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e ma yau movie torrent download ; ‘ ?’ ‘ , ! ’ , , , Ee.Ma.Yau Movie Official Trailer #2 HD | Vinayakan | Chemban Vinod | Dileesh Pothen | Pauly valsan. 55 ; , , . , , , , , , , , , , , , , . , , ? ? ? ? , ; , , , - ; , Ee Ma Yau. Ee Ma Yau is a Malayalam satire comedy set in a fishing village. Ee Ma Yau is directed by Lijo Jose Pellissery, the movie stars Vinayakan and Chemban Vinod Jose in lead roles. Ee Ma Yau was shot in a record time of 18 days. The film is scripted by National Award winner P F Mathews. The movie is set against the backdrop of a coastal village and the death of Vavachan Mesthri. The biggest wish of Vavachan Mesthri was to get a grand funeral ceremony, much similar to the one his father received. He had conveyed this wish to his son Eeshi and the movie follows the son's endeavor to make Vavachan's wish come true. Ee.Ma.Yau movie review: Lijo Jose Pellissery offers an enriching cinematic experience. Ee.Ma.Yau movie review: The dark satirical drama is penned by renowned writer P F Mathews, who has spun a relatable drama that unfolds in the aftermath of an unexpected death. Ee.Ma.Yau movie cast: Chemban Vinod Jose, Vinayakan, Dileesh Pothan Ee.Ma.Yau movie director: Lijo Jose Pellissery Ee.Ma.Yau movie rating: 5 stars. Director Lijo Jose Pellissery’s distinctive style of storytelling is going from strength to strength. His latest film is Ee.Ma.Yau, a short form of Eeso Mariyam Ouseppe. Eeso Mariyam Ouseppe is whispered in the ears of people on their death bed in certain Christian communities. Ee.Ma.Yau highlights the fact that for creating an immersive cinematic experience, one doesn’t need the best of film technology that big film studios can buy. All it takes, to put it like Alfred Hitchcock, is “script, script, script.” The dark satirical drama is written by renowned writer P F Mathews, who has spun a relatable drama that unfolds in the aftermath of an unexpected death. Set in the coastal stretch of Chellanam in Kochi, the film is a melting pot of myriad human emotions such as revenge, pride, ego, friendship, love, lust, greed and guilt. On a fateful day, Vavachan Mesthiri (Kainakari Thankaraj), probably in his late 60s or early 70, has an eventful evening. He puts down a fellow villager, who is much younger to him, in a fistfight after a heated exchange. He goes home with a duck sitting inside his carry bag that is closely held to his chest. Besides the duck, the bag contains a bottle of country-made liquor and a bundle of old high-value banknotes, both of which are banned by the government. He is brooding over something. His son Eeshi (a flawless Chemban Vinod Jose) make his father break his deep pensive silence with a glass of brandy. Vavachan recalls that his father had the grandest funeral that his village had ever seen. And that record apparently stands to date. He wants a spectacular funeral for himself. But can he with a bunch of banned Indian rupees which was his life’s only saving? Of course, not. Eeshi promises Vavachan that he will make sure he gets a glorious send-off like a king with a pricey casket and music band leading a grand procession. Watch Ee.Ma.Yau trailer here: Little did Eeshi know that he will have to make arrangements for the royal funeral that he promised his father just hours later. A drunk Vavachan is having a good time – drinking, singing and recounting his younger days in theatre and suddenly, he falls dead. The fall injures his head and causes bleeding. Vavachan’s house, set on the beachside, first feels like it is located in a secluded place. But, when the tragedy strikes, we understand that a close- knit community lies at the family’s doorstep. As Pennamma (newcomer Pauly Valsan) runs from door to door asking for help, for the first time the camera moves around showing the surroundings of Vavachan’s house. Now the film doesn’t just belong to Eeshi or Vavachan. The narration widens with each character that enters the frame having his or her purpose to fulfill and lead the story forward. The idea of the film is simple: a man died and his mortal remains need to be buried. But, is it as simple as it sounds, with every human being seeing an opportunity to indulge his or her cheap thrills? A rumor monger who floats a theory of foul play in Vavachan’s death. A vicar who wants to play Sherlock Holmes. A pervasive carpenter who makes weak coffins. An unscrupulous and greedy moneylender. The unhelpful police officials and medical staff. And last but not the least, Vavachan’s unlawful wife and children. Each character effectively contributes to the story in the run-up to an emotional ending. Jose plays a loving son who struggles to give his father the best funeral that his wife’s only gold chain can buy. Ayyappan (brilliantly played by Vinayakan) is seemingly the only character in the film with a good moral compass and Dileesh Pothan’s unforgiving Vicar Fr. Zazcharia Parappurath appearance is brief but significant. More or less every actor in the film gets to make an impression and that’s a no mean feat to achieve for a writer and a director. The entire film unfolds on the beachside. It is very difficult to spot a scene sans the presence of water. Cinematographer Shyju Khalid brilliantly follows the characters with his camera clearly conveying their emotional state. Lijo has also used the dark clouds, strong winds, fierce waves and animals to play up the volatile nature of the script. It, in fact, reminded me of Pather Panchali, in which Satyajit Ray had used the harsh elements of nature to visually capture the evils of poverty. Coming from a family with a strong theatre background, Lijo understands the importance of blocking a scene meaningfully. He applies the techniques of stage blocking as the movements of every character in his films are triggered by cues of other characters. With his ever-evolving storytelling techniques, Lijo does full justice to Mathews’ classic script. The Indian Express is now on Telegram. Click here to join our channel (@indianexpress) and stay updated with the latest headlines. Ee Ma Yau review: A gripping movie, go for it! As the end titles stop rolling and you get out of the cinemas, you start realizing the impact that filmmaker Lijo Jose Pellissery’s Ee Ma Yau has made on you. It’s like you have been part of an affecting incident and you were witnessing all that followed from close quarters. Not many films in Malayalam would make such an impact on you. Vavachan is coming back home, which is a modest one in a coastal area, after a while. On the way, he has a minor scuffle with one of his friends. His wife Pennamma (Pouly Valsan) and their son Eeshi (Chemban Vinod Jose) are happy to have him back. Eeshi shares some drinks with his dad, as the women folk are busy making dinner. But sometime in between, Vavachan falls down on the floor and dies. It’s the events that follow which takes the story ahead from then on and those scenes, the characters and the situations that they come across are strikingly real. The grief, the anxiety and the confusions that Eeshi faces become your own. The Panchayat member Ayyappan (Vinayakan), who comes there hearing about the news of Vavachan’s death, takes the responsibility to do all that is required for the funeral. But the vicar, Fr. Zacharias (Dileesh Pothen) has some doubts about what had actually happened that lead to the old man’s demise. With a stellar script by P F Mathews, Lijo packages the film with the skill of a spectacular craftsman. The story does not delve deep into the minds of the characters beyond a point though. Shyju Khalid’s brilliant visuals too add to the effect in a big way. Among the highlights of the film are the performances of the various actors. Chemban Vinod Jose presents Eeshi in a matured manner. Vinayakan proves once again what an amazing actor he is. Dileesh Pothen has a brief but convincing role. Pauly Valsan conveys the emotions mostly with her superb dialogue delivery. Ee Ma Yau is a gripping movie that could rank among the finest films in Malayalam during recent times. Go for it! Ee Ma Yau review: Verdict: Good. Reactions from Social Media: Anup @ThePuccaCritic Lijo Joseph Pellisery's new film is releasing this week. MAMI should have done a screening of that. Best Indian film you'll see this year. Atmospheric, haunting dark comedy. Better than even Angamaly. #EeMaYau. KeralaBoxoffice @KeralaBO1 #EeMaYau getting rave reviews. Another Lijo Pellisery gem after #AngamaliDiaries. Also takes better opening among today releases. @alluarjun 's #EntePeruSuryaEnteVeeduIndia getting decent reports but opening is below par..May pick up for evening shows. Forum Keralam (FK) @Forumkeralam1 #EeMaYau Chemban and Vinayakan comes up with yet another brilliant performances.Kainagiri Thangaraj is another superb addition while Dileesh, Pauly kannamaly etc are fine.There is a lot of character artists and they all contributes. Anoop Menon @godsonlymistake #EeMaYau is the slow-burning story of a funeral set in a fishing community within Chellanam. The dark, satirical plot takes a twist, and the sea besides the house grows progressively rough. This symbolically-heavy film is another masterpiece by @mrinvicible. nandu ss @rahmanaddict Lijo Jose Pellisserry seldom disappoints. Don't miss this gem. #EeMaYau. BetaKappa @twitrbk #EeMaYau The film is beautifully crafted.

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