The Atlanta Film Festival and Screencraft Announce Expanded Panelists & Sponsors for the Screencraft Writers Summit 2018

Total Page:16

File Type:pdf, Size:1020Kb

The Atlanta Film Festival and Screencraft Announce Expanded Panelists & Sponsors for the Screencraft Writers Summit 2018 FOR IMMEDIATE RELEASE Jan. 30, 2018 MEDIA CONTACT: Emily Dell Executive Director, ScreenCraft Writers Summit [email protected] John Rhodes ScreenCraft Co-Founder [email protected] The Atlanta Film Festival and ScreenCraft Announce Expanded Panelists & Sponsors for The ScreenCraft Writers Summit 2018 Los Angeles, CA & Atlanta, GA - The 2018 ScreenCraft Writers Summit, in partnership with ​ the Atlanta Film Society, is excited to announce new panelists and sponsors! To take place at the 2018 Atlanta Film Festival (ATLFF), the conference will take place in Atlanta, Georgia, the entertainment industry’s busiest city for film and television production, outpacing Los Angeles in 2017, production home for films such as Baby Driver, Avengers and Black Panther, and ​ ​ ​ ​ ​ ​ television shows such as Stranger Things, and of course FX’s Atlanta. ​ ​ ​ ​ The ScreenCraft Writers Summit runs from Friday, April 13th to Monday, April 16th, 2018. Newly confirmed speakers include: Geoffrey Fletcher (Oscar-winner, Precious), Diana Ossana ​ ​ (Oscar-winner, Brokeback Mountain), Eric Heisserer (Oscar-Nominee, Arrival), Doug Jung (Star ​ ​ ​ ​ ​ Trek Beyond, Banshee), Malcolm Spellman (Empire), Keya Khayatian (Senior Literary Agent at ​ ​ ​ UTA, clients wrote Stick It, Dallas Buyers Club, Brokeback Mountain, Serendipity, etc), Eric ​ ​ Fineman (Producer, Spiderman: Homecoming, Miracles From Heaven) Cate Adams (Vice ​ ​ ​ ​ President, Warner Brothers Pictures, The Nice Guys, Inherent Vice, Midnight Special), Mika ​ ​ Pryce, (Universal Pictures’ Get Out, Darkest Hour), JJ Klein (VP Scripted Originals, FX Network, ​ ​ Atlanta, American Crime Story: Versace), Hannah Ozer, (Literary Manager at Kaplan/Perrone), ​ ​ ​ Tamara Chestna (Exec Producer, The Art of More on Crackle), Michael Lucker (Lilo & Stitch 2, ​ ​ ​ 101 Dalmatians II, Vampire in Brooklyn), Jacob Krueger (The Matthew Shepard Story, founder ​ ​ ​ and Instructor Write Your Screenplay) and more. Events and Programming at the Writers Summit will include: screenwriting panels, keynote talks, educational workshops, live table reads, small-group mentorship, a closing mimosa brunch, a live pitch competition and evening parties. All panels, workshops and happy hours are open to attendees with Basic and Student Badges. Participants with Elite badges will attend the Industry Lunch, a catered lunch with the VIP Panelists, as well as the Mentor Sit-Downs, short small-group meetings intended to simulate a Hollywood “General Meeting”. The pitch competition, open to all Summit attendees, will hold its finalist’s pitch event during happy hour on Sunday April 15th, where the top writers will pitch live to agents, producers and A-list screenwriters. Social hours and shared evening galas will bring Summit writers together with filmmakers and over 25,000 film enthusiasts and industry professionals attending the Atlanta Film Festival. Panels and Workshops topics will include: Writing the Television Pilot, A Television Showrunner panel presented by the Writers Guild Foundation, A Panel on What it Means to be a Diverse Executive, How to Take a Meeting, How to Secure and Work With an Agent/Manager, Producing Independent Film and returning attendee favorite The Failure Panel. The “Creator” track focuses on giving writers the tools to make their work come alive through short films, digital content and more. This track will also include the “Georgia Producers & Writers Connect” event, intended to foster relationships between writers and filmmakers in the Atlanta area and promote local development. There will also be programming dedicated to diversity on-screen and faith-based content, topics of great interest for Atlanta artists and beyond. Confirmed sponsors of the 2018 ScreenCraft Writers Summit include: The Writers Guild Foundation, Final Draft, and Big Picture Casting. The ScreenCraft Writers Summit will be a unique opportunity for writers outside of Los Angeles to learn from the best in Hollywood, in a small-scale environment where meaningful, long-term partnerships can be forged. The best of film and television are coming to Atlanta in April to share stories and insight over Southern hospitality - join us! WEBSITE LINK PARTNERS: ScreenCraft is a boutique consultancy, education and talent discovery platform for ​ screenwriters worldwide. ScreenCraft's education and media partners include The Academy of Motion Pictures Arts and Sciences, Huffington Post, IndieWire, Variety and more. Building on ScreenCraft’s legacy of screenwriting excellence and educational events worldwide (Shanghai Film Festival, Nashville Writers Conference, Napa Valley Film Festival, Austin Film Festival, etc) and ATLFF’s prestige as a world-class film festival in America’s fastest-growing entertainment city, both partners are eager to shine a new spotlight on the art and craft of writing screenplays, literary works and new media and to celebrate the best of entertainment writing worldwide. ScreenCraft partners with film festivals and literary events to bring top-tier Hollywood insight and education to writers worldwide. Past partners include: the Nashville Film Festival, the Shanghai Film Festival, The Austin Film Festival, The Bahamas International Film Festival, The Calabash Literary Festival (in Jamaica), The Woods Hole Film Festival (in Cape Cod), The Annapolis Film Festival, The Santa Fe Film Festival, the Napa Valley Film Festival. Educational events have featured Andrea Berloff (STRAIGHT OUTTA COMPTON), Mark Bomback (WAR FOR THE PLANET OF THE APES, INSURGENT) Jeb Stuart (DIE HARD), Chad & Carey Hayes (THE CONJURING 1 & 2), Bobby Moresco (Oscar-winner, CRASH, MILLION DOLLAR BABY), Rick Jaffa & Amanda Silver (JURASSIC WORLD, AVATAR), Max Borenstein (KONG: SKULL ISLAND, GODZILLA), James Gunn (Writer/Director, GUARDIANS OF THE GALAXY 1 & 2) and many more. WEBSITE LINK The Atlanta Film Festival: Now in its fifth decade, the Atlanta Film Festival (ATLFF)—one of ​ only two-dozen Academy Award® qualifying festivals in the U.S.—is the area’s preeminent celebration of cinema. Operated by the Atlanta Film Society, ATLFF is one of the largest and longest-running festival in the country, welcoming an audience of nearly 25,000 to discover hundreds of new independent, international, animated, documentary, and short films, selected from nearly 7,000 submissions from all over the world. Recent festival guests include William H. Macy, James Franco, Josh Brolin, Sherri Shepherd, Richard Chamberlain, Margaret Cho, Abigail Spencer, Drivin’ N Cryin’, Jeff Foxworthy, Jasmine Guy, Kara Hayward, Martin Henderson, Georgie Henley, Chris Lowell, Ludacris, Pras Michel, Julianne Nicholson, Tye Sheridan, Chris Tucker, Eddie Vedder and many others. The Atlanta Film Society is a membership-based 501(c)(3) arts non-profit with a mission to lead the community in creative and cultural discovery through the moving image. ATLFF presents a diverse slate of year-round offerings for film-lovers and filmmakers. By bringing audiences and filmmakers together, the Festival has the opportunity to broaden the perspective of both artists and moviegoers. WEBSITE LINK SPONSORS: The Writers Guild Foundation The Writers Guild Foundation is a 501(c)(3) non-profit organization that is dedicated to preserving and promoting the history and craft of writing for the screen. Along with operating the Shavelson-Webb Library and Archives, the Foundation hosts events featuring notable TV and film writers and runs programs connecting writers with underserved communities, from military veterans to youth. WEBSITE LINK ​ Final Draft, a Cast & Crew Company, has published Final Draft® software – the number-one ​ selling screenwriting application in the world – for 25 years. Final Draft automatically paginates and formats your script to industry standards, allowing writers to focus on what they do best – writing scripts. Used by such industry giants as J.J. Abrams, James Cameron and Aaron Sorkin, Final Draft software is the professional’s choice and the entertainment industry standard. In addition to its flagship software product, Final Draft offers the annual Big Break Contest – a screenwriting competition that launches careers, and awards over $80,000 in cash and prizes. Final Draft also offers the Reader® and Writer® apps for iPhone and iPad, making creativity truly portable. To learn more about Final Draft and its products and services, visit: www.finaldraft.com Big Picture Casting Jen Kelley and Rita Harrell launched Big Picture Casting in October, 2011. With over 28 years of industry experience and multifaceted backgrounds in casting, agenting and directing, BPC offers a fresh casting alternative. Big Picture Casting has cast principal talent for numerous feature films, television, commercial and new media projects. Recent film credits include: American Made (starring Tom Cruise), Hangman (starring Al Pacino), Vengeance (starring ​ ​ ​ ​ ​ Nicholas Cage). The Script Lab Since 2010, The Script Lab has provided excellent screenwriting educational content via its popular website and social media channels. .
Recommended publications
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • Index to Volume 26 January to December 2016 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background
    [Show full text]
  • Press Release Announcing the Scripter 2013
    From: The USC Libraries Doheny Memorial Library University of Southern California Los Angeles, CA 90089 Contact: Hugh McHarg Associate Dean for Planning and Communications USC Libraries [email protected] Office: (213) 740-1405 December 19, 2012 Larry McMurtry and Diana Ossana Win USC Libraries Literary Achievement Award The Friends of the USC Libraries have selected the Brokeback Mountain screenwriting partners as the award’s 2013 honorees The Friends of the USC Libraries have selected Academy Award-winning screenwriting partners Larry McMurtry and Diana Ossana as the 2013 Scripter Literary Achievement Award co-honorees. The 2013 award marks the first time a screenwriting team has earned the honor. The USC Libraries will present the award to McMurtry and Ossana at the 25th-anniversary Scripter Award ceremony on Saturday, February 9, 2013. The Literary Achievement Award is an additional honor—distinct from the annual Scripter Award—that recognizes writers who have made significant, sustained contributions to the art of adaptation throughout their careers. USC Libraries Dean Catherine Quinlan and the Friends of the USC Libraries established the Scripter Literary Achievement Award in 2008. “We feel honored to receive the prestigious USC Libraries Scripter Literary Achievement Award, while well aware that we do so owing a debt to the many novelists and writers whose works we have adapted,” said Ossana and McMurtry of their selection. In addition to their 2006 Academy Award win for Best Adapted Screenplay for Brokeback Mountain, the pair has written two novels, nearly twenty original feature film scripts, and four award-winning miniseries. They began their writing partnership in the early 1990s with MORE 2: McMurtry and Ossana Win 2013 USC Libraries Literary Achievement Award the novel Pretty Boy Floyd, about the notorious American bank robber.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • LE PAROLE DELLO SCHERMO 2006 Cineteca Del Comune Di Bologna Comune Di Bologna – Settore Cultura E Università
    Festival Internazionale di Letteratura e Cinema LE PAROLE DELLO SCHERMO 2006 Cineteca del Comune di Bologna Comune di Bologna – Settore Cultura e Università II Edizione Bologna, martedì 27 giugno – venerdì 30 giugno 2006 LE PAROLE DELLO SCHERMO - FESTIVAL INTERNAZIONA- Manzoni 5), Oratorio di Santa Maria della Vita (via Clavature LE DI LETTERATURA E CINEMA 7), Cortile di Palazzo d’Accursio (Piazza Maggiore 6) SECONDA EDIZIONE • Spettacoli teatrali: Ritratto del Novecento (Teatro DMS, Via Bologna, 27 GIUGNO-30 GIUGNO 2006 Azzo Gardino 65), Mosca e Petuski 125 Km (partenza da Cortile Manifattura delle Arti, Via Azzo Gardino 65) Promosso da: • Mostra fotografica di Angelo Novi: Sala d’Ercole di Palazzo Comune di Bologna - Settore Cultura e Rapporti con l’Università d’Accursio (Piazza Maggiore 6) inaugurazione il 30 giugno Cineteca del Comune di Bologna alle ore 12:30 – dall’1 al 23 luglio ore 10-19. Ingresso libero Con il contributo di: Fondazione Carisbo Per informazioni Granarolo • Segreteria del Festival Montblanc via Riva di Reno 72 - Bologna - Tel 051 219 48 24 - Fax 051 219 Groupama Assicurazioni 48 21 Librerie.COOP e-mail: [email protected] ASCOM Sito web: www.cinetecadibologna.it/paroledelloschermo.htm Bologna Art Hotels dal 27 al 30 giugno infopoint all’esedra di Sala Borsa dalle 10 alle 20 • Cinema Lumière - Via Azzo Gardino 65 - Bologna - Tel. Con la collaborazione di: 051 219 53 11 150° anniversario rapporti italo-turchi Cinema Arlecchino – Via Lame 57 – Bologna – Tel. 051 Ambasciata italo-turca 522175 Amici di Babette ASL (Accendi molti fuochi) Modalità di accesso Banca di Bologna Ingresso singolo intero cinema Lumière e Arlecchino: Euro 4,00 Biblioteca comunale dell’Archiginnasio Ingresso singolo ridotto cinema Lumière e Arlecchino: Euro 2,00 Bologna Fiere Spa per i soci CRAL HERA Bologna, Coop Adriatica, dipendenti comunali.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • The Nice Guys
    THE NICE GUYS Regia: Shane Black Interpreti: Russell Crowe, Ryan Gosling, Kim Basinger, Margaret Qualley, Matt Bomer Origine e produzione: USA / SILVER PICTURES, WAYPOINT ENTERTAINMENT Durata: 93' Los Angeles, anni Settanta. Lo sfortunato detective privato Holland March e Jackson Healy, un lottatore professionista, devono lavorare insieme per risolvere il caso di una ragazza scomparsa e la morte di una porno star, che apparentemente non sembrerebbero correlate. Durante le indagini, però, scopriranno una sconvolgente cospirazione criminale che arriva fino alle più alte sfere del potere. “'Noi come Bud Spencer e Terence Hill? Ma grazie, è un grande complimento'. La sensazione di leggera follia che aleggia sulla Croisette ieri ha accompagnato l’allegria contagiosa della coppia comica uscita dalla fantasia di Shene Blake: Russell Crowe (che si rivela insospettabile fan dei due Superpiedi quasi piatti) e Ryan Gosling, protagonisti di The Nice Guys. Holland March (Gosling) è un detective di scarso talento con figlia adolescente a carico (Angourie Rice) e Jackson Healy (Crowe) un ex poliziotto che si guadagna da vivere spaccando ossa a pagamento nella Los Angeles inquinata e corrotta di fine anni ‘70. Saranno costretti dalle circostanze, e dalla saggia e intrepida ragazzina, a allearsi per risolvere il caso di una ragazza scomparsa dopo aver girato un film porno. 'Due idioti che inciampano casualmente in questioni che non sanno gestire, ritrovandosi a scoperchiare una cospirazione di proporzioni gigantesche' secondo Black che li ha voluti per questa variazione sul tema della “buddy cop comedy”, un suo marchio di fabbrica già come sceneggiatore (Arma letale e L’ultimo boy-scout). A fare da sfondo a pasticci, scazzottate, misteriose sparizioni, la Hollywood Boulevard in piena decadenza piegata all’industria del porno.
    [Show full text]
  • Signature Redacted
    Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content.
    [Show full text]
  • Screendollars About Films, the Film Industry No
    For Exhibitors January 20, 2020 Screendollars About Films, the Film Industry No. 100 Newsletter and Cinema Advertising This week, we celebrate Art House, independent cinemas, ambassadors of the film industry in communities around the world. In an age of content and screens everywhere, Art Houses create opportunities for movie lovers to gather and share the experience of cinema. Much in the same way that independent film making is a laboratory for creativity in the production of film, independent exhibitors are a laboratory for the exhibition of film. Each venue offers a unique history and energy. Some of our readers will experience Alison Kozberg, MD of Art House Convergence that energy by attending the annual Art House Convergence conference, which takes (Click for more) (Click for more) place this week in Midway, Utah. See you there! Weekend Box Office Results (1/17-19) Courtesy of Paul Dergarabedian (Comscore) Weekend Change Rank Title Week # Theaters Wknd $ 1/17 1/10 1/3 Total $ 1 Bad Boys for Life (Sony) 1 3,775 - $59.2M - - - $59.2M 2 Dolittle (Universal) 1 4,155 - $22.5M - - - $22.5M 3 1917 (Universal) 4 3,612 (+178) $22.1M -40% 5890% 7% $76.8M 4 Jumanji: The Next Level (Sony) 6 3,323 (-581) $9.6M -32% -47% -26% $270.5M 5 Star Wars: The Rise of Skywalker (Disney) 5 3,058 (-1221) $8.4M -45% -56% -52% $492.0M 6 Just Mercy (Warner Bros.) 4 2,457 (+82) $6.0M -38% 12578% -29% $19.6M 7 Little Women (Sony) 4 2,503 (-713) $5.9M -24% -43% -19% $84.4M 8 Knives Out (Lionsgate) 8 1,667 (-393) $4.3M -24% -37% -10% $146.0M 9 Like a Boss (Paramount)
    [Show full text]
  • Scoping Study Into the Lack of Women Screenwriters in the UK
    Scoping Study into the Lack of Women Screenwriters in the UK A report presented to the UK Film Council Scoping Study into the Lack of Women Screenwriters in the UK A report presented to the UK Film Council Alice Sinclair Emma Pollard Helen Wolfe Prepared for UK Film Council by: INSTITUTE FOR EMPLOYMENT STUDIES Mantell Building University of Sussex Falmer Brighton BN1 9RF UK Tel. + 44 (0) 1273 686751 Fax + 44 (0) 1273 690430 http://www.employment‐studies.co.uk Copyright © 2006 UK Film Council No part of this publication may be reproduced or used in any form by any means— graphic, electronic or mechanical including photocopying, recording, taping or information storage or retrieval systems—without prior permission in writing from the UK Film Council. Foreword from the UK Film Council On behalf of the UK Film Council, I am pleased to present the findings of this scoping study into the lack of women screenwriters in the UK. The UK Film Council, as the Government‐backed strategic agency for film, has a responsibility to ensure that there is a strong evidence‐base to support our activities. Where there are gaps in the research, it is important that we identify these gaps and address them. There are many myths and theories about the position of women screenwriters in the UK. It may come as no surprise to learn that women are under‐represented, but the extent of the imbalance, and the reasons behind it, have never before been examined in any detail. The Institute for Employment Studies has brought together, for the first time, academic research and up‐to‐date industry data to produce an in‐depth, well‐ conducted report.
    [Show full text]
  • SHORTSFEST 2021 At-A-Glance ALL TIMES ARE MOUNTAIN TIME
    SHORTSFEST 2021 at-a-glance ALL TIMES ARE MOUNTAIN TIME TUE APR 6 WED APR 7 THU APR 8 FRI APR 9 SAT APR 10 SUN APR 11 7AM MT 4:30-6PM MT 4:30-6PM MT 3PM MT 1PM MT 12PM MT All Shorts Sip & Chat Session Sip & Chat Session Eventive Workshop: Dolby Workshop: RED Workshop: Programs Unlocked: w/ Inga Diev w/ Sudeep Sharma From Programmers The Role of Intro to the Watch Windows Aspen Art Museum Aspen Art Museum to Curators Sound Design RED Arsenal Begin Filmocracy Space Filmocracy Space Red Brick Center For Red Brick Center For Red Brick Center For Eventive the Arts the Arts the Arts 6PM MT 6PM MT Filmocracy Space Filmocracy Space Filmocracy Space 6PM MT Shorts Program 03 Shorts Program 05 Shorts Program 01 Filmmaker Q&A Filmmaker Q&A 4:30-6PM MT 3PM MT 2PM MT Filmmaker Q&A Eventive Livestream Eventive Livestream Sip & Chat Session Shorts Program 09 Shorts Program 11 Eventive Livestream w/ Opal H. Bennett Filmmaker Q&A Filmmaker Q&A 7:30PM MT 7:30PM MT Aspen Art Museum Eventive Livestream Eventive Livestream 7:30PM MT Shorts Program 04 Shorts Program 06 Filmocracy Space Shorts Program 02 Filmmaker Q&A Filmmaker Q&A 4:30-6PM MT 11:59PM MT Filmmaker Q&A Eventive Livestream Eventive Livestream 6PM MT Sip & Chat Session Shorts Programs Eventive Livestream Shorts Program 07 w/ Diana Williams Unlock Windows Filmmaker Q&A Aspen Art Museum Close Eventive Livestream Filmocracy Space Eventive SAT APR 17 7:30PM MT 6PM MT 6-7PM MT Shorts Program 08 In Conversation with Shortsfest Awards Presentation Filmmaker Q&A Filmmaker Reinaldo Eventive Eventive Livestream Marcus Green Eventive Livestream 7PM MT Award Winners Screening 7:30PM MT Eventive Shorts Program 10 Filmmaker Q&A PROGRAMS AND EVENTS SUBJECT TO CHANGE Eventive Livestream April 6-11, 2021 @aspenfilm #Shortsfest2021 aspenfilm.org PROUD SUPPORTERS OF ASPEN FILM 2 welcome as we get ready to present the 30th edition (and second virtual incarnation) of Aspen Shortsfest, we’re happy to note that our goal has remained the same in spite of the many changes and challenges of recent times.
    [Show full text]
  • FILM INFORMATION FILM INFORMATION !5 ABSOLUTELY FABULOUS: the MOVIE 90 Min
    FILM INFORMATION FILM INFORMATION !5 ABSOLUTELY FABULOUS: THE MOVIE 90 min. Dir. Mandie Fletcher NEW! !2 TEENAGE MUTANT NINJA TURTLES 2 112 min. Dir. Dave Green Stars: Jennifer Saunders, Joanna Lumley, Julia Sawalha Stars: Alessandra Ambrosio, Megan Fox, Stephen Amell Comedy based on a television sitcom. A PR agent, suspected of killing a celebrity fashion model, The Turtles return to save the city from a dangerous threat. and her magazine editor friend go on the run on the French Riviera. Strong language, drug misuse. !2 X-MEN: APOCALYPSE 142 min. Dir. Bryan Singer Pg ALICE THROUGH THE LOOKING GLASS 113 min. Dir. James Bobin Stars: Michael Fassbender, Oscar Isaac, James McAvoy Stars: Mia Wasikowska, Johnny Depp, Anne Hathaway Sci-fi action sequel in which an ancient evil threatens the future of humans and mutants alike. Adventure sequel in which Alice travels back in time to rescue the Mad Hatter's family. Mild threat, Moderate violence, threat, bloody images, infrequent strong language. SHOWTIMES & INFORMATION mild bad language. 0333 001 5151 MOVIEHOUSE.CO.UK U THE ANGRY BIRDS MOVIE 97 min. Dir. Clay Kaytis,Fergal Reilly Stars: Jason Sudeikis, Josh Gad, Danny McBride Animated adventure about a bird with anger management issues who must come to the aid of his island when pigs arrive to steal eggs. Very mild bad language, comic slapstick, innuendo, toilet humour. FRIDAY 1 JULY - THURSDAY 7 JULY !5 THE BOSS 99 min. Dir. Ben Falcone Stars: Melissa McCarthy, Kristen Bell, Peter Dinklage Comedy about a disgraced entrepreneur who has to move in with one of her former employees after a spell in prison.
    [Show full text]