Anxious Robots, Desiring Repression, Generating Profit
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The Dawn in Erewhon"
University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences December 2007 Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Patrick Dillon [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Recommended Citation Dillon, Patrick, "Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon"" 10 December 2007. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/23. Revised version, posted 10 December 2007. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/23 For more information, please contact [email protected]. Dimensions of Erewhon: The Modern Orpheus in Guy Davenport's "The Dawn in Erewhon" Abstract In "The Dawn in Erewhon", the concluding novella of Tatlin!, Guy Davenport explores the myth of Orpheus in the context of two storylines: Adriaan van Hovendaal, a thinly veiled version of Ludwig Wittgenstein, and an updated retelling of Samuel Butler's utopian novel Erewhon. Davenport tells the story in a disjunctive style and uses the Orpheus myth as a symbol to refer to a creative sensibility that has been lost in modern technological civilization but is recoverable through art. Keywords Charles Bernstein, Bernstein, Charles, English, Guy Davenport, Davenport, Orpheus, Tatlin, Dawn in Erewhon, Erewhon, ludite, luditism Comments Revised version, posted 10 December 2007. This article is available at ScholarlyCommons: https://repository.upenn.edu/curej/23 Dimensions of Erewhon The Modern Orpheus in Guy Davenport’s “The Dawn in Erewhon” Patrick Dillon Introduction: The Assemblage Style Although Tatlin! is Guy Davenport’s first collection of fiction, it is the work of a fully mature artist. -
Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W
Philosophy Faculty Publications Philosophy 4-2014 Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W. Cisney Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/philfac Part of the Philosophy of Mind Commons Share feedback about the accessibility of this item. Cisney, Vernon W. "Becoming-Other: Foucault, Deleuze, and the Nature of Thought." Foucault Studies 17 Special Issue: Foucault and Deleuze (April 2014). This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/philfac/37 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Abstract In this paper I employ the notion of the ‘thought of the outside’ as developed by Michel Foucault, in order to defend the philosophy of Gilles Deleuze against the criticisms of ‘elitism,’ ‘aristocratism,’ and ‘political indifference’—famously leveled by Alain Badiou and Peter Hallward. First, I argue that their charges of a theophanic conception of Being, which ground the broader political claims, derive from a misunderstanding of Deleuze’s notion of univocity, as well as a failure to recognize the significance of the concept of multiplicity in Deleuze’s thinking. From here, I go on to discuss Deleuze’s articulation of the ‘dogmatic image of thought,’ which, insofar as it takes ‘recognition’ as its model, can only ever think what is already solidified and sedimented as true, in light of existing structures and institutions of power. -
Introduction Part I Deleuze and Systematic Philosophy
Notes Introduction 1. Gilles Deleuze and Félix Guattari, Anti-Oedipus: Capitalism and Schizophrenia, trans. Robert Hurley, Mark Seem, and Helen R. Lane (New York: Viking, 1977), p. 240. 2. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi. (Minneapolis, MN: University of Minnesota Press, 1987), p. 3. 3. Gilles Deleuze, Negotiations, trans. Martin Joughin. (New York: Columbia University Press, 1995), pp. 88–89. 4. Gilles Deleuze, Empiricism and Subjectivity: An Essay on Hume’s Theory of Human Nature, trans. Constantine Boundas (New York: Columbia University Press, 1991), p. 107. 5. Ibid., p. 106. 6. Henri Bergson, The Creative Mind, trans. Mabelle L. Andison (New York: Philosophical Library, 1946), pp. 21–28. 7. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (New York: Columbia University Press, 1994), p. 8. Part I Deleuze and Systematic Philosophy 1. Gilles Deleuze, Negotiations (1972–1990), trans. Martin Joughin (New York: Columbia University Press, 1995), p. 31. 2. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987), p. 18. 3. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (New York: Columbia University Press), pp. 170–6. 4. Gilles Deleuze, Expressionism in Philosophy: Spinoza, trans. Martin Joughin (New York: Zone Books, 1992). This logic of expression is developed in chapters 1–2 and 6–8. 5. Spinoza brings together the notion of substance and expression in Part 1 of the Ethics: definitions 4 and 6, Proposition 10, and the Scholium following Proposition 10. The treatment of modifications and individuals first appears in Part 2, Proposition 7 along with its Corollary and Scholium. -
From Opinions to Images: Essays Towards a Sociology of Affects Ulus S
FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 37 FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE FROM OPINIONS TO IMAGES 2 Theory on Demand #37 From Opinions to Images: Essays Towards a Sociology of Affects Ulus S. Baker Edited by Aras Özgün and Andreas Treske Cover design: Katja van Stiphout Design and EPUB development: Eleni Maragkou Published by the Institute of Network Cultures, Amsterdam, 2020 ISBN print-on-demand: 978-94-92302-66-3 ISBN EPUB: 978-94-92302-67-0 Contact Institute of Network Cultures Phone: +31 (0)20 595 1865 Email: [email protected] Web: http://www.networkcultures.org This publication is available through various print on demand services. EPUB and PDF edi- tions are freely downloadable from our website: http://www.networkcultures.org/publications. This publication is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 International. FROM OPINIONS TO IMAGES 3 Cover illustration: Diagram of the signifier from Deleuze, Gilles and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press. 1987. 4 THEORY ON DEMAND CONTENTS PASSING THROUGH THE WRITINGS OF ULUS BAKER 5 1. A SOCIOLOGY OF AFFECTS 9 2. WHAT IS OPINION? 13 3. WHAT IS AN AFFECT? 59 4. WHAT IS AN IMAGE? 86 5. TOWARDS A NEO-VERTOVIAN SENSIBILITY OF AFFECTS 160 6. ON CINEMA AND ULUS BAKER 165 BIBLIOGRAPHY 180 BIOGRAPHIES 187 FROM OPINIONS TO IMAGES 5 We have lived at least one century within the idea of opinion which determined some of the major themes in social sciences.. -
Dark Deleuze
Forerunners: Ideas First from the University of Minnesota Press Original e-works to spark new scholarship FORERUNNERS IS A thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship. Ian Bogost The Geek’s Chihuahua: Living with Apple Andrew Culp Dark Deleuze Grant Farred Martin Heidegger Saved My Life John Hartigan Aesop’s Anthropology: A Multispecies Approach Akira Mizuta Lippit Cinema without Reflection: Jacques Derrida’s Echopoiesis and Narcissism Adrift Reinhold Martin Mediators: Aesthetics, Politics, and the City Shannon Mattern Deep Mapping the Media City Jussi Parikka The Anthrobscene Steven Shaviro No Speed Limit: Three Essays on Accelerationism Sharon Sliwinski Mandela’s Dark Years: A Political Theory of Dreaming Dark Deleuze Dark Deleuze Andrew Culp University of Minnesota Press Minneapolis Dark Deleuze by Andrew Culp is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Published by the University of Minnesota Press, 2016 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress.umn.edu The University of Minnesota is an equal-opportunity educator and employer. Contents Abbreviations Introduction The Extinction of Being Advancing toward Nothing Breakdown, -
Disrupting Ethnography Through Rhizoanalysis Diana Masny1
Instructions for authors, subscriptions and further details: http://qre.hipatiapress.com Disrupting Ethnography through Rhizoanalysis Diana Masny1 1) Educational Department, Université d'Ottawa (Canada) / Queensland University of Technology (Australia). Date of publication: October 28th, 2014 Edition period: June 2012-October 2014 To cite this article: Masny, D. (2014) Disrupting Ethnography through Rhizoanalysis. Qualitative Research in Education, 3(3) 345-363. doi: 10.4471/qre.2014.51 To link this article: http://dx.doi.org/10.4471/qre.2014.51 PLEASE SCROLL DOWN FOR ARTICLE The terms and conditions of use are related to the Open Journal System and to Creative Commons Attribution License (CC-BY). Qualitative Research in Education Vol.3 No.3 October 2014 pp. 345-363 Disrupting Ethnography through Rhizoanalysis Diana Masny Université d'Ottawa / Queensland University of Technology (Received: 29 May 2014; Accepted: 2 September 2014; Published; 28 October 2014) Abstract This article interrogates principles of ethnography in education proposed by Mills and Morton: raw tellings, analytic pattern, vignette and empathy. This article adopts a position that is uncomfortable, unconventional and interesting. It involves a deterritorialization/ rupture of ethnography in education in order to reterritorialize a different concept: rhizoanalysis, a way to position theory and data that is multi- layered, complex and messy. Rhizoanalysis, the main focus of this article is not a method. It is an approach to research conditioned by a reality in which Deleuze and Guattari disrupt representation, interpretation and subjectivity. In this article, Multiple Literacies Theory, a theoretical and practical framework, becomes a lens to examine a rhizomatic study of a Korean family recently arrived to Australia and attending English as a second language classes. -
The Ontological Plurality of Digital Voice: a Schizoanalysis of Rate My Professors and Rate My Teachers
The ontological plurality of digital voice: a schizoanalysis of Rate My Professors and Rate My Teachers This is a post-peer-review, pre-copyedit version of a paper published in Principles of transversality in globalization and education: Mayes, Eve 2018, The ontological plurality of digital voice: a schizoanalysis of Rate My Professors and Rate My Teachers. In Cole, David R and Bradley, Joff PN (ed), Principles of transversality in globalization and education, Springer, Singapore, pp.195-210. The final authenticated version is available online at: https://doi.org/10.1007/978-981-13-0583- 2_12 This is the accepted manuscript. ©2018, Springer Nature Singapore Pte Ltd. Reprinted with permission. Downloaded from DRO: http://hdl.handle.net/10536/DRO/DU:30105103 DRO Deakin Research Online, Deakin University’s Research Repository Deakin University CRICOS Provider Code: 00113B Book: Principles of Transversality in Globalization and Education The ontological plurality of digital voice: A schizoanalysis of Rate My Professors and Rate My Teachers Eve Mayes Deakin University, Geelong, Victoria, Australia Abstract Online evaluations (like Rate My Professors and Rate My Teachers) have been celebrated as forming wider publics and modes of accountability beyond the institution, and critiqued as reinforcing consumeristic pedagogical relations. This chapter takes up the websites Rate My Professors and Rate My Teachers as empirical entry points to a conceptual discussion, after Félix Guattari, of the ontological plurality of digital voice, and its associated refrains and universes of reference. I turn attention from analysis of the effects of these digitized student evaluations to the moment of their formation – for example, when a student’s finger clicks on a particular star rating. -
L'abecedaire De Gilles Deleuze, Avec Claire Parnet
1 L'Abécédaire de Gilles Deleuze, avec Claire Parnet Directed by Pierre-André Boutang (1996) Translation & Notes: Charles J. Stivale Credits (shown at the end of each tape): Conversation: Claire Parnet Direction: Pierre-André Boutang, Michel Pamart Image: Alain Thiollet Sound: Jean Maini Editing: Nedjma Scialom Sound Mix: Vianney Aubé, Rémi Stengel Images from Vincennes: Marielle Burkhalter --------------------------------------------------------------------------- Translated and edited by Charles J. Stivale --------------------------------------------------------------------------- Prelude \1 A short description of the trailer and then of the interview "set" is quite useful: the black and white trailer over which the title, then the director’s credit are shown, depicts Deleuze lecturing to a crowded, smoky seminar, his voice barely audible over the musical accompaniment. The subtitle, “Université de Vincennes, 1980,” appears briefly at the lower right, and Deleuze’s desk is packed with tape recorders. A second shot is a close-up of Deleuze chatting with the students seated closest to him. Then another shot shows students in the seminar listening intently, most of them (including a young Claire Parnet in profile) smoking cigarettes. The final shot again shows Deleuze lecturing from his desk at the front of the seminar room, gesticulating as he speaks. The final gesture shows him placing his hand over his chin in a freeze-frame, punctuating the point he has just made. As for the setting in Deleuze’s apartment during the interview, the viewer sees Deleuze seated in front of a sideboard over which hangs a mirror, and opposite him sits Parnet, smoking constantly throughout. On the dresser to the right of the mirror is his trademark hat perched on a hook. -
A Thousand Plateaus and Philosophy
Chapter 13 7000 BC: Apparatus of Capture Daniel W. Smith I Te ‘Apparatus of Capture’ plateau expands and alters the theory of the state presented in the third chapter of Anti-Oedipus, while at the same time providing a fnal overview of the sociopolitical philosophy developed throughout Capitalism and Schizophrenia. It develops a series of challeng- ing theses about the state, the frst and most general of which is a thesis against social evolution: the state did not and could not have evolved out of ‘primitive’ hunter-gatherer societies. Te idea that human societies progressively evolve took on perhaps its best-known form in Lewis Henry Morgan’s 1877 book, Ancient Society; Or: Researches in the Lines of Human Progress from Savagery through Barbarism to Civilization (Morgan 1877; Carneiro 2003), which had a profound infuence on nineteenth-century thinkers, especially Marx and Engels. Although the title of the third chap- ter of Anti-Oedipus – ‘Savages, Barbarians, Civilized Men’ – is derived from Morgan’s book, the universal history developed in Capitalism and Schizophrenia is directed against conceptions of linear (or even multilinear) social evolution. Deleuze and Guattari are not denying social change, but they are arguing that we cannot understand social change unless we see it as taking place within a feld of coexistence. Deleuze and Guattari’s second thesis is a correlate of the frst: if the state does not evolve from other social formations, it is because it creates its own conditions (ATP 446). Deleuze and Guattari’s theory of the state begins with a consideration of the nature of ancient despotic states, such as Egypt or Babylon. -
L'abecedaire De Gilles Deleuze, Avec Claire Parnet
40 L'Abécédaire de Gilles Deleuze, avec Claire Parnet Directed by Pierre-André Boutang (1996) Translation & Editing: Charles J. Stivale "G as in 'Gauche'" (Left) [Second tape begins] Deleuze: Which takes us to “G” (D'où 'G') … [Deleuze laughs] Parnet [smiling]: Well, here, we are not in the point of insanity that constitutes your charm since we are going to talk about a very serious subject, how you belong to the Left. Deleuze [laughing]: Ah, yes, yes… Parnet [still smiling]: That seems to amuse you, which makes me very happy…. So, as we saw, you came from a bourgeois family with conservative political leanings (de droite), and since the Liberation in 1945, you have been what is called a Leftist (un homme de gauche). Well, let’s go more slowly: at the Liberation, many of your friends, a lot of people around you who were students in philosophy, joined the French Communist Party (PCF) or were very connected to it… Deleuze: Yes, they all went through that… there was only me… I think, I am not sure, but… they all went through it. Parnet: So how is it that you avoided that? Deleuze: Well, it’s not really too complicated. All my friends went through the PCF, and what prevented me from doing so? [It was] because, I think… I was very hard-working (travailleur), and I didn’t like the meetings, meetings where they talked interminably, I simply could never stand attending them. And, being in the PC at that period meant going to cell meetings all the time. -
Schizo)Analysis of Value in the ‘Age of Innovation’
7 The (schizo)analysis of value in the ‘Age of Innovation’ Maria Hynes At a time when a well-branded concept is celebrated as an innovation, it is tempt- ing to consider this the ‘Age of Innovation’. We daily hear talk of innovation nations and innovation economies, and everywhere the value of innovative ideas, technologies, and practices are extolled. Amidst the hyperbolic claims made in the name of innovation, what is evident is that contemporary economies are mining ideas with the same fervour that they had previously mined the earth. New institu- tions are born – innovation hubs, networks, and virtual ecosystems – with an eye to cultivating the kind of problem-based research that universities are still learn- ing to produce. The conventional bounds set by disciplinary thinking are deemed a hindrance to the innovation paradigm. Such a paradigm recognises experimen- tation in the production of both ideas and things as value-adding at the level of process, as well as outcome. The interdisciplinary hybrid now familiarly known as ‘Art-Science’ is a case in point, with the meeting of art and science increas- ingly acclaimed as precisely the kind of cross-perspectival thinking necessary for solving complex problems ( Wilson et al., 2014 ). It is the disparate nature of art and science that is celebrated in popular formulations of such interdisciplinarity, since heterogenous knowledges are identifi ed as the source of the ‘creative leaps’ so crucial to innovation (Hacklin and Wallin, 2013). Of course, we know how readily such interdisciplinarity can be reterritorialised in line with those uncompromisable social axioms that make the opportunistic mutations of capitalism work. -
L'abécédaire De Gilles Deleuze / a Comme Animal. English
L’abécédaire de Gilles Deleuze / A comme Animal. English transcription of the first part (first letter of the ABC) of the eight-hour series of interviews between Gilles Deleuze and Claire Parnet, filmed by Pierre-André Boutang in 1988-1989. Broadcasted on Arte between November 1994 and Spring 1995. translated by Dominique Hurth A comme animal / A as in Animal. Gilles Deleuze (GD). You have chosen an abecedary; you indicated me the themes, and now I do not know the exact questions but I have been able to think about the themes. To answer a question without having thought a bit about it beforehand is for me something inconceivable. What saves us, what saves me is the clause. The clause is: all that, will be used, if usable, only after my death. Then, you understand, I have already felt myself reduced to the state of pure archive of Pierre-André Boutang, of a piece of paper, and this cheers me up, comforts me a lot, almost to the state of pure spirit. I am speaking of, I mean after my death. And we know that a pure spirit, enough by having done table turning, we know that a pure spirit is not someone who gives very deep answers nor very smart, it is somewhat brief. So, all suits me, everything is fine. Let’s start, A, B, C, D, whatever you want. Claire Parnet (CP). Well, then we start with “A”. So, A is animal. We can recall on your behalf the sentence by W.C. Fields “A man who doesn't like children or animals can't be all bad”.