DOCSLIB.ORG

Nacurhcheerguidebook.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nacurhcheerguidebook.Pdf Index CAACURH CHEERS 1 GLACURH CHEERS 2 IACURH CHEERS 3 MACURH CHEERS 4-5 NEACURH CHEERS 6 PACURH CHEERS 7 SAACURH CHEERS 8 SWACURH CHEERS 9-10 NACURH CHEERS 11 CAACURH CHEERS 1 Everywhere We Go Everywhere we go...(echo) People wanna know...(echo) Who we are! (echo) So we tell them (echo) WE ARE THE COUGARS! THE MIGHTY, MIGHTY COUGARS! 1,2,3,4... One! We are the Cougars! Two! A little bit louder! Three! I still can’t hear you.... For, we’re number... (repeat and get louder!) C x C---O x C---O---U---G---A---R We’re proud to be a Cougar ‘Cause a Cougar what we are! CAACURH C double A---C---U---R---H CAACURH CAACURH C double A---C---U---R---H CAACURH CAACURH Hey! Hey Mack! Cougars got your back! You gotta roll with the silver And jam with black! GLACURH CHEERS 2 MOWII Cheer On top of old MOWII All covered with fur We’ve got delegations That hail from GLACURH Michigan, Ontario And Illinois too... Indiana, Wisconsins Where MOWII goes moo GLACURH (the Oscar Myer way) Our region has a first name it’s G-R-E-A-T Our region has a second name it’s L-A-K-E-S Oh, we love GLACURH in every way And if you ask us why we’ll say... Cause RHA’s have a way with G-L-A-C-U-R-H GLACURH Song GLACURH, GLACURH-ation We’re the Great Lakes delegation When we sing with jubilation We create a sen-sation! Great Lakes Gimme a long L (L) Gimme a short l (l) Don’t gimme no ponds, no ponds Don’t gimme no oceans, no oceans Just gimme those lakes, those Great Lakes L-A-K-E-S Gimme a long lake (Superior) Gimme a short lake (Erie) Don’t gimme no ponds, no ponds Don’t gimme no oceans, no oceans Just gimme those lakes, those Great Lakes IACURH CHEERS 3 IACURH STAR I’m an IACURH, an IACURH, an IACURH Star And I come from the West, where the cowboys are I can ride’em, I can rope’m, I can show’em how it’s done I’m a rootin’-tootin’ cowboy with a six shooter fun Ba-bada-dada (shoot fake guns) Bang. Bang. (blow smoke from gun barrels) One Monkey One, we are the monkeys Two, a little bit louder Three, I still can’t hear you Four... more, more, more (repeat it louder) IACURH’s the Best Hey IACURH! Hey what? Hey IACURH! Hey what? Who’s the best? We’re the best! The best by far We smoked your butt like a cheap cigar We’re motivated, dedicated, that’s our style We’ve been that way for a long, long while So drive on IACURH, drive on <stomp, stomp> Drive on IACURH, drive on <stomp, stomp> SO what do you think of us now? Whoooooooa, take that! MACURH CHEERS 4 M-A-C-U-R-H Give a Big M (M) MACURH! Give me a little m (m) MACURH! Don’t give me no pop, no pop, (Repeat as many times as needed) Don’t give me no tea, no tea, Just give me that Milk MACURH Heat Moo, moo, moo, moo It’s hot in here! That MACURH milk It’s hot in here! Moo, moo, moo, moo It must be MACURH in the atmosphere! (Go through entire M-I-L-K) (repeat 2 or 3 times) MACURH in the House Hip Hop Hot Who’s in the house? Hip, Hop MACURH is hot I say, MACURH’s in the house Let me see your booty drop And when MACURH’s in the house Boom. Shake it up, shake it up We rock it all the way down Boom. Shake it up, shake it up (repeat as needed) (repeat) Hidey Ho MACURH Sound Off Hidey hidey hidey ho (repeat) I don’t know what you’ve been told What do you say what do you know (repeat) (repeat) But MACURH is as good as gold (repeat) I’ve got the MACURH Spirit (repeat with Am I wrong or right? (You’re right!) he’s or she’s) Am I wrong or right? (You’re right!) I’ve got it all the time (repeat, with the he’s Sound off (1-2) or she’s) Sound off (3-4) We’re gonna pick it on up (repeat) Bring it down! And pass it along (repeat) (M-A-C-U-R-H, MACURH!) To my good friend ______ (repeat) Cause she’s/he’s got it all the time (repeat) We’re Bad! (repeat as needed with the named leader) We’re bad, we know it We came, to show it! What you see is what you get And you ain’t seen nothing yet! MACURH Milk MACURH CHEERS 5 From the East to the West MACURH is the best I said from the East to the West MACURH is the best Sha-na-na-na-na Sha-na-na-na-na-na Sha-nanananananananana Sha-na-na-na-na-na From the city to city MACURH girls are really pretty I said from city to city MACURH girls are really pretty (repeat sha-na’s from above) From line-to-line MACURH guys are really fine (repeat sha-na’s from above) From coast-to-coast MACURH is the most I said from coast-to-coast MACURH is the most From the North to the South MACURH rocks the house I said from the North to the South MACURH rocks the house (repeat the sha-na’s from above) NEACURH CHEERS 6 NEACURH Let me hear you clap your hands! NE-ne-ne with an ah clap clap, clap clap clap clap ah-ah-ah with a curh clap clap, clap clap clap clap Ne with an ah, ah with a curh Now that you got that best NE-A-CURH (repeat) Let me hear you stomp your feet! stomp stomp, stomp stomp stomp stomp The Moose is my Daddy stomp stomp, stomp stomp stomp stomp The moose, the moose, the moose is my Now that you got that groove daddy Let me see your body move! The moose, the moose, the moose is my (sway left) Ah OOH ah ah ah daddy (sway right) Ah OOH ah ah ah (Arm to the left, arm to the right, pelvic thrust) Build Me Up NEACURH Repeat in Spanish (“El Moose es mi papi”) Why don’t you come on in (come on in) and French (“Le Moose est mon pere”) to NEACURH, baby Just to look around (look around) Moose and maybe hangout Give a big M (M) And then you will see (you will see) Give me a small m (m) that what we’ve got goin as a family Don’t give me no elk, no elk (family) with us and Marty! Don’t give me no deer, no deer We want you (yes the moose!) Just give me that moose, moose, moose, more than anyone, darlin’ moose, moose You know that our pride is on fire That NEACURH moose, moose, moose, Some come on in (come on in) moose, moose come on in, to NEACURH! Give me a big double O (O) Give me a small double o (o) Marty (refrain) M-A-R-T-Y Repeat with all letters in MOOSE Show our region’s pride! End with: <stomp, stomp, clap, clap> Give me a big moose NEACURH Moose, Moose, Marty! Give me a small moose Bullwinkle <stomp, stomp, clap, clap> (refrain) Moose, Moose, Marty Marty, Marty, Marty, Marty, NE-A-CURH NEACURH Fans Woo! Hey all you NEACURH/Marty fans PACURH CHEERS 7 Don’t Give Me No PACURH Up Give me a big P (P) PA-PA Give me a little p (p) PACURH UP Don’t give me no moose, no moose PA-PA Don’t give me no money, no monkey PACURH UP Don’t give me no lion, no lion PA-PA Just give me that frog, frog, frog, frog, frog PACURH UP That PACURH frog, frog, frog, frog, frog PACURH UP AND KISS IT! (repeat for all of PACURH) Give me a big PACURH (California or Alaska or Australia) Give me a little PACURH (Hawaii) (refrain) The Froggie Wiggle Who rocks the house? PACURH rocks the house! And when PACURH rocks the house, They rock it all the way down! (repeat) I’m a Froggie I’m a froggie You’re a froggie We are froggies all And when we get together We do the froggie call Ribbit ribbit ribbit, Ribbit ribbit ribbit Ribbit ribbit ribbit, Ribbit ribbit croak PA-CURH P-P-PAC (P-P-PAC) U-U-URH (U-U-URH) PAC (PAC) URH (URH) PA-CURH SAACURH CHEERS 8 Jungle Ghostbusters Deep in the heart of the fiercest jungle, When there’s somethin’ strange, You can hear those lions rumble at NACURH OO-AH/OO-AH/OO-AH (beat chest on Who you gonna call? each beat) SAACURH! ROAR! Lions I said I’m proud, to be, a SAA-CURH Lion... (I said I’m proud, to be, a SAA-CURH Lion) Tune of Inspector Gadget Da-da-da-da-da The South Atlantic Da-da-da-da-da SAACURH! Tune of Scooby Doo SAACURH SAACURH SAACURH, where are you? We’ve got some work to do now! SAACURH SAACURH SAACURH, where are you? It’s time to represent now! Tune of Louie Louie Louie Louie, OHHHHHH YEAH We are from SA-AA-AA-A-CURH Louie Louie, OHHHHHH YEAH We are from SA-AA-AA-A-CURH COPS Theme Song SAACURH, SAACURH What you gonna do? What you donna do when we cheer for you? SWACURH CHEERS 9 A Lot Head Southwest Arkansa, Louisiana, Oklahoma, Texas SWACURH SWACURH Party with A LOT, Party with A LOT we’re for real It’s not what you say it’s how you feel Lookin Good So if you’re looking for the best Hey SWACURH! Hey what? Come on down and head southwest You’re lookin good today Well the duck looks good, everyday Hey, Hey You With our tails up in the air Hey, Hey you Shakin’em like we don’t care Whatchu gonna do Yeah, we’re gonna shake’em We’re the mighty mighty ducks Aight Boom, shake it up shake it up And we’ll QUACK all over you Boom, shake it up shake it up I Just want to be a DUCK! Quack and Waddle I don’t want to be a cougar, SWA *clap(x3)* I don’t want to be a cow CURH *clap(x3)* I just want to be a DUCK, Mighty *clap(x3)* Quack Quack Quack Quack Ducks *clap clap* I don’t want to be a frog Put your hands on your hips and wiggle your I don’t want to be a lion butt I just want to be a DUCK Put your hands on your shoulders and you’re Quack Quack Quack Quack doin the duck I don’t want to be a moose, Quack Quack, Waddle Waddle I don’t want to be a monkey, Quack Quack, Waddle Waddle I just want to be a DUCK Quack Quack Quack Quack Who are we? I don’t want to be a polar bear We are SWACURH (repeat) I just want to be the best Mighty mighty SWACURH (repeat) So let me stick to being a DUCK Everywhere we go (repeat) Quack Quack Quack Quack People want to know (repeat) Who we are (repeat) Rise Up So we tell them (repeat) Rise up! We are the ducks (repeat) Gather ‘round! Mighty mighty ducks (repeat) SWACURH’s gonna rock this place to the Everywhere we go (repeat) ground People want to know (repeat) Get up and rock until you drop What we sound like (repeat) The Mighty Ducks will never stop! So we tell them (repeat) Quack, Quack, Quack, ect.
Load more

Recommended publications
  • Patriotic Cheers Shac.Org/Patriotic-Theme
    Patriotic Cheers shac.org/patriotic-theme Cut out cheers and put in a cheer box. Find more cheers and instructions to make a cheer box at shac.org/cheers. America Cheer Eagle Applause Firecracker Cheer Shout A-M-E-R-I-C-A Grab imaginary match from back Lock thumbs, pocket, and light imaginary (3 times), Cub Scouts, flutter fingers like wings, firecracker held in the other USA! shout "Cree, cree!" hand, throw it on the ground, make noise like fuse "sssss", then yell loudly "BANG, BANG, BANG!" Fireworks Cheer Flag Cheer Flag Wave Everyone stands, points upward Pretend to raise the flag by Do the regular “wave” where one and shouts, “Skyrocket! Whee!” alternately raising hands over the group at a time starting from one (then whistle), then yell head and “grasping” the rope to side, waves – but announce that it’s a Flag Wave in honor of our Flag. “Boom! Boom!” pull up the flag. Then stand back, salute and say “Ahhh!” Fourth of July Cheer Liberty Bell Yell Rocket Cheer Stand up straight and Ding, Ding, Ding, Dong! Squat down slowly shout "The rockets red Let freedom ring! saying, “5-4-3-2-1” and glare!" then yell, BLAST OFF! And jump into the air. Patriotic Cheer Mount New Citizen Cheer To recognize the hard work of Shout “U.S.A!” and thrust hand learning in order to pass the test with doubled up fist skyward Rushmore Cheer to become a new citizen, have while shouting “Hooray for the Washington, Jefferson, everyone stand, make a salute, Red, White and Blue!” Lincoln, Roosevelt! and say “We salute you!” Soldier Cheer Statue of Liberty USA-BSA Cheer Stand at attention and Cheer One group yells, “USA!” The salute.
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • Blacks Reveal TV Loyalty
    Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows.
    [Show full text]
  • General Cheers
    NWA Kickball Cheers General Cheers Alamo: Kick it high. Kick it low. Kick it to the Alamo. Alamo, here we come. __________ is number one! Hot Dog: __________ wants a hot dog. __________ wants a coke. __________ wants a Home Run, and that's no joke! __________ wants a an orange. __________ wants a shake. __________ wants a to make it to Home Plate! Rock You [ Stomp, stomp, clap. Stomp, stomp, clap. ] We will, we will … Rock you down. Shake you up. Like a volcano ready to erupt. Watch out world. Here we come. __________ is number one! Froggy There was a little froggy -- sitting on a log He rooted for the other team -- it made no sense at all. We pushed him the water, and bonked his little head. And when he came back up again, this is what he said, he said: Go! Go, go! Go, mighty __________ . Fight! Fight, fight! Fight, mighty __________ . Win! Win, win! Win, mighty __________ . Go! Fight! WIn! Beat 'em till the end. Wooo! Big We’re BIG - B. I. G. And we’re BAD - B. A. D. And we’re BOSS - B. O. S. S. - B. O. S. S. - BOSS ! (REPEAT) We Are We are the __________ . Couldn't be prouder. If you can't hear us, we'll yell a little louder. (REPEAT - Louder each time) Stand Up Two bits! Four bits! Six bits! A dollar! All for the __________ stand up and holler! Call & Answer Cheers Dynamite: Our team is WHAT? DYNAMITE! Our team is WHAT? DYNAMITE! Our team is -- Hold on.
    [Show full text]
  • Cheers, Friends!
    CHEERS, FRIENDS! 7042 E. INDIAN SCHOOL RD. • SCOTTSDALE, AZ BLUECLOVERDISTILLERY.COM /BLUECLOVERDISTILLERY ENTRÉES ALWAYS HUNGRY SANDWICHES & BURGERS ALL SANDWICHES COME WITH YOUR CHOICE OF: SOUP • REGULAR FRIES • SWEET POTATO TOTS TACOS* $17 Served with 3 flour tortillas, creamed corn and black beans WE TAKE DIY LITERALLY. FISH — Grilled fish, cabbage, pineapple pico, From in-house distilled spirits to locally-sourced food salsa verde, green chili crema and cotija cheese, in our scratch kitchen, we are 100% hands-on. FARM EGG AND BACON GREEN CHILE GRILLED CHEESE* $14 CHEESEBURGER* $15 STEAK — Grilled steak, cabbage, tomato pico, salsa (V) 2 fried farm eggs with strips of bacon served 7-ounce chuck and brisket blend served on a verde, cilantro and queso blanco HOUSE VEGETARIAN on sourdough with melted pepper jack cheese, potato bun with green chile, pepper jack cheese, SPECIALTY ITEM arugula and truffle aioli mayonnaise, lettuce, onions and tomatoes CHICKEN — Grilled chicken, cabbage, cilantro, + BACON* $2 salsa verde and queso blanco BC PASTRAMI $14 STARTERS SOUPS Carnegie deli New York pastrami served on CLASSIC BURGER* $14 CLASSIC CHICKEN STRIPS* $14 sourdough with Havarti cheese, sauerkraut and 7-ounce chuck and brisket blend served on a 4 country-fried chicken strips, accompanied with a house Russian dressing potato bun with cheddar cheese, lettuce, onions, fries; with chorizo gravy and BBQ dipping sauce tomatoes and mayo HOUSE CHIPS AND SALSA $7 CHICKEN TORTILLA $5 BLUE CLOVER KICKER $15 + BACON* $2 SMOKED SALMON* $18 House-made
    [Show full text]
  • Boston Massachusetts in Fiction Cheers Ally Mcbeal Good Will Hunting the Verdict the Handmaids Tale Spenser Fringe
    BOSTON MASSACHUSETTS IN FICTION CHEERS ALLY MCBEAL GOOD WILL HUNTING THE VERDICT THE HANDMAIDS TALE SPENSER FRINGE PDF-29BMIFCAMGWHTVTHTSF0 | Page: 117 File Size 5,182 KB | 24 Jun, 2020 TABLE OF CONTENT Introduction Brief Description Main Topic Technical Note Appendix Glossary PDF File: Boston Massachusetts In Fiction Cheers Ally Mcbeal Good Will Hunting The Verdict The 1/2 Handmaids Tale Spenser Fringe - PDF-29BMIFCAMGWHTVTHTSF0 Boston Massachusetts In Fiction Cheers Ally Mcbeal Good Will Hunting The Verdict The Handmaids Tale Spenser Fringe e-Book Name : Boston Massachusetts In Fiction Cheers Ally Mcbeal Good Will Hunting The Verdict The Handmaids Tale Spenser Fringe - Read Boston Massachusetts In Fiction Cheers Ally Mcbeal Good Will Hunting The Verdict The Handmaids Tale Spenser Fringe PDF on your Android, iPhone, iPad or PC directly, the following PDF file is submitted in 24 Jun, 2020, Ebook ID PDF-29BMIFCAMGWHTVTHTSF0. Download full version PDF for Boston Massachusetts In Fiction Cheers Ally Mcbeal Good Will Hunting The Verdict The Handmaids Tale Spenser Fringe using the link below: Download: BOSTON MASSACHUSETTS IN FICTION CHEERS ALLY MCBEAL GOOD WILL HUNTING THE VERDICT THE HANDMAIDS TALE SPENSER FRINGE PDF The writers of Boston Massachusetts In Fiction Cheers Ally Mcbeal Good Will Hunting The Verdict The Handmaids Tale Spenser Fringe have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication. The creators will not be held accountable for any unintentional flaws or omissions that may be found. PDF File: Boston Massachusetts In Fiction Cheers Ally Mcbeal Good Will Hunting The Verdict The 2/2 Handmaids Tale Spenser Fringe - PDF-29BMIFCAMGWHTVTHTSF0.
    [Show full text]
  • 8 TV Power Games: Friends and Law & Order
    8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and profits The legal drama series Law & Order was first broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV.
    [Show full text]
  • Scene on Radio American Empire (Season 4, Episode 9) Transcript
    Scene on Radio American Empire (Season 4, Episode 9) Transcript http://www.sceneonradio.org/s4-e9-american-empire/ John Biewen: Chenjerai, we are opening a can of worms with this one. We’ve talked a lot about how the U.S. has dealt with democracy on the North American continent. But we really haven’t explored the U.S role in democracy out there in the larger world. Chenjerai Kumanyika: Oh, so you mean like how we’ve brought democracy to other people around the world? John Biewen: Well, we’ve brought something. But, yes, actually I thought we should as part of this series, we should explore an idea that is controversial for a lot of people, and that is the idea of American empire. Chenjerai Kumanyika: Okay, so, what you’re saying is we’re about to start a whole new podcast. Like right now. John Biewen: (Laughs) Exactly. Obviously, it could be at least a twenty part series, but actually, for today, maybe, could we just do one episode? 1 Chenjerai Kumanyika: I think it’s easy actually. America’s not an empire. We’re a force for freedom in the world, and my evidence for this is World War II. And I think we’re done. Thanks for listening. John Biewen: (laughs) Yeah. That does settle it really. Chenjerai Kumanyika: This is one of those areas where I think it’s good to have a podcast actually, because this stuff comes up in my social world, you know, like at dinner parties. Do you remember before COVID when we used to actually have dinner parties? John Biewen: Faint memories of that experience.
    [Show full text]
  • The Lucy Show I Love Lucy the Lucy Show I Love Lucy The
    Daniel Boone EFFECTIVE 10/05/2020 ALL TIMES EASTERN MONDAY - FRIDAY SATURDAY SUNDAY 7:00a The Jeffersons 7:00a Various 7:30a The Jeffersons 7:30a 8:00a Through 8:00a Through The Decades 8:30a The Decades (R) 8:30a 9:00a The Lucy Show I Love Lucy 9:00a 9:30a The Lucy Show I Love Lucy 9:30a 10:00a The Donna Reed Show Our Miss Brooks Kids E/I 10:00a 10:30a The Donna Reed Show I Married Joan Programming 10:30a 11:00a Family Affair The Donna Reed Show 11:00a 11:30a Family Affair The Donna Reed Show 11:30a 12:00p Petticoat Junction Family Affair 12:00p 12:30p Petticoat Junction Family Affair 12:30p 1:00p I Love Lucy Petticoat Junction 1:00p 1:30p I Love Lucy Petticoat Junction 1:30p 2:00p The Mary Tyler Moore Show The Mary Tyler Moore Show 2:00p 2:30p The Mary Tyler Moore Show The Mary Tyler Moore Show 2:30p 3:00p The Dick Van Dyke Show The Bob Newhart Show 3:00p 3:30p The Dick Van Dyke Show The Bob Newhart Show 3:30p 4:00p The Bob Newhart Show Newhart 4:00p 4:30p Newhart Newhart 4:30p 5:00p The Jeffersons 5:00p 5:30p The Jeffersons 5:30p 6:00p The Best of The Ed Sullivan Show 6:00p 6:30p The Best of The Ed Sullivan Show 6:30p 7:00p 7:00p Rowan & Martin's Laugh-In 7:30p 7:30p 8:00p 8:00p Through The Decades 8:30p 8:30p 9:00p 9:00p The Dick Cavett Show 9:30p 9:30p 10:00p The Dick Van Dyke Show 10:00p 10:30p The Dick Van Dyke Show 10:30p 11:00p Cheers 11:00p 11:30p Cheers 11:30p 12:00a Taxi 12:00a 12:30a The Bob Newhart Show 12:30a 1:00a The Lost Honeymooners 1:00a 1:30a Get Smart Continuing episodes of 1:30a 2:00a The Phil Silvers Show TV favorites every weekend.
    [Show full text]
  • \\Fileprod-Prc-Dc\Peoplepress\Pew Projects\1998\05-98 2 Seinfeld
    FOR RELEASE: FOR FURTHER INFORMATION CONTACT: SUNDAY, MAY 10, 1998, 4:00 P.M. (BROADCAST) Kimberly Parker or Greg Flemming MONDAY, MAY 11, 1998, A.M. (PRINT) Fans Say Yada Yada MIXED REACTION TO POST-SEINFELD ERA The situation comedy “Seinfeld” may be the most popular television show of its time, but only half of the people who watch it say they’ll miss it when it’s gone. And even fewer want friends like Jerry, George, Elaine and Kramer. The Seinfeld Audience... Young, Affluent and Single Today, 62% of the public says they watch the Ever Watch? program, and, at least for now, “Seinfeld” tops the list of Yes No all-time favorite comedy programs. In a new Pew Research Total 62 38=100 Center survey, 14% of Americans name the show as their Male 66 34 favorite. M*A*S*H ranks second with 6%. Female 58 42 18-29 81 19 The tearful farewells fans gave other popular 30-49 65 35 sitcoms, however, are unlikely to follow the “Seinfeld” 50-64 56 44 finale: 51% of viewers say they won’t miss the show much. 65+ 34 66 Only 19% of “Seinfeld” viewers say they will miss the College Grad. 70 30 show a great deal, another 29% will miss it a fair amount. Some College 66 34 H.S. Grad 62 38 Just as the sitcom’s trademark indifference is < H.S. 46 54 mirrored in these findings, “Seinfeld” viewers reflect the $75,000+ 71 29 characters: Fans are young, affluent and single. Fully 81% $50,000-74,999 74 26 of those under age 30 watch the show compared to just 34% $30,000-49,999 66 34 $20,000-29,999 55 45 of those over 65; 71% of those earning more than $75,000 < $20,000 52 48 tune in compared to 52% of those with incomes under $20,000; and 71% of single people watch the show versus Single 71 29 Married 59 41 59% of married folks.
    [Show full text]
  • Tv Land Unwraps a Sack Load of Holiday Cheer with Classic Christmas Episodes Beginning Monday, December 24
    Contacts: Elaine Wilcox Vanessa Reyes TV Land TV Land (212) 846-5502 (310) 752-8081 TV LAND UNWRAPS A SACK LOAD OF HOLIDAY CHEER WITH CLASSIC CHRISTMAS EPISODES BEGINNING MONDAY, DECEMBER 24 New York, NY, December 10, 2007 – Jingle Bells ring when TV Land rolls out a collection of classic Christmas episodes during TV Land’s 8th Annual Merry-thon. The twenty-four hour celebration begins Monday, December 24 through Tuesday, December 25 from 5:00pm - 5:00pm (ET/PT): features some of America's favorite television families including - The Ingalls, The Jeffersons, The Bunkers, The Bradys, and more. Tune in as the Ingalls recall their fondest memories of Christmases past, Louise help George find the father he never knew, Cindy ask Santa for help and Edith and Archie feast on a holiday dinner. TV Land's 8th Annual Merry-thon block schedule is as follows (all times listed are ET/PT): EST Merry-thon 12/24-12/25 5:00PM Gunsmoke #146 6:00PM Little House #167 7:00PM Good Times #97 All in the Family #194 8:00PM MASH #203 MASH #228 9:00PM Beverly Hillbillies #50 Jeffersons #99 10:00PM Sanford and Son #104 Three's Company #20 11:00PM MASH #203 MASH #228 12:00AM Cheers #133 Night Court #2 1:00AM Night Court #90 2:00AM Designing Women #34 Designing Women #131 3:00AM Wings #17 Wings #60 4:00AM Highway to Heaven #62 5:00AM Little House #167 6:00AM Gunsmoke #146 -more- Page 2: TV LAND MERRY-THON TV Land's 8th Annual Merry-thon block schedule is as follows (all times listed are ET/PT) con’t: 7:00AM Green Acres #46 Addams Family #49 8:00AM All in the Family #26 All in the Family #149 9:00AM Brady Bunch #12 Cheers #12 10:00AM Wings #17 Wings #60 11:00AM Night Court #2 Night Court #90 12:00PM Sanford and Son #104 Cheers #133 1:00PM Brady Bunch #12 Jeffersons #49 2:00PM Jeffersons #99 All in the Family #26 3:00PM All in the Family #149 Three's Company #20 4:00PM Good Times #97 Good Times #121 TV Land and all related logos and titles are trademarks of Viacom International Inc.
    [Show full text]
  • A Young Media Person's Guide to Evaluating Pilots
    May 2019 #61 __________________________________________________________________________________________ _____ A Young Media Person’s Guide to Evaluating Pilots By Steve Sternberg This week the broadcast networks are announcing their primetime fall schedules for next season. In the days that follow, insiders at advertisers and their agencies, as well as TV critics and media analysts like me, will get to see all the pilots for their new fall TV shows. Predictions of hits and misses will commence soon thereafter. In the 30 years that I’ve been analyzing TV programming, the idea of what makes a successful series has changed dramatically. In the 1980s, a 30 share among households was the benchmark of success for a new broadcast network series (something that today would be a truly remarkable number). During the 1990s, as cable began siphoning off broadcast viewers, a 20 share or a reasonably strong demographic performance (finishing first or second in its time period among adults 18-34 or 18-49) was considered successful. Throughout the 2000s, as DVR, multimedia device and streaming penetration started growing, definitions of success became more nebulous – finishing first or second in a time period, holding a solid portion of its lead-in audience, performing well among a certain demographic segment, doing well relative to the network’s other programming, receiving a strong bump in time-shifted viewing, and being popular on social media, all contribute to whether a new show is perceived as successful. __________________________________________________________________________________________ Your Ad can go here and reach media decision makers. 85% of those surveyed said they read The Sternberg Report the day they receive it.
    [Show full text]