DELLA TORRE Alias Catanei De Loco Primaluna
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Between Power and Rebellion: Rethinking Authority
EDGAR STRAEHLE* BETWEEN POWER AND REBELLION: RETHINKING AUTHORITY Entre poder e rebelião: repensar a autoridade Resumo Um dos principais objectivos deste escrito é dissociar e desembaraçar os conceitos de autoridade e poder à luz das insurreiçãos medievais e lutas na ciudade de Milão e, além disso, compreender na dimensão ambivalente e ambígua da autoridade. Ao analisar estes fatos históricos, vou tentar mostrar que a autoridade não pertence sempre ou necessariamente ao governo ou que somente pode ser um instrumento deste. De fato, é mais interessante explorar o outro lado desta questão: como o uso da autoridade pôde devenir um instrumento de contrapoder. Neste sentido, vou examinar como e porquê algumas rebeliões contestaram o poder não apenas combatendo a autoridade oficial mas reivindicando uma alternativa. Ou seja, como e porquê a categoria de auto- ridade pôde tornarse uma fonte de legitimidade da insurreição. Palavras-chave: autoridade; poder; rebelião. Authors: Santo Ambrósio; Hannah Arendt. * Museu d'Història de Barcelona (MUHBA) and University of Barcelona (ADHUC). Email: [email protected]. This work has been written with the support of the research group «La transmisión desde el pensamiento filosófico femenino» (FFI2015-63828-P, MINECO/FEDER, UE) and the GRC «Creació i pensament de les dones» (2014 SGR44) of the University of Barcelona. The writing of this paper would have been impossible without the generous help of Emily McBride and Meritxell Joan. I am really indebted to them and I thank their tips and corrections. Filosofia. Revista da Faculdade de Letras da Universidade do Porto, 33 (2016) 273-285 273 DOI: http://dx.doi.org/10.21747/21836892/fil33a17 EDGAR STRAEHLE Abstract One of the main goals of this paper is to dissociate and disentangle the concepts of power and authority in light of the late medieval insurrections and fights in thecom - mune of Milan and, then, to comprehend the ambivalent and ambiguous dimension of authority. -
The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
#m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. -
Borso D'este, Venice, and Pope Paul II
I quaderni del m.æ.s. – XVIII / 2020 «Bon fiol di questo stado» Borso d’Este, Venice, and pope Paul II: explaining success in Renaissance Italian politics Richard M. Tristano Abstract: Despite Giuseppe Pardi’s judgment that Borso d’Este lacked the ability to connect single parts of statecraft into a stable foundation, this study suggests that Borso conducted a coherent and successful foreign policy of peace, heightened prestige, and greater freedom to dispose. As a result, he was an active participant in the Quattrocento state system (Grande Politico Quadro) solidified by the Peace of Lodi (1454), and one of the most successful rulers of a smaller principality among stronger competitive states. He conducted his foreign policy based on four foundational principles. The first was stability. Borso anchored his statecraft by aligning Ferrara with Venice and the papacy. The second was display or the politics of splendor. The third was development of stored knowledge, based on the reputation and antiquity of Estense rule, both worldly and religious. The fourth was the politics of personality, based on Borso’s affability, popularity, and other virtues. The culmination of Borso’s successful statecraft was his investiture as Duke of Ferrara by Pope Paul II. His success contrasted with the disaster of the War of Ferrara, when Ercole I abandoned Borso’s formula for rule. Ultimately, the memory of Borso’s successful reputation was preserved for more than a century. Borso d’Este; Ferrara; Foreign policy; Venice; Pope Paul II ISSN 2533-2325 doi: 10.6092/issn.2533-2325/11827 I quaderni del m.æ.s. -
La Lotta Per Il Potere a Milano
LA GRANDE BATTAGLIA Nel corso del 1276, non si hanno notizie circa il periodo dell’anno, le forze viscontee cominciarono ad organizzare un attacco, nelle intenzioni decisivo, nei confronti dei Torriani. Goffredo da Langosco, alla testa dei fuoriusciti milanesi, occupò inizialmente Arona, unitamente ad alcune postazioni strategiche dell’Ossola, le cui popolazioni erano fedeli all’arcivescovo. Intanto Ottone Visconti riusciva a sbarcare ad Angera con tre-quattromila uomini e ad occuparne la rocca. Napo della Torre, benché colto di sorpresa, reagì inviando nella zona il figlio Cassone che, con una schiera di cinquecento tedeschi fornitagli dall’imperatore Rodolfo d’Asburgo, riuscì a mettere sotto assedio il castello di Angera. Nel frattempo Goffredo da Langosco, insieme ad un esercito di quattro-cinquemila armati composto da fuoriusciti milanesi, uomini del Seprio e di Pavia, oltre che da genovesi e spagnoli, ingrossato oltretutto da locali fedeli a Ottone, muovendo da Arona riuscì ad occupare buona parte del Seprio settentrionale dirigendosi poi verso Angera. Cassone della Torre aveva intanto preso posizione nella piana del torrente Guassera, nei pressi della riva del Lago Maggiore al confine tra gli odierni comuni di Ranco e Ispra. Il momento della verità era ormai arrivato… Le forze torriane furono all’improvviso raggiunte dall’esercito visconteo che proveniva da Nord e cioè dal territorio isprese. Goffredo da Langosco, sfruttando l’elemento sorpresa, non si lasciò sfuggire l’occasione di attaccare i soldati teutonici di Cassone mentre stavano ancora approntando l’accampamento. Durante l’attacco, superato di slancio dai Viscontei il rio Guassera, lo stesso capo dei tedeschi, Hans Lauser, venne ucciso: forse proprio da Goffredo in persona. -
Competing Sovereignties in 14Th Century Milan
University of Nebraska at Omaha DigitalCommons@UNO Medieval/Renaissance Studies Faculty Publications Medieval/Renaissance Studies 2011 The Prince and the Prostitute: Competing Sovereignties in 14th Century Milan Martina Saltamacchia Rutgers University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/medrenstudfacpub Part of the Medieval Studies Commons Recommended Citation “The Prince and the Prostitute: Competing Sovereignties in Fourteenth-Century Milan” in Law and Sovereignty in the Middle Ages and Renaissance, Robert Sturges, ed. (Turnhout: Brepols, 2011), 173-191. This Article is brought to you for free and open access by the Medieval/Renaissance Studies at DigitalCommons@UNO. It has been accepted for inclusion in Medieval/Renaissance Studies Faculty Publications by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. The following is a post-print manuscript of “The Prince and the Prostitute: Competing Sovereignties in Fourteenth-Century Milan” that appeared in Law and Sovereignty in the Middle Ages and Renaissance, Robert Sturges, ed. Full citation: Martina Saltamacchia, “The Prince and the Prostitute: Competing Sovereignties in Fourteenth-Century Milan” in Law and Sovereignty in the Middle Ages and Renaissance, Robert Sturges, ed. (Turnhout: Brepols, 2011), 173-191. 2 The Prince and the Prostitute: Competing Sovereignties in 14th Century Milan Martina Saltamacchia, Rutgers University On the morning of November 27, -
11 the Ciompi Revolt of 1378
The Ciompi Revolt of 1378: Socio-Political Constraints and Economic Demands of Workers in Renaissance Florence Alex Kitchel I. Introduction In June of 1378, political tensions between the Parte Guelpha (supporters of the Papacy) and the Ghibellines (supporters of the Holy Roman Emperor) were on the rise in Italy. These tensions stemmed from the Parte Guelpha’s use of proscriptions (either a death sentence or banishment/exile) and admonitions (denying one’s eligibility for magisterial office) to rid Ghibellines (and whomever else they wanted for whatever reasons) from participation in the government. However, the Guelphs had been unable to prevent their Ghibelline adversary, Salvestro de’ Medici, from obtaining the position of Gonfaloniere (“Standard-Bearer of Justice”), the most powerful position in the commune. By proposing an ultimately unsuccessful renewal of the anti-magnate Law of Ordinances, he was able to win the support of the popolo minuto (“little people”), who, at his bidding, ran around the city, burning and looting the houses of the Guelphs. By targeting specific families and also by allying themselves with the minor guilds, these “working poor” hoped to force negotiations for socio-economic and political reform upon the major-guildsmen. Instead, however, this forced the creation of a balìa (an oligarchic ruling committee of patricians), charged with suppressing the rioting throughout the city. With the city still high-strung, yet more rioting broke out in the following month. The few days before July 21, 1378 were shrouded in conspiracy and plotting. Fearing that the popolo minuto were holding secret meetings all throughout the city, the government arrested some of their leaders, and, under torture, these “little people” confessed to plans of creating three new guilds and eliminating forced loan policies. -
Milan and the Lakes Travel Guide
MILAN AND THE LAKES TRAVEL GUIDE Made by dk. 04. November 2009 PERSONAL GUIDES POWERED BY traveldk.com 1 Top 10 Attractions Milan and the Lakes Travel Guide Leonardo’s Last Supper The Last Supper , Leonardo da Vinci’s 1495–7 masterpiece, is a touchstone of Renaissance painting. Since the day it was finished, art students have journeyed to Milan to view the work, which takes up a refectory wall in a Dominican convent next to the church of Santa Maria delle Grazie. The 20th-century writer Aldous Huxley called it “the saddest work of art in the world”: he was referring not to the impact of the scene – the moment when Christ tells his disciples “one of you will betray me” – but to the fresco’s state of deterioration. More on Leonardo da Vinci (1452–1519) Crucifixion on Opposite Wall Top 10 Features 9 Most people spend so much time gazing at the Last Groupings Supper that they never notice the 1495 fresco by Donato 1 Leonardo was at the time studying the effects of Montorfano on the opposite wall, still rich with colour sound and physical waves. The groups of figures reflect and vivid detail. the triangular Trinity concept (with Jesus at the centre) as well as the effect of a metaphysical shock wave, Example of Ageing emanating out from Jesus and reflecting back from the 10 Montorfano’s Crucifixion was painted in true buon walls as he reveals there is a traitor in their midst. fresco , but the now barely visible kneeling figures to the sides were added later on dry plaster – the same method “Halo” of Jesus Leonardo used. -
Gender Dynamics in Renaissance Florence Mary D
Early Modern Women: An Interdisciplinary Journal Vol. 11, No. 1 • Fall 2016 The Cloister and the Square: Gender Dynamics in Renaissance Florence Mary D. Garrard eminist scholars have effectively unmasked the misogynist messages of the Fstatues that occupy and patrol the main public square of Florence — most conspicuously, Benvenuto Cellini’s Perseus Slaying Medusa and Giovanni da Bologna’s Rape of a Sabine Woman (Figs. 1, 20). In groundbreaking essays on those statues, Yael Even and Margaret Carroll brought to light the absolutist patriarchal control that was expressed through images of sexual violence.1 The purpose of art, in this way of thinking, was to bolster power by demonstrating its effect. Discussing Cellini’s brutal representation of the decapitated Medusa, Even connected the artist’s gratuitous inclusion of the dismembered body with his psychosexual concerns, and the display of Medusa’s gory head with a terrifying female archetype that is now seen to be under masculine control. Indeed, Cellini’s need to restage the patriarchal execution might be said to express a subconscious response to threat from the female, which he met through psychological reversal, by converting the dangerous female chimera into a feminine victim.2 1 Yael Even, “The Loggia dei Lanzi: A Showcase of Female Subjugation,” and Margaret D. Carroll, “The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence,” The Expanding Discourse: Feminism and Art History, ed. Norma Broude and Mary D. Garrard (New York: HarperCollins, 1992), 127–37, 139–59; and Geraldine A. Johnson, “Idol or Ideal? The Power and Potency of Female Public Sculpture,” Picturing Women in Renaissance and Baroque Italy, ed. -
Expo in Città Events Calendar Read Our Top Picks
Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels Milan SSummerummer 22015015 Expo in città events calendar Read our top picks inyourpocket.com Contents Arriving & Transport 8 City basics 13 History 17 Culture & Events 18 Restaurants 23 Cafés 27 Nightlife 28 Sightseeing 30 Shopping 39 Directory 42 Where to sleep 44 Maps & Index Public transport maps 47 City centre map 50 © Oskar Dariz Expo 2015 map 52 MUDEC Index 54 Publisher IYP Italia S.r.l. Via San Vincenzo 2 - XI piano 16121 Genoa, Italy Head offi ce Via Benigno Crespi 19 - MAC4 - IV piano 20159 Milan, Italy Tel. +39 02 00 69 71 41 Fax +39 02 00 69 71 01 [email protected] www.inyourpocket.com Printed by Graphicscalve S.p.A., Vilminore di Scalve, Italy Editor-in-Chief: Lorenzo Marsano Contributor: Adrienne Baumann Layout: Tomáš Haman Maps: Courtesy of Regione Lombardia, Touring Editore, Expo 2015 Cover photo © TownHouse Hotels Sales & Circulation Manager: Roberta Greco (mob. +39 344 082 93 44, [email protected]) Naviglio Grande © Comune di Milano Special Thanks Mariasole and Valentina IN YOUR POCKET TV Copyright Notice & Editor’s Note In Your Pocket goes into the movie business... Kind of... Text and photos (unless otherwise stated) © IYP Italia S.r.l. 2015. All rights reserved. No part of this publication may be Over the past few months we have gradually been reproduced in any form without written permission from the putting together some extensive video guides to In Your Pocket In Your Pocket copyright owner. The brand name is used under various cities, using our own editors, license from UAB In Your Pocket (Bernardinu 9-4, Vilnius, writers and local researchers as presenters. -
Dicionário Da Idade Média
DICIONÁRIO DA IDADE MÉDIA http://groups-beta.google.com/group/digitalsource Um mapa do mundo conhecido, tendo por centro a cidade de Jerusalém, de um saltério inglês do início do século XIII (British Library, Londres). DICIONÁRIO DA IDADE MÉDIA Organizado por HENRY R. LOYN Professor Emérito de História Medieval, Universidade de Londres Com 250 ilustrações Tradução: ÁLVARO CABRAL Licenciado em Ciências Históricas e Filosóficas, Faculdade de Letras da Universidade Clássica de Lisboa Revisão Técnica: HILÁRIO FRANCO JUNIOR Professor de História Medieval, Universidade de São Paulo Jorge Zahar Editor Rio de Janeiro Título original: The Middle Ages - A Concise Encyclopaedia Tradução autorizada da primeira edição inglesa publicada em 1989 por Thames and Hudson Ltd., de Londres, Inglaterra Copyright © 1989 Thames and Hudson Ltd., London Copyright © 1990 da edição em língua portuguesa: Jorge Zahar Editor Ltda. rua México 31 sobreloja 20031-144 Rio de Janeiro, RJ tel.: (21) 240-0226 / fax: (21) 262-5123 e-mail: [email protected] Todos os direitos reservados. A reprodução não-autorizada desta publicação, no todo ou em parte, constitui violação do Copyright. (Lei 5.988) Ilustração da capa: Pierre Salmon, Réponses à Charles VI et Lamentation au Roi, 1409 (Paris, Biblioteca Nacional) CIP-Brasil. Catalogação-na-fonte Sindicato Nacional dos Editores de Livros, RJ. D541 Dicionário da Idade Média / organizado por Henry R. Loyn; tradução, Álvaro Cabral; revisão técnica, Hilário Franco Júnior. — Rio de Janeiro: Jorge Zahar Ed., 1997: il. Tradução de: The Middle Ages: a concise encyclopaedia ISBN: 85-7110-151-5 1. Idade Média - Dicionários. I. Loyn, H.R. 2. (Henry Royston). CDD — 940.1403 97-1721 CDU — 940 (038) APRESENTAÇÃO À EDIÇÃO BRASILEIRA: BREVE PANORAMA MEDIEVAL FRANKLIN DE OLIVEIRA A grande maioria dos brasileiros continua prisioneira do preconceito forjado pelos historiadores liberais do século XIX, que definiam a Idade Média como um “período de trevas”. -
Decline of the Florentine Republic from the Invasion of Henry VII to the Dictatorship of Walter of Brienne Marvin B
Journal of the Arkansas Academy of Science Volume 6 Article 21 1953 Decline of the Florentine Republic from the Invasion of Henry VII to the Dictatorship of Walter of Brienne Marvin B. Becker University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/jaas Part of the European History Commons Recommended Citation Becker, Marvin B. (1953) "Decline of the Florentine Republic from the Invasion of Henry VII to the Dictatorship of Walter of Brienne," Journal of the Arkansas Academy of Science: Vol. 6 , Article 21. Available at: http://scholarworks.uark.edu/jaas/vol6/iss1/21 This article is available for use under the Creative Commons license: Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0). Users are able to read, download, copy, print, distribute, search, link to the full texts of these articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This Article is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Journal of the Arkansas Academy of Science by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Journal of the Arkansas Academy of Science, Vol. 6 [1953], Art. 21 THE DECLINE OF THE FLORENTINE REPUBLIC FROM THE INVASION OF HENRY VII TO THE DICTATORSHIP OF WALTER OF BRIENNE MARVIN BECKER University of Arkansas From the time of the invasion of Henry VII to the establishment of the dictatorship of Walter of Brienne (1311 to 1342), there was a significant change in the Florentine pattern of political organization. -
Medieval Mediterranean Influence in the Treasury of San Marco Claire
Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco Claire Rasmussen Thesis Submitted to the Department of Art For the Degree of Bachelor of Arts 2019 2 TABLE OF CONTENTS Page CHAPTER I. Introduction………………………...………………………………………….3 II. Myths……………………………………………………………………….....9 a. Historical Myths…………………………………………………………...9 b. Treasury Myths…………………………………………………………..28 III. Mediums and Materials………………………………………………………34 IV. Mergings……………………………………………………………………..38 a. Shared Taste……………………………………………………………...40 i. Global Networks…………………………………………………40 ii. Byzantine Influence……………………………………………...55 b. Unique Taste……………………………………………………………..60 V. Conclusion…………………………………………………………………...68 VI. Appendix………………………………………………………………….….73 VII. List of Figures………………………………………………………………..93 VIII. Works Cited…………………………………………………...……………104 3 I. Introduction In the Treasury of San Marco, there is an object of three parts (Figure 1). Its largest section piece of transparent crystal, carved into the shape of a grotto. Inside this temple is a metal figurine of Mary, her hands outstretched. At the bottom, the crystal grotto is fixed to a Byzantine crown decorated with enamels. Each part originated from a dramatically different time and place. The crystal was either carved in Imperial Rome prior to the fourth century or in 9th or 10th century Cairo at the time of the Fatimid dynasty. The figure of Mary is from thirteenth century Venice, and the votive crown is Byzantine, made by craftsmen in the 8th or 9th century. The object resembles a Frankenstein’s monster of a sculpture, an amalgamation of pieces fused together that were meant to used apart. But to call it a Frankenstein would be to suggest that the object’s parts are wildly mismatched and clumsily sewn together, and is to dismiss the beauty of the crystal grotto, for each of its individual components is finely made: the crystal is intricately carved, the figure of Mary elegant, and the crown vivid and colorful.