•Warner, R. (2010). World Mythological Dictionary. •White, L.M

Total Page:16

File Type:pdf, Size:1020Kb

•Warner, R. (2010). World Mythological Dictionary. •White, L.M 41 Ali Nikoei •Warner, R. (2010). World mythological dictionary. •White, L.M. (1990). Building God’s House in the Translated by Ismaeilipour, A. Tehran. Ostoure Roman World: Architectural Adaptation among publication. pagans, Jews, and Christians, Baltimore and •Widen G. G. (1998). Persian religions. Translated London: The Johns Hopkins University Press. by: Farhang, M. Tehran: Agahan Ayande publication. COPYRIGHTS Copyright for this article is retained by the author (s), with publication rights granted to the journal of art & civilization of the orient. This is an open-access article distributed under the terms and conditions of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/). HOW TO CITE THIS ARTICLE Nikoei, A. (2018). Comparative studying of Iranian and Armenian Myths focused on Mitra journal of art & civilization of the orient, 6 (19):32-41. DOI: 10.22034/JACO.2018.63583 URL:http://www.jaco-sj.com/article_63583.html 40 quarterly, No.19 | Spring 2018 of “the Waters”, and hence associated with fertility, purity, publication. healing and wisdom. Benedictions of Mehr and Anahita •Hinnells, J. (1996). Studying Persian mythology. are so interconnected in Iran that they may not easily be Vol. 6. Translated by Amouzegar, Zh. & Tafzili, A. distinguished and has been evolved in Zoroastrian and Tehran: Cheshmeh publication. Islamic cultures. For more information, see Javadi, 2013; •Ishkol-Kerovpian K. (1973) Mythologie der 43-50; Javadi, 2008; 23-30; and Javadi, 2007; 12-22. Vorchristlichen Armenier «Wortebuch der 3. Interview with Javadi, 2017; www.nazar.ac.ir Mythologie». Bd.IV,Stuttgart. 4. See Tabrizi, 2005; “Yald” entry. •Javadi, Sh. (2007). Holy places affiliated to the 5. Առյուծ in Armenian; pronounced as arryut. mountain, spring, and tree. Bagh-e Nazar magazine, (8): 12-22. Reference List •Javadi, Sh. (2008). Ritual trees. Manzar magazine, •Agathangelos,R.W.Thomson. (1976) .History of 1 (0): 23-30 the Armenians. New York: state university of New •Javadi, Sh. (2013). Islamic Ancient re-narratives. York press. Journal of eastern art and civilization, (1): 43-50. •Amouzegar, Zh. (1995). Persian mythology. •Joneiydi, F. (1983). Persian Mehr. Tehran: Balkh Tehran: SAMT publication. publication. •Bahar, M. (1996). From myth to the history. •Khalaf Tabrizi, M. H. under the pen name of Tehran: Haghighat publication. Borhan. (2004). Borhan-e Ghate. Tehran: Baran-e •Bahar, M. (1997). Investigating Persian culture. Andishe publication. Tehran: Fekre Rouz publication. •Khornatsi, M. (1982). History of Armenia. •Bahar, M. (2002). A study of Persian mythology. Translated by Naalbandiyan, G. Yerevan. Vol. 4. Tehran: Agah publication. •Masaheb, Gh. H. (1977). Encyclopedia. Tehran •Bahar, M. (2011). Mithraism and Persian ancient •Moein, M. (1974). Moein dictionary. Tehran: Pahlevani and zoorkhaneh rituals. Hafez magazine, Amirkabir publication. 88: 12-16. •Nourizade, A. (1997). Armenian history and •Beck, R. L.(1996). The Mysteries of Mithras, in culture, from beginning to the present. Tehran: J.S Kloppenborg and S.G. Wilson (eds), Voluntary Cheshmeh publication. Associations in the Ancient World. London. •Nourizade, A. (2005). A hundred years of Armenian •Birouni, A. (1942). Asar AL-Baghi. Translated poetry. Tehran: Cheshme publication. by Dana seresht, A. Tehran: Khayam library •Oshidri, J. (1992). Encyclopedia of Mazdisna. publication. Zoroastrian descriptive dictionary. Tehran: Markaz •Booth, M. (1996). The history of Zoroastrian. publication. Vol 1. Translated by Sanatizade, H. Tehran: Tous •Pourdavoud. I (1977). Yashts. Vol. 2. Tehran: publication. University of Tehran publication. •Christensen, A. (2008). Iran in the age of Sassanid. •Pourdavoud, I. (1998). Yashts. Vol. 1 and 2. Translated by Yasamini, R. Tehran; Negah Tehran: Asatir publication. publication. •Razi, H. (1992). Ancient Persian calendar and • Coman, F. (2004). The mysterious Mithraism. ceremonies. Tehran: Behjat publication. Translated by Razi, H. Tehran: Behjat publication. •Razi, H. (2002). Mithraism; the history of •Dehkhoda, A. A. (1998). Dehkhoda encyclopedia. mysterious Mithraism. Tehran: Behjat publication. Tehran: University of Tehran publication. •Rezaei, M. (2004). Mythological death and •Duchesne-Guillemin, J. (2002). Ancient Persian creation. Tehran: Asatir publication. religion. Translated by Monajem, R. Vol.1, Tehran: •Rostampour, S. (2003). Persian, Indian, and Roman Elm publication. Mithraism. Tehran: Khorshid afrouz publication. •Gershevich, I. (1959). Anahid. Vol 1. •Sattari, J. (2013). Mythology of Georges Dumézil. Encyclopaedia. London and Boston: Iranica. Tehran: Markaz publication. •Hartoniyan, S. (2001). Beliefs, religion, and •Tafazoli, A. & Amouzegar, Zh. (1997). Pri-Islamic ancient Armenian mythologies. Yerevan: Moghni Persian history and literature. Tehran: Sokhan publication. 39 Ali Nikoei Fig. 6. Mithraism temple, Mohammad abad Borazjan, Iran. source: https://blog.safarme.com Endnote * The paper is extracted from Dr. Nikouei thesis. 1. He typically brought the ancient Rome history and religion lacking an individualized character into a mythical content through using traditions of ancient India. For instance, he claims that reporting of earlier Roman kings and wars was not enough. The documents report Indo-European and other Roman tribes’ worldview and mythological evolutions, which have been presented in the form of history. His studies are particularly concentrated around the theory of “trifunctional deities”, which was more maintained by the discovery of the Mitani inscription (in 1907) belonging to 1400 B.C. The inscription contained four deities relevant to the ancient India. The four gods in the theory of “trifunctional deities” are Mitra-Varuna for the first function; Indra for the second; and Nasātya for the third functions. The first function deities with sacred, ruling, and sovereignty functions consist of two distinct dimensions: Varuna is characterized as magical and avenger ruler; while, Mitra enjoys human peaceful personality. For the second function, Indra is the worrier powerful who has founded young men’s association and the associated rituals, which have survived up to the present according to Dumezil. It is ruled by the first function. Deities of the third are of productivity, herding, farming and crafts mostly embrace the public (Sattari, 2013). 2. Water-related lotus, mother-of-pearl, and dolphin are Fig.7. Noushijan fire temple (60 km of Hamedan and 20 km of Malayer); ((24.March.2018- //blog.safarme.com considered symbols of Anahita venerated as the divinity 38 quarterly, No.19 | Spring 2018 Fig. 4. Sevanakvank monastery in Armenia. Source: www.kojaro.com. Fig. 5. Takht-e Soleymān, Mithraism temple in the age of Parthian; two sacred elements of mountain and spring can be seen.Source: karnaval.ir. 37 Ali Nikoei 1976: 194) implying the immense popularity largely inspired by Persian emperor. Comparing of Mitra among Armenians (Nourizad, 1997: Mitra in Iran and Armenia, it is concluded 249). that the majority of Armenian mythology and public beliefs before Christianity were largely Conclusion influenced by Iranian mythology such that Religions have been consistently interacting; ancient beliefs transformation is clearly seen Armenian beliefs in the ancient times have in the new religion (Figs.1-7). Fig. 1. Tatev Monastery in Armenia, which has been initially Fig. 2. Geghard Monastery in Armenia. Source: of Mithraism temples turning into church after Christianity. www.kojaro.com. Many of Mithraism temples can be seen around Armenia, which have been desolated or become monasteries. Source: www.kojaro.com. Fig. 3. Sanahin monastery complex interior in Armenia looks like Mithraism altars. Source: www.kojaro.com. 36 quarterly, No.19 | Spring 2018 Mitra in Armenia According to David of Sassoun, Armenian ‘Mihr’ named after Persian Mehr refers to Mitra has followed both the covenant and Indo-Iranian Mitra implying companion, promises of Iranian Mitra and military benevolent, and covenant). Mihr, in Armenian characteristics of western Mitra. Like Persian deities, is the breed of Aramazd and the oldest kings who had been imprisoned for a while god of sun and heavenly light for Armenians. in the cave to get the sacred power of Mehr, He was named as ‘Hepestos’, god of forging Armenian Mehr was also imprisoned for a and fire, within the Hellenistic period, whom while to be prepared to return to the world Temple of Garni has been granted. According of justice. As seen in the aforementioned, to Greek texts, Armenians sacrificed horses Armenian Mihr, as a linking chain, shared for Helios, god of sun, in the 5th century characteristics of both Persian and Western B.C. (Russell, 1987: 262). Strabo describes Mithraism (Hartoniyan, 2001: 38-41). that Satrap of Armenia sent 20000 breeding Mithraism has also influenced Armenian Nisaions to the achaemenid kings at Mihr old calendar in which the eights day of each celebrations (Widen Greyden, 1998: 320). month was named Mihr; and moreover, the Mitra-Mihr worshipping has been extended to 7th month in the old calendar, the present Anatolia including Hayk since the 3rd century February, is also called Mehekan. Mehian, B.C after Roman domination. Mihr adoration the public name of sacred places in Armenia, in west was significantly different from its is also associated to the Mihr (Nourizade, Persian adoration. Western Mihr veneration 2005: 78-79). One of the rocks donated to relied upon Mitra’s characteristics in terms the Mehr in the city of ‘Van’ is known
Recommended publications
  • ABMBNIA (Varmio) B. H. KENNETT. ARMENIA
    HI ABMBNIA (Varmio) •with any such supposition. It ia a safe inference indistinguishable. la timea of need c? danger from 1 S 67fl;, 2 S (33rr- that the recognized method man requires a god that ia near, and nofc a god of carrying the Ark in early times was in a sacred that is far off. It ia bjy BO means a primitive con- cart (i.e, a cart that had been used for no other ception which we find an the dedicatory prayer put purpose) drawn by COTVS or bulls.* The use of into the mouth of Solomon (1K 84*1*), that, if people horned cattle might possibly denote that the Ark go out to battle against their enemy, and they was in some way connected with lunar worship; prayto their God towards the house which is built in any case, Jiowever, they probably imply that to His name, He will make their prayer and the god contained in the Ark was regarded aa the supplication hoard to the heaven in which He god of fertility (see Frazer, Adonis, Attu, Osiris, really dwells,* Primitive warriors wanted to have pp. 46,80),f At first sight it is difficult to suppose their goda in their midst. Of what use was the that a aerpent could ever be regarded aa a god of Divine Father (see Nu 2129) at home, when his sona fertility, but "whatever the origin of serpent-worship were in danger in the field ? It waa but natural, may be—and we need not assume that it has been therefore, that the goda should be carried out everywhere identical — there can be little doubt wherever their help waa needed (2S 5ai; cf.
    [Show full text]
  • Frigg, Astghik and the Goddess of the Crete Island
    FRIGG, ASTGHIK AND THE GODDESS OF THE CRETE ISLAND Dedicated to the goddesses-mothers of Armenia and Sweden PhD in Art History Vahanyan V. G., Prof. Vahanyan G. A. Contents Intrоduction Relations between Frigg and the Goddess of the Crete Island Motifs in Norse Mythology Motifs in Armenian Mythology Artifacts Circle of the World Afterword References Introduction According to conventional opinion, the well-known memorial stone (Fig. 1a) from the Swedish island Gotland (400-600 AC) depicts goddess Frigg holding snakes. The unique statuettes of a goddess holding snakes are discovered on Crete (Fig. 1b), which date to c. 1600 BC1. The depiction of Frigg embodies a godmother with her legs wide open to give birth. In Norse mythology Frigg, Frige (Old Norse Frigg), Frea or Frija (Frija – “beloved”) is the wife of Odin. She is the mother of the three gods Baldr, Hodr and Hermodr. a b Fig. 1. (a) Memorial stone from the Swedish island Gotland (400-600 AC) depicting Frigg holding snakes. (b) Goddess holding snakes, Crete (c. 1600 BCE) The Swedish stone from Gotland island depicts the godmother, who is sitting atop the mountain before childbirth (Fig. 1а). Her hands are raised and she is holding two big snakes-dragons. The composition symbolizes the home/mountain of dragons (volcanic mountain). The composite motif of the depiction on the memorial stone, according to the 1 The findings belong to Crete-Minoan civilization and are found in the upper layers of the New Palace in Knossos. Two items are discovered (Archaeological Museum, Heraklion) authors, stems to the archetypes in the Old Armenian song “The birth of Vahagn” 2.
    [Show full text]
  • First Capitals of Armenia and Georgia: Armawir and Armazi (Problems of Early Ethnic Associations)
    First Capitals of Armenia and Georgia: Armawir and Armazi (Problems of Early Ethnic Associations) Armen Petrosyan Institute of Archaeology and Ethnography, Yerevan The foundation legends of the first capitals of Armenia and Georgia – Armawir and Armazi – have several common features. A specific cult of the moon god is attested in both cities in the triadic temples along with the supreme thunder god and the sun god. The names of Armawir and Armazi may be associated with the Anatolian Arma- ‘moon (god).’ The Armenian ethnonym (exonym) Armen may also be derived from the same stem. The sacred character of cultic localities is extremely enduring. The cults were changed, but the localities kept their sacred character for millennia. At the transition to a new religious system the new cults were often simply imposed on the old ones (e.g., the old temple was renamed after a new deity, or the new temple was built on the site or near the ruins of the old one). The new deities inherited the characteristics of the old ones, or, one may say, the old cults were simply renamed, which could have been accompanied by some changes of the cult practices. Evidently, in the new system more or less comparable images were chosen to replace the old ones: similarity of functions, rituals, names, concurrence of days of cult, etc (Petrosyan 2006: 4 f.; Petrosyan 2007a: 175).1 On the other hand, in the course of religious changes, old gods often descend to the lower level of epic heroes. Thus, the heroes of the Armenian ethnogonic legends and the epic “Daredevils of Sasun” are derived from ancient local gods: e.g., Sanasar, who obtains the 1For numerous examples of preservation of pre-Urartian and Urartian holy places in medieval Armenia, see, e.g., Hmayakyan and Sanamyan 2001).
    [Show full text]
  • Ahura, Mazda. Evolution of the Name(S)
    Part Three: 3.20, The Evolution of the Name(s) Ahura, Mazda. Evolution of the Name(s) Mazda, Ahura. In the Gathas, Zarathushtra calls the Divine by many different names.1 But in this chapter, I will limit the discussion to the names he uses most often -- mazdA- and ahUra-, and combinations of these two, because they are the names most associated with his perception of the Divine. You may question: Why is the evolution of these names of the Divine important? Why should we care? Well, for at least two reasons (you may well think of additional ones). 1. As Thieme has pointed out, in a religion that has no images of the Divine, the name given to the Divine reveals its nature, its essence.2 The evolution of the names of the Divine enables us to see how the perception of the nature of the Divine changed, from Zarathushtra's perception -- Wisdom personified (mazdA-), and Lord (ahUra- used in the sense of one who has acquired lordship over the qualities that make a being Divine),3 -- to the perceptions of later texts in which the Divine became an authority figure Lord Wisdom (ahUra- mazdA-), to yet later texts in which the name had become one word (Hormezd, Ormazd) which no longer had any intrinsic meaning in the everyday language of that time, and therefore projected no notion of the nature, the essence, of the Divine. Once the meaning of a name is no longer understood in everyday language, anyone can attribute any kinds of (totally different) qualities to the Divine.
    [Show full text]
  • Shelley Meagher – Politics and Persian Mythology in Irish Poetry
    Shelley Meagher Politics and Persian Mythology in Irish Poetry IN 1809 LORD BYRON was prevented by the Napoleonic wars from taking the European Grand Tour. He instead sailed south, through the straits of Gibraltar and across the Mediterranean, to tour Greece and Turkey. On his return he published the first two Cantos of Childe Harold’s Pilgrimage (1812), a poem whose hero follows in Byron’s wake eastwards. Gratified by the acclaim Childe Harold received, Byron next published two action poems set in Turkey, The Giaour (1813) and The Bride of Abydos (1813). These fluent ‘Turkish Tales’, as he called them, sold very well and whetted the public’s appetite. On the day Byron’s next Turkish tale, The Corsair, came out in 1814, it sold 10,000 copies. There was one problem. For two and a half years Byron’s friend, Thomas Moore, had been composing a poem set in the Persianate cultures of Mughal India and Persia (as Europeans then termed Iran). Moore was alert to differences between Turkish and Persian culture. But to the general public, both cultures were simply eastern. When sales of Byron’s Turkish poems rocketed, Moore fretted that Byron had stolen his opportunity. Byron tried to allay Moore’s fears. ‘Stick to the East!’ he wrote to Moore in May 1813. ‘The little I have done . is only a “voice in the wilderness” for you; and, if it has had any success, that will only prove that the public is orientalising, and pave the way for you.’1 When, six months later, Byron proceeded to pave Moore’s way further with The Corsair, he knew very well that Moore would be alarmed.
    [Show full text]
  • The Sacred Highlands: Armenia in the Spiritual Geography of the Ancient Near East” – Yerevan
    National Academy of Sciences of the Republic of Armenia Institute of Oriental Studies Artak Movsisyan THE SACRED HIGHLANDS Armenia in the Spiritual Geography of the Ancient Near East YEREVAN UNIVERSITY PUBLISHERS YEREVAN – 2004 This book is being published by order of the National Academy of Sciences RA, Institute of Oriental Studies This publication has been supported by a subvention from the “SPURK-DIASPORA” Organization (Los Angeles, USA) MOVSISYAN A., “The Sacred Highlands: Armenia in the Spiritual Geography of the Ancient Near East” – Yerevan. Yerevan University Publishers, 2004, 76 pages. Cover design – Sumerian seal impression (3rd mill. BC) and a Biblical Map published by Philip Buache in 1783, covering the first era of human history (Eden, the earthy Paradise is marked on the map in Armenia, to the southwest of Mount Ararat). 0503020913 M ------------------ - 2004 704(02)-2004 ISBN 5 - 8084 - 0586 - 6 © Movsisyan, A., 2004 INTRODUCTION The disciples asked Jesus: “Tell us, what will be our end”? Jesus said, “Have you discovered the beginning that you seek the end? For where the beginning is, there too will the end be”. Gospel of Thomas (apocryphal) Just as in the life of an individual, a nation, after overcoming crisis, pauses to take stock, to consolidate, to reconsider its past and to chart its future. The millennia-old questions become paramount: “who am I, where am I from, where am I going”? During the past century, the Armenian people have overcome the most long-lasting and gravest crisis of its history, the loss of its statehood. After centuries of continuous struggle and being subjected to genocide, the Armenian nation has regained its independence.
    [Show full text]
  • Armenian Traditional Black Youths: the Earliest Sources1
    Armenian Traditional Black Youths: the 1 Earliest Sources Armen Petrosyan Institute of Archaeology and Ethnography, Yerevan, Armenia [email protected] In this article it is argued that the traditional figure of the Armenian folklore “black youth” is derived from the members of the war-band of the thunder god, mythological counterparts of the archaic war-bands of youths. The blackness of the youths is associated with igneous initiatory rituals. The best parallels of the Armenian heroes are found in Greece, India, and especially in Ossetia and other Caucasian traditions, where the Indo-European (particularly Alanian-Ossetian) influence is significant. In several medieval Armenian songs young heroes are referred to as t‘ux manuks ‘black youths,’ t‘ux ktriçs ‘black braves,’ or simply t‘uxs ‘blacks’ (see Mnatsakanyan 1976, which remains the best and comprehensive work on these figures, and Harutyunyan and Kalantaryan 2001, where several articles pertaining to this theme are published). Also, T‘ux manuk is the appellation of numerous ruined pilgrimage sanctuaries. A. Mnatsakanyan, the first investigator of these traditional figures, considered them in connection with the fratries of youths, whose remnants survived until medieval times (Mnatsakanyan 1976: 193 ff.).2 The study of the t‘ux manuks should be based on revelation of their specific characteristics and comparison with similar figures of other traditions. In this respect, the study of the T‘ux manuk sanctuaries and their legends 1This article represents an abridged and updated version of Petrosyan 2001. 2In Armenian folklore the figures of similar names – t‘uxs (‘blacks’) and alek manuks (‘good youths’) – figure as evil spirits (Alishan 1895: 205, 217).
    [Show full text]
  • Configuring the Roots of Zahak Myth According to the Elamites' Cylinder
    Vol.14/ No.56/ Feb 2018 Received 2017/07/07 Accepted 2017/12/16 Persian translation of this paper entitled: بن مایه های کهن اسطوره ضحاک در ایران براساس نقوش روی مهر دوره عیﻻمی)هزاره سوم قبل از میﻻد( is also published in this issue of journal. Configuring the Roots of Zahak Myth according to the Elamites’ Cylinder Seals (3rd Millennium B.C.) Bita Mesbah* Abstract What is different about Iranian art is the use of hybrid motifs which is a characteristic of the Iranian art. The hybrid forms show the impact of the mythological beliefs. These beliefs also have changed a lot so it is hard to recognize the exact meaning of these motifs. Shahnama is the source of great myths in Iran and is the main source for tracing myths between the Islamic periods and the mythological beliefs before Islam. This research is based on studying the snake-man which is known as Zahak in Shahnama. The research focuses on three cylinder seals (the impressions found) which show the snake-man. These cylinder seals were found in Susa, Tepe Yahya and Tepe Shahdad. All three date back to the third millennium B.C. The snake- man which has two snake or dragons on the shoulders was well-known in Iran and Mesopotamia. The god of the dead is basically showed by this motif in Mesopotamia. Especially, Ningišzida is a Mesopotamian deity of the underworld. His name in Sumerian is translated as “the lord of the good tree”. The city of Lagash had a temple dedicated to Ningišzida, and Gudea, patesi of Lagash in the 21st century BC, was one of his devotees.
    [Show full text]
  • Mithra Oct 2015
    Mithra The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation James R. Russell. 2015. "Mithra." In the Proceedings of Genocide of Armenians in the Ottoman Empire in the Great War, 1915-2015: One Hundred Years of Research. International Conference on the Armenian Genocide, Sorbonne, Paris, France, March 25-28, 2015. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:23514774 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Mithra. By James R. Russell, Harvard University. I want to take you to the ancient city of Dura Europos. Dura, whose Aramaic name means something like “fortified place” was a populous, cosmopolitan walled city on a hill looking over the Euphrates frontier of the Roman Empire with the realms of the Arsacid Parthians, near modern-day Deir ez-Zor in Syria. The Seleucid successors of Alexander made what had been a fort into a town, appending its second, Greek name. Dura Europos was destroyed, never again to be inhabited, during a sudden, swift Sasanian attack in AD 256: devastating for the inhabitants but good for archeology. The French occupying forces discovered the ruins in 1918; and over the succeeding two decades a team of archeologists excavated it and for generations art historians and textual scholars have pored over the finds: great scholars such as Franz Cumont, father of Mithraic studies, and Mikhail Rostovtzeff, historian of the Hellenistic era, worked there.
    [Show full text]
  • Aramazd - Wikipedia, the Free Encyclopedia
    אראמאזד http://www.tapuz.co.il/forums2008/archive.aspx?forumid=1002&pagenumber=399 أرمزد http://www.doroob.com/archives/?p=26741 ارمزد http://prana.persianblog.ir/1382/3/ Արամազդ Aramazd - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Aramazd Aramazd From Wikipedia, the free encyclopedia Aramazd was the chief and creator god in pre-Christian Armenian mythology, cognate with Ahura Mazda.[1] [2][3] Aramazd was regarded as a generous god of fertility, rain, and abundance, as well as the father of the other gods, including Anahit, Mihr, and Nane.[3][1] Like Ahura Mazda, Aramazd was seen as the father of the other gods, rarely with a wife, though sometimes husband to Anahit or Spandaramet.[3] Identification with other deities Aramazd was readily identified with Zeus through interpretatio graeca , the two often sharing specific titles regarding greatness, bravery, or strength. There was some disagreement in scholarship as to the relationship between Aramazd, Amanor, and Vanatur, but the evidence most strongly indicates that Vanatur ("Lord of the Van") was a title for the chief deity (be it Ḫaldi or Ahura Mazda/Aramazd, though recorded uses are only as a title for Aramazd), and that Amanor was both a common noun referring the new year and a title for the deity whose celebration was held on the new year (Vanatur, whether Ḫaldi or Aramazd). [3] References 1. "Aramazd" in Facts on File Encyclopedia of World Mythology and Legend, Third Edition , by Anthony Mercanante and James Dow, Infobase, 2009. p.96 2. "Armenian Mythology" (http://books.google.com/books?id=kQFtlva3HaYC&lpg=PR15& dq=armenian%20mythology&pg=PA29#v=onepage&q&f=false) in The Oxford Companion to World Mythology (http://books.google.com/books?id=kQFtlva3HaYC), by David Leeming, Oxford University Press, 17 Nov 2005, p.29 3.
    [Show full text]
  • Area Studies
    DOCUMENT RESUME ED 091 303 SO 007 520 AUTHOR Stone, Frank A. TITLE Armenian Studies for Secondary Students, A Curriculum Guide. INSTITUTION Connecticut Univ., Storrs. World Education Project. PUB DATE 74 NOTE 55p. EDRS PRICE MF-$0.75 HC-$3 15 PLUS POSTAGE DESCRIPTORS Annotated Bibographies; *Area Studies; Cultural Pluralism; *Culture; *Ethnic Studies; Evaluation; *Humanities; Immigrants; Instructional Materials; Interdisciplinary Approach; *Middle Eastern Studies; Minority Groups; Questioning Techniques; Resource Materials; Secondary Education; Teaching Methods IDENTIFIERS Armenians; *World Education Project ABSTRACT The guide outlines a two to six week course of study on Armenian history and culture for secondary level students. The unit will help students develop an understanding of the following: culture of the American citizens of Armenian origin; key events and major trends in Armenian history; Armenian architecture, folklore, literature and music as vehicles of culture; and characteristics of Armenian educational, political and religious institutions. Teaching strategies suggested include the use of print and non-print materials, questioning techniques, classroom discussion, art activities, field traps, and classroom visits by Armenian-Americans. The guide consists c)i the following seven units:(1) The Armenians in North America; (2) sk.,,tches of Armenian History;(3) Armenian Mythology; (4) lic)ices of Fiction and Poetry;(5) Armenian Christianity; (e) Armenian Fine Arts; and (7)Armenian Political Aims. InstrLF-ional and resource materials, background sources, teaching s...7atc,c !s, and questions to stimulate classroom discussion are prove.': :'fc,r each unit. (Author/RM) U S DEPARTMENT OF HEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NO1 NECESSARILY REPRE SENT OFF ICIAL NATIONAL INSTITUTE OF EDUCATION POSITION OR POLICY ARMENIAN STUDIES FOR SECONDARY STUDENTS P% A Curriculum Guide Prepared by Frank A.
    [Show full text]
  • Armenian Calendar from Wikipedia, the Free Encyclopedia
    Armenian calendar From Wikipedia, the free encyclopedia The Armenian calendar uses the calendar era of AD 552, reflecting the separation of the Armenian Apostolic Church from the Chalcedonian Churches by the Monophysite schism. The calendar traditionally used in medieval Armenia was based on an invariant year length of 365 days. As a result, the correspondence between it and both the solar year and the Julian calendar slowly drifted over time, shifting across a year of the Julian calendar once in 1,461 calendar years (see Sothic cycle). Thus, the Armenian year 1461 (Gregorian 2010/2011) completed the first full cycle; Armenian year 1 began on 11 July 552 of the Julian calendar, and Armenian year 1462 began on 24 July 2012 of the Gregorian calendar (corresponding to Julian 11 July). The Armenian calendar is divided into 12 months of 30 days each, plus an additional (epagomenal) five days are called aweleacʿ ("superfluous"). Years are usually given in Armenian numerals, letters of the Armenian alphabet preceded by the abbreviation ԹՎ for t’vin "in the year" (for example, ԹՎ ՌՆԾԵ "in the year 1455"). Contents 1 Months 2 Days of the month 3 See also 4 References 5 External links 6 Literature Months The Armenian month names show influence of the Zoroastrian calendar,[1] and, as noted by Antoine Meillet, Kartvelian influence in two cases. There are different systems for transliterating the names; the forms below are transliterated according to the Hübschmann-Meillet-Benveniste system. Months of the year H-M # Armenian Meaning Etymology/Notes
    [Show full text]