John Locke's Exile in Holland As His Extensive Correspondence Makes
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Algernon Sidney on Public Right
University of Arkansas at Little Rock Law Review Volume 10 Issue 2 Article 3 1987 Algernon Sidney on Public Right Edward Dumbauld Follow this and additional works at: https://lawrepository.ualr.edu/lawreview Part of the European Law Commons, and the Legal History Commons Recommended Citation Edward Dumbauld, Algernon Sidney on Public Right, 10 U. ARK. LITTLE ROCK L. REV. 317 (1988). Available at: https://lawrepository.ualr.edu/lawreview/vol10/iss2/3 This Article is brought to you for free and open access by Bowen Law Repository: Scholarship & Archives. It has been accepted for inclusion in University of Arkansas at Little Rock Law Review by an authorized editor of Bowen Law Repository: Scholarship & Archives. For more information, please contact [email protected]. ALGERNON SIDNEY ON PUBLIC RIGHT Hon. Edward Dumbauld* In response to criticisms that the Declaration of Independence lacked originality,' its author Thomas Jefferson explained that the political purpose and object of that document was: not to find out new principles, or new arguments, never before thought of, not merely to say things which had never been said before; but to place before mankind the common sense of the sub- ject, in terms so plain and firm as to command their assent, and to justify ourselves in the independent stand we are compelled to take. Neither aiming at originality of principle or sentiment, nor yet cop- ied from any particular and previous writing,' it was intended to be an expression of the American mind, and to give to that expression the proper tone and spirit called for by the occasion. -
Dutch Profile
Published 2012 by: Diversicare PO Box 5199 WEST END Q 4101 Ph 07 3846 1099 Dutch Cultural Profile Thanks are given to the following people: Fredda Graham-Boers Mrs Ineke Boer Ria van Zandwijk Ria Brunkhorst ... and to all those people who have provided comment about this cultural profile. Author/Editor: Jennifer Leigh, J.Leigh & Associates Disclaimer This cultural profile is a synthesis of information from a range of sources believed to be reliable. Diversicare gives no guarantee that the said base sources are correct, and accepts no responsibility for any resultant errors contained herein or for decision and actions taken as a result and any damage. Please note there may be costs associated with some of the resources and services listed in this document. This cultural profile received funding assistance from the Queensland Government through the Home and Community Care Program. Dutch Cultural Profile Introduction 3 Background 4 National Symbols 5 Population 8 Language 8 Migration to Australia 9 Australian Statistics 9 Dutch Characteristics 10 Customs in Everyday Life 11 Dress 11 Greetings 12 Names 13 Values 14 Marriage 14 Domestic Situation 14 Family Structure 15 Religion 15 Churches 16 Pensions 17 Leisure & Recreation 18 Sports 18 Arts and Crafts 18 Socialising 19 Social Clubs 19 Literature 19 Songs 20 Dances 21 Television 22 Radio 22 Magazines 22 Newspapers 23 Annual Festivities 24 Food & Diet 25 Meals 25 Meal Protocol 25 Dutch Recipes 26 Food Sources 28 Dutch Attitudes 29 Health 29 Traditional Healing 29 Mental Health and Disability 29 Ageing 29 Death & Dying 30 DutchContacts 31 Bibliography 32 Correction / Addition Form 33 Introduction This profile of the Dutch cultural community is one of the projects undertaken by Diversicare’s Special Projects and Services Development Team, with funding from the Home and Community Care Program. -
Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More Information
Cambridge University Press 978-0-521-83747-7 - Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More information Britain and the Dutch Revolt 1560–1700 England’s response to the Revolt of the Netherlands (1568–1648) has been studied hitherto mainly in terms of government policy, yet the Dutch struggle with Habsburg Spain affected a much wider commu- nity than just the English political elite. It attracted attention across Britain and drew not just statesmen and diplomats but also soldiers, merchants, religious refugees, journalists, travellers and students into the confl ict. Hugh Dunthorne draws on pamphlet literature to reveal how British contemporaries viewed the progress of their near neigh- bours’ rebellion, and assesses the lasting impact which the Revolt and the rise of the Dutch Republic had on Britain’s domestic history. The book explores affi nities between the Dutch Revolt and the British civil wars of the seventeenth century – the fi rst major challenges to royal authority in modern times – showing how much Britain’s chang- ing commercial, religious and political culture owed to the country’s involvement with events across the North Sea. HUGH DUNTHORNE specializes in the history of the early modern period, the Dutch revolt and the Dutch republic and empire, the his- tory of war, and the Enlightenment. He was formerly Senior Lecturer in History at Swansea University, and his previous publications include The Enlightenment (1991) and The Historical Imagination in Nineteenth-Century Britain and the Low Countries -
The Art Market in the Dutch Golden
The Art Market in the Dutch Art 1600–1700 Dutch Golden Age The first great free market economy for art This painting is occurred in the Dutch Republic of the 1600s. an example of the This republic was the most wealthy and “history painting” urbanized nation at the time. Its wealth was category. based on local industries such as textiles and breweries and the domination of the global trade market by the Dutch East India Company. This economic power translated into a sizeable urban middle class with disposable income to purchase art. As a result of the Protestant Reformation, and the absence of liturgical painting in the Protestant Church, religious patronage was no longer a major source of income for artists. Rather than working on commission, artists sold their paintings on an open market in bookstores, fairs, and through dealers. (c o n t i n u e d o n b a c k ) Jan Steen (Dutch, 1626–1679). Esther, Ahasuerus, and Haman, about 1668. Oil on canvas; 38 x 47 1/16 in. John L. Severance Fund 1964.153 Dutch Art 1600–1700 Still-life paintings like this one were often less expen- sive than history paintings. (c o n t i n u e d f r o m f r o n t ) This open market led to the rise in five major categories of painting: history painting, portraiture, scenes of everyday life, landscapes, and still-life paintings. The most prized, most expensive, and often largest in scale were history or narrative paintings, often with biblical or allegorical themes. -
Introduction
Introduction Other Voices: Dissenting Women Mary Franklin (d. 1711) was the wife of the Reverend Robert Franklin (1630–1703), one of some two thousand Nonconformist ministers who were “ejected” from their pulpits and their livings on Black Bartholomew’s Day,1 August 24, 1662, following the Restoration of Charles II (1630–1685). In May 1660, Charles returned from exile in Europe, beginning the Restoration of the monarchy. He was crowned on April 23, 1661. Though for many English subjects the Restoration was a joyous occasion, for the Dissenters,2 and especially for ministers and their relations, these became times that tried their souls. Mary Franklin wrote a narrative of her experi- ence of these times, taking up, late in life, one of her husband’s incomplete sermon notebooks, turning it upside down, and using its blank pages for her purposes.3 She wrote about her life as a minister’s wife and her family’s suffering under a govern- ment that exacted religious conformity to the Church of England as a measure of loyalty to the crown. She also recorded the triumph of God’s providences through it all. She did not seek publication of her brief, detailed, and moving testimony but rather seems to have kept the notebook within her family until her death, after 1. The name Black Bartholomew’s Day harkens back to a day of infamy for the Protestant godly, St. Bartholomew’s Day massacre, August 24, 1572, when tens of thousands of French Huguenots (Calvinists) were slaughtered by the Catholic King Charles IX. See N. -
The Example of the Dutch Republic for American Federalism
The Example of the Dutch Republic for American Federalism J.W.SCHULTENORDHOLT We may derive from Holland lessons very beneficial to ourselves. John Marshall in the Convention of Virginia 1788. I History is philosophy teaching by examples. That famous saying expresses the eighteenth-century approach to the past better than long explanations. The philosophers and political scientists of the Enlightenment were eager to find examples to justify their actual deeds and opinions. Perhaps the deepest reason for this quest for an imitable past is to be found in their belief in the unity of Western civilization. There was a great chain of being, not only in space, as has been so magnificently described by Arthur Lovejoy, but also in time. The presupposition of such a belief in the cohesive patterns of the past was the conception that there had been, through the ages, a certain uniformity in human behaviour. Man had never changed, that is why history could be used as a model. As David Hume put it: Mankind are so much the same, in all times and places, that history informs us of no thing new or strange in this particular. Its chief use is only to discover the constant and universal principles of human nature. The task of the historian was not in the first place to understand the past for its own sake, but, as Carl Becker remarks, to choose between good and evil, 'be- tween the customs that were suited and those that were unsuited to man's nature'.1That is exactly what men like James Madison and his friends were to do during that long summer of 1787 when they drafted the Constitution. -
A Short History of Holland, Belgium and Luxembourg
A Short History of Holland, Belgium and Luxembourg Foreword ............................................................................2 Chapter 1. The Low Countries until A.D.200 : Celts, Batavians, Frisians, Romans, Franks. ........................................3 Chapter 2. The Empire of the Franks. ........................................5 Chapter 3. The Feudal Period (10th to 14th Centuries): The Flanders Cloth Industry. .......................................................7 Chapter 4. The Burgundian Period (1384-1477): Belgium’s “Golden Age”......................................................................9 Chapter 5. The Habsburgs: The Empire of Charles V: The Reformation: Calvinism..........................................10 Chapter 6. The Rise of the Dutch Republic................................12 Chapter 7. Holland’s “Golden Age” ..........................................15 Chapter 8. A Period of Wars: 1650 to 1713. .............................17 Chapter 9. The 18th Century. ..................................................20 Chapter 10. The Napoleonic Interlude: The Union of Holland and Belgium. ..............................................................22 Chapter 11. Belgium Becomes Independent ...............................24 Chapter 13. Foreign Affairs 1839-19 .........................................29 Chapter 14. Between the Two World Wars. ................................31 Chapter 15. The Second World War...........................................33 Chapter 16. Since the Second World War: European Co-operation: -
Two Perspectives on the Execution of Sir Thomas Armstrong (1684): Tory Triumphalism and Dutch Distaste
Two Perspectives on the Execution of Sir Thomas Armstrong (1684): Tory Triumphalism and Dutch Distaste James Drabble Abstract This essay analyses two accounts of the execution of Sir Thomas Armstrong, which took place at Tyburn on 20 June 1684: the broadside ballad, The Traytors Last Farewel, published within days of his death, and the etching, Thomas Armstrong, Binnen Londen, gehangen en gevierendeelt, created by Jan Luyken in 1698. The study finds two different interpretations of the execution: the ballad reflecting Tory triumphalism at its height, four years before its deflation with the Glorious Revolution of 1688, and the etching displaying Dutch distaste for the betrayal of their cherished right of refuge. London, June 20. This day Sir Thomas Armstrong was Executed, being drawn upon a Sledge to Tyburn, and then Hanged and Quartered.1 This stark notice in the London Gazette of June 23 1684 announced what was later to be officially acknowledged as an egregious miscarriage of justice. Armstrong had been implicated in the Rye House plot to kill Charles II and his brother, the duke of York (later, James II), in 1683 but was later exonerated by parliament. His case evidently caught the public’s imagination; one of a number of commercially-produced, competing accounts published just days after the execution reports that his demise attracted crowds from all classes ‘that the like hath not been of late observed in any Execution of this Nature’.2 However, this study wishes to look beyond the prosaic, journalistic accounts of Armstrong’s death to consider two contrasting artistic responses to the event. -
LOCKE STUDIES Vol
LOCKE STUDIES Vol. 17 https://doi.org/10.5206/ls.2017.879 | ISSN: 2561-925X Originally published: 2017 Published online: 01 JANUARY 2019 © Locke Studies, 2017 Shaftesbury, Locke, and their Revolutionary Letter? D.N. DELUNA (UNIVERSITY COLLEGE, LONDON) A corrigendum for this article was published in vol. 18 of Locke Studies available here. Scholars are kindly asked to reference the corrigendum only and not this version of the article. For more information about this article: see this article’s webpage. Locke Studies is published by The John Locke Society. This is an open access article published under the terms of the Creative Commons Attribution- NonCommercial-ShareAlike 4.0 International license, which permits use, distribution and reproduction in any medium, provided the original work is properly cited and shared under the original license. SHAFTESBURY, LOCKE, AND THEIR REVOLUTIONARY LETTER? D. N. DELUNA I knew of none besides the Duke [of Monmouth] who had an interest in the minds & affections of the people to draw them to Arms for asserting their Rights & Liberties Robert Ferguson (1683)1 §1 Late in 1675, the anonymous Letter from a Person of Quality, to His Friend in the Country was condemned in the House of Lords as a ‘dangerous Book’, indeed a ‘lying, scandalous, and seditious Book’. The Peers ordered it to be burned by the public hangman, and opened an investigation designed to discover its author, printer, and publisher.2 About this search and its success in tracking the author(s) down, very little is known. But as J. R. Milton and Philip Milton, who included the pamphlet in their Clarendon edition of John Locke’s Essay Concerning Toleration and his Other Writings on Law and Politics, 1667–1683, have pointed out, ‘no one has ever doubted that it was written by someone in Shaftesbury’s circle and for Shaftesbury’s purposes.3 1 Robert Ferguson, ‘Concerning the Rye House business’, printed in James Ferguson, Robert Ferguson, the Plotter; or, The Secret of the Rye-House Conspiracy and the Story of a Strange Career (Edinburgh, 1887), 420. -
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Ralph Stewart IRSS 33 (2008) 37 Gilbert Burnet’s Politics Ralph Stewart * In July, 1663, Archibald Johnston of Wariston was hanged at the market cross of Edinburgh, officially for the ‘high treason’ of accepting office in Cromwell’s government. Although many people in Scotland had held similar positions, and assisted Cromwell in other ways, only three were executed. (The others were the Earl of Argyle, and Wariston’s friend James Guthrie, a minister.) Wariston’s real crime was to have spearheaded the Scottish revolt against Charles I in the late 1630s, which began with bitter opposition to Charles’ plans to make the Presbyterian Scottish church more like the English one, and more amenable to his wishes. Wariston was co-composer of the Scottish Covenant which challenged the King’s authority, and Clerk of the unofficial parliamentary committee (made up of noblemen, lairds, merchants and ministers) which had subscribed the Covenant. When the King’s decrees on the Kirk were read out by a herald at Edinburgh’s market cross, in the traditional manner, supporters of the Covenant would oblige the herald to stay while Wariston read out a ‘Protestation’ asking for remedy of grievances and a ‘free [Kirk] Assembly and Parliament’.1 In insisting on the execu- tion and quartering of this arch-Covenanter (his head was stuck on the Netherbow Port, beside James Guthrie’s) Charles II may have been motivated partly by personal resentment - though Wariston had no significant part in Charles I’s death - but was also eliminating a symbol of resistance to the King’s authority. -
Spinoza As Religious Philosopher: Between Radical Protestantism and Jewishness
Spinoza as Religious Philosopher: Between Radical Protestantism and Jewishness INTRODUCTION Jonathan R. Seiling Interest in the nature and definition of the period of history known as the Enlightenment has grown recently as scholars have taken fresh approaches to old materials amid the shifting trends of contemporary methods and interests. One of the most illuminating scholars to present a compelling new perspective on the Enlightenment as a whole is Jonathan Israel, the intellectual historian whose lengthy works, Radical Enlightenment1and Enlightenment Contested,2 offer a novel framework for understanding how and why the transition from the pre-modern era to modernity occurred. Israel’s central thesis is that the Enlightenment was a two-level phenomenon, one of which was “radical” and virtually the product of one person, Benedict/Baruch Spinoza. This movement stood in critical relationship to another movement, the “moderate” Enlightenment, characterized by the thought of Locke, Voltaire, and Hume. By presenting Spinoza’s as the unifying strand of “radical” Enlightenment thought, which actually combated the advancement of the “moderate” Enlightenment, this conception of the shift toward modernity opens up a new range of meanings for key terms like “Enlightenment,” “modernity,” and even “radicalism.” It also seeks to recapture some of the lost potential of certain marginalized aspects of the Enlightenment project. In addition, it provides a different historical framework that allows us to discard prior, inadequate, falsely conceived ideas of what the modern shift was about, thereby calling for a new awakening in current anti-Enlightenment ideologies. By taking a new, closer look at Spinoza’s radical Enlightenment project, his context, and the concomitant movement, it is possible and perhaps even fruitful to reconceive the very problem of modernity. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title “Poetick Rage” to Rage of Party: English Political Verse, 1678-1685 Permalink https://escholarship.org/uc/item/67k814zg Author McLaughlin, Leanna Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE “Poetick Rage” to Rage of Party: English Political Verse, 1678-1685 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History by Leanna Hope McLaughlin December 2018 Dissertation Committee: Dr. Thomas Cogswell, Chairperson Dr. Randolph Head Dr. Patricia Fumerton Copyright by Leanna Hope McLaughlin 2018 The Dissertation of Leanna Hope McLaughlin is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS While saving the best for last may seem like a great idea, the acknowledgements are actually some of the harder words I have ever written. How does one put into words the boundless gratitude to the people and organizations that have made this book possible? Still, I must try. This dissertation simply would not have been possible without the patience, encouragement, and guidance of Dr. Thomas Cogswell. In addition to pointing me in the direction of the most delightful and scandalous sources in early modern England, Tom’s help and advice helped me craft the larger argument and his laughter at the content fueled my drive. Thanks to Tom I will eternally move “onward and upward.” I owe Dr. Randolph Head a great deal for his unending support, his uncanny ability to help me see the narrative flow and the bigger picture, and his dogmatic attention to questions of historical practice.