Meagan Costello Freelance Film Editor

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MEAGAN COSTELLO FREELANCE FILM EDITOR 2019 BABY STEPS (pilot) /// Directors: Fia Perera + Dava Krause 2019 THE CALL (short) /// Director: Angelica Weaver 2018 THE WATER SONG (short) /// Director: Dave Janetta 2018 MARY POPPINS RETURNS (DISNEY) Director: Rob Marshall • Editor: Wyatt Smith 2016 DOCTOR STRANGE (MARVEL + DISNEY) Director: Scott Derrickson • Editors: Wyatt Smith + Sabrina Plisco 2015 THE NICE GUYS (WARNER BROS.) Director: Shane Black - - - Editor: Joel Negron 2014 GUARDIANS OF THE GALAXY (MARVEL + DISNEY) Director: James Gunn • Editors: Fred Raskin, Hughes Winborne, Craig Wood 2013 THOR: THE DARK WORLD (MARVEL + DISNEY) Director: Alan Taylor • Editors: Dan Lebental, Wyatt Smith, Conrad Buff 2012 PAIN & GAIN (PARAMOUNT) Director: Michael Bay • Editor: Joel Negron + Tom Muldoon 2012 21 JUMP STREET (SONY) Directors: Phil Lord + Chris Miller • Editor: Joel Negron 2011 BRIDESMAIDS (UNIVERSAL) Director: Paul Feig • Editors: Bill Kerr + Mike Sale 2010 THE LAST AIRBENDER (PARAMOUNT) Director: M. Night Shyamalan • Editor: Conrad Buff 2009 ALICE IN WONDERLAND (DISNEY) Director: Tim Burton • Editor: Chris Lebenzon 2008 THE MUMMY: TOMB OF THE DRAGON EMPEROR (UNIVERSAL) Director: Rob Cohen • Editors: Joel Negron & Kelly Matsumoto 2007 THE INVASION (WARNER BROS) Director: Oliver Hirschbiegel & James McTeigue • Editor: Joel Negron 2006 GRIDIRON GANG (SONY) Director: Phil Joanou • Editor: Joel Negron UNIVERSITY OF CALIFORNIA SAN DIEGO Bachelor of Arts, June 2002 Major: Communications; Minor: Visual Arts/Media History and Criticism MOTION PICTURE EDITORS GUILD, Assistant Editor WOMEN IN FILM LA + NY, Executive Member NEW YORK POST ALLIANCE, Member.

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PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates of the Caribbean: at World’S End)
WALT DISNEY PICTURES Presenta In associazione con JERRY BRUCKHEIMER FILMS PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates Of The Caribbean: At World’s End) Regia GORE VERBINSKI JOHNNY DEPP ORLANDO BLOOM KEIRA KNIGHTLEY STELLAN SKARSGǺRD BILL NIGHY con CHOW YUN-FAT e GEOFFREY RUSH JACK DAVENPORT, KEVIN R. MCNALLY, NAOMIE HARRIS, TOM HOLLANDER e JONATHAN PRYCE LEE ARENBERG, MACKENZIE CROOK, DAVID BAILIE, MARTIN KLEBBA Distribuito da BUENA VISTA INTERNATIONAL Data di uscita: 23 maggio 2007 Durata: 2 ore e 49 minuti PIRATI DEI CARAIBI Ai Confini Del Mondo Regia GORE VERBINSKI Sceneggiatura TED ELLIOTT & TERRY ROSSIO Tratto Dai Personaggi Creati Da TED ELLIOTT & TERRY ROSSIO e STUART BEATTIE e JAY WOLPERT Tratto Da ”LA MALEDIZIONE DELLA PRIMA LUNA” della Walt Disney Prodotto Da JERRY BRUCKHEIMER Produttori Esecutivi MIKE STENSON CHAD OMAN BRUCE HENDRICKS ERIC MCLEOD Direttore Della Fotografia DARIUSZ WOLSKI, ASC Scenografie RICK HEINRICHS Montaggio CRAIG WOOD STEPHEN RIVKIN, A.C.E. Costumi PENNY ROSE Supervisione Effetti Visivi JOHN KNOLL CHARLES GIBSON Musiche HANS ZIMMER Supervisione Musiche BOB BADAMI Casting DENISE CHAMIAN, CSA Casting Uk PRISCILLA JOHN, CDG Unit Production Manager ERIC MCLEOD Unit Production Manager DOUGLAS C. MERRIFIELD First Assistant Director DAVID H. VENGHAUS, JR. Second Assistant Director AMY J. SCHMIDT Associate Producer PAT SANDSTON ILM Animation Supervisor HAL HICKEL ILM Visual Effects Producer JILL BROOKS Additional Editing by DAN HANLEY Score Co-Produced by MELISSA MUIK Special Appearance by KEITH RICHARDS CAST Jack Sparrow JOHNNY DEPP Barbossa GEOFFREY RUSH Will Turner ORLANDO BLOOM Elizabeth Swann KEIRA KNIGHTLEY Norrington JACK DAVENPORT Davy Jones BILL NIGHY Governor Weatherby Swann JONATHAN PRYCE Pintel LEE ARENBERG Ragetti MACKENZIE CROOK Gibbs KEVIN R.
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Once Upon a Time in Hollywood
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE SUMMER MOVIE ISSUE IN THIS ISSUE Once Upon a Time in Hollywood PLUS John Wick: Chapter 3 – Parabellum Rocketman Toy Story 4 AND MUCH MORE! US $8.95 / Canada $8.95 QTR 2 / 2019 / VOL 69 FOR YOUR EMMY ® CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES - STEVE SINGLETON FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE COVER 2 ISSUE: SUMMER BLOCKBUSTERS EMMY NOMINATION ISSUE NETFLIX: BODYGUARD PUB DATE: 06/03/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. We would like to send that message in • Tribeca Film Festival solidarity.
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Attila Szalay
CRAIG WOOD, ACE EDITOR FEATURES: THE ETERNALS Marvel Prod: Kevin Feige, Nat Moore Dir: Chloe Zhao MALEFICENT 2 (Shared Credit) Disney Prod: Joe Roth, Jeffrey Kirschenbaum Dir: Joachim Ronning ANTMAN AND THE WASP (Shared Credit) Marvel Prod: Kevin Feige, Victoria Alonso Dir: Peyton Reed GUARDIANS OF THE GALAXY 2 (Shared Credit) Marvel Prod: Kevin Feige, Victoria Alonso Dir: James Gunn THE GREAT WALL Legendary Pictures Prod: Bennett Walsh, Jon Jashni Dir: Yimou Zhang TOMORROW LAND Disney Prod: Brigham Taylor, Jeffrey Chernov Dir: Brad Bird GUARDIANS OF THE GALAXY (Shared Credit) Marvel Prod: Kevin Feige, Victoria Alonso Dir: James Gunn *Nomination A.C.E. (Eddie) Award for Best Edited Feature Film (Comedy or Musical), 2015 CUT BANK (Shared Credit) Untitled Entertainment Prod: Dan Cohen, J.M. Logan Dir: Matt Shakman THE LONE RANGER Walt Disney Pictures Prod: Jerry Bruckheimer, Ted Elliot Dir: Gore Verbinski 47 RONIN Universal Pictures Prod: Eric McLeod, Scott Stuber Dir: Carl Rinsch RANGO Paramount Pictures Prod: John Logan, Gore Verbinski Dir: Gore Verbinski *A.C.E. Award (Eddie) for Best Edited Animated Feature Film, 2012 NIM’S ISLAND Summit Entertainment Prod: Paula Mazur, Stephen Jones Dir: Jennifer Flackett, Mark Levin THE BURNING PLAIN Parkes / MacDonald Prod: Laurie MacDonald, Walter Parkes Dir: Guillermo Arriaga Productions NEVER BACK DOWN (Additional Editor) Summit Entertainment Prod: Craig Baumgarten, David Zelon Dir: Jeff Wadlow PIRATES OF THE CARIBBEAN 3 Disney/ Buena Vista Prod: Jerry Bruckheimer, Eric McLeod Dir: Gore Verbinski AT WORLD’S END (Co-Editor) *Nomination A.C.E. (Eddie) Award for Best Edited Feature Film (Comedy or Musical), 2008 PIRATES OF THE CARIBBEAN 2: Disney/ Buena Vista Prod: Jerry Bruckheimer, Chad Oman Dir: Gore Verbinski DEAD MAN’S CHEST (Co-Editor) *Nomination A.C.E.
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Dossier De Presse
MATT DAMON LE 11 JANVIER 2017 LEGENDARY PICTURES et UNIVERSAL PICTURES présentent une production LEGENDARY PICTURES / ATLAS ENTERTAINMENT (THE GREAT WALL) un film de ZHANG YIMOU avec MATT DAMON JING TIAN PEDRO PASCAL WILLEM DAFOE et ANDY LAU Produit par ERIC HADAYAT, ER YOUNG et ALEX HEDLUND Une histoire de MAX BROOKS, EDWARD ZWICK et MARSHALL HERSKOVITZ Scénario de CARLO BERNARD, DOUG MIRO et TONY GILROY SORTIE LE 11 JANVIER 2017 Durée : 1h44 Matériel disponible sur www.upimedia.com DISTRIBUTION PRESSE Universal Pictures International SYLVIE FORESTIER 21, rue François 1er YOUMALY BA 75008 Paris assistées de COLOMBE SIROT Tél. : 01 40 69 66 56 [email protected] www.lagrandemuraille-lefilm.com SYNOPSIS Entre le courage et l’effroi, l’humanité et la monstruosité, il existe une frontière qui ne doit en aucun cas céder. William Garin (Matt Damon), un mercenaire emprisonné dans les geôles de la Grande Muraille de Chine, découvre la fonction secrète de la plus colossale des merveilles du monde. L’édifice tremble sous les attaques incessantes de créatures monstrueuses, dont l’acharnement n’a d’égal que leur soif d’anéantir l’espèce humaine dans sa totalité. Il rejoint alors ses geôliers, une faction d’élite de l’armée chinoise, dans un ultime affrontement pour la survie de l’humanité. C’est en combattant cette force incommensurable qu’il trouvera sa véritable vocation : l’héroïsme. - 2 - - 3 - NOTES DE PRODUCTION AU CŒUR DE LA MURAILLE : LA TRAME DU FILM L’histoire de LA GRANDE MURAILLE se déroule au nord de la Chine, à une époque très lointaine.
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The Director's Method in Contemporary Visual Effects Film
The Director’s Method in Contemporary Visual Effects Film: The Influence of Digital Effects on Film Directing Gianluca Balla PhD University of York Theatre, Film and Television September 2016 Abstract The director’ s method – meant as the organisation of the filmmaking process – is usually characterised by common procedures such as work on the script, shot design and the actors’ performance. For films involving a large-scale use of digital effects, directors consistently approach such procedures with a particular attitude dictated by the digital pipeline, the step-by- step technical procedure through which computer-generated images are created. In light of this, the use of digital effects might influence the director’s method. This thesis aims to define what is considered to be a consensual methodological approach to direct films with no or few digital effects and then compares this approach to when such effects are conspicuously involved. This analysis is conducted through interviews with working directors, visual effects companies and practitioners, and integrated with the current literature. The frame of the research is represented by a large spectrum of contemporary films produced in western countries and which involve digital effects at different scales and complexity but always in interaction with live-action. The research focuses on commercial films and excludes computer-animated and experimental films. The research is intended to address an area in production studies which is overlooked. In fact, although the existent literature examines both digital effects and film directing as distinct elements, there is to date no detailed analysis on the influence that the former has on the latter.
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TBP Presskit Venice
THE BURNING PLAIN Charlize Theron Kim Basinger a film written and directed by Guillermo Arriaga 2929 International Shebnem Askin 9100 Wilshire Blvd 5th Floor West Beverly Hills, CA 90212 Ph: 310 309 5705 [email protected] 1 THE BURNING PLAIN From Guillermo Arriaga, the internationally acclaimed writer of Babel, 21 Grams and Amores Perros, comes THE BURNING PLAIN, a romantic mystery about a woman on the edge who takes an emotional journey back to the defining moment of her life. Oscar-winner Charlize Theron plays Sylvia, a beautiful restaurant manager whose cool, professional demeanor masks the sexually charged storm within. When a stranger from Mexico confronts her with her mysterious past, Sylvia is launched into a journey through space and time that inextricably connects her to these disparate characters, all of whom are grappling with their own romantic destinies. In Mexico, a young motherless girl, Maria (Tessa Ia), lives happily with her father and his best friend until a tragic accident changes it all. In the New Mexico border town of Las Cruces, two teenagers, Mariana (Jennifer Lawrence) and Santiago (JD Pardo), find love in the aftermath of their parents’ sudden deaths. In an abandoned trailer, a housewife, Gina (Oscar-winner Kim Basinger), embarks on a passionate affair that will put Sylvia and the others on a collision course with the explosive power of forbidden love. THE BURNING PLAIN is the directorial debut of Oscar-nominated screenwriter Guillermo Arriaga. From 2929 Productions (Good Night and Good Luck, We Own the Night), the film was produced by Walter Parkes and Laurie Macdonald (Catch Me If You Can, Sweeney Todd) and executive produced by Todd Wagner, Mark Cuban, Marc Butan, and Ray Angelic.
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The Big Bang
ANCHOR BAY FILMS and Hannibal Pictures presents A Big Bang Production In Association with Flame Ventures and North by Northwest Entertainment In Association with Rollercoaster Entertainment and Blue Rider Pictures Antonio Banderas THE BIG BANG Thomas Kretschmann William Fichtner Sienna Guillory Autumn Reeser Jimmi Simpson Bill Duke James Van Der Beek Rebecca Mader Robert Maillet Featuring Snoop Dogg with Delroy Lindo and Sam Elliott PRESS NOTES Running time is 101 minutes. This film is Unrated. Press Contacts: National PR National PR: Online: Ed Peters Tim Williams Sheila Romana Sue Procko Public Relations Sue Procko Public Relations RMS P: 323‐653‐5153 P: 323‐653‐5153 P: 310‐345‐4387 [email protected] [email protected] [email protected] THE BIG BANG Synopsis Late one night, Los Angeles private investigator, Ned Cruz (Antonio Banderas) gets a visit from a recently paroled Russian boxer with an intriguing job offer: find Lexie, his missing girlfriend—and the 30‐ million dollar stash of diamonds she’s hiding. As Detective Cruz sets out to find her, the clues send him into the city’s seediest corners, from a Hollywood action star with a dirty little secret (James Van Der Beek), to an enterprising porn producer who takes a personal interest in his own work (Snoop Dogg), and a kinky waitress with an unusual fetish for particle physics (Autumn Reeser). Lexie proves to be as elusive as she is beautiful and Cruz becomes obsessed with finding her. With time running out, Cruz discovers the trail leads to reclusive billionaire (Sam Elliott), and his physicist (Jimmi Simpson), intent on recreating The Big Bang underneath the New Mexico desert.
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2007 Nominations
2012 NOMINATIONS (presented in 2013) BEST FILM ARGO - Grant Heslov, Ben Affleck, George Clooney LES MISÉRABLES - Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh LIFE OF PI - Gil Netter, Ang Lee, David Womark LINCOLN - Steven Spielberg, Kathleen Kennedy ZERO DARK THIRTY - Mark Boal, Kathryn Bigelow, Megan Ellison OUTSTANDING BRITISH FILM ANNA KARENINA - Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard THE BEST EXOTIC MARIGOLD HOTEL - John Madden, Graham Broadbent, Pete Czernin, Ol Parker LES MISÉRABLES - Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer SEVEN PSYCHOPATHS - Martin McDonagh, Graham Broadbent, Pete Czernin SKYFALL - Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) - McCullin DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) - Wild Bill JAMES BOBIN (Director) - The Muppets TINA GHARAVI (Director/Writer) - I Am Nasrine DIRECTOR AMOUR - Michael Haneke ARGO - Ben Affleck DJANGO UNCHAINED - Quentin Tarantino LIFE OF PI - Ang Lee ZERO DARK THIRTY - Kathryn Bigelow DOCUMENTARY THE IMPOSTER - Bart Layton, Dimitri Doganis MARLEY - Kevin Macdonald, Steve Bing, Charles Steel McCULLIN - David Morris, Jacqui Morris SEARCHING FOR SUGAR MAN - Malik Bendjelloul, Simon Chinn WEST OF MEMPHIS - Amy Berg ORIGINAL SCREENPLAY AMOUR - Michael Haneke DJANGO UNCHAINED - Quentin Tarantino THE MASTER - Paul Thomas Anderson MOONRISE KINGDOM - Wes Anderson, Roman Coppola ZERO DARK THIRTY - Mark Boal ADAPTED SCREENPLAY ARGO - Chris Terrio BEASTS OF THE SOUTHERN WILD - Lucy Alibar, Benh Zeitlin LIFE OF PI - David Magee LINCOLN - Tony Kushner SILVER LININGS PLAYBOOK - David O.
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Open Editfest Program
20:21 EDITING E M a tt Marjorie Bruce Fran Make a big production less of a production. “Productions is the fi nal puzzle piece for making Premiere Pro an undeniable choice for any scale movie. Th e ability to share projects and organize media across them, combined with Premiere’s existing dynamic workfl ows, lets our entire team work and collaborate incredibly fast.” —Ben Insler, First Assistant Editor, MANK © 2021 Adobe. All rights reserved. Adobe, the Adobe logo, and Adobe Premiere are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Creativity for all. TABLE CONTENTS E :05 Welcome :06 Itinerary :12 Sponsors :14 ACE President Kevin Tent, ACE :15 SATURDAY | PANEL 1 Editing for Musicals :23 SATURDAY | PANEL 2 Inside the Cutting Room with Bobbie O’Steen A Conversation with Tom Cross, ACE :27 Saturday Breakout Room Speakers :39 SUNDAY | PANEL 1 From Assistant to Editor Mentoring the Next Generation :51 SUNDAY | PANEL 2 International Partnership Program Launch Strengthening the Art of Editing in the Global Film Community :59 Sunday Breakout Room Speakers :71 Production Credits :72 ACE Member Roster :80 EditFestGlobal.com :03 WELCOME EDITFEST 2021 The American Cinema Editors is an honorary society founded in 1950 by editors who wanted to create a forum to honor their profession. There were 108 editors at that first meeting. Today we number over 1,000 members, from all over the world and, like those who came before us, we wish to educate others about our craft, and our dedication to advancing the art and dignity of the editing profession.
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THE HATEFUL EIGHT Production Notes
THE HATEFUL EIGHT Production Notes Publicity materials are available at: twcpublicity.com 70mm Roadshow Run Time: 187 mins (includes 12 min intermission) Wide Release Run Time: 167mins MPAA Rating: R 1 SYNOPSIS Six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all… THE HATEFUL EIGHT also stars Channing Tatum, James Parks, Dana Gourrier, Zoë Bell, Gene Jones, Keith Jefferson, Lee Horsley, Craig Stark, and Belinda Owino. Written and directed by Quentin Tarantino, THE HATEFUL EIGHT is produced by Richard N.
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{DOWNLOAD} Behind the Scenes!!: Vol. 3 Kindle
BEHIND THE SCENES!!: VOL. 3 PDF, EPUB, EBOOK Bisco Hatori | 192 pages | 09 Feb 2017 | Viz Media, Subs. of Shogakukan Inc | 9781421590493 | English | San Francisco, United States Quentin Tarantino: ‘Kill Bill Vol. 3’ Is At Least Three Years Away | IndieWire In Guardians of the Galaxy Vol. The film was officially announced at the San Diego Comic-Con International before the theatrical release of the first film, along with James Gunn's return from the first film, with the title of the sequel revealed a year later in June Principal photography began in February at Pinewood Atlanta Studios in Fayette County, Georgia , with many crew changes from the first film due to other commitments. Filming concluded in June James Gunn chose to set the sequel shortly after the first film to explore the characters' new roles as the Guardians, and to follow the storyline of Quill's father established throughout that previous film. Russell was confirmed as Quill's father in July , portraying Ego, a departure from Quill's comic father. The film received praise for its visuals, direction, soundtrack, humor, and performances particularly those of Rooker and Russell , though some critics deemed it inferior to the original. A sequel, Guardians of the Galaxy Vol. Ayesha , leader of the Sovereign race, has the Guardians protect valuable batteries from an inter-dimensional monster in exchange for Gamora's estranged sister Nebula , who was caught attempting to steal the batteries. After Rocket steals the batteries for himself, the Sovereign attacks the Guardians' ship with a fleet of drones. The drones are destroyed by a mysterious figure, and the Guardians crash-land on a nearby planet.
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FDEV Zine (Issue 1, February 2021) a New Publication by the Office of Faculty Development a Brief History of Zines
FDEV Zine (Issue 1, February 2021) A new publication by the Office of Faculty Development A brief history of Zines WHY A ZINE?? The real question, actually, is why NOT a zine? Zines offer a less formal and constrained channel of communication at a time when everything is becoming automated, homogeneous, and oftentimes too clean and dry. While playing with design and aesthetics, fonts and colors, we want to be mindful of the need to address your concerns, share the resources we can offer, and invite you to participate in all sorts of FDEV events. This Zine is conceived as a publication to enjoy when you can hopefully take some time for yourself, so that you can EXPLORE it, beyond reading it. It contains information about programs, a list of all events planned for this month, and links to many of our resources. So, grab your coffee or tea and start the journey... (Chiara Ferrari, FDEV Director) Click here to read a message from FDEV Director Chiara Ferrari MEET THE FDEV TEAM REBECCA NELSON ADMINISTRATIVE SUPPORT COORDINATOR As Administrative Support Coordinator and CSU, Chico alumna, it is a true pleasure to support the various programs, events and resources for faculty towards student success. The cross-functional partnerships that our Faculty Development Team encourages between departments, colleges, disciplines and units offers a unique opportunity for growth and development on behalf of the university and our local community. ARIANA M. SINGH STUDENT ASSISTANT As a student who gets to work as closely with Faculty as I have over the last four years, I feel that I get a sense of how both parties operate based on each other and amongst ourselves.
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