THE IMMATERIAL THEURGY of BOETHIUS by Martin H
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Plotinus and the Artistic Imagination John S
Roger Williams University DOCS@RWU School of Architecture, Art, and Historic School of Architecture, Art, and Historic Preservation Faculty Publications Preservation 2015 Plotinus and the Artistic Imagination John S. Hendrix Roger Williams University, [email protected] Follow this and additional works at: http://docs.rwu.edu/saahp_fp Part of the Architecture Commons Recommended Citation Hendrix, John S., "Plotinus and the Artistic Imagination" (2015). School of Architecture, Art, and Historic Preservation Faculty Publications. Paper 31. http://docs.rwu.edu/saahp_fp/31 This Article is brought to you for free and open access by the School of Architecture, Art, and Historic Preservation at DOCS@RWU. It has been accepted for inclusion in School of Architecture, Art, and Historic Preservation Faculty Publications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Plotinus and the Artistic Imagination John Hendrix In the thought of Plotinus, the imagination is responsible for the apprehen- sion of the activity of Intellect. If creativity in the arts involves an exercise of the imagination, the image-making power that links sense perception to noet- ic thought and the nous poietikos , the poetic or creative intellect, then the arts exercise the apprehension of intellectual activity and unconscious thought. According to John Dillon in “Plotinus and the Transcendental Imag- ination,” 1 Plotinus’ conception of the imagination led to the formulation of the imagination as a basis of artistic creativity. In Plotinus, imagination operates on several different levels: it produces images in sense perception, it synthesizes images in dianoetic thought, and it produces images in correspondence with the articulation through logos of noetic thought. -
Solovyov's Metaphysics Between Gnosis and Theurgy
religions Article Solovyov’s Metaphysics between Gnosis and Theurgy Aleksandr Gaisin The Graduate School for Social Research, IFiS PAN, 00-330 Warsaw, Poland; [email protected]; Tel.: +7953-154-6247 Received: 29 September 2018; Accepted: 8 November 2018; Published: 13 November 2018 Abstract: This article provides a reading of Vladimir Solovyov’s philosophy as expressed in his ‘Lectures on Divine Humanity’ and ‘The Meaning of Love’. It seeks to unpack his eclectic thought in order to answer the question of whether there is a Jewish Kabbalistic influence on the Russian thinker amidst his usual platonic, gnostic, and Schellengian tropes. Interested as a young man in Jewish Mysticism, Solovyov fluctuates in his ‘Lectures on Divine Humanity’ between a platonic reading of Schellengian Gnosticism and some elements of Kabbalistic origin. In ‘The Meaning of Love’, he develops a notion of love that puts him very close to what Moshe Idel calls ‘theosophic-theurgical Kabbalah’. Showing how ‘The Meaning of Love’ completes the narrative of ‘Lectures’, we can affirm that there is a certain Christian Kabbalistic line in Solovyov’s thought that culminates in his theurgical understanding of love. In this sense, Solovyov might be called a philosophical Marrano as he is certainly a heterodox theosopher that fluctuates between Christian Gnosis and Christian Kabbalah, never assuming a solid identity. Keywords: philosophical theology; heterodoxy; Judeo-Christianity; Russian religious renaissance; Christian Kabbalah; Vladimir Solovyov The enigmatic and eclectic nature of Solovyov’s thought is unveiled if we simply look at the early readings of his philosophy. Already, the Silver Age’s thinker and poet Dmitry Merezhkovsky deemed Solovyov as a Gnostic writer, immersed in Christian heresy (Merezhkovsky 1991, p. -
Iamblichus and Julian''s ''Third Demiurge'': a Proposition
Iamblichus and Julian”s ”Third Demiurge”: A Proposition Adrien Lecerf To cite this version: Adrien Lecerf. Iamblichus and Julian”s ”Third Demiurge”: A Proposition . Eugene Afonasin; John M. Dillon; John F. Finamore. Iamblichus and the Foundations of Late Platonism, 13, BRILL, p. 177-201, 2012, Ancient Mediterranean and Medieval Texts and Contexts. Studies in Platonism, Neoplatonism, and the Platonic Tradition, 10.1163/9789004230118_012. hal-02931399 HAL Id: hal-02931399 https://hal.archives-ouvertes.fr/hal-02931399 Submitted on 6 Sep 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Iamblichus and Julian‟s “Third Demiurge”: A Proposition Adrien Lecerf Ecole Normale Supérieure, Paris, France [email protected] ABSTRACT. In the Emperor Julian's Oration To the Mother of the Gods, a philosophical interpretation of the myth of Cybele and Attis, reference is made to an enigmatic "third Demiurge". Contrary to a common opinion identifying him to the visible Helios (the Sun), or to tempting identifications to Amelius' and Theodorus of Asine's three Demiurges, I suggest that a better idea would be to compare Julian's text to Proclus' system of Demiurges (as exposed and explained in a Jan Opsomer article, "La démiurgie des jeunes dieux selon Proclus", Les Etudes Classiques, 71, 2003, pp. -
Pythagorean Music in Boethius's Consolation of Philosophy
32 RAMIFY 8.1 (2019) “How Pythagoras Cured by Music”: Pythagorean Music in Boethius’s Consolation of Philosophy KIMBERLY D. HEIL Interpretive schemata for reading Boethius’s Consolation of Philosophy are plentiful. Some of the more popular of those schema read the work along the divided line from Plato’s Republic, taking as programmatic the passage from Book Five in which Boethius discusses the ways in which man comes to know through sensation first, then imagination, then reason, and finally understanding.1 Others read the work as Mneppian Satire because of its prosimetron format. Some scholars study character development in the KIMBERLY D. HEIL is a PhD candidate in Philosophy at the Institute of Philosophic Studies at the University of Dallas; she received a BA in Philosophy from the University of Nebraska at Kearney and an MA in Philosophy from the University of South Florida. She is currently a Wojtyła Graduate Teaching Fellow at the University of Dallas, where she teaches core curriculum philosophy classes. She is writing a dissertation on the relationship between philosophy and Christianity in Augustine of Hippo’s De Beata Vita. The title of this piece is taken from a section subtitle in the work The Life of Pythagoras by the second-century Neopythagorean Iamblichus. 1 See, for instance, McMahon, Understanding the Medieval Meditative Ascent, 215. He references two other similar but competing interpretations using the same methodology. “How Pythagoras Cured by Music” : HEIL 33 work as it echoes Platonic-style dialogues. Still others approach the work as composed of several books, each representing a distinct school of philosophy.2 Furthermore, seeing it as an eclectic mixture of propositions from various schools of philosophy re-purposed and molded to suit Boethius’s own needs, regardless of the literary form and patterns, is commonly agreed upon in the secondary literature. -
Neoplatonism: the Last Ten Years
The International Journal The International Journal of the of the Platonic Tradition 9 (2015) 205-220 Platonic Tradition brill.com/jpt Critical Notice ∵ Neoplatonism: The Last Ten Years The past decade or so has been an exciting time for scholarship on Neo platonism. I ought to know, because during my stint as the author of the “Book Notes” on Neoplatonism for the journal Phronesis, I read most of what was published in the field during this time. Having just handed the Book Notes over to George BoysStones, I thought it might be worthwhile to set down my overall impressions of the state of research into Neoplatonism. I cannot claim to have read all the books published on this topic in the last ten years, and I am here going to talk about certain themes and developments in the field rather than trying to list everything that has appeared. So if you are an admirer, or indeed author, of a book that goes unmentioned, please do not be affronted by this silence—it does not necessarily imply a negative judgment on my part. I hope that the survey will nonetheless be wideranging and comprehensive enough to be useful. I’ll start with an observation made by Richard Goulet,1 which I have been repeating to students ever since I read it. Goulet conducted a statistical analy sis of the philosophical literature preserved in the original Greek, and discov ered that almost threequarters of it (71%) was written by Neoplatonists and commentators on Aristotle. In a sense this should come as no surprise. -
Transmission of Mystical Light from Greek Christian East to the West
TRANSMISSION OF MYSTICAL LIGHT FROM GREEK CHRISTIAN EAST TO THE WEST Seweryn Blandzi DOI: 10.17846/CL.2021.14.1.59-64 Abstract: BLANDZI, SEWERYN. Transmission of Mystical Light from Greek Christian East to the West. Plato’s and Aristotle’s investigations based on the very concept of wisdom and the relationship between sophia and saphia lead us to the metaphysics of light, developed later in Christian thought and neoplatonism, the beginnings of which we observe in the early Greek thinkers and authors and exegesis writers of books that are the foundation of various religions. The metaphor of light permeates the entire Mediterranean philosophical and mystery reflection from Parmenides and Plato to Pseudo-Dionysius the Areopagite. First and foremost light was the essential element in the philosophy of Pseudo-Dionysius Areopagite who provided Christian thought with rich presuppositions and themes. His metaphysics of light contained imagery that inspired Abbot Suger, the builder of first French gothic cathedral in Saint Denys abbacy. Suger applied the Dionysian vision and transformed mystical wisdom into the real world. The main purpose of the article is to highlight the gnostic aspect of the reflection on the light in the writings of Pseudo-Dionysius. Keywords: Parmenides, Plato, neoplatonism, metaphysics of light, Ps. Dionysius the Areopagite, abbot Suger, St. Denis monastery a)gaqo\n ga\r ei]rhtai dia\ a]gan qe/ein e)p ) au)to\ pa/nta Elias, Prolegomena philosophiae One could say that symbolism of light permeates Greek philosophy from its very beginnings. See, for instance, Parmenides’ proemium where Eleatic poet and thinker describes his upwards journey to the gates of Night and Day to see the eternally luminous brightening realm of transcendent Truth-Being expressed in Plato’s language as u(peroura/niov to/pov of ou)si/a o]ntwv ou)=sa (Plato. -
A Correspondent of Iamblichus TD Barnes
A Correspondent of Iamblichus Barnes, T D Greek, Roman and Byzantine Studies; Jan 1, 1978; 19, 1; ProQuest pg. 99 A Correspondent of Iamblichus T. D. Barnes HE CORRESPONDENCE of the emperor Julian, as transmitted in T various manuscripts, includes six letters addressed to the philosopher Iamblichus (Epp. 181, 183-187 Bidez-Cumont).l Since Iamblichus died before Julian was born, it is impossible that the emperor could ever have written to the philosopher. On the other hand, the letters do not read like the productions of a deliberate forger, nor do they simulate an emperor's authorship. On internal criteria, one would naturally interpret them as letters from an absent pupil to his former teacher. Accordingly, Franz Cumont argued that these six letters, together with another two (Epp. 180, 182) and possibly another ten (Epp. 188-197), are genuine letters, which were mistakenly attributed to the emperor Julian because their real author was Julianus of Caesarea, otherwise known as a sophist active in Athens in the early fourth century.2 Joseph Bidez subsequently amplified Cumont's arguments into a study of Iamblichus and his circle which remains, after more than fifty years, the standard account of the philosopher's life. 3 The central thesis of Cumont and Bidez seems as secure as the nature of the case admits, but their deductions from it need some important modifications. First, as Bidez and Cumont later realised, a sophist from Caesarea in Cappadocia (Suda I 435) cannot be supposed to have written these letters,4 for one of the letters to Iamblichus states that writer and recipient share the same fatherland (Ep. -
Plotinus on Theurgy and Magic 1 HANDOUT
Public Lecture Plotinus on Theurgy and Magic HANDOUT [P1] Porphyry Life of Plotinus 10.33-35 When Amelius grew ritualistic and took to going round visiting the temples at the New Moon and the feasts of the gods and once asked if he could take Plotinus along, Plotinus said, “They ought to come to me, not I to them”. What he meant by this exalted utterance we could not understand and did not dare to ask. [trans. Armstrong] [P2] Ennead IV.4.40.1-9 But how do magic spells work? By sympathy and by the fact that there is a natural concord of things that are alike and opposition of things that are different, and by the rich variety of the many powers which go to make up the life of the one living creature. For many things are drawn and enchanted without anyone else’s magical contrivance: and the true magic is the Philia and also the Strife in the All. And this is the primary wizard and enchanter, from observing whom men came to use his philtres and spells on each other. [trans. Armstrong] [P3] Ennead IV.4.26.1-4 Their [i.e. the heavenly bodies] knowledge of prayers is the result of a sort of linking and a particular disposition of things fitted into the whole, and the same applies to their accomplishment of what we pray for; and in the arts of the magicians everything is directed to this linking: this means that magic works by powers which follow on sympathetically [trans. Armstrong modified] [P4] Ennead IV.4.41.4-10 … for if the string is plucked at the lower end, it has a vibration at the upper. -
Iamblichus' Exegesis of Parmenides'
IAMBLICHUS’ EXEGESIS OF PARMENIDES’ HYPOTHESES AND HIS DOCTRINE OF DIVINE HENADS Svetlana Mesyats 1. Henads and the Problem of the Transcendent First Principle The question about the First Principle is one of the central problems of Neoplatonism as well as that of every monistic system of philosophy, that considers the world as a creation of a single divine Cause. The problem here is the following: the absolutely transcendent and self-su cient Principle does not need to cause anything outside itself, because to be transcendent means to be entirely independent from all the rest. But a principle, which is entirely independent from its own efects, cannot be a cause, since causality presupposes some relationship between the causative principle and its efects. Consequently we are faced with a dilemma: either to de ne some principle as a cause, so that it depends by nature on its own efects and is no longer transcendent; or to de ne it as transcendent, so that it cannot be a cause. In the history of Platonic philosophy there were many eforts to solve this dilemma. In one of his treatises Plotinus described the One as a “productive power of all things” (δύναµις τῶν πάντων)1 and so to some extent introduced into the Absolute all the plurality of its efects, at least in the mode of potency, power. Plotinus’ pupil Porphyry abandoned the idea of the transcendent Principle and identi ed the supreme One with Being.2 Iamblichus after him proposed the theory of “two” Ones, rst of which he thought to be completely inefable and inexpressible, whereas the second one he understood as a cause in the true sense of the word in so far as it 1 Plotinus, Enneads III, 8, 10, 1. -
Pico, Plato, and Albert the Great: the Testimony and Evaluation of Agostino Nifo EDWARD P
Pico, Plato, and Albert the Great: The Testimony and Evaluation of Agostino Nifo EDWARD P. MAHONEY Giovanni Pico della Mirandola (1463-1494) is without doubt one of the most intriguing figures of the Italian Renaissance. It is thus no surprise that he has attracted the attention of many modern scholars. By reason of the varied interests that are reflected in his writings, contrasting interpretations of Pico have been proposed.1 Our purpose here is not to present a new and different picture of Pico but, rather, to offer a contribution to one fruitful area of research pursued by some recent historians of philosophy, namely, Pico's debt to, and 1. For general presentations of Pico's life and thought, see the classic study of Eugenio Garin, Giovanni Pico della Mirandola: Vita e dottirina (Florence: F. Le Monnier, 1937); Garin's magisterial Storia della filosofia italiana, 2d ed. (Turin: G. Einaudi 1966), 1:458-495. Among more recent general accounts are Pierre-Marie Cordier, Jean Pic de la Mirandole (Paris: Debresse, 1958); Engelbert Monnerjahn, Giovanni Pico della Mirandola (Wiesbaden: F. Steiner, 1960); Paul Oskar Kristeller, Eight Philosophers of the Italian Renaissance (Stanford: Stanford University Press, 1964), pp. 54-71; Giovanni di Napoli, Giovanni Pico della Mirandola e laproblemaύca dottrinale del suo tempo (Rome: Desclee, 1965); Charles Trinkaus, In Our Image and Likeness (Chicago: University of Chicago Press, 1970), 2:505-526; and Henri de Lubac, Pic de la Mirandole: Etudes et discussions (Paris: Aubier Montaigne, 1974). 165 166 EDWARD P. MAHONEY use of, medieval philosophy in his overall philosophical enterprise.2 Of particular concern will be the influence of Albert the Great on Pico, which can be established by a connection that has apparently not been noticed by Pico's historians. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Medieval Philosophy: an Historical and Philosophical Introduction
MEDIEVAL PHILOSOPHY ‘Dr Marenbon’s book is an authoritative, comprehensive, yet accessible survey of medieval philosophy, written by an expert at the height of his critical powers. Not only does the book guide the reader through the diverse issues of medieval philosophy, but provides sagacious instruction and illuminating commentary on the central topics of its chosen period of study.’ Martin Stone, Katholieke Universiteit Leuven, Belgium. ‘Marenbon has managed to write about an enormous array of topics in a lucid and accessible way. His prose is clear without being condescending, informative without being either patronizing or importunate. The beginner will find it approachable and unpretentious.’ Peter King, University of Toronto, Canada This new introduction replaces Marenbon’s best-selling editions Early Medieval Philosophy (1983) and Later Medieval Philosophy (1987) to present a single author- itative and comprehensive study of the period. An entirely new book, written in the light of the scholarship of the last twenty years, it will be the standard companion for all students of medieval philosophy. It gives a lucid and engaging account of the history of philosophy in the Middle Ages, discussing the main writers and ideas, the social and intellectual contexts, and the important concepts used in medieval philosophy. Medieval Philosophy gives a chronological account which: • treats all four main traditions of philosophy that stem from the Greek heritage of late antiquity: Greek Christian philosophy, Latin philosophy, Arabic philos- ophy and Jewish philosophy • provides a series of ‘study’ sections for close attention to arguments and shorter ‘interludes’ that point to the wider questions of the intellectual context • combines philosophical analysis with historical background • includes a helpful detailed guide to further reading and an extensive bibliography All students of medieval philosophy, medieval history, theology or religion will find this necessary reading.