work- ing), Davide Salvadore

June 2–7 “The Art of Flameworking,” Dafna Kaffeman “Basic Fusing and Beyond” (kiln working), Alyssa Oxley “Glass: A Fluid Transfer of Knowledge” (furnace working), D. H. McNabb

17 August 11–22 “Blowing and Sculpting inside the Bubble” (furnace working), Martin Janecky “Cold Construction” (cold working), Martin Rosol and Pavel Novak “An In-Depth Introduction to Venetian Techniques” (furnace working), William Gudenrath “Kiln, Cold Shop, and More” (kiln working), Kirstie Rea

August 18–23 “Flamework Glass Sculpting: Solid and Blown Forms,” Suellen Fowler

August 25–30 “Great Goblets” (furnace working), Jeff Mack “Venetian-Style Glass Beads” (flameworking), Davide Penso

The artist Jeff Mack July 7–12 August 25–September 5 (seated), assisted by “Creating Detail in Your Beadwork: Dots, “Kiln Forming: Out of Square” (kiln working), Eric Meek, creates a Raking, and Shaping” (flameworking), Emma Varga dragon-stem goblet Amy Waldman-Smith during “2300°: Drink It In.” “Experimental Glass Engraving” (cold work- September 1–6 ing), Pavlína Čambalová “Introduction to Flameworking,” Timothy “Smarter Bubbles” (furnace working), Ben Drier Dombey “Next Steps in Glassblowing,” Amanda Gundy “Taking a Leap” (kiln working), Catharine Newell Ten-Week Courses (one session each week) Spring July 14–25 “Beginning Flameworking,” Quinn Luestner “Cups and Color” (furnace working), Michael “Beginning Glassblowing,” Christa Westbrook Schunke and Josie Gluck “Continuing Glassblowing,” Jeremy Unterman “Developing Your Idea in Boro” (flamework- ing), Simone Crestani Fall “Make Your Own Pâte de verre Vessel” (kiln “Beginning Flameworking,” Corinne Everhart working), Shin-ichi Higuchi “Beginning Glassblowing,” Chris Giordano “Painting the Void: Sandblasting and Vitre­- “Continuing Glassblowing,” Jeremy Unterman ous Painting” (kiln working), Denise “Fusing with Murrine” (kiln working), Janet Stillwaggon Leone Dalecki “Introduction to Glass Casting and Pâte de July 28–August 2 verre” (kiln working), Jessi Moore “Flameworking Using Ultimate Details,” Loren Stump Weekend Workshops “Form and Techniques” (furnace working), Spring Kenny Pieper Cold Working “Surface and Subsurface” (kiln working), “Photosandblasting Glass,” Denise Stillwaggon Richard Parrish Leone “What, Why, How?” (cold working), Vladimir Klein Flameworking “Bead Basics: Introduction to Flameworked August 11–16 Beads,” Corinne Everhart “Fine-Tune Your Torch Fundamentals” (flame- “Beginning Flameworking,” Jim Byrnes working), Hugh Salkind

18 “Creating and Keeping Shapes, Textures, Kiln Working Designs, and Details,” Jen Zitkov “Beginning Fusing,” Janet Dalecki “Marble Making,” Quinn Luestner “Fused Gingerbread Houses,” Nonnie Lyketsos “Next Steps in Flameworking,” Jim Byrnes “Inclusions in Glass,” Gayla Lee “Ocean Life,” Elijah Schwartz “Introduction to Pâte de verre,” Jessi Moore “Raking and Masking Techniques in Soft “Next Steps in Fusing,” Janet Dalecki Glass,” Amy Waldman-Smith “Seasonal Beads and Sculptures in Soft Glass,” One-Day Workshops Elijah Schwartz Spring “Beadmaking” (flameworking), Jen Zitkov Glassblowing “Marble Making” (flameworking), Quinn “Beginning Glassblowing,” Lee Babbitt, Ross Luestner Delano, Chris Giordano, Chrissy Lapham, “Paperweights at the Furnace” (glassblowing), Kyle Lavery, Kalli Snodgrass Chris Giordano, Chrissy Lapham “Introduction to Caneworking,” Jeremy “Pendants at the Torch” (flameworking), Beth Unterman Hylen “Next Steps in Glassblowing,” Kurt Carlson “Springtime Sculpting at the Furnace” (glass- blowing), Chrissy Lapham Kiln Working “Beginning Fusing,” Glady West Fall “Fusing with Components,” Janet Dalecki “Introduction to Cloisonné Enameling,” “Introduction to Small Kiln-Cast Glass,” Yvonne Cupolo Gayla Lee “Marble Making” (flameworking), Corinne “Sterling Silver and Glass,” Ed and Martha Everhart Biggar “Paperweights at the Furnace” (glassblowing), Ross Delano Kiln Working and Cold Working “Graphic Possibilities Using Sandblasting and Special Workshops Enameling,” Denise Stillwaggon Leone “Beadmakers’ Marathon for Beads of Courage,” February 23 Kiln Working and Flameworking “Kiln-Formed Landscapes Using Di Fiore’s “Fusing Flameworking Crossover,” Gayla Lee Technique” (kiln working), Miriam Di Fiore, and Janet Dalecki October 20–25 “Veterans’ Glassworking Experience,” Novem- Fall ber 8 Flameworking “Bead Basics: Introduction to Flameworked GlassFestWorkshops Beads,” Linda McCollumn “Blown Glass Forms” (furnace working), Lorin “Beginning Flameworking,” Jim Byrnes, Silverman Corinne Everhart “Flameworking for Everybody,” Emilio Santini “Caneworking and Basics of Murrine,” Elijah and Alex Hamilton Schwartz “Introduction to Pâte de verre” (kiln working), “Next Steps in Flameworking,” Jim Byrnes Jessi Moore “Raking and Masking Techniques in Soft Glass,” Amy Waldman-Smith Other “Seasonal Beads and Sculptures in Soft Glass,” Make Your Own Glass Elijah Schwartz

Glassblowing “Beginning Glassblowing,” Kyle Lavery, Trevor Pierce, Kalli Snodgrass, Christa Westbrook “Introduction to Caneworking,” Jeremy Unterman “Next Steps in Glassblowing,” Lyman Babbitt “Paperweights at the Furnace,” Chris Giordano

19 To the Museum Anthony Cioe, Corning/Kohler resident artist Awards (U.S.), October Award from UrbanGlass, Brooklyn, NY, for Matthew Szösz (U.S.), October service to the field, presented by Carl H. Jong Pil Pyun (Republic of Korea), November Pforzheimer III Albert Paley (U.S.), specialty glass residency, in collaboration with Corning Incorporated, From the Museum December Instructor Collaborative Residencies Residencies Moshe Bursuker (U.S.) and Jamie Harris Artists in Residence (U.S.), September Tanja Pak (Slovenia), March Boyd Sugiki (U.S.), Sayaka Suzuki (U.S., Biba Schutz (U.S.), March b. Japan), and Lisa Zerkowitz (U.S.), Alison Lowry (Northern Ireland), April September Steven Ciezki (U.S.), May Jenny Trinks (Germany), May Other Awards GlassLab Fellowship (in conjunction with the Rochester Institute of Technology): Bridget Sheehan Rakow Commission: Amber Cowan Rakow Grant for Glass Research: Anna Hodgkinson and Alessandro Sebastiani Student Art Show scholarships: Daria Buduchina (Corning–Painted Post West High School), and Julia Hamilton (Corning– Painted Post East High School)

Artists in residence Biba Schutz (top) and Tanja Pak (below).

Right: Bridget Sheehan, adjunct professor in the School of Design at the Rochester Institute of Technology and recipi- ent of the 2014 Glass- Lab Fellowship, works with George Kennard to make prototypes of her designs.

20 Publications Studies, v. 56, Corning: The Corning Muse- um of Glass, 2014 (hereafter, JGS), pp. 365– Professional Bardhan, Gail P. Contributor to The Corning 370. Activities Museum of Glass: Notable Acquisitions 2013, Corning: the museum, 2014 (hereafter, Davis, Emily. See Nace, Aprille C. Notable Acquisitions 2013). ——. “Designing for a New Century: Works on Elliott, Kelley J. René Lalique: Enchanted Paper by René Lalique and His Contempo- by Glass, with contributions by Elizabeth raries” (with Regan Brumagen), www.cmog Everton and Tina Oldknow, Corning: The .org/article/lalique-and-contemporaries, Corning Museum of Glass, and New Haven, 2014. CT, and London: Yale University Press, 2014 ——. “A Visit to the Rakow Research Library, (hereafter, René Lalique). Corning Museum of Glass” (with LindaJo ——. Contributor to Notable Acquisitions Hare), The Hobstar, v. 36, no. 5, February 2013. 2014, pp. 6158–6159. ——. Compiled “Artists’ Biographies” for Col- lecting Contemporary Glass. See Oldknow, Berry, Sally K. “The Top 10 Ways to Bring Tina. More Chinese Visitors to Your Door,” Cou- ——. “René Lalique,” www.cmog.org/article rier (National Tour Association), v. 41, no. /lalique, 2014. 9, September 2014, pp. 18–19, http://online See also Nace, Aprille C. digitalpublishing.com/publication/?i=221996 &p=20. Fuller, Lori A. Contributor to Notable Acqui- sitions 2013. Bolt, Marvin P. Contributor to Notable Acqui- sitions 2013. Galbraith, James A. Contributor to Notable ——. Co-editor, Rod and Madge Webster: Acquisitions 2013. A Legacy of Collections, Philanthropy, and ——. “Identity Issues at the Rakow Library,” Friendship, Chicago: Adler Planetarium, GAS News, v. 25, no. 2, Summer 2014, pp. 2014. 26–27.

Brumagen, Regan. Contributor to Notable Gudenrath, William. “The Technical Study Acquisitions 2013. of a Rare Venetian Turquoise Glass Goblet ——. “Crafting a Home for Art,” GAS News from the Waddesdon Bequest” (with Dora (Glass Art Society), v. 25, no. 1, Spring Thornton and others), British Museum 2014, p. 27. Technical Research Bulletin, no. 8, London: ——. “The 1933 Chicago World’s Fair,” GAS the museum, 2014. News, v. 24, no. 4, Winter 2013 (2014), p. 24. Hopman, Rebecca C. Contributor to Notable See also Bardhan, Gail P., and Nace, Acquisitions 2013. Aprille C. Hylen, Beth. Contributor to Notable Acquisi- Conway, Kelly A. Contributor to Notable tions 2013. Acquisitions 2013. ——. Compiled “A Reading List for Contem- ——. “Glass through History,” DePauw Mag- porary Glass” for Collecting Contemporary azine (DePauw University, Greencastle, IN), Glass. See Oldknow, Tina. v. 76, Winter 2014, pp. 12–21 (cover story). ——. “Introduction to the Rochester Cut Glass Koob, Stephen P. “Adhesives for Ceramics Company,” in The Rochester Cut Glass and Glass,” in Present and Problems of Company, 1896–1922, Rochester, PA, Techniques in Ceramics & Glass Conser­ Ramona, CA: American Cut Glass Asso­ vation, 2014 International Symposium on ciation in collaboration with the Rakow Ceramics & Glass Conservation, Seoul, Research Library, The Corning Museum Republic of Korea: Cultural Heritage Con- of Glass, 2014, pp. iii–vii. servation Science Center, 2014, pp. 190– ——. “The Reunion of The Attack and Intrud- 202. Also in Chinese, pp. 75–83. ers: Refining a Collection,”Journal of Glass

21 ——. “Collecting Lalique in Corning,” in René Lalique, pp. 364–372. ——. “A Conversation between Liza Lou, Con- temporary Sculptor and Installation Artist, and Tina Oldknow, Curator of Modern Glass,” www.cmog.org/article/conversation -between-liza-lou-contemporary-sculptor -and-installation-artist-and-tina-oldknow, 2014. ——. “Jury Statement” and “Note: The Rakow Commission,” New Glass Review 35, Cor- ning: The Corning Museum of Glass, 2014, pp. 68–71 and 98–100 respectively.

Ruggiero, Alexandra M. Contributor to Nota- ble Acquisitions 2013.

Savard, Tracy L. Contributor to Notable Ac- quisitions 2013.

Van Giffen, N. Astrid R. “Proposed Construc- tion Techniques for Blaschka Glass Marine Invertebrate Models” (with Tracy O. Drier and others), Proceedings of the 59th Sympo- sium on the Art of Scientific Glassblowing (Eugene, OR), 2014, pp. 14–30. ——. “Weathered Archaeological Glass,” www.cmog.org/article/weathered-archaeo logical-glass, 2014. Crown Milano covered ——. “Non-Destructive Comparative Analysis ewer, blown, enameled, by X-Ray Fluorescence of Asian and Euro- Whitty, Audrey M. Contributor to Notable gilded; applied glass pean Seventeenth- to Nineteenth-Century Acquisitions 2013. jewels. U.S., New Bed- ford, MA, Mt. Washing- Glass” (with Florian Knothe and Robert H. ——. “Claire Curneen,” in Claire Curneen: To ton Glass Company, Brill), in An Unbroken History: Conserving This I Put My Name, Ruthin, Denbigshire about 1891–1895. H. East Asian Works of Art and Heritage, [Wales], U.K.: Canolfan Grefft Rhuthun, 47.5 cm, D. 18.2 cm Contributions to the Hong Kong Congress, 2014, pp. 15–17. (2014.4.31). Purchased London: International Institute for Conser- ——. “Debbie Dawson,” in The Cold Light with the assistance of vation of Historic and Artistic Works, 2014, of Day: Glass by Debbie Dawson, [s.l.]: the Karl and Anna pp. S66–S69. Debbie Dawson with assistance from Koepke Endowment Fund. Culture Ireland, Crafts Council of Ireland, Nace, Aprille C. “A Century of ” (with Cork City Council, and Crawford College Kelley J. Elliott, Regan Brumagen, and of Art & Design, 2014, pp. 2–7 (in English Emily Davis), www.cmog.org/article/pyrex, and Chinese). 2014. ——. “Favorite Things” (Hedwig Beaker), The Gather, Summer 2014, p. [19]. Oldknow, Tina. Collecting Contemporary ——. Foreword to catalog of members’ exhibi- Glass: Art and Design after 1990 from The tion, 46th General Assembly, International Corning Museum of Glass, Corning: the Academy of Ceramics, Dublin, Ireland, pp. museum, 2014. 16–19, http://imgpublic.mci-group.com/ie ——. Contributor to Notable Acquisitions /PCO/IAC2014_catalogue.pdf. 2013. ——. “Frederick Carder: The Early Years. An ——. “Aesthetic Engineering and the Alchemy Exploration of Carder’s Years at Stevens & of Beauty,” in Ginny Ruffner: Aesthetic Williams,” www.cmog.org/article/frederick Engineering, Huntsville, AL: Huntsville -carder-stevens-williams, 2014. Museum of Art, 2014.

22 ——. “Frederick Carder’s Years at Stevens & about It,” Museum Institute at Sagamore, Williams,” JGS, pp. 370–374. Raquette Lake, NY. ——. “The Irish Cylinders,” in Dale Chihuly ——. “North Wing Expansion,” Elmira and Seaver Leslie, with Flora C. Mace and Kiwanis Club, Elmira, NY. Joey Kirkpatrick, Ulysses Cylinders, Seattle: Chihuly Workshop, 2014, pp. 144–151. Conway, Kelly A. “The Art Glass of the Union Glass Company, Somerville, Massachusetts, Wight, Karol B. Contributor to Notable Acqui­ 1893–1927,” Carder symposium. sitions 2013. ——. “Behind the Glass: “The Art Glass of ——. “Director’s Corner,” The Gather, Sum- Louis Comfort Tiffany” (with author Paul mer 2014 and Fall 2014/Winter 2015, p. 1. Doros and Tina Oldknow). ——. “The Mold-Blowing Process,” in Chris- ——. “Great American Stories in The Corning topher S. Lightfoot, with contributions by Museum of Glass,” New York Metropolitan Zrinka Buljević and others, Ennion: Master Glass Club, St. Michael’s Church, New of Glass, New York: The Metropolitan Mu- York, NY. seum of Art, 2014, pp. 48–55. ——. “Poison to Bitters: It’s All about the Bot- tle,” Ladies Auxiliary Luncheon and Fund- Lectures raiser, Corning Hospital, Corning, NY. See also Bolt, Marvin P. Bardhan, Gail P.* “Designing for a New Cen- tury: Works on Paper by Lalique and His Duane, Elizabeth M. “How to Be a Good Contemporaries” (with Regan Brumagen), Neighbor and Tell Everyone about It,” Mu- annual symposium, Carder Steuben Club, seums in Action Institute, Museum Asso­ Corning, NY (hereafter, Carder symposium), ciation of New York (hereafter, MANY), and docents lecture, The Corning Museum Sagamore, NY. of Glass. ——. “Small-Town Museum with Worldwide Design drawing for ——. “Through the Looking Glass: A Medium- Reach,” Tourism Principles and Planning flower bowl in metal Specific Collection [of Trade Catalogs],” graduate course, Preston Robert Tisch with or without turned- over edge. U.S., Corning, annual conference, Art Libraries Society Center for Hospitality, Tourism, and Sport NY, Corning Glass Works, of North America (hereafter, ARLIS), Wash- Management, School of Professional Studies, Steuben Division, de- ington, DC. New York University, New York, NY. signed and etched by Bolislav Manikowski Bender, Steven C. “The Current State of the Elliott, Kelley J.* (American, b. Germany, Steuben Business,” Carder symposium. about 1892–1962), 1935. Pencil on paper. Fay, Mieke L. “Jr. Scientists: A Collaborative H. 22 cm, W. 35 cm Bolt, Marvin P. “Behind the Glass: The Art of Program for Middle Level Students” (with (CMGL 141360). Gift Seeing at a Distance,” The Corning Museum Jessi Moore and Leslie Antos), STEM to of John and Becky of Glass. STEAM conference, MANY, Albany, NY. Stranges. ——. “The Glass of Science and the Science of Glass,” Scientific Instrument Commission Symposium, Tartu, Estonia. ——. “Behind the Glass: Curators and Collect- ing” (with Kelly A. Conway, Tina Oldknow, Audrey M. Whitty, and Karol B. Wight), The Corning Museum of Glass.

Brumagen, Regan.* See also Bardhan, Gail P.

Cassetti, Robert K. “Adventures in Glass,” Rochester Institute of Technology, Roches- ter, NY. ——. “Arts Alive Presentation,” Elmira College, Elmira, NY. ——. “Insider’s Guide to Advocacy: How to Be a Good Neighbor and Tell Everyone

23 Gibbs, Steven T. “CMOG Hot Glass Out- National Palace Museum of Korea, Seoul, reach,” Musecon at Design Miami, The Republic of Korea. Wolfsonian–Florida International Univer­ ——. “Adhesives for Glass Conservation,” key- sity, Miami Beach, FL. note lecture, GLASSAC 14 (Glass Science ——. “Le Glasslab, outil d’exploration des in Art and Conservation), Durham, U.K. performances du verre,” Design Spirit, ——. “Non-Destructive Comparative Analysis Insti­tut National du Design Packaging, by X-Ray Fluorescence of Asian and Euro- Cognac, France. pean Seventeenth- to Nineteenth-Century Glass” (with Florian Knothe and Robert H. Gudenrath, William.+ “The Collection of Brill), An Unbroken History: Conserving Venetian Glass Given to King Frederick IV East Asian Works of Art and Heritage, of Denmark by the Doge during the King’s Hong Kong, People’s Republic of China. Visit to Venice in 1709” and “Processing and Decorating Techniques,” Study Days Nace, Aprille C. “Once Bit, Twice Shy: Disaster on Venetian Glass, approximately 1700s, Recovery and Disaster Avoidance in the Istituto Veneto di Scienze, Lettere, ed Arti, Future: Lessons from the Field,” New York Venice, Italy (hereafter, Study Days, IVSLA). Archives Conference, Binghamton, NY. Goblet, blown, applied, ——. “La Ragnatella in Historical Perspective: gilded, diamond-point A Technical Background of Venetian Glass,” Oldknow, Tina.* “Collecting Contemporary engraved. Austria, prob- Bellarmine Museum of Art, Fairfield Univer­ Glass at Corning,” Sandra Ainsley Gallery, ably Tyrol, Hall in Tyrol sity, Fairfield, CT. Toronto, ON, Canada. (glass), and the Nether- ——. “The Glass Body,” Knoxville Museum lands (engraving), about 1550–1599, engraved in Koob, Stephen P.+ “Adhesives for Ceramics of Art, Knoxville, TN. 1652. H. 21 cm, D. 12.3 and Glass,” 2014 International Sympo­- ——. “Imagining the Past and Inventing the cm (2014.3.4). sium on Ceramics & Glass Conservation, Present: The Uses of History in 19th-, 20th-, and 21st-Century Glass,” Rhode Island School of Design, Providence, RI. See also Bolt, Marvin P. and Conway, Kelly A.

Schwartz, Amy J.+ “Artist Resources at The Studio and The Corning Museum of Glass,” Rochester Institute of Technology, Rochester, NY, and Toyama City Institute of Glass Art, Toyama, Japan. ——. “International Women Artists at The Studio,” Wednesday Morning Club, Elmira, NY.

Van Giffen, N. Astrid R.+ “Blaschka Glass: Materials and Preservation,” Chazen Mu­ seum of Art, University of Wisconsin, Mad- ison, WI.

Whitty, Audrey M.* “Irish Glass in the Collec- tions of The Corning Museum of Glass and the National Museum of Ireland,” Antiquar- ian Society of the Art Institute of Chicago, Chicago, IL. ——. Opening remarks, “Moving Objects: From Geographic Pasts to Virtual Presence,” 46th General Assembly, International Acad- emy of Ceramics, Dublin Castle, Dublin, Ireland. ——. “The Venini Covered Cup, Second Half of the 16th Century: A Recent Acquisition

24 by The Corning Museum of Glass,” Study Days, IVSLA. See also Bolt, Marvin P.

Wight, Karol B.*+ “First Impressions: The Mold-Blown Glass of Ancient Rome,” Metropolitan Glass Club, New York, NY. ——. “René Lalique: A Man of His Age,” Ennion Society dinner, The Corning Muse- um of Glass. See also Bolt, Marvin P.

* For lecture at Seminar on Glass, see page 14. + For lecture at A Life in Archaeology and Glass: A Seminar Honoring David Whitehouse (1941– 2013), see pages 12–13.

Other Activities

Bardhan, Gail P. Presented introduction to and tour of “Designing for a New Century” ex- hibition at the Carder symposium.

Berry, Sally K. Named one of 20 top industry Conway, Kelly A. Director and membership Through the Cone, mold- leaders nationwide in Industry’s Choice committee chairman, National American melted, cut, polished. Awards 2014–15, www.touroperator.com. Glass Club. Czech Republic, Železný Brod, Stanislav Libenský Member, board of directors, U.S. Travel’s (Czech, 1921–2002) and Experience Network, Washington, DC. Duane, Elizabeth M. Board member, Gaffer Jaroslava Brychtová District and Finger Lakes Wine Country, (Czech, b. 1924), 1995– Bolt, Marvin P. Member, organizing committee, Corning, NY; member, Path through History 1997. H. 91.8 cm, W. 12th Biennial History of Astronomy Work- work group, Southern Tier Regional Eco- 126.7 cm (2014.3.2). shop; and member, international organizing nomic Development Council. Purchased with funds committee, Inspiration of Astronomical from James B. Flaws and Marcia D. Weber. Phenomena conference. Research fellowship, Elliott, Kelley J. Curated “René Lalique: En- Deutsches Museum, Munich, Germany. chanted by Glass” exhibition, and was in- terviewed by Bill Snyder about it for “Artist Brumagen, Regan. Member, membership and Café,” WSKG Radio, www.wskg.org/blog outreach committee, Arts Section, Asso­ -entry/artist-cafe-september-11-2014. ciation of College & Research Libraries. Elected to OCLC Americas Regional Galbraith, James A. Member, Board of Trust- Council, Global Council Delegates. Mem- ees, The Rockwell Museum, Corning, NY. ber, print media committee, GAS News. Gudenrath, William. Member, The Fellows of Cassetti, Robert K. President, MANY; mem- The Corning Museum of Glass, and Inter- ber, museum grant review panel, New national Advisory Committee, UrbanGlass, York State Council on the Arts; moderator, Brooklyn, NY; co-chairman, technical com- “Contemporary Art and Design in Glass,” mittee, IVSLA, and member of scientific and Google Art Talk (with Eric Meek and Tina organizing committee for its Study Days on Oldknow); panelist, “Contemporary Glass Venetian Glass, approximately 1700s, at and Glassmaking in Corning’s New North which he also presented a demonstration on Wing” (with Eric Meek and Karol Wight), workmanship. Led (with Amy J. Schwartz) and “Connect Design Competition,” SOFA Ennion Society members’ trip to Seattle, WA. Chicago, Chicago, IL; juror, “Art of Cor­ Completed text for David Whitehouse’s ning’s Architecture,” Corning, NY. forthcoming book Cage Cups: Late Roman Luxury Glasses.

25 Institute for Conservation of Historic and Artistic Works, for “a sustained record of excellence in the education and training of conservation professionals.” Member, Fellows of The Corning Museum of Glass; chairman, Technical Committee 17 (TC 17), International Commission on Glass (here­ after, ICOM); co-chairman, Conservation and Site Preservation Committee, Archaeo- logical Institute of America (AIA); national peer, General Services Administration for the Design and Construction Excellence Programs and Art in Architecture Program; member, Public Art Committee, City of Corning, NY; member, archaeological ad­ visory committee, America for Bulgaria Foundation. Associate editor, Studies in Conservation. Moderator of workshop “Interdisciplinary Studies: Education to Pro- mote Collaboration between Archaeology and Conservation,” annual meeting, AIA, Chicago, IL. Taught “Conservation and Restoration of Glass,” one-week course co-sponsored by The Corning Museum of Glass and International Academic Projects, London Metropolitan University, London, U.K. Taught and supervised (with N. Astrid Vase, “Forget-Me-Not” Hamblen, Mary Anne. Member, steering com- R. van Giffen) two interns at the Corning vase, and “Lilac” vase, mittee, Congressional Papers Roundtable, Museum, one from the conservation pro- blown, optic-molded, Society of American Archivists. gram at the Stuttgart State Academy of applied. U.S., Somerville, MA, Union Glass Com- Art and Design, Stuttgart, Germany, and pany, about 1900. Tall- Hopman, Rebecca C. Co-led (with Beth J. the other from the Conservation and Res­ est: H. 30.2 cm, D. 9.1 Hylen) Junior Curators in creating the ex­ toration of Archaeological and Historical cm (2014.4.6, .5, .4). hibition “Never in Your Wildest Dreams: Heritage program, University of Applied Purchased with funds Connections through Imagination,” The Sciences, Berlin, Germany. from the Martha J. Corning Museum of Glass. Moderator, Herpst Estate. “Wikipedia: Getting Involved and Increasing Martinez, Miriam. Director, NY Finger Lakes Discoverability,” Mid-Atlantic Regional chapter, Association of Fundraising Profes- Archives Conference, Baltimore, MD. sionals; vice president, Fund for Women of the Southern Tier Inc., Corning, NY. Hylen, Beth J. Vice moderator, Reference & Information Services Section, ARLIS; co- Meek, Eric T. See Cassetti, Robert K. chairman, history committee, Glass Art Society. Judge, Student Art Show, The Cor- Miller, Kerry. Board vice chairman, Steuben ning Museum of Glass; panelist, “Careers County Convention and Visitors Bureau, in the Arts and Humanities,” Ridge Road Corning, NY; member, marketing commit- Elementary School, Horseheads, NY. See tee, Finger Lakes Tourism Alliance, Penn also Hopman, Rebecca C. Yan, NY.

Karden, Kala. Named volunteer partner of the Nace, Aprille C. Board member and chairman year by the Institute for Human Services, of personnel committee, South Central Re- Bath, NY. gional Library Council, Ithaca, NY. Peer reviewer for Art Documentation, ARLIS. Koob, Stephen P. Received the 2014 Sheldon Member, 12NY: Outcomes and Assessment and Caroline Keck Award of the American working group, Ithaca, NY.

26 Oldknow, Tina. Named honorary fellow of the Tshudy, Sheila A. Member, certificate of American Craft Council’s College of Fellows. achievement review board, and chairman, Member, advisory council, North Lands donations committee, New York State Creative Glass, Lybster, U.K. Member, edi- Library Assistants’ Association; secretary, torial advisory committee, GLASS: The ParaLibrarian Roundtable, New York UrbanGlass Art Quarterly, Brooklyn, NY; Library Association. advisory committee, Glass Art Society, Seat­tle, WA; and International Council, Van Giffen, N. Astrid R. Assistant coordinator Pilchuck Glass School, Stanwood, WA. in charge of glass deterioration, ICOM, Juror, Irwin Borowsky Prize in Glass Arts, Committee for Conservation, Glass and Philadelphia, PA, and Taos Glass Art Insti- Ceramics Working Group. See also Koob, tute Invitational, Taos, NM. Panelist, “New Stephen P. Directions in Glass,” UrbanGlass, Brook- lyn, NY. Conducted interview with Paul Wetterlund, Kris. Editor, Museum-Ed (www and Elmerina Parkman, Nanette L. Lait- .museum-ed.org), a nonprofit online orga­ man Documentation Project for Craft and nization dedicated to the professional de- Decorative Arts in America, Archives of velopment of museum educators. Also for American Art, Smithsonian Institution, Museum-Ed: launched Kickstarter cam- Washington, DC. paign to digitize the archives of Docent Ed- ucator, a publication to enhance the profes- Public Services Team, Rakow Research Library. sional development of museum docents; Welcomed 3,100 visitors, worked with 61 wrote and launched an online survey of art groups, and answered 4,600 reference ques- museum educational programming in the tions; LibAnswers, the Museum’s online ref- United States and Europe, and presented on erence management system, received 38,000 this programming at the Network of Euro- hits. Collected 11 oral histories. pean Museum Organizations conference in Bologna, Italy. Sayre, Scott A. Board member, Museum Com- puter Network (MCN) and Museum–Ed. Whitty, Audrey M. Member, International Presenter, MCN Pro Webcasts “Introduction Academy of Ceramics, Unesco; member, in- to Google Hangouts On Air” and “Google ternational advisory committee and panel Hangouts On Air, Part 2”; presenter, New moderator, 46th General Assembly, Interna­ Media Consortium Webcast “Future of tional Academy of Ceramics; glass specialist Museums – Bring Your Own Device.” and co-consultant on For Developing the Vision for Waterford as an International Schwartz, Amy J. Peer reviewer for National Centre for Glass Design and Making, an Leaderhip Grants for Museums, Institute internationally benchmarked research and of Museum and Library Services; juror, development report commissioned by the Stanislav Libenský Award, Prague, Czech Design and Crafts Council of Ireland. Republic. Member, international advisory committee, International Craft Biennale, Wight, Karol B. Member, Association of Art Cheongju, Republic of Korea; member, Museum Directors. Member, board of advisory board, Fine Arts and Design Pro- trustees and Fellows of The Corning Mu­ gram, Corning Community College, Cor- seum of Glass. Board member, Association ning, NY. Board member, Fund for Women Internationale pour l’Histoire du Verre. of the Southern Tier Inc., Corning, NY; Member, advisory committee, Intercolle- board member and chairman of technology giate Center for Classical Studies, Rome, committee, Alternative School for Math and Italy; and glass subcommittee, ICOM. See Science, Corning, NY. See also Gudenrath, also Cassetti, Robert K. William.

Sterbenk, Yvette M. Member, board of trustees, and chairman, publicity committee, Finger Lakes Chapter, Public Relations Society of America.

27 Publications

Collecting Contemporary Glass: Art and Design after 1990 from The Corning Museum of Glass Tina Oldknow 288 pp., 206 color illustrations

The Corning Museum of Glass: Notable Acquisitions 2013 82 pp., 78 color illustrations

Islamic Glass in The Corning Museum of Glass, Volume 2 David Whitehouse 333 pp., 499 color illustrations

Journal of Glass Studies Volume 56 424 pp., illustrations

New Glass Review 35 128 pp., 230 color illustrations

René Lalique: Enchanted by Glass Kelley Jo Elliott, with contributions by Elizabeth Everton and Tina Oldknow. Co-published with Yale University Press, New Haven and London 383 pp., illustrations

Master Class Series, Volume 10: Eggshell Thin Pâte de Verre with Shin-ichi Higuchi 40-minute color video (DVD)

28 Leadership Team Lyman C. Babbitt Make Your Own Glass Workshop Museum Robert K. Cassetti Coordinator, The Studio Staff Senior Director, Creative Services and Marketing Peter Bambo-Kocze Staff as of Bibliographer December 31, 2014 Ellen D. Corradini Director, Human Resources Gail P. Bardhan and Safety Reference and Research Librarian Jacqueline M. Brandow Elizabeth M. Duane Jeannine M. Bates Make Your Own Glass Workshop Director, Marketing GlassMarket Area Coordinator Assistant, The Studio and Community Relations Steven C. Bender Regan Brumagen Nancy J. Earley E-commerce and New Business Public Services Librarian Deputy Chief Operating Officer Development Manager Ann M. Bullock Alan T. Eusden Sally K. Berry Human Resource / Constituent Chief Operating Officer Tourism Sales and Marketing Management Specialist Manager James A. Galbraith Warren M. Bunn II Chief Librarian Taryn J. Bertolino Collections and Exhibitions Hot Glass Cruise Ship Manager E. Marie McKee Demonstrator/Narrator President Meghan D. Bunnell Valerie M. Bigelow Buyer Scott A. Sayre Accounting Associate Chief Digital Officer Kenneth L. Burns Kelly L. Bliss Coordinator of Access Services Amy J. Schwartz Lead Cataloguer Director of The Studio Brandyn C. Callahan Marvin P. Bolt Hot Glass Cruise Ship David R. Togni Jr. Curator of Science and Technology Demonstrator/Narrator Director of Finance

Kris A. Wetterlund “Poppy” inkstand, Director of Education Favrile glass tesserae; and Interpretation pressed glass; bronze. U.S., Corona, NY, Tiffany Studios, Clara Karol B. Wight Pierce Wolcott Driscoll Executive Director and Curator (American, 1861–1944), of Ancient and Islamic Glass about 1901. H. 7.3 cm, D. 10.4 cm (2014.4.79).    Purchased in part with funds from the F. M. Daniel L. Alexander Kirby Foun­dation. Hot Glass Cruise Ship Demonstrator/Narrator

Catherine L. Ayers Hot Glass Cruise Ship Demonstrator/Narrator

29 Edward E. Callahan Shirley K. Faucett Stephen Hazlett Facilities Technician GlassMarket Area Coordinator Preparator/Mount Maker

Kimberly A. Carlisle-Locey Mieke L. Fay Evan B. Hill Executive Assistant Youth and Family Programs Educator Education Programs Assistant

Kurt B. Carlson Kathleen D. Force Everett M. Hirche Make Your Own Glass Workshop Storage Facility Coordinator Hot Glass Cruise Ship Team Leader, The Studio Demonstrator/Narrator Andrew M. Fortune Matthew J. Collins Photographer / Digital Imaging Rebecca C. Hopman Maintenance Supervisor Supervisor Outreach Librarian

Rebecca A. Congdon Lori A. Fuller Beverly J. Hough Development and Special Projects Associate Librarian, Collections GlassMarket Area Coordinator Coordinator Management Lauren S. Hunt Kelly A. Conway JoAnne M. Gargano Hot Glass Cruise Ship Curator of American Glass GlassMarket Store and Customer Demonstrator/Narrator Service Supervisor Christy L. Cook Caitlin B. Hyde Associate Registrar­ Celia E. Garland Technical Interpreter / Glass Hot Glass Cruise Ship Demonstrator Julia A. Corrice Demonstrator/Narrator Cataloguing Specialist, Continuing Beth J. Hylen Resources and Digital Collections Steven T. Gibbs Reference and Education Librarian Senior Manager, Hot Glass Programs Chad D. Crans Scott R. Ignaszewski Audiovisual and Production William J. Gilbert Event Planning and Production Technician Safety Manager Manager

Lynn M. Creeley Eric S. Goldschmidt Aaron M. Jack Retail Operations / Inventory Associate Flameworking and Properties Hot Glass Cruise Ship of Glass Supervisor Demonstrator/Narrator Laurie J. Derr Acquisitions Assistant John W. Gramann Dane T. Jack Hot Glass Cruise Ship Hot Glass Cruise Ship Daniel G. DeRusha Demonstrator/Narrator Demonstrator/Narrator Hot Glass Logistics and Ship Supervisor William Gudenrath G. Brian Juk Resident Adviser, The Studio Hot Glass Cruise Ship Ryan F. Doolittle Demonstrator/Narrator Hot Glass Cruise Ship Bonnie L. Hackett Demonstrator/Narrator Customer Service Specialist Nedra J. Jumper Administrative Project Planner Allison M. Duncan Mary Anne Hamblen Special Projects Manager, The Studio Special Collections and Archives Julie M. Kabelac Librarian Acquisitions and Serials Supervisor Matthew K. Eaker Maintenance Team Leader Brandy L. Harold Kala G. Karden Registrar Volunteer and Internship Program Kelley J. Elliott Supervisor Assistant Curator of Modern and Myrna L. Hawbaker Contemporary Glass Volunteer Program Coordinator / Telephone Administrator

30 George M. Kennard A. Ryan Mellinger Lewis R. Olson Hot Glass Show and Roadshow Hot Glass Cruise Ship Hot Glass Technical Team Leader Team Leader/Gaffer Demonstrator/Narrator Jamie M. Perian Allyson N. Klopp Karen A. Metarko Hot Glass Cruise Ship Hot Glass Cruise Ship Financial Analyst Demonstrator/Narrator Demonstrator/Narrator Brendan L. Miller Elizabeth W. Perkins Chelsea J. Knapp Hot Glass Cruise Ship Hot Glass Cruise Ship Guest Services Associate Demonstrator/Narrator Demonstrator/Narrator

Thomas M. Knotts L. Kerry Miller El L. Peterson Executive Secretary Tourism Sales Specialist Maintenance Technician

Stephen P. Koob Maureen L. Miller Shelley M. Peterson Chief Conservator Guest Services Supervisor Merchandise Team Manager

Amanda S. Kritzeck Mia A. Monahan Donald G. Pierce Digital Content Specialist Payroll/Constituent Data Hot Glass Team Leader / Gaffer Administrator David A. Kuentz Martin J. Pierce Innovation Center Technician / Jessica A. Moore Digital Photography Technician Preparator Special Projects Team Leader, The Studio Kenton S. Pratt Ryan R. Langille Hot Glass Cruise Ship Lead Web/Interactive Developer Timothy L. Morgan Demonstrator/Narrator Maintenance Technician Ashley C. LaRocque Cynthia J. Price Guest Services Associate Timothy M. Morgan School and Docent Programs Inventory Control and Storage Coordinator Kyle A. Lavery Facility Team Leader Facility Coordinator, The Studio Richard W. Price Colleen E. Murphy Head, Publications Department Allison S. Lavine Guest Services Associate Digital Photography Assistant Theresa F. Radigan David R. Murray Marketing Communications Specialist Suzette L. Lutcher Operations Manager GlassMarket Purchasing Charlyn M. Reynolds and Sales Associate Aprille C. Nace Hot Glass Cruise Ship Associate Librarian, Public Services Demonstrator/Narrator Miriam Martinez Member Services Specialist Victor A. Nemard Jr. Christopher A. Rochelle Senior Merchandising Manager Hot Glass Projects/Cruise Ship Megan C. Mathie Team Leader Hot Glass Cruise Ship Thomas P. Oberg Demonstrator/Narrator Preparator Melissa M. Rose Tour, Sales, and Reservations Michael A. McCullough Francis R. Ochab Coordinator Controller Preparator Team Leader Alexandra M. Ruggiero Eric T. Meek Tina Oldknow Curatorial Assistant Hot Glass Show/GlassLab Manager Senior Curator of Modern and Contemporary Glass Stephanie M. Russell GlassMarket Area Coordinator

31 Thomas J. Ryder Tina S. Snow Jennifer VanEtten Hot Glass Cruise Ship Marketing and Event Coordinator GlassMarket Sales Associate Demonstrator/Narrator Kyleen M. Sorensen Randy T. Vargason Jacolyn S. Saunders Guest Services Associate Information Technology Manager Publications Specialist Heather N. Spiewak Karen L. Vaughn Tracy L. Savard Hot Glass Cruise Ship Student and Instructor Services Cataloguing Specialist, Original Demonstrator/Narrator Coordinator, The Studio Artwork and Documents Sara L. Squires Regina L. Wagner Ian M. Schmidt Accounting Associate Guest Services Manager Hot Glass Cruise Ship Demonstrator/Narrator Diane D. Stendahl Emma L. Walters Hot Glass Cruise Ship Hot Glass Cruise Ship Harry E. Seaman Demonstrator/Narrator Demonstrator/Narrator Facility Manager, The Studio Yvette M. Sterbenk Ling Wang Debra C. Sharretts Senior Manager, Communications Database Administrator/ Human Resource Coordinator Programmer Analyst Robert V. Swidergal Aaron P. Sheeley Hot Glass Cruise Ship Diane E. Webster Desktop Coordinator Demonstrator/Narrator Guest Services Lead Studio Associate

Annette D. Shepherd Helen M. Tegeler Gladys M. West Hot Glass Cruise Ship Hot Glass Cruise Ship Make Your Own Glass Workshop Demonstrator/Narrator Demonstrator/Narrator Manager, The Studio

Hsiao-Ying Shih Jason M. Thayer Melissa J. White Narrator/Interpreter Audiovisual and Production Collection Database Specialist Team Leader Carl A. Siglin Audrey M. Whitty Hot Glass Cruise Ship Team Leader Jill Thomas-Clark Curator of European Glass Illustrator Damon V. Smith Tina M. Wilcox Network Administrator/System Kimberly A. Thompson Accounting Associate Analyst Public Relations Specialist Nicholas L. Williams Emily E. Smith Timothy C. Thompson Photographic Department Manager Assistant Registrar–Loans Information Technology Operations Supervisor Nicholas C. Wilson Kara R. Smith GlassMarket and Guest Services Event Planner James M. Truxon Technical Coordinator Lead Application Developer Matthias H. Smith Violet J. Wilson Preparator Supervisor Sheila A. Tshudy Administrative Assistant, Cataloguing Specialist, Trade Catalogs Curatorial Department J. Troy Smythe and Audiovisual Materials Education and Interpretation Supervisor Jeremy I. Unterman Facility Team Leader, The Studio Kalli A. Snodgrass Make Your Own Glass Workshop N. Astrid R. van Giffen Coordinator Associate Conservator

32 The Museum’s 90 docents led 1,908 tours in 2014 (a total of 3,103 hours). Docents and Our docents, and their years of service to the Museum, are: Volunteers

Dawn Evans Able, 1 Nathalie Gollier, 9 Francine Murray, 7 Honorary docents, who Laura Acuto, 2 Gretchen Halpert, 6 Karen Navaie, 3 have given more than 15 Anita Adelsberg, 6 Thomas Hart, 13 Dudley Newell, 3 years of service to the Jerry Altilio, 9 Kaori Heberle, 3 Nancy O’Loughlin, 1 Museum but are no longer Malinda Applebaum, 8 Roberta Hirliman, 9 William Plummer, 12 able to provide tours, are: Roger Bartholomew, 4 Janis Hobbs-White, 8 Rebecca Potash, 1 Melissa Bauco, 9 Meg Horn, 2 William Powell, 10 Josephine Bickford Elizabeth Berliner, 1 William Horsfall, 12 Judith Prentice, 8 Eloise Hopkins Karen Biesanz, 10 Christine Hoyler, 4 Thomas Reynolds, 6 Mary Ellen Ivers Caroline Bissmeyer, 1 David Kallenborn, 1 Anna Rice, 16 Lucille Richter Andrea Bocko, 2 Margaret Kish, 7 Karen Rowe, 10 Loris Sawchuk † Louise Bush, 6 John Kohut, 10 Betty Santandrea, 7 Zung Sing Chang, 12 Jean Krebs, 12 Kevin Sives, 3 † Deceased Sharon Colacino, 9 Eileen Kremer, 8 Gisela Smith, 11 Joseph Coletta, 4 Jennifer Kuhn, 3 John Snyder, 2 Ann Congdon, 5 Barbara Kurcoba, 4 Shao-Fung Sun, 9 Barbara Cooper, 9 Pam Lally, 3 Patricia Thiel, 22 Martha Custer, 4 Lenore Lewis, 16 Steve Tong, 11 Kimberly Cutler, 6 Elizabeth Lisk, 4 Paul Topichak, 2 Anne Darling, 10 Dennis Lockard, 9 Edward Trexler, 12 Lindy DiPietro, 2 Tricia Louiz, 7 Florence Villa, 11 Richard Dreifuss, 2 Les Malcovitch, 1 Donald Walker, 14 Shirley Edsall, 14 Mary Margeson, 10 Susan Weibel, 1 Charles Ellis, 13 Edwin Marosek, 1 Elizabeth Whitehouse, 4 Dee Eolin, 9 Sophie Mayolet, 6 Lynn Woodard, 2 Nadine Farrell, 1 Connie McCarrick, 9 Lorraine Wright, 4 Pamela Fraboni, 1 James McCarthy, 2 Mary Young, 8 Sherry Gehl, 14 William Mecum, 7 Yizhou Zhang, 4 Michael Geiger, 7 Sandra Mentuck, 1

In 2014, our volunteers worked 6,919 hours as they served at special events and helped many Museum departments.

Volunteers in 2014 were:

Dawn Evans Able Whitney Birkett Betsy Carisetti Sadie Cutler Elaine Acomb Hannah Blystra Elizabeth Caroscio Saguna Das Hilda Allington Marissa Brannick Florence Cecce Beverly Dates Leslie Antos Mary Ellen Brennan Karyn Cepek Shelby Davis Dorothy Behan Susan Brown Sarah Chaviano Erin Dempsey Molly Behan Shirley Brzezinski Janice Chorazy Marilyn Denson Lois Benjamin Nancy Burdick Mary Clarke Sharon DeRusha Billie Jean Bennett Madeline Burns Jeanette Currie Abigail Dolan Elizabeth Berliner Louise Bush Martha Custer Juliet Downie Karen Biesanz Tammie Cain Alec Cutler Cynthia Dunnenberger Gloria Bingaman Claire Canale Kimberly Cutler Shirley Edsall

33 Africa, fused, optic-mold- ed, and blown murrine romane (Roman mosaic) glass, glass powder. U.S., Corning, NY, The Studio of The Corning Museum of Glass, Lino Tagliapi- etra (Italian, b. 1934), 2014. H. 30 cm, D. 45 cm (2014.4.25). Gift of the artist in memory of David B. Whitehouse.

Charles Evans Barbara Kish Alex Mattingly Jussi Sistonen-Lonnroth Nancy K. Evans Margaret Kish Mildred Miles Deborah Smith Monica Fadul Kathleen Knopf Julie Miller Gisela Smith Kelly Fairbanks John Kohut Madison Muehl Alexis Spry Christine Forester Marianne Kosty Susan Naylor Victoria Squires Milton French Robert Kosty Marge Nieber Pat Starzec Moira French Claire Koval Emily Niu Laura Storms Caren Gardner Jean Krebs Jemi Ong Leah Storms Sherry Gehl Josie Kubrich Valerie Oppenheim Joseph Stutzman Anne Beranger Giese Jerry Laughlin Kavita Patil Maria Stutzman Susan Goodrich June Laughlin Rachel Patt Jane Suhey Anita Goodwin Brian Lee Janet Perdue Shao-Fung Sun Terri Grace John Lehman Connie Petro Makenna Thomas Virginia Hauff Kaitlyn Lembo Meredith Rector Joan Tojek April Heckman Earl Leonard Roxanne Reed William Tucker Marlene Heikkila Earl Leonard Jr. Anna Rice Prema Vaddi Janis Hobbs-White Jill Lewis Amy Robbins Jessie Wang Thomas Hogrefe Les Lewis Caroline Robinson Eileen Warren Sakib Hoque Connie Li Jake Russell Judy Whitbred Barbara Hornick-Lockard Nina Listopadzki Betty Santandrea Elinor Wight Connie Hou Tricia Louiz Kacey Scheib Lauren Witmer Awanda Hunt Katie Lynch Barbara Serdula Radha Wusirika George Hunt Sara Major Adam Setzer San San Yee Colin Hurlburt Mary Margeson Allison Seyler Yizhou Zhang Sara Khozeimeh Ray Margeson Indira Sharma

34 Development The Museum has a very active consortium of Fellows. This group is composed of recog- Development Donor Support nized glass collectors, scholars, dealers, and and glassmakers. Their membership dues support The Corning Museum of Glass gratefully acquisitions by the Rakow Research Library. Member­ship acknowledges the many donors, Members, In 2014, the group contributed $25,800 to foundations, and corporate contributors that the Fellows Fund for important library acqui- supported glass and library acquisitions, exhi- sitions. bitions, education and Studio programs, and Individual monetary donations for glass and numerous special interests in 2014. library acquisitions totaled $1,049,300 in 2014, Eugène Frederic Ferdi- nand Hucher (French, The Museum’s patron group, the Ennion which enabled the Museum to make significant 1814–1889), Calques Society,­ welcomed 20 new households during purchases for the Contemporary Art + Design des vitraux peints de la the year. Ennion Society members donated Wing, opening in March 2015. Cathedrale du Mans . . . $314,500 to the 2014 campaign. Their gifts Throughout 2014, a portion of the Ennion (Tracings of the painted were used to acquire a vase with Cubist com- Society members’ donations and other gifts stained glass windows position that was designed by Fernand Léger added $352,000 to the Museum’s glassmaking of Le Mans Cathedral), and manufactured by Steuben Glass Inc. in scholarship funds. These funds included pro- Paris: Didron and A. Mo- rel et Cie., and Le Mans: 1939. Members of the Directors, Curators, ceeds of $237,900 from glass auctions on Monnoyer Frères, 1864. Sustainers, and Collectors Circles of the So­ three of Celebrity Cruises’ Solstice-class ships. [42] pp., [98] leaves of ciety selected this addition to the Mu­seum’s The December Studio Holiday Open House plates. H. 87 cm (CMGL collection. weekend raised an additional $46,200. 138207). One of the highlights of the year was the annual Ennion Society dinner, held on October 15 in the Museum’s auditorium. One hundred seventy members of the Society and guests attended this elegant event. It included a pre- sentation by Executive Director Dr. Karol B. Wight titled “Lalique as a Man of His Age.” The dinner was graciously hosted by James B. Flaws, chairman of the Museum’s Board of Trustees, and his wife, Marcia D. Weber. The annual sale of glass objects at the dinner raised $25,700 for The Studio’s Scholarship and Artist-in-Residence Fund, and additional contributions provided $7,500 for funding vis- its to the Museum by students in area schools. Other Ennion Society events in 2014 includ- ed a private dinner in the collections galleries following the “Behind the Glass: Curators and Collecting” lecture; a private tour of the Lalique exhibition, before the Members’ open- ing, with Kelley Elliott, exhibition curator and assistant curator of modern and contemporary glass; and a private dinner with “Behind the Glass: Meet the Artist” lecturer Mark Peiser, hosted by Jeff Evenson and Karyn Cepek at their home. In May, William Gudenrath and Amy Schwartz traveled to Seattle with a group of Ennion Society members. The group met with 10 glassmakers in their studios, an expe- rience that only Seattle can provide. Visits to the Pilchuck Glass School, the Museum of Glass in Tacoma, and Chihuly Garden and Glass were other highlights of the trip.

35 Grants • $20,226 The Karl H. Koepke Trust During the year, the Museum applied for Acquisition of American glass grants to supplement the generous financial • $16,182 support of Corning Incorporated. Grants Gladys M. and Harry A. Snyder Memorial awarded in 2014 totaled $300,096, thanks to Trust contributions from many of our supporting “See More” program, audio and video in- foundations, trust funds, and federal and state terpretation of the collection granting agencies. The Museum is very grate- • $15,000 ful to the granting organizations for their con- F. M. Kirby Foundation tinued endorsement and support of our General operating support unique programs and initiatives. • $15,000 PricewaterhouseCoopers LLP Grants Awarded in 2014 Digital program for Contemporary Art + • $97,551 Design Wing National Endowment for the Humanities • $5,000 A survey of early telescopes The Dana Foundation • $50,000 Studio scholarships Miniature covered IMLS Planning Grant • $5,000 tankard, blown, hot- Digitization of Whitefriars collection The Dana Foundation worked, applied; chased, • $40,000 Studio equipment repoussé, and gilded New York State Council on the Arts • $3,068 silver. Possibly Venice, (year 3 of 3) The Triangle Fund 1550–1599. H. 10.7 cm, General operating support The Studio’s glassblowing and flamework- D. 6.5 cm (2014.3.14). Purchased with funds • $30,000 ing program with the Corning–Painted Post from the estate of World Kitchen LLC High School Learning Center Richard Andrasi. Pyrex exhibition, Web site, digital archive • $3,069 The Triangle Fund Junior Scientists program – transportation

Nancy J. Earley Deputy Chief Operating Officer

  

Membership

The Corning Museum of Glass is sincerely thankful for the funding provided by its Mem- bers, whose support comes from all corners of the globe. Our Members are a committed group of enthusiasts, and their participation and generosity are integral to the Museum’s success. In 2014, the membership program added 849 new Members, for a total membership of nearly 3,000. In addition to on-site sales of memberships, a large part of this success can be attributed to our growing online member- ship sales. From 2013 to 2014, online mem- bership sales increased 18 percent. There were a number of successful Members’ events in 2014. We celebrated the opening of our special exhibition, “René Lalique: Enchant­ ed by Glass,” with a Members’ preview,

36 followed by a Members-only tour led by the D[avid] Ironmonger show’s curator, Kelley Elliott. We also hosted (British, fl. 1825–1840), three receptions for Donor-level Members and In­structions for the New Improved Harmonicon above before “Behind the Glass” lectures by Glasses, London: R. W. the artist Mark Peiser, Dr. Paul Roberts of The Keith and Co., [1825?]. British Museum, and the Rakow Commission 16 pp. H. 18 cm, W. 27 artist Amber Cowan. Members continued to cm (CMGL 139069). attend 2300° events in large numbers, taking full advantage of our Members-only bar and using the events as opportunities to gather and Goblet in “Sanssouci” network. pattern, blown, cut, en- Throughout the year, Members enjoyed free graved. U.S., Morgan- and unlimited admission to the Museum. They town, WV, Seneca Glass Company, about 1930. also received discounts in the GlassMarket and H. 21.1 cm, D. 10.3 cm Café, at the annual Seminar on Glass, and (2014.4.10). Gift of at 2300° events. During Membership Appre­ Frederick Campbell ciation Month in May, the Museum treated Hovey. Members to additional discounts in the Café and GlassMarket. The Museum greatly appreciates the sup- port, advocacy, and commitment of all of its Members. Their generosity helps us to fulfill our mission and to offer world-class program- ming.

Regina L. Wagner Guest Services Manager

37 Donors to the Glass Collection Jen Blazina, Philadelphia, PA Donors to Sculpture, Unconsciousness. U.S., Corning, the Museum The generosity of 38 donors allowed the NY, The Studio of The Corning Museum of Museum to add 132 objects to the collection Glass, Jen Blazina, 2014. during the year. Shannon Brunskill, Dallas, TX Julie Alland, San Francisco, CA Sculpture, The Ones I Can Recall. U.S., Sculpture, Saudade. U.S., Corning, NY, The Corning, NY, The Studio of The Corning Studio of The Corning Museum of Glass, Ju- Museum of Glass, Shannon Brunskill, 2014. lie Alland, 2014. Corning Incorporated, Corning, NY Estate of Richard Andrasi, Hazelton, PA Pair of giant candlesticks. U.S., Corning, (funds) NY, Steuben Glass Inc., designed by John Miniature covered tankard. Possibly Venice Monteith Gates, 1940–1949. or façon de Venise, 1550–1599. “Special Commission” glass blank and 10 Covered tankard. Façon de Venise, possibly molds and models. U.S., Corning, NY, Steuben Belgium, the Netherlands, or Germany, 17th Glass Inc., date unknown. century (tankard), about 1700 (mount). Two 0.7 millimeter Eagle XG glass panels. Corning Incorporated, date unknown. Patricia May Bass, Concord, NH Eighteen pieces of . U.S., West Lyndy Delian, Dickson, ACT, Australia Nyack, NY, designed by Maurice Heaton, Sculpture, Journey Lines. U.S., Corning, NY, Burial Raft, blown, hot- worked, applied glass about 1930–1950. The Studio of The Corning Museum of Glass, powders, acid-etched; Lyndy Delian, 2014. painted steel stand. Irwin R. Berman, M.D., St. Simons Island, GA U.S., Stanwood, WA, (in memory of his wife, Linda) Kate Elliott, Bend, OR (gift in part) William Morris (Ameri- Sculpture, Burial Raft. U.S., Stanwood, WA, Sculpture, Ventriloquist. U.S., Milton, WV, can, b. 1957), 1993. William Morris, 1993. and Troy, NY, Inc., H. 17.8 cm, W. 50.8 cm (2014.4.16). Gift of Hank Murta Adams, 1996. Irwin R. Berman, M.D., Andre and Carol Billeci Family, Vero Beach, FL in memory of his wife, Sculpture, Spare 9. U.S., Alfred, NY, Alfred Ennion Society of The Corning Museum Linda. University, Andre Billeci, 1971–1972. of Glass, Corning, NY Vase with Cubist composition from the “Twenty-Seven Contemporary Artists” series. U.S., Corning, NY, Steuben Glass Inc., de- signed by Fernand Léger, 1939.

Erica Evans, Ithaca, NY (in memory of her mother, Lucie Loeb) Vase with branch of dogwood flowers. France, Nancy, Cristallerie Emile Gallé, about 1914.

James B. Flaws and Marcia D. Weber, Painted Post, NY (funds) Sculpture, Through the Cone. Czech Re- public, Železný Brod, Stanislav Libenský and Jaroslava Brychtová, 1995–1997.

Mel George, Queanbeyan, NSW, Australia Sculpture, Homage to the Mappae Clavicula. U.S., Corning, NY, The Studio of The Corning Museum of Glass, Mel George, 2014.

38 Anthony “Bud” Gerbasi, Aiken, SC (gift of Anthony “Bud” Gerbasi, Deborah L. Lohman, Christopher A. Gerbasi, and Laura B. Sharp in memory of Nancy J. Gerbasi) Three tiled wall panels. U.S., Lake Red Rock, IA, Sheryl Ellinwood, 2014.

Martha J. Herpst Estate, Titusville, PA (funds) Three vases. U.S., Somerville, MA, Union Glass Company, about 1900.

Gary Hoffman, West Palm Beach, FL Spare 9, hot-worked. (in memory of Ileene Hoffman) U.S., Alfred, NY, Alfred Four Figures Chandelier. U.S., Kensington, University, Andre Billeci (American, 1933–2011), NH, Dan Dailey, 2007. 1971–1972. H. 37.1 cm, D. 7.7 cm (2014.4.76). Frederick Campbell Hovey, San Francisco, CA Gift of the Andre and Goblet and champagne glass in “Sanssouci” Carol Billeci Family. pattern, goblet in “Trianon” pattern, and gob- let in unknown pattern. U.S., Morgantown, Four Figures Chandelier, WV, Seneca Glass Company, about 1930. blown, cast, flameworked;­ brass, bronze, aluminum, Goblet in “Monticello” pattern. U.S., Tole- steel; nickel plate, gold do, OH, Libbey Glass Company, designed by plate, patination. U.S., Edwin W. Fuerst, 1940. Kensington, NH, Dan Goblet in “Blair House” pattern. U.S., Tiffin, Dailey (American, b. OH, Tiffin Glass Company, 1957. 1947), 2007. H. 108 cm, W. 60 cm (2014.4.67). Robert and Barbara Hunter, Alpharetta, GA Gift of Gary Hoffman in memory of Ileene Candelabrum, Pájaro rubio (Red bird). Hoffman. U.S., Seattle, WA, Susan Plum, 1991. Bottle with stopper, The Glow Within. U.S., Penland, NC, Shane Fero with the assistance of John Geci, 2001.

The International Society of Glass Beadmakers (ISGB), Columbus, OH Forty beads from the ISGB President’s Col- lection. U.S., Canada, France, Israel, Italy, and Japan, various artists, 1996–2013.

F. M. Kirby Foundation, Morristown, NJ (funds, purchased in part) “Poppy” inkstand. U.S., Corona, NY, Tiffany Studios, designed by Clara Pierce Wolcott Driscoll, about 1901.

Karl and Anna Koepke Endowment Fund, Kent, OH (funds) Crown Milano covered ewer. U.S., New Bedford, MA, Mt. Washington Glass Com­ pany, about 1891–1895.

Kornélia Nagy Koppány, Budapest, Hungary (gift of KNP Law Nagy Koppány Varga and Partners, Budapest, Hungary)

39 D. H. McNabb, Danville, KY Sculpture, The Last CD, Attempt 2. U.S., Danville, KY, D. H. McNabb, 2013.

Rogaška Crystal, Rogaška Slatina, Slovenia “Drape” bowl. Slovenia, Rogaška Slatina, Rogaška Crystal, designed by Paul Haigh in 1995, manufactured in 2013. “Droplet” platter. Slovenia, Rogaška Slatina, Rogaška Crystal, designed by Paul Haigh in 1996, manufactured in 2013.

Michael Scheiner, Central Falls, RI Sculpture, Sheer Volume. U.S., Central Falls, RI, Michael Scheiner, 2010.

The Steinberg Foundation, Vaduz, Liechtenstein “Murrina del serpente” (Snake) bowl. Italy, Venice, Murano, Venini & C., designed by Carlo Scarpa, about 1940.

Lino Tagliapietra, Seattle, WA (in memory of David B. Whitehouse) Sculpture, Africa. U.S., Corning, NY, The Studio of The Corning Museum of Glass, Lino Tagliapietra, 2014.

Kenneth R. Treis, The Greater Milwaukee Founda­tion, Milwaukee, WI (partial funds) Wineglass of filigrana a retortoli. Venice, about 1700. Sheer Volume, float Sculpture, Lightspeed (“Aliens” series). glass; clay wash, alumi- Hungary, Budapest, György Gáspár, 2014. Donna and Neil Weisman, New York, NY num, stone. U.S., Cen- Sculpture, untitled. Italy, Venice, Murano, tral Falls, RI, Michael Scheiner (American, b. Anna Lehner, Appleton, WI Gino Cenedese & Co., designed by Ermanno 1956), 2010. H. 160 cm, Sculpture, Untitled. U.S., Corning, NY, Nason, 1972. W. 120 cm (2014.4.1). The Studio of The Corning Museum of Glass, Gift of the artist. Anna Lehner, 2014. Rainer Zeitz, London, United Kingdom Goblet. Italy, Venice, Murano, Pauly & Gabrielle Li, South Hamilton, MA C. – Compagnia Venezia e Murano, possibly Sculpture, Buried Alive. U.S., Corning, NY, designed by Umberto Bellotto, about 1920– The Studio of The Corning Museum of Glass, 1930. Gabrielle Li, 2014.    Robert K. Liu, San Marcos, CA (gift of Robert K. Liu/Ornament Magazine) Donors to the Rakow Research Library Thirty-seven filigrana cane segments and mosaic glass plaques. Japan, Osaka, Kyoyu Financial Donors Asao, about 1978–1985. Donors to the Marshall Ketchum Carder Steuben Memorial Fund Jenni Kemarre Martiniello, Rivett, ACT, Mr./Mrs. Dean C. Beeman, Rose Valley, PA Australia Peter Bennett, Rochester, NY Sculpture, The 5 Principles. U.S., Corning, Edward and Louise Bush, Painted Post, NY NY, The Studio of The Corning Museum of Carder Steuben Club Inc., Corning, NY Glass, Jenni Kemarre Martiniello, 2014. David Chadwick-Brown, San Diego, CA

40 Susan and Willson Craigie, Richmond, VA Bohemia Machine s.r.o., Světlá nad Sázavou, James Galbraith, Elmira, NY Czech Republic The Hall Schultz Foundation, Union, NJ, on Marvin Bolt, Corning, NY behalf of David and Deborah Schultz Dr. Lennart Booij, Amsterdam, The Nether- Scott Hansen, Stamford, CT lands Carol Ketchum, Florence, AZ Paul Boudreau, Saint-Ignace-de-Loyola, QC, John Kohut, Elkland, PA Canada Dwight and Jeannette Little, Lincolnton, NC Angela Bowey, Paihia, New Zealand Mark Ockwell, Stouffville, ON, Canada Bravo Integrated Media, Plymouth Meeting, Karen J. Ohland, West Windsor, NJ PA Alice and Jim Sutterfield, Corning, NY Dr./Mrs. Robert H. Brill, Corning, NY Joann Tortarolo, Highland, CA British Glass Foundation, Dudley, U.K. Janet Ziffer, Columbia, MD Brunk Auctions, Asheville, NC Bullseye Gallery, Portland, OR Other Bullseye Glass Company, Portland, OR The Fellows of The Corning Museum of Glass, Cashs of Ireland, Columbus, OH Corning, NY Centro de Ciencias Humanas y Sociales, International Guild of Glass Artists, New Madrid, Spain England Chapter, Westborough, MA Chazen Museum of Art, Madison, WI Chihuly Studio, Seattle, WA Donors to the Library Collection Compagnia delle Perle-Centro Studi Archeo­ Dawn Evans Able, Corning, NY logia Africana, Milan, Italy Accent Decor Inc., Norcross, GA Dr. Glen B. Cook, Elmira, NY Lawrence E. Alley III, Marlborough, MA Corning Incorporated, Corning, NY American Carnival Glass Association, Arthur Court Inc., Brisbane, CA Berkley, MI J. W. Courter, Calvert City, KY American Cut Glass Association, Ramona, CA Cowan’s Auctions Inc., Cincinnati, OH American Dragon Association, Seattle, WA Craft Emergency Relief Fund, Montpelier, VT American Institute of the History of Pharmacy, Damon Crain, New York, NY University of Wisconsin, Madison, WI Crystorama Lighting Group, Westbury, NY Amici dei Musei di Roma, Rome, Italy Kent Curry, Fort Wayne, IN Kathryn Anastasio and William Groome, François Daireaux, Paris, France Corning, NY Mr./Mrs. Herbert I. Dann Jr., Corning, NY Antiquariat Meinhard Knigge, Hamburg, Ltd., Torrington, U.K. Germany Bill Davis, Brighton, VIC, Australia Antique Bottle Collectors of Colorado, Engle- Debbie Dawson, Cork, Ireland wood, CO Isabel De Obaldía, Panama City, Republic Antique Glass Salt & Sugar Shaker Club, of Panama Ogunquit, ME Kenneth C. Depew, Mount Washington Art Artěl Glass, Prague, Czech Republic Glass Society, Fort Myers, FL Asahi Glass Company Ltd., Yokohama, Japan Destination Seneca County, Tiffin, OH Kate and Ric Asbeck, Brecksville, OH Robert Deutsch, Old City of Jaffa, Israel Association for Glass Art Studies, Tokyo, Thomas P. and Peetie Dimitroff, Corning, NY Japan David and Lorna G. Donaldson, Orlando, FL Atelier Nabo Gass, Wiesbaden, Germany Ana Matisse Donefer-Hickie, address not listed Ateneo Veneto, Venice, Italy Guan Donghai Glass Art, Beijing, People’s Maria Brondi Badano, Celle Ligure, Italy Republic of China Frederick Birkhill, Glass Art Society, Pinckney, Prof. Dr. Günter Dörfel, Dresden, Germany MI Jay and Micki Doros, Irvington, NJ Frederick and Jean Birkhill, Pinckney, MI Bernard A. Drabeck, Shutesbury, MA Pat Blair, American Cut Glass Association, Bernard A. Drabeck, Paperweight Collectors Bernalillo, NM Association Inc., Shutesbury, MA H. Blairman and Sons Ltd., London, U.K. Bandhu Scott Dunham, Prescott, AZ Bobecca Publishing Inc., Holmdel, NJ Dynasty Gallery, San Francisco, CA Peter L. Bocko, Painted Post, NY El Paso Museum of Art, El Paso, TX

41 Joseph A. Gallo, Corning, NY Gardiner Museum, Toronto, ON, Canada Gabi Gass, Wiesbaden, Germany The J. Paul Getty Trust, Los Angeles, CA Glasgalerie Michael Kovacek, Vienna, Austria Glashütte Valentin Eisch GmbH, Frauenau, Germany Glasmuseum Passau, Passau, Germany Glass Art Society, Seattle, WA Glass Circle, Hythe, U.K. Glass Crafters Stained Glass Inc., Sarasota, FL Glass Eye Studio Co., Seattle, WA Glazen Huis, Lommel, Belgium Lisa Goldberg, Corning, NY Christina Grajales, New York, NY Robert Griffith, Hallstead, PA William Gudenrath, Corning, NY The Guild Inc., Madison, WI Habatat Galleries, Royal Oak, MI Hagley Museum and Library, Wilmington, DE Paul Haigh, Greenwich, CT Henry Halem, Glass Art Society, Kent, OH Audrey Handler and John Martner, Verona, WI Scott Hansen, Stamford, CT LindaJo and Richard C. Hare, Northville, MI Hauser & Wirth, New York, NY Norman C. Heckler & Co., Woodstock Valley, CT Frontispiece of “Die James J. Elsis and Patricia Duda, Aquebogue, Hedge Gallery, San Francisco, CA Wanderschaft des Gla- NY Sigga Heimis, Seltjarnarnes, Iceland sergesellen Gustav Dee Eolin, Corning, NY Heller Gallery, New York, NY Friedrich Faassen . . .” (The wanderings of Euport Inc., Newcastle, CA Hermann / Lunn Glass, San Clemente, CA the glazier journeyman European Glass Context and The Royal Tomas Hillebrand, Amsterdam, The Nether- Gustav Friedrich Danish Academy, School of Design, lands Faassen . . . ). Gustav Bornholm, Denmark Irene Hollister, Hanover, NH Friedrich Faassen (Ger- Jeffrey S. Evans and Associates, Mount Elmer Huels, Lindley, NY man, b. 1823), 1845. Crawford, VA Humler & Nolan, Cincinnati, OH 428 pp., illustrations, Dr. Eva-Maria Fahrner-Tutsek, Munich, Marshall Hyde, Corning, NY two color maps (folded). H. 21 cm (CMGL Germany Elizabeth Hylen, Painted Post, NY 140012). Purchased in Fenton Art Glass Collectors of America Inc., Niyoko Ikuta, Kyoto, Japan part with funds provided Williamstown, WV Ali Iliff, Tucson, AZ by Jay and Micki Doros. , Williamstown, WV Cristina Ilinca, Bucharest, Romania Fire Mountain Gems and Beads, Grants Pass, Ippodo Gallery, New York, NY OR Istituto Veneto di Scienze, Lettere ed Arti, Fiskars Brands Inc., Madison, WI Venice, Italy Wesley Fleming, Ashfield, MA Jadestone, Portland, OR Flint Institute of Arts, Flint, MI Olive Jones, Ottawa, ON, Canada Chantal Fontaine, Brussels, Belgium James D. Julia Inc., Fairfield, ME Oliver Forge and Brendan Lynch Ltd., London, Ali Kaaf, Berlin, Germany U.K. Karl S. Kabelac, Rochester, NY James Galbraith, Elmira, NY Jun Kaneko Studio, Omaha, NE Galerie bei der Albertina Zetter GmbH, Vienna, Robert Kehlmann, Berkeley, CA Austria K-Films, Créteil, France Galerie Kovacek & Zetter, Vienna, Austria Ludwik Kiczura, Nowa Sól, Poland Galerie Spektrum, Munich, Germany Vladimir Klein, Nový Bor, Czech Republic

42 Kobe Shoin Women’s University, Hyogo, Japan mudac (Musée de Design et d’Arts Appliqués The Rev. Dr. Lynne Alcott Kogel, Saint Clair Contemporains), Lausanne, Switzerland Shores, MI Musée du Verre, Conches-en-Ouche, France John Kohut, Elkland, PA Musée Lalique, Wingen-sur-Moder, France Stephen Koob, Corning, NY Musée/Centre d’Art du Verre, Carmaux, Mary Kotek, Beaver Dam, WI France Kunsthaus Lempertz, Cologne, Germany Museo de Zaragoza, Zaragoza, Spain J & R Lamb Studios Inc., Midland Park, NJ Museum of Art and Archaeology, University Frides Laméris Kunst- en Antiekhandel V.O.F., of Missouri, Columbia, MO Amsterdam,The Netherlands Museum of Glass, Tacoma, WA Dr. James W. Lankton, London, U.K. Muzeum Pałacu Króla Jana III w Wilanowie, Lenox Corporation, Bristol, PA Warsaw, Poland Silvia Levenson, Lesa, Italy Namseoul University, Cheonan, Republic Mrs. Edward F. Lewison, Baltimore, MD of Korea Walter Lieberman, Seattle, WA National Duncan Glass Society, Washington, Lightborne, Cincinnati, OH PA Agneta Linton, Stockholm, Sweden National Glass Centre, Sunderland, U.K. Carroll T. Lisle, Harrisonburg, VA National Greentown Glass Association, Lowe Art Museum, University of Miami, Greentown, IN Coral Gables, FL National Imperial Glass Collectors’ Society, Lubkowski Saunders & Associates Ltd., Bellaire, OH Sunbury-on-Thames, U.K. National Toothpick Holder Collectors Society, Elizabeth Gill Lui, address not listed Archer City, TX LWL-Industriemuseum, Westfälisches Landes- National Westmoreland Glass Collectors Club, museum für Industriekultur, Petershagen, Grapeville, PA Germany New Bulgarian University, Sofia, Bulgaria Flora Mace and Joey Kirkpatrick, Seattle, WA Florence Nicolas, Paris, France Palo Macho, Bratislava, Slovakia Charles G. and Mary Lammon Nitsche, Millennium Byōbu II Maleras Inc., Naperville, IL Geneseo, NY maquette. Robert Mallett & Son (Antiques) Ltd., London, U.K. Old Barn Auction, Findlay, OH Kehlmann (American, b. 1942) 1998. Mixed Paul Marioni, Seattle, WA Tina Oldknow, Corning, NY media on board. H. 28 Mary-Anne Martin Fine Art, New York, NY Philippe Orsetti, Arlington, TX cm, W. 33 cm (CMGL Phyllis Martin, Corning, NY David Owsley Museum of Art, Ball State 142488). Gift of Robert Mascot International Inc., Berkeley, CA University, Muncie, IN Kehlmann. David McCune International Art Gallery, Methodist University, Fayetteville, NC Ann Gilbert McDonald, Arlington, VA Mark McDonnell, Kentfield, CA Lani McGregor and Daniel Schwoerer, Portland, OR D. H. McNabb, Danville, KY Meadows Museum, Southern Methodist University, Dallas, TX James Measell, Marietta, OH Marc Mees, Lier, Belgium Město Železný Brod, Železný Brod, Czech Republic The Metropolitan Museum of Art, Department of Modern and Contemporary Art, New York, NY Michaan’s Auctions, Alameda, CA George L. Miller, Newark, DE Frank C. Möller Fine Arts, Hamburg, Germany M & D Moir, Worcester Park, U.K. , Karlovy Vary, Czech Republic

43 Oxbow Books, Oxford, U.K. The Scottish Gallery, Edinburgh, U.K. Pace Gallery, New York, NY Seeck Auctions, Mason City, IA Tanja Pak, Ljubljana, Slovenia L. H. Selman Ltd., Chicago, IL Albert Paley, Rochester, NY Ayala Serfaty, Tel Aviv, Israel Paperweight Collectors Association Inc., Bill Sheriff, Silver Spring, MD Fairless Hills, PA Jean-Baptiste Sibertin-Blanc, La Garenne- Dr. Paul D. and Elmerina L. Parkman, Colombes, France Kensington, MD Side Street Vintage, Hawthorne, QLD, Mélanie Parmentier, Paris, France Australia Florence Pentecoste, London, U.K. Ian Simmonds, Carlisle, PA Anne Pluymaekers, Laxou, France Kiki Smith, New York, NY Sally Prasch, Montague, MA Snite Museum of Art, University of Notre Prima Bead, Largo, FL Dame, Notre Dame, IN R 20th Century, New York, NY Snyderman-Works Galleries, Philadelphia, PA Christopher Radko, New York, NY Spectrum Glass Company, Woodinville, WA Ranamok Glass Prize Ltd., Brookvale, NSW, Jane Shadel Spillman, Corning, NY Australia St. Johann Press, Haworth, NJ Seth Randal, Los Angeles, CA Stained Glass Ideas, Cocoa, FL Henri Reiling, Utrecht, The Netherlands Stained Glass News, Newaygo, MI Rejuvenation, Portland, OR Le Stanze del Vetro, Venice, Italy Rieunier & Associés, Paris, France Lawrence Stelter, Brooklyn, NY Roan Inc., Cogan Station, PA Susan Stinsmuehlen-Amend, Ojai, CA Rogers Turner Books, Le Mesnil-le-Roi, France Stockholms Auktionsverk, Stockholm, Sweden J. Thomas Rossettie, Painted Post, NY Stölzle Oberglas GmbH, Bärnbach, Austria Royal Meteorological Society, Reading, U.K. John and Becky Stranges, Bath, NY Schantz Galleries, Stockbridge, MA Rudolf G.† and Daisy von Strasser, Vienna, Schott North America Inc., Elmsford, NY Austria Amy Schwartz, Corning, NY Stretch Glass Society, Delaware, OH Joyce J. Scott, Baltimore, MD Table et Cadeau, Antony, France Albert M. Tannler, Pittsburgh, PA Design drawing for vase Debbie Tarsitano, Westford, MA with stylized floral mo- Gay LeCleire Taylor, National American Glass tif. U.S., Corning, NY, Club, Woodbine, NJ Corning Glass Works, Gay LeCleire Taylor, Paperweight Collectors Steuben Division, de- Association Inc., Woodbine, NJ signed and etched by Patricia E. Thiel, Painted Post, NY Bolislav Manikowski Jill Thomas-Clark, Elmira, NY (American, b. Germany, about 1892–1962), Catherine M. V. Thuro-Gripton, Toronto, ON, 1931. Pencil on paper. Canada H. 46 cm, W. 31 cm Louis Comfort Tiffany Foundation, New York, (CMGL 141509). Gift NY of John and Becky Caterina Tognon, Venice, Italy Stranges. Robert Tong, Findlay, OH Toyama City Institute of Glass Art, Toyama, Japan Traver Gallery, Seattle, WA Gerald L. Treadway, Parkesburg, PA Treasures for Little Children, Kilbourne, IL Gustav van Treeck, Werkstätten für Mosaik und Glasmalerei GmbH, Munich, Germany A. A. Trinidad Jr., Victor, NY Brad Turner, Corning, NY Twists Glass Studio, Selkirk, U.K. United States Lighthouse Society, Hansville, WA

44 University Art Galleries Department, Texas A&M University, College Station, TX University of Limerick, Limerick, Ireland University of Texas at Arlington, Department of Art + Art History, Arlington, TX Uppsala Auktionskammare, Uppsala, Sweden Durk Valkema and Anna Carlgren, Amsterdam, The Netherlands Hans van Rossum, Dordrecht, The Netherlands Wallace and Norma Jean Venable, Morgan- town, WV Mary Claire Vesneske, Elmira, NY Vetri, Seattle, WA Wagga Wagga City Art Gallery, Wagga Wagga, NSW, Australia Amy Waldman-Smith, Richmond Hill, ON, Canada The Studio hosted bead- Diane Warning, Paperweight Collectors makers from across the Association, Wilmot, NH country for a one-day Ralph and Erna Westwig, Corning, NY marathon to benefit Beads of Courage, an White Cube, London, U.K. organization that distrib- Mrs. Elizabeth Whitehouse, Corning, NY utes beads to children Audrey Whitty, Corning, NY with chronic and severe Wholesalecrafts.com Inc., Mooresville, NC illnesses to mark mile- Karol and Steven Wight, Corning, NY stones in their treatment. Henry Wilhelm, Grinnell, IA Jeremy Wintrebert, Villiers-sous-Grez, France The Association of Israel’s Decorative Arts, John Witek, Huntington, WV Palm Beach, FL Elizabeth H. Wolf, Willoughby, OH Susan Bartlett and Edouard de Limburg Woody Auction, Douglass, KS Stirum, Laguna Beach, CA Wright Auctions, Chicago, IL Ron Bellohusen, Elmira, NY Jerry and Virginia Wright, Corning, NY Julia G. Brown, LaMesa, CA Jim Wroda Auction Service, Greenville, OH Jeremy and Angela Burdge, Hilliard, OH WSKG Public Television, Vestal, NY Jennifer Burgess, Sunnyvale, CA Sha Wu, Shanghai, People’s Republic of China Ramiro and Monique Camarillo, Sterling, VA Jay Okun Yedvab, Toronto, ON, Canada Stephanie Cho, Ellicott City, MD Mr./Mrs. Dennis Younge, Big Flats, NY Corning Incorporated Foundation, Corning, Rainer Zietz, London, U.K. NY Jane Voorhees Zimmerli Art Museum, Rutgers Shari Craft, Cazenovia, NY University, New Brunswick, NJ Charlie Craig, Painted Post, NY The Dana Foundation, New York, NY † Deceased Sue and Rob Elgar, Plainfield, IL    Sally Fairfax, Berkeley, CA Jane and Terry Francescon, Moline, IL Donors to The Studio Elfredia Frick, Geneva, NY Patricia Gantz, Harrison, NY We thank the foundations, individuals, and Dick Gentry, Canandaigua, NY companies that made generous donations of Griffin Glass Tools, Elmira, NY funds and materials to The Studio’s programs Ellen Gulachenski, Boston, MA in 2014. Jennifer Halvorson, Muncie, IN Alex Hamilton, Manotick, ON, Canada Anonymous J. G. Harrington, Alexandria, VA Lee Adelsberg, Elmira, NY James D. Houghton, Boston, MA Advanced Glass Industries, Rochester, NY Julie Hysom, Palmyra, VA American Friends of Chartres, Washington, DC* Lawrence J. Jackman, Maitland, FL

45 Sherry Selevan, Silver Spring, MD Sonomi Shirasaki, Sanda, Hyogo, Japan Zariel Shore, Naples, FL Terri Sigler, Asheville, NC Richard Sphon, Painted Post, NY Andrew and Lisa Spittal, Farmington, NY Lin Stauffer, Dumfries, VA+ Peter Strom, Ossining, NY Ann Szerlip, Newton, MA Vincent Tancredi, Brooklyn, NY Belinda Thompson, Ithaca, NY The Triangle Fund, Corning, NY Egemen Kemal Vurusan, Beyoğlu/Istanbul, Turkey Clifford Weaver, New Holland, PA+ Marcia Weber, Painted Post, NY Westchester Glass Club, Orange, CT* Brett Williams and Andrew Dick, Hopatcong, NJ Jay Okun Yedvab, Toronto, ON, Canada A local veteran works Patricia Jackson, Dundee, NY Sibelle Yusek, Richmond, VA with instructor Kurt Drs. Allan Jaworski and Deborah Winn, Silver Carlson from The Stu- Spring, MD * For the David Whitehouse Studio Scholarship Fund dio during the Veterans’ Johnson & Johnson, Princeton, NJ (for the + For the Elio Quarisa Scholarship Fund Glassworking Experi- § For the engraving shop, in memory of Jiří Harcuba ence, which was held Christopher John Kammerer Studio Scholar- Veterans Day weekend. ship Fund) Marianne Kelley, Oklahoma City, OK    Xavier LaFosse, Corning, NY Mr./Mrs. Dwight P. Lanmon, Phoenix, AZ* Gifts in Kind Nonnie and Kostas Lyketsos, Baltimore, MD Mary Beth Maxa, Corning, NY Special thanks to the businesses and individ- Susan McDowell, Ypsilanti, MI§ uals that provided goods, services, and gifts of Mary McEachern, Rockville, MD time and talent to the Museum in 2014. E. Marie McKee, Corning, NY Paul Messink, Downers Grove, IL Christine Adams, Corning, NY Nancy Meyer, Blue Ash, OH All Saints Academy, Corning, NY Elizabeth G. Miller, Pound Ridge, NY Alternative School for Math and Science, Joanne Miller, Boonton Township, NJ Corning, NY Charles and Mary Nitsche, Geneseo, NY§ Anthony Road Wine Company, Penn Yan, NY Northstar Glass, Portland, OR Atwater Estate Vineyards, Hector, NY Karen J. Ohland, West Windsor, NJ Kathy Broderick, Corning, NY Tom and Toni Oreck, Asheville, NC Wendy Brubaker, Corning, NY Brian Osmond, Centerport, NY Buttonwood Grove Winery, Romulus, NY Meryl Raiffe, Warren, NJ Frederick Carder Elementary School, Corning, Richard F. and Joan P. Randles, Webster, NY NY Rico’s Pizza, Corning, NY Casa Larga Vineyards, Fairport, NY James A. Rideout and Diane Murray, Hickory, Chateau LaFayette Reneau, Hector, NY NC Chemung Valley Montessori School, Elmira, Phil Rogerson and Lisa Francesca-Rogerson, NY Rochester, NY Corning Christian Academy, Corning, NY Mr./Mrs. Benjamin J. Russell, Ocala, FL Corning Free Academy Middle School, Susan Santucci, Locust Grove, VA Corning, NY Schott Glass, Duryea, PA Corning Gaffer District, Corning, NY Dr. Susan W. Schwartz, State College, PA Corning–Painted Post East High School, (for the Silver Trout Fund) Corning, NY

46 Corning–Painted Post West High School,    Painted Post, NY Damiani Wine Cellars, Hector, NY Donors to Museum Funds Dr. Frank’s Vinifera Wine Cellars, Hammonds­ port, NY The Corning Museum of Glass gratefully Erwin Valley Elementary School, Painted acknowledges individuals and organizations Post, NY that made substantial financial gifts to its Shawn Farwell, Corning, NY acquisitions and education programs in 2014. Fox Run Vineyards, Penn Yan, NY This list is exclusive of membership contribu- Fulkerson Winery, Dundee, NY tions. Complete lists of donors to the glass Lisa Gillis, Corning, NY collection, the Rakow Research Library, The Glenora Wine Cellars Inc., Dundee, NY Studio, and the Museum’s public programs Maria Goldwyn, Painted Post, NY will be found on pages 38–47. Hugh Gregg Elementary School, Corning, NY Hazlitt 1852 Vineyards, Hector, NY Ennion Society Hector Wine Company, Hector, NY Heron Hill Winery, Hammondsport, NY Lifetime Members Hickory Hollow Wine Cellars, Dundee, NY The Ben W. Heineman Sr.† Family Sharron Holland, Watkins Glen, NY Stanford and Elaine Steppa James Horton, Painted Post, NY Hosmer Winery, Ovid, NY Directors Circle ($25,000 and above) Kath Jakobson, Elmira, NY Marian Burke and Russell E. Burke III Joni Kehoe, Corning, NY James B. Flaws and Marcia D. Weber King Ferry Winery, King Ferry, NY Knapp Winery and Vineyard, Romulus, NY Curators Circle ($10,000–$24,999) Glass Chair, float glass, Lakewood Vineyards, Watkins Glen, NY Roy and Myra Gordon Photobond 100 adhe- Marina Liriano, Corning, NY Daniel Greenberg and Susan Steinhauser sive. Japan, Tokyo, Stephanie Manning, Painted Post, NY Mr./Mrs. James R. Houghton Mihoya Glass Company Ltd., Shiro Kuramata McGregor Vineyard, Dundee, NY Mr./Mrs. Carl H. Pforzheimer III (Japanese, 1934–1991), William McKay, Painted Post, NY Helene Safire 1976. Edition 34 of 40. Katherine Miller, Corning, NY Wendell P. Weeks and Kim Frock Weeks H. 88 cm, W. 90 cm Montezuma Winery, Seneca Falls, NY Steven and Karol Wight (2014.6.19). Northside Blodgett Middle School, Corning, NY Sheila Ortiz, Corning, NY PTA Reflections Program, Corning, NY Connie and Josh Randall, Painted Post, NY Lisa Rossi-Sullivan, Corning, NY William E. Severn Elementary School, Corning, NY Chris Sharkey, Director of Community Affairs, Corning Enterprises, Corning, NY Six Mile Creek Vineyard, Ithaca, NY Calvin U. Smith Elementary School, Painted Post, NY Standing Stone Vineyards, Hector, NY Starkey’s Lookout, Dundee, NY Teresa Telehany, Painted Post, NY Three Brothers Wineries and Estates, Geneva, NY Keenan Tolbert, Corning, NY Wagner Vineyards, Lodi, NY Winfield Elementary School, Corning, NY Birgitt Wolf-King, Painted Post, NY Megan Wukovitz, Corning, NY

47 Xavier Lafosse and Thérèse Arliguie* Dr./Mrs. Thomas C. MacAvoy Pamela and Glenn† Schneider Dr. Susan W. Schwartz Kenneth R. Treis Brent Williams and Andrew Dick

Members ($1,200–$2,499) John and Carole Allaire Dale and Doug Anderson Thomas and Ulrike Appelt Kate and Ric Asbeck Mark Astheimer Gail O. and Elijah Baity* Mr./Mrs. Mike Belkin Ronald and Gail Bellohusen Al Berger and Carol Auerbach Thomas E. and Barbara Blumer Mr./Mrs. Thomas Buckles Jeremy and Angela Burdge Cheryl Capps and Brian Stoyer James Carpenter and Toshiko Mori Mr./Mrs. Gilbert C. Chorosz Dr. Polly W. Chu and Dr. William Mattingly* Eleanor T. Cicerchi Mary and Jack Cleland Jeff Coghlan and Keli Cooper Filigrana a retortoli Sustainers Circle ($5,000–$9,999) Sarah and Daniel Collins wineglass, blown, ap- James K. Asselstine and Bette J. Davis C. Matthew and Elizabeth Dann plied. Venice, about David Burger Patricia T. Dann 1700. H. 17.1 cm, D. (bowl) 9.1 cm Dr. Jeffrey W. Evenson and Karyn L. Cepek Kenneth C. Depew (2014.3.24). Purchased Robert Gordon Thomas P. and Peetie Dimitroff in part with funds from Kirk and Penny Gregg Mr./Mrs. Ryan Disch Kenneth R. Treis, The E. Marie McKee and Robert Cole Jr.* Jay and Micki Doros Greater Milwaukee Richard and Judy Sphon Dr. Kate Douglas and Paul Douglas Foundation. Peter and Cathy Volanakis Joe P. and Mary K. Dubendorfer William Eggers and Deborah McLean Collectors Circle ($2,500–$4,999) Dr./Mrs. Richard M. Eglen Mr./Mrs. Roger G. Ackerman Sue and Rob Elgar Susan Bartlett and Edouard de Limburg Roberta Elliott and Charles Wantman Stirum Christopher T. G. Fish Frederick and Jean Birkhill Mr./Mrs. John P. Fox Bob and Brenda Brown Jane and Terry Francescon Alan Cameros Melissa J. Gambol* Jeremy and Marci Cohen Jere Gibber and J. G. Harrington Pippa Cohen Robert and Patricia Gilchrist Tony and Moira Cohen Virginia and Martin Gold Charles R. and Trudy Craig Mr./Mrs. Steven J. Harrold Dr. Charles and the Rev. Virginia G. Deneka Vincent and Anne Hatton Drs. Walter and Karen Douglas* Denise A. Hauselt Mr./Mrs. David Dowler Douglas and Katya Heller Alan and Lynette Eusden Mr./Mrs. Thomas Hinman Olivia and Harlan Fischer The Honorable Amory Houghton Jr. James D. Houghton and Connie B. Coburn Drs. Allan Jaworski and Deborah M. Winn David A. Kaplan and Glenn A. Ostergaard Kenneth L. Jobe and Rita Morgan

48 Linda E. Jolly* Tony and Ann Wimpfheimer Sir Mark Jones and Dr. Camilla Toulmin Jay Okun Yedvab Kimberly and James Kaffenbarger Carol Yorke and Gerard Conn Mr./Mrs. Gene W. Kammerer* Marianne W. and James D. Young Sharon Karmazin and David Greene Mr./Mrs. Rainer Zietz Grace and Christopher Kelly* John Kirkman  Jon and Judith Liebman Mr./Mrs. Doron Livnat Other Contributors (above $100) Howard Lockwood and Margaret Best Lee and Anita Adelsberg Nonnie and Kostas Lyketsos Randi L. and Dustin Hewit Jean-Pierre and Laurette Mazeau* Marianne Kelley Dr. Douglas C. McCorkle and Dr. Lynn Mr./Mrs. Benjamin J. Russell Harris-McCorkle Pierre-Alain Sur Mary E. McEachern Vincent Tancredi Lani McGregor and Daniel Schwoerer Darryl M. Wood and Helene T. Wollin Peter L. Meltzer Dr. Gregory A. Merkel* Foundations, Trusts, Corporations, and Other Joseph A. Miller and Rachel C. Wood Organizations ($100 and above) Robert Minkoff Acorn Hill Foundation Inc. Mike and Frances Mohr American Cut Glass Association, Eastern Victoria and Stephen Morris Lakes Chapter David and Susan Morse American Friends of Chartres Ann H. S. and Barry Nicholson Art Guild of the Oakland Museum of Karen J. Ohland California Richard A. O’Leary Association of Israel’s Decorative Arts Fran and Mary Helen Olmstead Bead Society of Greater Chicago Tom Oreck Jeffrey J. and Mary E. Burdge Charitable Christine and Michael Pambianchi Trust Elmerina and Paul Parkman Cameros Family Lead Trust The Rev. James R. Pearce Carder Steuben Club Inc. Prof. John V. B. Perry James Carpenter Design Associates Meryl Raiffe Celebrity Cruises Inc. Richard and Joan Randles Charities Aid Foundation Douglas and Shirley Reed The Cleveland Foundation James A. Rideout and Diane Murray* Community Foundation of Elmira–Corning Christina Rifkin and the Finger Lakes Inc. Phil Rogerson and Lisa Francesca-Rogerson Corning Incorporated Mark and Kay Rogus* The Dana Foundation Myrna and John Ross Dartmouth College James and Susan Schuppert* Ferguson & Shamamian Architects LLP John and Christine Sharkey Fidelity Charitable Gift Fund, Advisor Josh Simpson and Cady Coleman Charitable Gift Fund John C. and Bonnie A. Sirianni Gilbane Building Company Tom Snow and Karen Meriwether The Hall Schultz Foundation Kristin and Charles Swain Harrold Family Foundation Mary Ann and Anthony Terranova Institute of Museum and Library Services Mr./Mrs. G. Thomas Tranter Jr. F. M. Kirby Foundation Mary and Tony Tripeny Anna & Karl Koepke Foundation Deborah Truitt Karl H. Koepke Trust Welmoet and Daniel Van Kammen* Market Street Trust Company Charles Venable and Martin Webb National Endowment for the Humanities Suzanne D. Welch and William D. Watson New York Council for the Humanities Mr./Mrs. Ian McKibbin White New York State Council on the Arts Elizabeth Whitehouse PricewaterhouseCoopers LLP

49 Marshall Ketchum See pages 40–41

Marion Bristol Lawson John Kirkman

Harry Lowell Jr. Mary and Jack Cleland

Samantha Marie Newton Richard Newton’s co-workers from the Joint Program Executive Office for Chemical and Biological Defense

Constantina Skouras Oldknow Stanford and Elaine Steppa

Glenn Schneider Pamela Schneider

Elio Quarisa Lin Stauffer on behalf of Laticia Stauffer Clifford Weaver on behalf of Jon Goldberg

David Whitehouse Flussglas vase with Schwabb Charitable Fund See pages 45–46 ormolu mount and Josh Simpson Contemporary Glass Inc. marble base. Germany, Gladys M. and Harry A. Snyder Memorial Gifts in Tribute Berlin, Werner and Mieth, about 1795– Trust Bendheim 1800. H. 28.6 cm, D. The Sokoloff Foundation Inc. Ferguson & Shamamian Architects LLP 24.3 cm (2014.3.25). The Triangle Fund Westchester Glass Club Brandyn Callahan Wineglass Marathon Lawrence J. Jackman World Kitchen LLC Tina Oldknow Corporate Matching Gift Donors Art Guild of the Oakland Museum AT&T Foundation of California Corning Incorporated Foundation Duke Energy Foundation Mr./Mrs. Stephen Sokoloff IBM Corporation Patricia Gantz and Family Johnson & Johnson Family of Companies National Council on Compensation Jane Shadel Spillman Insurance Mr./Mrs. Ian McKibbin White Saint-Gobain The Studio Staff Gifts in Memoriam Brian Osmand Andrea Bronfman Association of Israel’s Decorative Arts * Gift matched by a corporate matching gift Jeremy and Marci Cohen † Deceased Pippa Cohen Tony and Moira Cohen

Jiří Harcuba Susan McDowell Charles G. and Mary Lammon Nitsche

50 The Corning Museum of Glass gratefully Steven F. and James L. Cooney recognizes individuals and organizations that Fred and Gail Coveler Museum have joined at Contributing Membership levels Martha Custer and David Schissel Contributing ($125 and above). Lee DeBrish and Marline Riehle Megan and Christian DeLamielleure Members Corporate Jean and Richard Dulude Corning Incorporated Judith H. and Thomas Dwyer Mark and Liete Eichorn Association Michael and Susan Eisner Carder Steuben Club Inc. Jeff and Beverley Evans Dr./Mrs. Richard Fastiggi Patrons ($500–$999) Leslie and John Ford Michele and David Blackburn A. J. Fratarcangelo Ben Cook and Emily Rosebush David Fuchshuber Susan and Willson Craigie Dr. Anthony E. Gerbasi Mr./Mrs. W. Wallace Dyer Jr. Richard H. Gilbert Jr. Dr./Mrs. Adam J. Ellison Glass Alliance of Los Angeles Mr./Mrs. David A. Lubin David Granish Joan Lunney and William Idler Carol and Joseph Green Michael J. Pershern Audrey Handler and John Martner Richard G. and Karen Pudliner Tom Hansard* Mr./Mrs. Michael J. Radigan Sandra L. Helton and Norman M. Edelson John Thoman and Lee Venolia Melanie Hopkins Tim and Paddy Welles F. M. Howell & Co. Amy and Brent Irvine Supporting ($250–$499) Barbara A. Johnson and Carrie Johnson Barbara Abeles Mr./Mrs. Hank Jonas Margery and Martin Adams Janet Jones and Ben Marsh Leslie Baker Charles Kaliski and James Tsugawa Beth and Abbott S. Barclay J. Jerry and Sally M. Kersting Mr./Mrs. Dean C. Beeman Peter Kremelberg Leroy and Anne Marie Boatwright Mr./Mrs. Leonard Leight Michael B. Bono Mary Lou and Tom McCullough Debbie Brodsky H. Barbara Nunan

Cocodrilos en aguas turbias (Crocodiles in troubled waters), sand- cast glass, glass powders, cut, engraved. Panama, Panama City, and U.S., Millville, NJ, Wheaton- Arts, Isabel De Obaldía (Panamanian, b. United States, 1957), 2013. H. 21.6 cm, W. 101.6 cm (2014.5.1).

51 Colleen Schiefen and Monica Van Fleet Barbara and Thomas Babonis Peggy Steffel Gregory Babonis and Sarah Ogburn James Summar Sr. and Becky Summar Elzbieta Bakowska and Pawel Bakowski Teresa Tkacik and Edward Kern Lee F. Baldwin John M. Ulrich and Lynn A. Pifer Nicolette Barber and Bernadette Wagoner Jim and Linda Varner Michael F. Barrett Vanessa Somers Vreeland and Frederick Karen Baumgartner Vreeland Steven Mark Bavisotto Brent and Susan Wedding Mr./Mrs. Joseph Becker Robert Whiting and Audrey J. Randall Carolyn and Bill Beiter Whiting David L. Bender Darryl M. Wood and Helene T. Wollin Selina Bendock and Kevin Flynn Mr./Mrs. Dennis Younge David M. Berg and Dawn Riedy Harvey and Janice Berger Donors ($125–$249) Linda Bergstrom and James Keenly Andre Abaya and Angelica Parado-Abaya Klaus Biemann Don and Kay Adams M. Marguerite Bierman and Dr. Norman Mary Agostinelli and Elizabeth McFadden Wengert Goblet in “Monticello” Dr./Mrs. Richard Ahola Donald L. and Susan J. Bittker pattern, blown, molded. Steve and Julie Albertalli Amy Blake U.S., Toledo, OH, Libbey Kathleen D. and Dennis L. Albrecht Norman and Alice Bloom Glass Company, designed Peter S. Aldridge Paul Bookbinder and Sarah Blue by Edwin W. Fuerst Keith and Lois Allen Sandra Borgardt (American, 1903–1988), Marc Alpert Dirck and Lee Born 1940. H. 22.3 cm, D. 9.8 cm (2014.4.8). Gift of Richard and Leora Amir Dave Braun Frederick Campbell Kathryn Anastasio and William Groome Edwin and Carol Braunstein Hovey. Drs. Alan Angell and Beth Dollinger Fay S. and Phelan A. Bright Alisa Brown Rachel H. Brumberg Kendra T. and David F. Bruno Mr./Mrs. Sean I. Burns Timothy and Bonnie Burzanko Norma Bushorr Mr./Mrs. Richard Byrne Christopher and Doreen Campbell Steven R. Campbell and Noreen Mitchell Robert and Mary Carlson Marie and Tom Caroscio Karl Carter and Cooper Robb Roger and Pauline Cary Douglas C. and Teresa Casady William and Margaret Cassidy Joyce and Jim Chizick Youn and Mee Cho Mr./Mrs. Henry Church Dr./Mrs. Isidore Cohn Jr. Marie H. Cole Dr./Mrs. Robert E. Cole Tim Coleman and Judy Smith-Coleman George and Barbara Connors Christine D. Conti-Collins and Daniel Collins Dr. Glen B. Cook Margaret Corbit and Wesley Blauvelt Mr./Mrs. Robert Cowie Donald B. Creath

52 William A. and Elizabeth O. Crowley Orville P. and Patricia T. Harris Carl and Susan Cuipylo Sandra Harris and Monte Becker Leszek Czarnota and Maria J. Kucza-Czarnota Hedy Hartman and Andrew Chait John Danis Holly M. Hatch and Meghan D. Bunnell Janet and Herbert Dann William Hawk Joseph and Judith Darweesh Ann Hayes and Neal Gummoe Laura and Laurence Davis Gene Herber Krystall Diamond and Thomas Winward Eileen and Arnold Herrington John W. Diebold and Becky A. Diebold Geoffrey S. and M. Joan Heywood Dr./Mrs. Donald R. Dolan Jr. Douglas and Helen Hill Laney Doyle Melissa Hines Bruce and Diane Drake Pauline P. Holbrook Mr./Mrs. Daniel J. Duane Curt and Rosemary Hooey Sharon M. and Edward Dunscombe Katherine Hope and Ron Blackman Steve Ealick and Judith Virgilio Judith Hope-Klessig and Daniel F. Klessig Mr./Mrs. Robert L. Ecklin Michael Horan and Jeremy Brumbaugh Robert L. Edwards Barbara Hornick-Lockard and Dennis L. Dorothy and Gary Emmick Lockard Paul and Lori Engle John and Becky Igel Gary M. English Hope and Bruce Irvine Eugene D. and Joan C. Eppen Patricia Jackson Karen V. Epstein and Linoa Cole Renee Jacobson Stanley and Rhoda Epstein Daniel L. Jensen Donald Erenberg Janet and Walter Jones Mr./Mrs. Max Erlacher Linda P. and Edward L. Kabelac Harold and Margaret Fabinsky Ernestine and Franklin Kamp Dr./Mrs. Thomas Fassett Mr./Mrs. Marcus E. Kantz Francis P. Fehlner Carl Kass and Della Lee Sue Lynne Feldman and Anthony Suchman Joan and Louis Kaufman Dr./Mrs. Edward J. Fine James Michael and Mary Katherine Kearns Enrico and Kristina Fiore Richard B. Klein Jannis Floyd Tracey and Brian Knapp Timothy J. Frawley Richard Kniffin Lisa and Craig Fredrickson Glenn Kohnke and Jill VanDewoestine Nancy and James Freeman Mr./Mrs. Stuart Komer Ronald and Gloria Friedman David and Rosemary Kopczynski Edward R. Galus and Andrea A. Cotner Jean K. Krebs Fred Gass and Sheila Conboy Mildred C. Kuner William and June Gilligan Andrew and Wendy Kurtz Judith Prentice Golby Ernestine W. and Roy A. Kyles Grace and Victor Goldman Neil Lacombe and Debbie Stadnyk Eugene and Anita Goldstein Gulshan and Memani Lal Mr./Mrs. Carl F. Gortzig Marilyn and Arnold Lampert Geissler tubes, lamp- Stephen P. Gracin and Sue Nicholson Mark and Beth Landin worked; metal. Possibly Germany or France, Dina and David Graham Mr./Mrs. Brian Landis about 1890–1910. Dr. Edward J. Grandt Lynne Landmesser and Connie Sharer Taller: H. 12.7 cm, Clay Granoff Camille LaParra and Stephen Goodman W. 2.8 cm (EX382, Tammy and Eric Green Dr./Mrs. Milton C. Lapp 2014.8.37). Dianne Gregg Kathy and Robert Larson Thomas and Linda Grudovich Charles Laurito Charles Hall Peter and Nancy Layton Janet J. Hallahan Scott Ledbetter Bill and Mary Hallinan Mrs. Edward F. Lewison Betsy Harding Linda and Rudolf Lienhard Darlene and John Harris Mei Yu Lin and Hann-Ming Juang

53 Edward and Carol Lincoln Sara Mead and Douglas Beers Gene W. and Margaret A. Little Laurie Mefford Jennifer Long Jennifer and Mrugendra Mehta Charlene Lonmo Martha and Dady Mehta Blanche Love Dr./Mrs. Kenneth K. Meyer Emily C. and James W. Lowery John and Pamela Miliotto Richard and Ellen Luce Matthew Miller and Aubrey Slaughter Mr./Mrs. Edward J. Lukomski Dr./Mrs. Cornelius J. Milliken Virginia Lupi Maureen Mines and Mark W. Holman Mr./Mrs. Merrill Lynn Joan Mintz and Robinson Markel Michael and Patricia MacDonald Dan Mirer and Chrissy Lapham Martha and Tom Macinski Mr./Mrs. George Misnick Malcolm N. MacNeil Bruce and Normajeanne Mitchell John and Karen Madison Richard Moiel and Kathy Poeppel Lauren and Russell Magaziner Cecilia and Lawrence Moloney William and Deborah Mammosser Evelyn Monsay and Thomas Tudron Paula and Richard Mandel Laura Mooney Bernard Margolis and Amanda Batey Dr. Franke T. Moore and Phyllis Mott Becky and Joe Marinelli Rhonda Morton and J. McKnight Thomas E. Mark and Amyjane Rettew Shannon and Cheri Mosher Drs. William and Phyllis Martin Nathan and Miriam Munz Shirley A. Marvel Cheryl and Dick Naslund Daryl and Jay Marx Todd Nau and Scott Dolphin Matthew and Mary Maslyn Kirk Nelson Mariquita Masterson Richard and Cynthia W. Nelson “Triscosta” cabinet, Dr./Mrs. Joseph Mathey Patricia Nilsen and Brian Eldridge cast glass; iron. France, James I. and Bonnie Matteson Charles G. and Mary Lammon Nitsche Paris, Christophe Côme Samantha and Katharine H. McBride (French, b. 1965), Joyce Noonan designed in 2001 and James and Christie McCarthy Roland D. and Kathy Nortman made in 2014. H. 80 cm, David and Christine McEnroe Mark Norton and Brigid Cassidy W. 152 cm (2014.3.19). Karen E. Mead, M.D. Dr. V. Nossiter Patricia and John Nozell Jeffrey and Cynthia Nucciarone Ellen B. O’Brien Lee and Joe O’Connell Leo and Elizabeth O’Connor Cornelius O’Donnell Daniel J. and Connie M. O’Herron Dr./Mrs. John F. Olmstead Alonzo K. Osgood Margaret M. Ostermann Michael O’Sullivan Sr. and Michael O’Sullivan Jr. Kenneth Overman Mr./Mrs. Robert D. Oyler Mitchell and Karen Padnos Ron Palmer Gary and Katie Parker James Parker Jr. and Judith Buchanan Sheila and Michael Parks Meghan Parsons Robert and Janet Peper Kristine and James Perle Leandra Pierce Michael Plummer and Linda Voss-Plummer

54 Felicia Poes Ken Polakowski and Kay Wenger Roy and Barbara Pollock James Polus and Jane Mueller Anne M. Price Dr./Mrs. L. David Pye Christopher and Elizabeth Quinlan Evelyn Quinn Richard E. Rahill Michael and Marisa Rau Mr./Mrs. William G. Rau John and Jon Rees Georgia A. Reynolds Rita Rhodes and Felix P. Kapron Mr./Mrs. Edward Richie V. Frederick and Joy A. Rickey Michael and Bette Rogers James B. and Sharon S. Rose Eric D. Rosenberg Mark and Karen Rozek Monica and Maria Rudzinski Chris and Jennifer Stenzel Pair of Rococo girandoles, Victor A. Russo Sander Stern and Patty McNeil blown, hot-worked, assembled. Marian Rutty Joseph and Lisa Stoddard Venice, probably Giuseppe Lorenzo Briati (1686–1772), Karim and Crystal Sadik Connie and Russell Striff about 1750. H. 82 cm, W. 45 Dr. Naoyuki G. Saito and Richard P. Jasper Elaine Swiler cm (2014.3.20A, B). Dr. Philip A. Sandberg and Dr. Susan M. Vincent Tancredi Brown-Sandberg Michael and Faith Tarby Carl and Dru Sanford Dr. Wayne C. Templer Amy Sarno Patrick Tepesch and Kate Paterson Thomas J. Savino Christal and Andrew Tharp Dorothy Saxe Dr./Mrs. Henry B. Thomas Christa and Dieter Scherer Leo C. and Judith A. Thomas David and Sandra Schimmel Patrick and Donna Thrush Mark A. Schlechter and Christine Valkenburgh Mr./Mrs. August V. Titi John Schoonover and Joan Coveleskie Mr./Mrs. Stephen Toombs Richard and Mary K. Seager Susan Tracy and Dan Janal Sonjia M. Shay and Eugene F. Sensel Jr. A. A. Trinidad Jr. Bill Sheriff Wallace and Norma Jean Venable Matthew and Rachel Sherman Paul Wakem and Richard J. Jefferson Linda A. and John F. Short Fritz F. and Linda C. Wasser Michael J. Sinkew and Eric G. Murillo Paul Wasserott Brenda J. Smith Jamie S. Weiner, M.D., FACP Dana Smith Janice Weisenfeld Doug and Paula Smith Barbara and Jerry Wells Dr. J. D. Smith David and Martha Wilbur Paul Smits Evalyn A. Wilkes Gail and Louis Snitkoff Nancy and Randy Williams Dr./Mrs. William A. Sorber Duane Willis and Barbara Millier-Willis Andrew and Lisa Spittal Bob and Barb Wood H. Charles and Ellan Spring Jennifer Woodard and Joseph Borzilleri Simon A. and Mary St. Laurent Mr./Mrs. Kogo Yamaguchi Pat and John Starzec Stephanie Yavorchak Dr. Ken and Mrs. Eva Steadman Connie Zehr Aafke and Tammo Steenhuis Peter Steinberg *Gift matched by a corporate matching gift

55 Financial Operating Results The Museum experienced very positive financial results in 2014 because of terrific summer Report visitation, 14 percent ahead of 2013 attendance levels. The cash surplus generated by campus- wide operating results allows the Museum to deposit excess cash of over $2 million to the Museum Operating Reserve Fund (MORF) in early 2015.

Highlights of 2014 operations and acquisitions were:

1. Full-year visitation increased four percent above 2013 attendance to 440,000. A total of 405,000 guests toured the Museum in 2014. Individual and family visitation was up four percent over 2013, and tour groups were up three percent. In addition, 11,000 schoolchildren visited the Museum for curriculum-related tours, and 33,000 people attended a rich series of education and public programs.

2. Visitor revenues were up nine percent over last year to $12.4 million. GlassMarket sales continue to be almost half of the visitor revenues at $5.9 million, three percent ahead of 2013. The other major components of visitor revenues were admissions of $3.5 million, up 13 percent, and Studio Make Your Own Glass experiences, up 11 percent to $1.4 million, with close to 59,200 guests making glass. Food services revenue increased 25 percent to $1.7 million. Food services were provided to a greater percentage of visitors. This was due, in part, to a greater number of tour group visitors dining in both the Café and the Café Express in the Museum’s courtyard.

3. Other earned revenues increased 10 percent over last year to $3.6 million, with the continued strength of The Studio, Celebrity Hot Glass at Sea, online and corporate retail sales, and other program revenues.

4. Contributions for acquisitions, programs, and operating support totaled $1.3 million in 2014, marking a strong year of development activities and donor support. Ennion Society members contributed $633,200 toward glass acquisitions, and other trust gifts and donations provided an additional $21,400 for glass acquisitions. The Fellows contributed $25,800 for library acquisitions. Glass auctions on Celebrity cruises raised $237,900 for Studio scholarships, and donors contributed an additional $121,700 for Studio scholarships and general support. Operating grants received during 2014 provided an additional $93,300 in support of general operations and specific initiatives. Miscellaneous operating support totaling $54,800 came from individuals and sponsors who also kindly contributed goods and services valued at $165,000.

5. In addition to the Museum’s earned revenues and development activities, cash contributions and in-kind contributed services from Corning Incorporated totaled $30.8 million. An additional $1.8 million of administration expenses related to the Museum’s expansion project was provided by Corning Incorporated.

6. Operating expenditures increased eight percent over 2013 to $46.2 million, with growth in all areas of operation: personnel and employee benefits, capital equipment and facility operations, marketing and guest services, advances in technology and digital media initiatives, and annual support of an impressive list of exhibitions, publications, and programs.

7.  Total glass and library acquisition spending increased six percent to $1.9 million, and donations to the Museum’s collections were valued at $460,000.

8. The MORF balance at the end of the year was $28.0 million, up from $27.1 million at the end of last year. The fund recorded investment gains of $1.9 million, and the Museum withdrew $1.0 million for 2014 operations. An estimated $2.4 million of the operating surplus generated in 2014 will be deposited into the MORF in early 2015.

56 The Corning Museum of Glass Consolidated Statement of Activities Years Ended December 31, 2014 and 2013 (Dollars in Thousands)

The following comparative list consolidates the Museum’s unrestricted, temporarily restricted, and permanently restricted activities (2014 unaudited).

2014 2013 Revenue, gains, and other support: Contributions from Corning Incorporated $ 32,610 $ 29,839 Admissions 3,501 3,089 Sales from merchandising and food service 8,579 7,967 Studio, education, and outreach 3,399 3,158 Other revenues and contributions 1,954 1,569 Interest and dividends ,599 ,562 Net appreciation (depreciation) of investments 1,344 2,859 Total revenue, gains, and other support 51,986 49,043

Expenses: Operations: Curatorial, exhibitions, and publications 8,433 7,269 Studio, education, and outreach 8,196 7,820 Library services 2,513 2,241 Visitor services 3,403 3,043 Merchandising and food services 6,253 5,499 Cost of sales from merchandising and food 3,769 3,651 General administration 6,850 6,517 Marketing and media relations 3,240 3,457 Total operations 42,657 39,497

Acquisitions: Purchases for the glass collection 1,631 1,598 Purchases for the library collection ,302 ,224 Total acquisitions 1,933 1,822

Facility expansion project 1,656 1,518

Total expenses 46,246 42,837

Other changes in net assets 3,470 (2,561) (related to post-retirement benefits) Change in net assets 2,270 8,769

Net assets at beginning of year 40,786 32,017

Net assets at end of year $ 43,056 $ 40,786

57 The Museum concluded 2014 with consolidated financials reporting a six-percent increase in net assets of $43.1 million. The Museum’s net assets at December 31 are categorized as follows:

2014 2013 Unrestricted $39,654 $37,818 Temporarily restricted 1,888 1,459 Permanently restricted 1,514 1,509 Total net assets $43,056 $40,786

Looking Forward

The Museum is well positioned to move into 2015 with a continuing focus on preserving core mission operations, managing resources to the annual projected revenue, and ensuring the future stability of the institution by protecting the MORF. The Museum’s primary focus in 2015 is on opening the new wing in late March and starting operations of the expanded campus. The Museum’s three-year strategic plan provided guidance for the 2015 budget process, and the operating budget has been set with expectations for continued growth in visitation, earned revenues, and support from Corning Incorporated. Operating and acquisition expenditures are expected to total $60 million, a 15-percent increase over 2014.

Audited Financial Statements

The complete financial records of the Museum are audited on an annual basis. Upon comple- tion of the audit, the 2014 audited financial statements and accompanying notes to the financial statements will be available on the Museum’s Web site, www.cmog.org, or upon request from the Director of Finance at (607) 937-5371.

Nancy J. Earley Deputy Chief Operating Officer

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