Bryan Colley “Did You See That Video of the Lyric Opera at the River Market?”

Total Page:16

File Type:pdf, Size:1020Kb

Bryan Colley “Did You See That Video of the Lyric Opera at the River Market?” BRYAN COLLEY “Did you see that video of the Lyric Opera at the River Market?” “Were there really over a 100 reviews of Fringe Festival events?” “I just saw an Academy Award winning short film by three Art Institute students.” “I never wonder what I’m going to do with my weekend anymore.” “Where in the world is Arrow Rock?” “We just went to this new theatre called The Living Room. We sat on a couch!” “I missed Dance in the Park so it was great to see some photos.” “That Actor Training Studio commercial was pretty funny.” “You’ve never heard of the Tamburitzans? How long have you lived here?” “There’s more going on than I realized!” kcstage.blogspot.com Blog Notes http://kcstage.blogspot.com George Keathley Passed Away skills cooperatively with their peers. The Former Kansas City Repertory artistic direc- program is available to Kansas artists 21 tor George Keathley died Sept. 12 in Fort years of age with a Kansas address who Lauderdale, Fla., at the age of 85. Keathley have lived in the state full-time for at least was artistic leader of the Rep (then called two years prior to the application deadline Missouri Repertory Theatre) from 1985 of Nov. 5. Find out more at http://arts. until his retirement in 2000, serving as the ks.gov/artists/seminar. theatre’s second artistic director, immedi- ately following the retirement of its founder. Chen Yi Commissioned Read more about Keathley at http://kea. nu/keathley. by Seattle Symphony Top Billing Chen Yi, UMKC Conservatory of Music Fall Reading Guide ..................................2 and Dance professor and composer, is Starring Composer to Speak About one of 18 leading American composers KC Symphony Premiere commissioned to create a new work by the Enthusiastic Showing for CinemaKC ...........3 Jonathan Leshnoff will speak as part of a Seattle Symphony. The compositions of the Notes 18 composers will be part of the Gund/ new series at the Jewish Community Cen- Arts Education Grants ..............................3 ter of Greater Kansas City on Wed, Oct Simonyi Farewell Commissions project and 6 at 7 pm at the White Theatre, 5801 will be featured during the Symphony’s Stand-Ins 2010-11 season in honor of director W 115 Street, Overland Park, Kan. The Auditions .............................................. 13 New Jersey-born composer will be here for Gerard Schwartz. Chen Yi, who is the Blog Notes ..............................................1 the Kansas City premiere of his new work Lorena Searcy Cravens/Millsap/Missouri Calendar ................................................6 Starburst, which was co-commissioned by Distinguished Professor of Composition, Callboard ............................................. 13 The Kansas City Symphony. Find out more and the other 17 composers have long- Events ................................................... 12 at http://kea.nu/leshnoff. standing relationships with Schwartz. Film Clips .............................................. 12 Performances ..........................................4 KS Arts Commission Seminar Marsha Norman to be Honored Cast of Characters The Kansas Arts Commission, in partner- Scott Bowling ........................... Webmaster by Inge Festival Richard Buswell ................ Managing Editor ship with KCArtistLink and Wichita State Marsha Norman, the Pulitzer Prize-winning Bryan Colley ................... Graphic Designer University’s Center for Entrepreneurship, dramatist of multiple moods and genres, Angie Fiedler Sutton ...........Associate Editor announce an eight-week seminar program is the 30th Annual William Inge Theatre Tricia Kyler Bowling .............. Subscriber Rep available for Kansas artists of all disci- Festival honoree. Norman will personally Letters to the Editor........ [email protected] plines. The seminar, Artist, INC, addresses accept the William Inge Distinguished the specific business needs and challenges Achievement in the American Theatre artists of all disciplines face every day. Lim- Award at the Inge Festival April 13-16, ited to 24 participants, selected Kansas 2011, at Independence Community Col- artists will gather once a week for eight lege in Independence, Kan. Find out more weeks in Wichita to learn business skills at http://kea.nu/norman. specific to their art practice and apply those Do you know about our contests? If you haven’t received e-mail notices of contests from KC Stage, there are a few things you can do to make sure that messages from KC Stage reach your inbox, making sure you’re receiving e-mail notices about contests and other notes just for subscribers. • Log into your account and make sure your e-mail address is accurate. If you can’t remember your login name, e-mail [email protected]. • Add [email protected] and [email protected] to your e-mail address book and/or your white list. This helps spam filters realize KC Stage e-mails are legitimate communication. KCVol. 12 • No.STAGE 12 • Issue 134 • October 2010 • Finally, if you’ve done the above and still aren’t getting e-mails (we will be send- [email protected] • 816-361-2325 ing out ones about monthly), contact your e-mail service provider. They may be PO Box 410492 • Kansas City, Missouri 64141-0492 operating anti-spam systems on their mail servers that may have blocked e-mails November Submission Deadline: October 10 from KC Stage. www.kcstage.com If none of the above seems to work, contact us by either e-mailing magazine@kcstage. © Copyright 2010 by KC Stage. All material contained in this pub- lication is the property of or licensed for use by KC Stage. Any use, com or by calling (816) 23-STAGE so we can help you figure out what’s going on. duplication, or reproduction of any or all content of this publication is prohibited except with the express written permission of KC Stage or the original copyright holders. Printing by Alphagraphics. www.kcstage.com OCTOBER 2010 1 Fall Reading Guide Compiled by Angie Fiedler As schools start up once again, we asked the contacts Acting Professionally by Robert at the organizations registered with KC Stage Magazine Cohen, published 2009, Palgrave to help us come up with a fall reading guide ― books Macmillan they’d recommend for people wanting to be involved “Get the latest edition you the performing arts, whether it’s on stage, back stage, can find. I have the 6th edition or in administration. Here’s what we got ― so get ready updated in 2004. If you are pon- for the school year and study! dering acting as a profession you need to read this book. This isn’t The Art of the Turnaround: Creating theory or artistic debate: it is nuts and Maintaining Healthy Arts Orga- and bolts information on the pro- nizations by Michael M. Kaiser, fession itself, the agents, the auditions, theatre, film, published 2008, Brandeis Univer- resumes, contracts, locations, unions, casting directors, sity Press and more.”― Herman Johansen, Martin Tanner Pro- “I attended a forum for the ductions. arts where Michael Kaiser was the guest speaker. His personal The Intent to Live: Achieving Your experiences in reshaping arts’ True Potential as an Actor by Larry organizations are inspiring and Moss, published 2005, Bantam motivating. I often read his book when I feel discour- “A dynamic acting text writ- aged, and soon remember what my purpose is here in ten in 2005. Moss studied with the the arts.” ―Connie Willis, Robidoux Resident Theatre likes of Adler and Meisner and in St. Joseph. coached the likes of Helen Hunt, Leo DiCaprio, Tobey McGuire, Jim Carver’s Manual on Community Carrey, and Jason Alexander. This Theatre Directing by Jim Carver, is very concrete, accessible mate- published 2010, Hansa-Hewlett rial and he knows what he’s talking about.” ― Herman Publishing Co. Johansen, Martin Tanner Productions. “Jim Carver, long-time director at the Kalamazoo Civic Theatre, The Nonprofit Strategy Revolution: published a step by step approach Real-Time Strategic Planning in a to directing. It is primarily aimed at Rapid-Response World by David new directors, but includes much LaPiana, published 2008, Field- for experienced directors as well. stone Alliance Mr. Carver talks about how to get started; preparing “The current ‘bible’ on strate- the production concept; how to block using sub-text to gic planning and fundraising for tell the story; audition procedures; conducting rehears- non-profits. If you’re on that end als; techniques for directing the actor; and what to be of the art, it is a great resource concerned about when directing comedies, dramas and and even has a CD included with musicals. Mr. Carver is an expert in directing comedy sample documents and outlines for planning.” ― Her- and has conducted many workshops on the subject.” ― man Johansen, Martin Tanner Productions. Carole E. Ries, Topeka Civic Theatre & Academy, Inc. Have a recommendation yourself? E-mail afiedler@kcstage. com with a short paragraph or two as to why you recom- mend the book. Please include your name and the book’s title, author, published date, and publisher. 2 KCSTAGE “I don’t care what anybody says about me as long as it isn’t true.” ~ Dorothy Parker Enthusiastic Showing for CinemaKC Arts Education Grants by Bryan Colley An impressive gathering of the local filmmak- The Kansas Arts Commission announced its Fiscal ing community attended the first CinemaKC Year 2011 arts-in-education grant recipients who will meeting at the Screenland Crown Center Theatre on receive a total of $207,380 in funds. The program sup- Sept. 16. The brief opening remarks were followed by ports innovative, structured arts-learning experiences screenings of two locally produced films with questions for Kansas children from birth through the 12th grade. from the audience for the filmmakers. Two episodes of The Commission believes that the arts are a vital com- casting director Heather Laird’s web series Next were ponent of education and that the arts are a core part of also shown (the series can be seen at nexttheseries. 21st-century workforce skills.
Recommended publications
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Marcia Milgrom Dodge Curriculum Vita Overview
    MARCIA MILGROM DODGE CURRICULUM VITA OVERVIEW • Freelance director and choreographer of classic and world premiere plays and musicals in Broadway, Off-Broadway, Regional, Summer Stock and University venues in the United States and abroad. More than 200 credits as director and/or choreographer. Also a published and produced playwright. • First woman Director/Choreographer hired by The John F. Kennedy Center for the Performing Arts to direct and choreograph a major musical. • Adjunct Faculty and Guest Director at American Musical and Dramatic Academy. Also at New York University’s CAP 21, Marymount Manhattan College, Fordham University and University at Buffalo. Responsibilities include teaching undergraduate classes in acting, musical theatre and dance, since 1996 • Member of Stage Directors and Choreographers Society (SDC), since 1979. Fourteen (14) years of Executive Board service. • BA from the University of Michigan; includes membership in the Michigan Repertory Theatre and M.U.S.K.E.T. • Member of Musical Theatre Educators Alliance-International (MTEA), an organization of teachers in musical theatre programs from the United States, England and Europe, since 2009. • Resident Director, Born For Broadway, Annual Charity Cabaret, Founder/Producer: Sarah Galli, since 2009 • Advisory Board Member, The Musical Theatre Initiative/Wright State University, since 2013 • Associate Artist, Bay Street Theatre, Sag Harbor, NY, since 2008 • The Skylight Artists Advisory Board, Skylight Theatre, Los Angeles, since 2014 • Resident Director, Phoenix Theatre Company at SUNY Purchase, 1993-1995 • Associate Member of the Dramatists Guild, 2001-2015 • Member of Actors Equity Association, 1979-1988 EDUCATION & TRAINING BA in SPEECH COMMUNICATIONS & THEATRE, University Of Michigan, 1977 Dance Minor - Modern techniques include Martha Graham, Merce Cunningham, Horton, Luigi, Ethnic dance.
    [Show full text]
  • 10Th Grade Monologue Packet
    10th Grade Monologue Packet M - T​he Glass Menagerie:​ Tennessee Williams T​om 2 F - T​he Crucible:​ Arthur Miller A​ bigail (A) 2 F - T​he Crucible:​ Arthur Miller A​ bigail (B) 2 F - A​ View from the Bridge: A​ rthur Miller C​ atherine (A) 2 F - A​ View from the Bridge: A​ rthur Miller C​ atherine (B) 3 M - T​he Dark at the Top of the Stairs: W​ illiam Inge S​ ammy 3 F - N​ ight, Mother:​ Marsha Norman J​essie 3 F - A​ scension Day:​ Timothy Mason F​aith 4 M/F - A​ unt Dan & Lemon:​ Wallace Shawn L​emon 4 F - L​ike Dreaming, Backwards:​ Kellie Powell N​ atalie 4 M - M​ ermaid in Miami:​ Wade Bradford E​ mperor Tropico 5 F - M​ y Fair Lady:​ Alan Jay Lerner E​ liza Doolittle 5 M - I​n Arabia We’d All Be Kings: S​ tephen Adly Guirgis C​ harlie 5 M - “​Master Harold”…And the Boys: A​ thol Fugard H​ ally 6 M - S​ ammy Carducci’s Guide to Women: R​ onald Kidd S​ ammy 6 F - O​ ur Town: T​hornton Wilder E​ mily 6 F - T​he Clean House:​ Sarah Ruhl V​irginia 7 F - T​he Effect of Gamma Rays on Man-In-The-Moon-Marigolds:​ Paul Zindel T​illie 7 M/F - T​ill We Meet Again:​ Colin and Mary Crowther U​ nknown 7 F - C​ harlene:​ Unknown C​ harlene 8 M/F - I​rreconcilable Differences:​ Nancy Meyers and Charles Shyer C​ asey 8 F - J​uno:​ Diablo Cody J​uno 8 F - D​ irty Dancing:​ Eleanor Bergstein F​rances 9 F - F​elicity: J​.J.
    [Show full text]
  • JONATHAN CHARLES SMITH 2001 Master of Fine Arts, Dance Sam
    Name: JONATHAN CHARLES SMITH Title: Visiting Assistant Professor of Dance Department: Theatre and Dance College: Arts and Sciences Degrees Earned 2001 Master of Fine Arts, Dance Sam Houston State University Huntsville, Texas 1992 Bachelor of Arts, Theatre Arts and Dance University of Houston at Clear Lake Clear Lake, Texas Professional Licensure and Certifications PROFESSIONAL ORGANIZATIONS (Memberships) AEA‐Actors Equity Association‐Nationwide Professional Actors Union SSD&C‐Society of Stage Directors and Choreography‐Nationwide Professional Union for Directors and Choreographers‐New York City, New York Miss America Scholarship Organization‐Member of Board of Directors for Three Local Miss Texas Franchises and Pageants. Peer‐Review Publications and Artistic Performances/Exhibitions Articles Books Chapters Proceedings Artistic Performances CHOREOGRAPHY AND DIRECTION (University Theater and Musical Theater Direction and Choreography) The Best Little Whorehouse in Texas Sam Houston State Choreography University, Fall l994 The All Night Strut Sam Houston State Direction and Choreography University, Fall 1996 A Christmas Carol Sam Houston State Chorography and Musical Staging University, Fall (play) 1996 The Pirates of Penzance Sam Houston State Choreography University, Spring 2000 Dames at Sea Sam Houston State Direction and Choreography University, Fall MFA Thesis Concert 2000 A Grand Night for Singing Sam Houston State Direction and Choreography University, Fall 2001 The Sound Of Music Sam Houston State Choreography University, Spring
    [Show full text]
  • The Inventory of the Kevin Kelly Collection #1038
    The Inventory of the Kevin Kelly Collection #1038 Howard Gotlieb Archival Research Center Kelly, Kevin (1934-1994) Gift of Charles M. Wirth March 1995 OUTLINE OF INVENTORY 7 Paige Boxes, 7 packages I. Manuscripts II. Files III. Correspondence IV. Tape Recordings V. Publicity Photographs VI. Printed 2 Kelly, Kevin (1934-1994) Gift of Charles M. Wirth March, 1995 Box 1 I. Manuscripts A. Student Papers, 1949-1954 1. "Cretins, Coffin-Worms and Cruelty", February, 1949 2, "The Creator and the Creation", Dec. 1, 1949 3. "Occupational Survey Dramatic Critic: "The Night Life of the Gods", 1949 4. "Modern Tragedy" AA Thesis (B.U.) March 31, 1950 5. "Critiques and Essays in Criticism, Selected by Robert Wooster Stallman" May 1, 1951 6. "We Who are Without Kings; Aeschylus and Eugene O'Neill" Jan 11, 1953 7. "Certain Critical Theories on Shakespeare's The Tempest, 1900-1953. Prof. Wagenknecht's Seminar. Jan 13, 1954. 2 versions 8. Undated. "A Well-Rotted Ship; Critical Theories on the Tempest" 9. Undated. "Another Time Another Place" 10. Undated: Outline for history of the theater 11. Undated: "The Temper of the Theater" Preface Sp. B. Novel GYPSIES, JUGGLERS AND CLOWNS Outline lp. Typscript pl-40. C. Scripts by Others 1. CAKEWALK by Peter Feibleman. Mimeo lllp. Draft 10/6/92, Rewrite 4/8/93 2. GRAPES OF WRATH Adapted and Directed by Frank Galat, Steppenwolf Theatre, 1989. mimeo 116p. 3, SOME AMERICANS ABROAD by Richard Nelson. October, 1989. Mimeo, 71p. 3 Box 2 II. FILES as set up by KK. containing drafts of articles, clips, letters, ect.
    [Show full text]
  • Orlando Ballet Hires Turnaround Expert Michael Kaiser
    January 20, 2016 Orlando Ballet hires turnaround expert Michael Kaiser By MATTHEW J. PALM Dogged by financial struggles and a string of short-term executive directors, Orlando Ballet has hired a top name in arts leadership to shore up the organization. Michael M. Kaiser, who spent 15 years as president of the Kennedy Center for the Performing Arts in Washington, D.C., began consulting with the ballet this month. He left the center in August and “Giselle” dress rehearsal: Orlando Ballet dancers and Orlando Philharmonic is chairman of the DeVos musicians prepare for the ballet opening Friday, Oct. 30, at the Dr. Phillips Institute of Arts Center for the Performing Arts in Orlando. This will be the first season in Management at the which the ballet has live music for every performance. (Photo: Ricardo University of Maryland. Ramirez Buxeda) “Based on his track record of turning around arts organizations, and specifically ballet companies, we are confident his leadership will help us continue the momentum we have as a company and guide us toward long-term growth and success,” said Sibille Pritchard, a former Orlando Ballet board chair who is leading the turnaround effort. Facing a cash crunch before Christmas, the organization cut back on performances of “The Nutcracker” and threw the future of its much-ballyhooed live orchestral accompaniment into doubt. The ballet also severed ties with interim executive director James Cundiff, the group's sixth leader in six years. Throughout his career, Kaiser has demonstrated that he's not afraid of a challenge. During his tenure at the Kennedy Center, Kaiser oversaw a major renovation project and created the arts-management institute.
    [Show full text]
  • Artsfund Winter 2010
    WWW.ARTSFUND.ORG EMAIL: [email protected] VOLUME XVI, NO. 1, WINTER 2010 corporation could use the money—that organizations the flexibility to engage State of the Art my money can only go to developing in new directions and opportunities. He JAMES F. TUNE shaving cream, while mine can only go to notes an increase in conversations on PRESIDENT AND CEO toothpaste, especially if no one wanted the virtues of operating support, perhaps to pay to turn on the lights or pay the spurred at least in part by the struggles plumbing bill…[General operating many nonprofits are facing during these support] is fundamentally flexible times. working capital—money that can be used After our allocations process this past as opportunity arises…The organization summer, we decided it would be a good without access to such capital…misses idea to ask the arts organizations who the opportunity and quite possibly cannot applied for funding from ArtsFund what survive.” they think about our allocations process Funders around the country are and how it might be improved. Among the beginning to recognize that general questions asked was “Should ArtsFund operating support provided to nonprofits maintain the purpose of its grants as after careful evaluation of their business general operating support as opposed to operations has renewed importance. funding for specific programs?” Forty- In a recent article in the Wall Street four arts groups specifically responded; Journal, Palo Eisenberg, senior fellow The lead article in our Fall 2009 Newsletter of that number 43 responded vigorously at the Center for Public and Nonprofit “yes;” one responded “maybe both;” addressed the many program services ArtsFund Leadership at Georgetown University, none responded “no.” The 23 written provides to promote organizational excellence questioned whether current charitable comments repeated over and over among arts groups and to support the cause giving meets the needs of nonprofit how difficult it is to obtain operating of the arts in the public arena.
    [Show full text]
  • Musical Theatre Production Repertoire
    ASU LYRIC OPERA THEATRE - MUSICAL THEATRE REPERTOIRE Show Title Creative Team Year(s) Performed 25th Annual Putnam County Spelling Bee, The Composer(s): William Finn 2010 Lyricist(s): William Finn Book Writer(s): Rachel Sheinkin A Funny Thing Happened on the Way to the Forum Composer(s): Stephen Sondheim 1969, 78, 89 Lyricist(s): Stephen Sondheim Book Writer(s): Burt Shevelove, Larry Gelbart A Little Night Music Composer(s): Stephen Sondheim 1987, 99 Lyricist(s): Stephen Sondheim Book Writer(s): Hugh Wheeler A...My Name is Alice Composer(s): Various 1991, 98 Lyricist(s): Various Book Writer(s): Joan Silver & Julianne Boyd And the World Goes 'Round Composer(s): John Kander 1994, 2008 Lyricist(s): Fred Ebb Book Writer(s): Revue Anything Goes Composer(s): Cole Porter 2005 Lyricist(s): Cole Porter Book Writer(s): Guy Bolton, P.G. Wodehouse archy and mehitabel Composer(s): George Kleinsinger 1966, 74 Lyricist(s): Joe Darion Book Writer(s): Joe Darion, Don Marquis Assassins Composer(s): Stephen Sondheim 2007 Lyricist(s): Stephen Sondheim Book Writer(s): John Weidman Bat Boy: The Musical Composer(s): Laurence O'Keefe 2012 Lyricist(s): Laurence O'Keefe Book Writer(s): Keythe Farley, Brian Flemming Berlin to Broadway with Kurt Weill Composer(s): Kurt Weill 1977 Lyricist(s): Various Book Writer(s): Gene Lerner Best Little Whorehouse in Texas, The Composer(s): Carol Hall 2011 Lyricist(s): Carol Hall Book Writer(s): Larry L. King, Peter Masterson Boyfriend, The Composer(s): Sandy Wilson 1967, 98, 2005 Lyricist(s): Sandy Wilson Book Writer(s): Sandy
    [Show full text]
  • A Chorus Line Book by Music by Lyrics by James Kirkwood Marvin Hamlisch Edward Kleban Nicholas Dante
    Chance Theater proudly presents A Chorus Line Book by Music by Lyrics by James Kirkwood Marvin Hamlisch Edward Kleban Nicholas Dante Directed by Oanh Nguyen* Choreographed by Hazel Clarke Music Direction by Ryan O’Connell Scenic Design by Fred Kinney Stage Manager Nicole Schlitt* Lighting Design by Martha Carter Dramaturg Sophie Cripe Sound Design by Ryan Brodkin Assistant Choreographer Christine Hinchee Costume Design by Bradley Lock Zach ............................................Ben Green Cassie .........................................Tatiana Alvarez Bebe ...........................................Ashley Arlene Nelson Maggie ........................................Kristen Daniels Val ...............................................Victoria Rafael Sheila ..........................................Camryn Zelinger Kristine ........................................Emily Abeles Judy ............................................Dannielle Green Diana ..........................................Angeline Mirenda Connie ........................................Tina Nguyen Bobby .........................................Ben Heustess Richie ..........................................Christopher Mosley Paul ............................................Xavier Castaneda Al ................................................Joseph Ott Mike ............................................John Wells III Mark ............................................Brandon Carter Greg ............................................Robbie Lundegard Don .............................................Garrett
    [Show full text]
  • Sunset Playhouse Production History 2020-21 Season Run for Your Wife
    Sunset Playhouse Production History 2020-21 Season Run for your Wife by Ray Cooney presented by special arrangement with Concord Theatricals for Samuel French 9 to 5, The Musical by Dolly Parton presented by special arrangement with MTI Elf by Thomas Meehan & Bob Martin presented by special arrangement with MTI 4 Weddings and an Elvis by Nancy Frick presented by special arrangement with Concord Theatricals for Samuel French The Cemetery Club by Ivan Menchell presented by special arrangement with Concord Theatricals for Samuel French Young Frankenstein by Mel Brooks presented by special arrangement with MTI An Inspector Calls by JB Priestley presented by special arrangement with Concord Theatricals for Samuel French Newsies by Harvey Fierstein presented by special arrangement with MTI _________________________________________________________________________________________________________ 2019-2020 Season A Comedy of Tenors – by Ken Ludwig presented by special arrangement with Samuel French Mamma Mia – presented by special arrangement with MTI The Game’s Afoot – by Ken Ludwig presented by special arrangement with Samuel French The Marvelous Wonderettes – by Roger Bean presented by special arrangement with StageRights, Inc. Noises Off – by Michael Frayn presented by special arrangement with Samuel French Cabaret – by Joe Masteroff presented by special arrangement with Tams-Witmark Barefoot in the Park – by Neil Simon presented by special arrangement with Samuel French (cancelled due to COVID 19) West Side Story – by Jerome Robbins presented by special arrangement with MTI (cancelled due to COVID 19) 2018-2019 Season The Man Who Came To Dinner – by Moss Hart and George S. Kaufman presented by special arrangement with Dramatists Play Mary Poppins - Original Music and Lyrics by Richard M.
    [Show full text]
  • Public Health Service Task Force Recommendations for the Use of Antiretroviral Drugs in Pregnant Women Infected with HIV-1 for M
    January 30, 1998 / Vol. 47 / No. RR-2 TM Recommendations and Reports Public Health Service Task Force Recommendations for the Use of Antiretroviral Drugs in Pregnant Women Infected with HIV-1 for Maternal Health and for Reducing Perinatal HIV-1 Transmission in the United States U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Centers for Disease Control and Prevention (CDC) Atlanta, Georgia 30333 The MMWR series of publications is published by the Epidemiology Program Office, Centers for Disease Control and Prevention (CDC), U.S. Department of Health and Hu- man Services, Atlanta, GA 30333. SUGGESTED CITATION Centers for Disease Control and Prevention. Public Health Service task force rec- ommendations for the use of antiretroviral drugs in pregnant women infected with HIV-1 for maternal health and for reducing perinatal HIV-1 transmission in the United States. MMWR 1998;47(No. RR-2):[inclusive page numbers]. Centers for Disease Control and Prevention.......................... David Satcher, M.D., Ph.D. Director The production of this report as an MMWR serial publication was coordinated in: Epidemiology Program Office.................................... Stephen B. Thacker, M.D., M.Sc. Director Richard A. Goodman, M.D., M.P.H. Editor, MMWR Series Office of Scientific and Health Communications (proposed) Recommendations and Reports................................... Suzanne M. Hewitt, M.P.A. Managing Editor Rachel J. Wilson Project Editor Morie M. Higgins Peter M. Jenkins Visual Information Specialists Use of trade names and commercial sources is for identification only and does not imply endorsement by the U.S. Department of Health and Human Services. Copies can be purchased from Superintendent of Documents, U.S.
    [Show full text]
  • A Chorus Line Playbill.Indd
    Diamond Head Theatre July 16 – Aug 8, 2021 Vol 106. No. 7 Diamond Head Theatre Presents Conceived and Originally Directed and Choreographed by MICHAEL BENNETT Book by JAMES KIRKWOOD and NICHOLAS DANTE Music by MARVIN HAMLISCH Lyrics by EDWARD KLEBAN Co Choregraphed by BOB AVIAN Musical Direction by Directed & Choreographed by Set & Lighting Design by MELINA LILLIOS GREG ZANE DAWN OSHIMA Costume Design by Props Design by Sound Design by KAREN G. WOLFE JOHN CUMMINGS III JUSTIN CHUN Co-Production Stage Managers CELIA CHUN & TOM BINGHAM Executive Director Artistic Director DEENA DRAY JOHN RAMPAGE Platinum Sponsors: CRUM & FORSTER FIRST HAWAIIAN BANK JOHN YOUNG FOUNDATION TOYOTA HAWAII Gold Sponsors: AMERICAN SAVINGS BANK C.S. WO & SONS CADES SCHUTTE CITY MILL HAWAII PACIFIC HEALTH FRANCES HISASHIMA MARIKO & JOE LYONS DAVID & NOREEN MULLIKEN CAROLYN BERRY WILSON WAKABAYASHI & BINGHAM FAMILIES A CHORUS LINE is presented by arrangement with Concord eatricals on behalf of Tams-Witmark LLC. concordtheatricals.com Finale Costumes Provided by COSTUME WORLD THEATRICAL, Deerfi eld Beach, FL. www.costumeworld.com Diamond Head Th eatre • 520 Makapuu Avenue, Honolulu, HI 96816 Phone (808) 733-0277 • Box Offi ce (808) 733-0274 • www.diamondheadtheatre.com Photographing, videotaping, or other video or audio recording of this production is strictly prohibited. Please turn o all cellular phones. Diamond Head Theatre Cast List Presents Zach Norm Dabalos Larry Levi K. Oliveira Don Chase Bridgman Maggie Marisa Noelle Mike Luke Ellis Connie Kayla Uchida Greg Gabriel Ryan-Kern Cassie Kira Mahealani Stone Sheila Lauren Teruya Bobby Marcus Stanger Bebe Miya Heulitt Judy Seanalei Nishimura Richie David Robinson Al Jared Paakaula Kristine Alexandria Zinov Val Jody Bill Mark Michael Hicks Paul Dwayne Sakaguchi Diana Emily North Lois Ke‘ala O'Connell Vicki Korynn Grenert Tricia Ayzhia Tadeo Frank Brandon Yim Roy Jackson Saunders A CHORUS LINE is performed without an intermission.
    [Show full text]