DOCSLIB.ORG

Daily Screening & Events Schedule

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

TIFF Industry Online Daily Screening & Events Schedule SEPTEMBER 14, 2020 TORONTO’S LARGEST PURPOSE-BUILT STUDIO The leading destination facility for f ilm and TV production New space coming soon Talk to us: t: +1 416 406 1235 e: [email protected] For further information on our studio, please visit: www.pinewoodtorontostudios.com I Industry user access P Press user access Press & Industry B Buyer user access * Availability per country on the schedule at TIFF.NET/INDUSTRY Daily Schedule Access TIFF Digital Cinema Pro September 14, 2020 at DIGITALPRO.TIFF.NET NEW TODAY Films are available for 48 hours from start time. 10 AM BECKMAN NEUBAU PIRATES DOWN THE STREET SWEAT EDT 90 min. | TIFF Digital Cinema Pro 82 min. | TIFF Digital Cinema Pro 90 min. | TIFF Digital Cinema Pro 80 min. | TIFF Digital Cinema Pro Private Screening Private Screening Private Screening TIFF Industry Selects I P B P B I B I P B FAIRY THE NORTH WIND RIVAL TELEFILM CANADA FIRST LOOK 152 min. | TIFF Digital Cinema Pro 122 min. | TIFF Digital Cinema Pro 96 min. | TIFF Digital Cinema Pro 51 min. | TIFF Digital Cinema Pro Private Screening Private Screening Private Screening Private Screening B B B I B LOVERS PEARL OF THE DESSERT SHOULD THE WIND DROP WISDOM TOOTH 102 min. | TIFF Digital Cinema Pro 86 min. | TIFF Digital Cinema Pro 100 min. | TIFF Digital Cinema Pro 104 min. | TIFF Digital Cinema Pro TIFF Industry Selects Private Screening TIFF Industry Selects Private Screening B I P B I P B I B 11 AM BANDAR BAND CITY HALL GOOD JOE BELL TRICKSTER EDT 75 min. | TIFF Digital Cinema Pro 275 min. | TIFF Digital Cinema Pro 90 min. | TIFF Digital Cinema Pro 86 min. | TIFF Digital Cinema Pro Official Selection Official Selection Official Selection Official Selection I P B I P B I P B I P B THE BEST IS YET TO COME CONCRETE COWBOY SHORT CUTS PROGRAMME 05 WILDFIRE 115 min. | TIFF Digital Cinema Pro 111 min. | TIFF Digital Cinema Pro 98 min. | TIFF Digital Cinema Pro 85 min. | TIFF Digital Cinema Pro Official Selection Official Selection Official Selection Official Selection I P B I P B I P B I P B TALKS 9 AM EDT 12 PM EDT 3 PM EDT Microsession Special Industry Event Dialogues RECLAIMING OUR TIME, STORIES AARON SORKIN ON ON DOCUMENTARY: AND SCREENS FOR UNDER-REPRE- THE TRIAL OF THE CHICAGO 7 THE PAST IS PRESENT SENTED CANADIAN CREATORS 60 min. | Bell Digital Talks 60 min. | Bell Digital Talks 60 min. | Bell Digital Talks TIFF Industry Conference TIFF Industry Conference TIFF Industry Conference I P B I P B I P B 12:30 PM EDT 4 PM EDT 10:30 AM EDT Perspectives Dialogues Master Class FROM MICRO TO MACRO: HOW DATA DIRECTORS IN CONVERSATION DREAM HAMPTON CAN DRIVE ANTI-RACIST ACTION IN 75 min. | Bell Digital Talks 60 min. | Bell Digital Talks FILM AND TELEVISION TIFF Industry Conference TIFF Industry Conference 60 min. | Bell Digital Talks I P B I P B TIFF Industry Conference I P B 6 PM EDT 11 AM EDT In Conversation With... 2 PM EDT Special Industry Event AVA DUVERNAY Perspectives WOMEN ON THE RISE: 50 min. | Bell Digital Talks 2020 TIFF RISING STARS, “UNPRECEDENTED” TERRITORY: In Conversation With… A PANEL PRESENTED BY OLG FINANCING IN THE SHADOW OF I P B 45 min. | Bell Digital Talks A PANDEMIC TIFF Industry Conference 60 min. | Bell Digital Talks I P B TIFF Industry Conference I P B I Industry user access P Press user access Press & Industry B Buyer user access * Availability per country on the schedule at TIFF.NET/INDUSTRY Daily Schedule Access TIFF Digital Cinema Pro September 14, 2020 at DIGITALPRO.TIFF.NET STILL AVAILABLE SEP 13 AN OLD LADY THE KID DETECTIVE MODERN PERSUASION THE WARRIOR QUEEN OF JHANSI 10 AM 100 min. | TIFF Digital Cinema Pro 97 min. | TIFF Digital Cinema Pro 87 min. | TIFF Digital Cinema Pro 102 min. | TIFF Digital Cinema Pro EDT Private Screening TIFF Industry Selects Private Screening Private Screening P B P B B I P B ASIA LIFE AS IT SHOULD BE MR. JONES THE WHALER BOY 85 min. | TIFF Digital Cinema Pro 107 min. | TIFF Digital Cinema Pro 119 min. | TIFF Digital Cinema Pro 90 min. | TIFF Digital Cinema Pro Private Screening Private Screening Private Screening Private Screening B I B P B I P B THE BARCELONA VAMPIRESS THE MARRIAGE ESCAPE THE PREDATORS MONKEY BEACH 103 min. | TIFF Digital Cinema Pro 103 min. | TIFF Digital Cinema Pro 105 min. | TIFF Digital Cinema Pro TBA | TIFF Digital Cinema Pro Private Screening Private Screening Private Screening TIFF Industry Selects I B I B I B I P B SEP 13 180° RULE I CARE A LOT NEW ORDER VIOLATION 11 AM 83 min. | TIFF Digital Cinema Pro 118 min. | TIFF Digital Cinema Pro 86 min. | TIFF Digital Cinema Pro 107 min. | TIFF Digital Cinema Pro EDT Official Selection Official Selection Official Selection Official Selection I P B B I P B I P B 40 YEARS A PRISONER THE INHERITANCE NOTTURNO THE WATER WALKER 110 min. | TIFF Digital Cinema Pro 102 min. | TIFF Digital Cinema Pro 100 min. | TIFF Digital Cinema Pro 13 min. | TIFF Digital Cinema Pro Special Event Official Selection Official Selection Official Selection I P B I P B I P B I P B 76 DAYS MLK/FBI SHORT CUTS PROGRAMME 04 93 min. | TIFF Digital Cinema Pro 104 min. | TIFF Digital Cinema Pro 98 min. | TIFF Digital Cinema Pro Official Selection Official Selection Official Selection I P B I P B I P B Proud to Support TIFF to Reimagine the Festival Experience Slalom is a modern consulting firm focused on strategy, technology, and business transformation. We’re advisors, strategists, and engineers focused on people, above all else. Learn about us at slalom.com ™Toronto International Film Festival Inc., used under license. Bandar Band The latest from established filmmaker The path to Tehran, however, is not an Manijeh Hekmat Manijeh Hekmat is a music-infused twist on easy one. The physical obstacles of the flood IRAN/GERMANY, 2020 a road movie that’s laced with poignant and begin to take a mental toll on the band — a Farsi timely political commentary. In southwest- metaphor for a generation that’s had to 75 minutes | Colour/DCP (D-Cinema) ern Iran’s Khuzestan Province, floods have endure their dreams being challenged at Production Company: Bamdad Film/KapFilme turned the landscape into lakes, obscuring every turn. Executive Producer: Daryosh Hekmat the roads. Over the course of a day’s jour- KIVA REARDON Producer: Manijeh Hekmat, Mahshid Ahangarani Farahani ney in this watery world, three musicians — Screenplay: Manijeh Hekmat, Mostafa Zandi Navid, Amir, and the very pregnant Mahla Manijeh Hekmat was born in Tehran, Iran. Her directorial Cinematographer: Sajjad Avarand — refuse to be deterred by the soggy and credits include the feature filmsWomen’s Prison (02), Three Editor: Navid Tohidi Women (08), and Old Road (18). Bandar Band (20) is her Production Designer: Farhad Fozouni often completely submerged motorways, latest film. Sound: Arash Ghasemi as they are set on making it to Tehran for Original Score: Farshad Fozouni a battle of the bands that evening. Principal Cast: Reza Koolghani, Pegah Ahangarani, Amir Hossein Taheri, Mahdieh Mousavi Unfolding on the road as the trio jour- neys in their van, Bandar Band is a stun- International Sales Agent: IRIMAGE ning visual ode to the shifting landscapes of Hekmat’s native Iran. Employing her documentary background, Hekmat also digs into these settings, offering snippets of the daily victories and struggles of the people the band encounters along the way. Whether it’s the story of a village that’s all but turned to mud or one that’s saved itself from the encroaching waters, Hekmat gently observes moments of joy and perseverance. 40 Bu Zhi Bu Xiu The Best Is Yet to Come Inspired by true events, Wang Jing’s assured a result of the lingering belief that the virus debut illuminates China’s independent film can be easily transmitted in public spaces. Wang Jing scene with new colours and fresh energy. A touching character study and a thrill- Set in 2003, in the aftermath of the SARS ing exploration of investigative journalism CHINA, 2020 epidemic, The Best Is Yet to Come addresses in China, The Best Is Yet to Come — produced Mandarin 115 minutes | Colour/DCP (D-Cinema) issues that echo today’s global scenario, by star auteur Jia Zhang-ke (Platform, Still where politics and prejudices sometimes Life) — informs, moves, and shocks. It is an Production Company: Momo Pictures/ Fabula Entertainment conflict with safety and health concerns. indelible visual account of lives from a past Executive Producer: Tang Yan, Jia Zhang-ke Driven, stubborn, and a gifted writer, Han that is suddenly too close. Producer: Jia Zhang-ke Dong (White K) is one of many talented GIOVANNA FULVI Screenplay: Huang Wei, Hwong Minmimn, Chen Chengfeng, Li Jingrui youths who have given up the security of Cinematographer: Yu Lik-Wai a steady job in their hometown to pursue Wang Jing was born in Taiyuan City, Shanxi Province, China. Editor: Matthieu Laclau a dream in the big city. When a fire devas- He studied at Beijing Film Academy. He was assistant direc- Production Designer: Liu Weixin tor on several of Jia Zhang-ke’s feature films, including the Sound: Zhang Yang tates the crowded, rundown apartment he Festival selections A Touch of Sin (13), Mountains May Depart Original Score: Yoshihiro Hanno was living in, he’s interrogated by the police (15), and Ash Is Purest White (18).
Recommended publications
  • The Padis Opeda Ballet

    The Padis Opeda Ballet

    FREDERICK WISEMAN BIOGRAPHY Frederick Wiseman is an American filmmaker, born on January 1969, Hospital in 1970, Juvenile Court in 1973 and Welfare 1st, 1930, in Boston, Massachusetts. A documentary filmmaker, in 1975. In addition to Zoo (1993), he directed three other most of his films paint a portrait of leading North American documentaries on our relationship with the animal world: Primate institutions. in 1974, Meat in 1976 and Racetrack in 1985 respectively about After studying law he started teaching the subject without any real scientific experiments on animals, the mass production of beef interest. In decided he should work at something he liked and had cattle destined for the slaughterhouse and consumers and the the idea to make a movie of Warren Miller’s novel, The Cool World. Belmont racetrack one of the major American racetracks. Since at that point he had no film experience he asked Shirley He began an examination of the consumer society with Model in Clarke to direct the film. ProducingThe Cool World demystified the 1980 and The Store in 1983. The sharpness of his gaze, his biting film making process for him and he decided to direct, produce and humour and his compassion characterize his exploration of the edit his own films. Three years later came the theatrical release of model agency and the big store Neiman Marcus, temples of western his first documentary,Titicut Follies, an uncompromising look at a modernity. In 1995, he slipped into the wings of the theatre and prison for the criminally insane. directed La Comédie-Française ou l’amour joué.
  • CSA Interview MASTER

    CSA Interview MASTER

    Amin Bhatia & Ari Posner – Canadian Screen Award Nominees Best Original Music for a Series – X-Company: Black Flag SCGC member Janal Bechthold catches up with the Canadian Screen Award nominees Amin Bhatia and Ari Posner to give you a little look into their process of scoring for the TV series, X-Company. This is their second nomination, having received a Best Original Score nomination for the series in 2016. X-Company is an “emotionally-driven character drama, set in the thrilling and dangerous world of WWII espionage and covert operations. It follows the stories of five highly skilled young recruits.” ~CBC.ca SCGC: How is the premise of X-Company meaningful to you? AB & AP: As a Canadian, to learn about how Camp X in Whitby Ontario and our intelligence forces helped to defeat the Nazi regime was very inspiring. It needs to be said that especially this year we've become acutely aware of world events in the US and how this story is an uncomfortable foreshadowing of what could repeat itself if we do not pay attention. SCGC: What was the biggest challenge you faced during this project? AB & AP: For this particular episode ,"Black Flag", our heroes had to assassinate a high-ranking German general during a night at the Opera. So it created many musical challenges, ranging from ritzy jazz themes and remixes, operatic rearrangements of Gabriel Fauré, ambient terror, orchestral action, and pure tragedy with a Nazi reprisal attack on innocent citizens. Thanks to the co-ordination of the cast and crew we actually wrote the source music months before to be used as playback on set as well as helping the picture editors set the pace and feel of the show.
  • MINKA FARTHING-KOHL Director of Photography

    MINKA FARTHING-KOHL Director of Photography

    MINKA FARTHING-KOHL Director of Photography FEATURES DEMON HOUSE Lee Daniels Tucker Tooley Entertainment CONCRETE COWBOY Ricky Staub Netflix Official Selection, Toronto International Film Festival (2020) Official Selection, Telluride Film Festival (2020) THE NOWHERE INN Bill Benz IFC Official Selection, Sundance Film Festival (2020) Official Selection, SXSW Film Festival (2020) THANK YOU AND SORRY (Short) Bill Benz Independent HOURGLASS PAST, PRESENT & FUTURE Daniel Arsham & Benny Nicks Colossale (3 – 15 min. Shorts) THE CAGE (Short) Ricky Staub Neighborhood Film Company TELEVISION FREE MEEK Michael John Warren Amazon, Roc Nation DETROITERS Bill Benz , Oz Rodriguez Comedy Central Becky Martin, Nick Jasenov ADDITIONAL PHOTOGRAPHY DON’T LOOK UP Adam McKay Netflix TAR (NY Unit) Todd Field Focus Features DIRECTORS & COMMERCIALS AMBER GRACE JOHNSON Bacardi Les Twins, Fenty x Savage, Champion DEXTER NAVY Nike DAVID HELMAN Centrum MATT BARON AAF, Amazon QUINN WILSON Billie JULIE TAYMOR M Butterfly RENELL MEDRANO Coach MATHEW FIRPO Instagram, State Farm LUKE WHITE Adidas BENNY NICKS Adidas, Jefferson University GIOVANNI MESSNER Bose SHAUN COLLINGS ESPN SETH EPSTEIN Jordan UNC RONNIE FEIG Kith BRYCE WYNER Coach ARISU KASHIWAGI Prada DANIEL RAGEN Adidas THOR SAEVARSSON Staropramen STORM & HANSEN AETNA EMMA DALZELL Kate Spade RUTH HOGBEN American Ballet Theatre, Vogue LEA COLOMBO Fendi LACEY Target TUCKER BLISS & MAXIME BRUNEEL Gatorade JR & LOLA Burberry LAUREN SICK Bose DIRECTORS & MUSIC VIDEOS TRAVIS SCOTT & WHITE TRASH TYLER Travis Scott ft. M.I.A. Young Thug “Franchise” MATT BARON Koffee ft. Gunna “W” DEXTER NAVY A$AP Rocky ft. Skepta “Praise Da Lord” BRTHR Kris Wu, Rich Brian, Trippie Redd, Joji, & Baauer “18” TOM CJ BROWN Fischerspooner “Top Brazil” OLIVER GONDRY Joywave “Doubt” Languages: Fluent in Spanish 800 South Robertson Blvd.
  • 213 Nothing Like the South: Aurora Greenway – a Belle

    213 Nothing Like the South: Aurora Greenway – a Belle

    NOTHING LIKE THE SOUTH: AURORA GREENWAY – A BELLE IN EXILE Anca Peiu University of Bucharest Larry McMurtry’s Terms of Endearment has been better known as a 1983 successful silver-screen story than as a 1975 best-selling novel, rather as a multiplereceiver of Academy Awards than as a most accomplished book by a prolific author and Pulitzer Prize winner. My return to it is justified by some recently read essays – neither on the film, nor on the book – but on the Belle and the South (indeed, an archetypal coupling somehow echoing Beauty and the Beast ). As for my title here – it oscillates between two Shakesperean sonnets: Sonnet 130 and Sonnet 3. Both poems appeal particularly to the sense of sight ; they are versions of that type of painting (also fiction) known as a portrait of a lady – who stays the lady even if she defies any canon of lady-likelihood – both as Shakespeare’s (image of the) lover and as McMurtry’s Southern Belle – from My mistress’ eyes are nothing like the sun… Thou art thy mother’s glass, and she in thee Calls back the lovely April of her prime; So thou through windows of thine age shalt see, Despight of wrinkles, this thy golden time… The latter quote opens Larry McMurtry’s novel, as a necessary motto. It evokes a specific traditional relationship: mother-daughter, by the classic symbol of the mirror . It could send us – via Larry McMurtry’s novel – to Katherine Henninger’s astute study of the impact of photography on the Visual Legacies of the South: Picture a southern woman .
  • JDIFF: Event Gives a Chance for Last Year's Filmmakers to Participate ELLIS: Director, Lead Actor Work Well MOVIES: 'Godzill

    JDIFF: Event Gives a Chance for Last Year's Filmmakers to Participate ELLIS: Director, Lead Actor Work Well MOVIES: 'Godzill

    8A Friday, April 2, 2021 • Telegraph Herald • TelegraphHerald.com lifestyle JDIFF: Event gives a chance for last year’s filmmakers to participate Continued from page 7A missed out last year.” who returns to his hometown after merits.” “There are thousands of film festi- While many of last year’s filmmak- inheriting a failing pencil factory. Of more than 800 applications, only vals around the world, many of them something they wanted or could do for ers have moved on or were unable to “The Girl Who Wore Freedom,” about 130 films were accepted into small community festivals,” she said. whatever reason,” she said. return because of distribution deals, a feature documentary that tells the this year’s festival. “There’s nothing wrong with that, but Gorrell invited all the accepted attendees will get the opportunity stories of French citizens during the “We only take about 15% of the I was always big on the community films from last year to return in 2021 to see some of last year’s accepted invasion of Normandy, will feature a films that apply,” Gorrell said. impact.” for the festival’s 10th year. Slated for films, along with this year’s crop of re-enactment component in Wash- In addition to attending film Gorrell said filmmakers who travel Sunday, April 18, through Sunday, full-length and short features and ington Square. screenings, attendees will have the op- to Dubuque for the festival always are April 25, the festival has been expand- documentaries. Local filmmakers have made the portunity to participate in workshops impressed with the city as a cultural ed to eight days to accommodate “The Cave,” which will be the cut, too, including documentary short, and question-and-answer sessions destination and how the festival not the screening of additional films.
  • Indigenous Education North Vancouver School District September 14Th -Oct 2Nd 2020

    Indigenous Education North Vancouver School District September 14Th -Oct 2Nd 2020

    Indigenous Education North Vancouver School District September 14th -Oct 2nd 2020 Table of Welcome back! Contents The NVSD Indigenous Education team would like to Page 1 Welcome Back. welcome everyone back for the 2020-2021 school year. Requesting a team member Page 2 Orange Shirt Day Page 3 Terry Fox Page 4 Professional Development Opportunities Page 5 NVSD Indigenous Requesting a Team Member Education Team Request Form Do you want to request a team member to visit your class, collaborate or work with your staff? Check out our request forms! Team members will be available starting October 1, K-5 2020 either virtually or in person, practicing safety protocols. Grade 6-12 Link Fine the request form for K-5 here and the 6-12 form here. We would like to thank the Coast Salish people, specifically the Skwxwú7mesh Nation and Tsleil- Waututh Nation, whose unceded traditional territory the North Vancouver School District resides on. We value the opportunity to learn, share and grow on this traditional territory. 1 Orange Shirt Day September 30, 2020 Orange Shirt Day across Canada is recognized nationally and annually on September 30th. This date is significant as it is the approximate date that children would be taken to residential school. North Vancouver School District will recognize Orange Shirt Day on Wednesday, September 30, 2020. History of Orange Shirt Day Orange Shirt Day was started by Phyllis Webstad, who is Northern Secwpemc (Shuswap) from the Stswecem’c Xgat’tem First Nation, to honour and recognize all those who attended a residential school because she believes that “Every Child Matters.” You can read more about Phyllis' Story here.
  • As Writers of Film and Television and Members of the Writers Guild Of

    As Writers of Film and Television and Members of the Writers Guild Of

    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
  • Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media

    Canadian Canada $7 Spring 2020 Vol.22, No.2 Screenwriter Film | Television | Radio | Digital Media

    CANADIAN CANADA $7 SPRING 2020 VOL.22, NO.2 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Law & Order Issue The Detectives: True Crime Canadian-Style Peter Mitchell on Murdoch’s 200th ep Floyd Kane Delves into class, race & gender in legal PM40011669 drama Diggstown Help Producers Find and Hire You Update your Member Directory profile. It’s easy. Login at www.wgc.ca to get started. Questions? Contact Terry Mark ([email protected]) Member Directory Ad.indd 1 3/6/19 11:25 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 22 No. 2 Spring 2020 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover Publisher Maureen Parker Diggstown Raises Kane To New Heights 6 Editor Tom Villemaire [email protected] Creator and showrunner Floyd Kane tackles the intersection of class, race, gender and the Canadian legal system as the Director of Communications groundbreaking CBC drama heads into its second season Lana Castleman By Li Robbins Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen The Detectives: True Crime Canadian-Style 12 Simon Racioppa Rachel Langer With a solid background investigating and writing about true President Dennis Heaton (Pacific) crime, showrunner Petro Duszara and his team tell us why this Councillors series is resonating with viewers and lawmakers alike. Michael Amo (Atlantic) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Murdoch Mysteries’ Major Milestone 16 Lienne Sawatsky (Central) Andrew Wreggitt (Western) Showrunner Peter Mitchell reflects on the successful marriage Design Studio Ours of writing and crew that has made Murdoch Mysteries an international hit, fuelling 200+ eps.
  • Frederick Wiseman

    Frederick Wiseman

    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 15 | 2017 Lolita at 60 / Staging American Bodies Compte-rendu de Journée d’étude : Frederick Wiseman, « Ordre et résistance » Université Toulouse Jean Jaurès, Cinémathèque de Toulouse, 19 mai 2017 /Organisée par Zachary Baqué (CAS) et Vincent Souladié (PLH) Youri Borg et Damien Sarroméjean Édition électronique URL : http://journals.openedition.org/miranda/10953 DOI : 10.4000/miranda.10953 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Youri Borg et Damien Sarroméjean, « Compte-rendu de Journée d’étude : Frederick Wiseman, « Ordre et résistance » », Miranda [En ligne], 15 | 2017, mis en ligne le 04 octobre 2017, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/10953 ; DOI : https://doi.org/10.4000/miranda. 10953 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. provided by OpenEdition View metadata, citation and similar papers at core.ac.uk CORE brought to you by Compte-rendu de Journée d’étude : Frederick Wiseman, « Ordre et résistance » 1 Compte-rendu de Journée d’étude : Frederick Wiseman, « Ordre et résistance » Université Toulouse Jean Jaurès, Cinémathèque de Toulouse, 19 mai 2017 /Organisée par Zachary Baqué (CAS) et Vincent Souladié (PLH) Youri Borg et Damien Sarroméjean 1 Organisée par les laboratoires CAS et PLH, en association avec la Cinémathèque de Toulouse, cette journée d’étude consacrée à Frederick Wiseman se propose d’aborder l’œuvre dense d’un cinéaste américain majeur du genre documentaire, reconnu tant par la critique que par ses pairs, mais dont les films (Titicut Follies (1967), Primate (1974) et Public Housing (1997) pour citer les plus connus) sont paradoxalement peu vus.
  • Press Release Announcing the Scripter 2013

    Press Release Announcing the Scripter 2013

    From: The USC Libraries Doheny Memorial Library University of Southern California Los Angeles, CA 90089 Contact: Hugh McHarg Associate Dean for Planning and Communications USC Libraries [email protected] Office: (213) 740-1405 December 19, 2012 Larry McMurtry and Diana Ossana Win USC Libraries Literary Achievement Award The Friends of the USC Libraries have selected the Brokeback Mountain screenwriting partners as the award’s 2013 honorees The Friends of the USC Libraries have selected Academy Award-winning screenwriting partners Larry McMurtry and Diana Ossana as the 2013 Scripter Literary Achievement Award co-honorees. The 2013 award marks the first time a screenwriting team has earned the honor. The USC Libraries will present the award to McMurtry and Ossana at the 25th-anniversary Scripter Award ceremony on Saturday, February 9, 2013. The Literary Achievement Award is an additional honor—distinct from the annual Scripter Award—that recognizes writers who have made significant, sustained contributions to the art of adaptation throughout their careers. USC Libraries Dean Catherine Quinlan and the Friends of the USC Libraries established the Scripter Literary Achievement Award in 2008. “We feel honored to receive the prestigious USC Libraries Scripter Literary Achievement Award, while well aware that we do so owing a debt to the many novelists and writers whose works we have adapted,” said Ossana and McMurtry of their selection. In addition to their 2006 Academy Award win for Best Adapted Screenplay for Brokeback Mountain, the pair has written two novels, nearly twenty original feature film scripts, and four award-winning miniseries. They began their writing partnership in the early 1990s with MORE 2: McMurtry and Ossana Win 2013 USC Libraries Literary Achievement Award the novel Pretty Boy Floyd, about the notorious American bank robber.
  • Ruth Prawer Jhabvala's Adapted Screenplays

    Ruth Prawer Jhabvala's Adapted Screenplays

    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.

  • Schools Will Scrap Online TEC Option

    EASTER SUNDAY KEATON BEACH EASTER FUN DAY SERVICES FISHING REPORT AT CITY PARK Page A-4 Page A-5 Page A-7 75¢ Friday/ Saturday April 2-3, 2021 www.perrynewspapers.com Schools will scrap online TEC option After countless hours of the upcoming school year option even if the district training, pouring more than and that parents will have wished to continue the $233,000 into establishing two options when it comes program. the program and requiring to sending their children “I don’t anticipate the major adjustments for both to school: the traditional state even allowing it. Now students and teachers, the “brick and mortar” setting the state pays 100 percent Taylor County School or Florida Virtual School for a student in TEC. For District has announced its (FLVS). FLVS, the state only pays TEC (Taylor E-learning However, Superintendent around 65 percent. So, from Canvas) simply “was not of Schools Dr. Danny a budget perspective, it successful for our district.” Glover Jr. said that he will save the state a ton of What this means for local believes that offering TEC money.” students is that the program for local students next year ➟ Please see page 2 will be discontinued for would not have been an New HR manager, advertising and recruitment: Attorney releases school hiring recommendations The Tallahassee expanding the advertising its upcoming meeting attorney hired to review of open positions. Tuesday, April 6. the Taylor County School Attorney Holly Dincman, The 22-page District’s hiring and who is certified in labor report includes 10 recruitment