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CFP: Gender in the Golden 80S (Film & History Conference 6/1/14; 10/29/14)
H-Film CFP: Gender in the Golden 80s (Film & History conference 6/1/14; 10/29/14) Discussion published by Laura M. D'Amore on Monday, April 14, 2014 The 1980s is its own “golden age” of film when considering the idea/ls of gender contained within its borders. The era indulged representations of high-testosterone masculinity (such as Arnold Schwarzenegger, Sylvester Stallone, and Bruce Willis) and vulnerable femininity (such as Molly Ringwald and Ally Sheedy). And, while films of the decade were also capable of imagining men who were strong and sensitive (like Eric Stoltz in Some Kind of Wonderful, Rob Lowe in About Last Night, and Judd Nelson in The Breakfast Club), there were far fewer roles for women that broke from stereotypically feminized characterizations (like Linda Hamilton inTerminator , Lea Thompson in Back to the Future, and Demi Moore in St. Elmo’s Fire). What can an examination of gender roles in the films of the 1980s tell us about a decade that was fraught with a crisis of identity, simultaneously proud and insecure The( Outsiders, Dirty Dancing, Less Than Zero), strong and vulnerable (War Games, Red Dawn) real and imagined (Robocop, Predator)? How might we interrogate gender in American films of the 1980s, in order to better understand the ironies and anxieties contained within them? Possible paper topics include, but are not limited to the following topics as embodied in 1980s films: Representations of masculinity and femininity in film and television Character/izations that disrupt gender norms The relationship between gender and culture, i.e. politics, economy, the Cold War, post- industrialization Gendered tensions between characters, actors, filmmakers, etc. -
Best Sellers Press Notes
Presents BEST SELLERS A film by Lina Roessler 100 mins, Canada/USA, 2021 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com 2 Chapters I. Synopsis II. Director’s Statement III. Bios IV. Credits 3 Synopsis Lucy Stanbridge has inherited her father’s boutique publishing house, and the ambitious would-be editor has nearly sunk it with failing YA titles and bad reviews. When she discovers the company is owed a book by Harris Shaw, a reclusive, cantankerous, booze-addled author who originally put the company on the map, she looks to him for one last stab at salvation, both commercial and critical. Her timing couldn’t be more perfect. Harris owes money and he happens to have a new book - which he hates. Lucy’s ecstatic until she finds out Harris’s old contract stipulates that no one edit his work. However, in exchange, he must tour the book. And so is born the book tour from hell - where fame doesn’t equal fortune, twitter followers don’t add up to shit, and the legacy you’re trying to uphold might be born out of lies the past can’t contain. 4 A Q&A with Director Lina Roessler Tell us about the movie. How would you describe the film in just a couple of sentences? Best Sellers is an odd couple road movie. -
Christmas TV Schedule 2020
ChristmasTVSchedule.com’s Complete Christmas TV Schedule 2020 • All listings are Eastern time • Shows are Christmas themed, unless noted as Thanksgiving • Can’t-miss classics and 2020 Christmas movie premieres and are listed in BOLD • Listings are subject to change. We apologize for any inaccurate listings • Be sure to check https://christmastvschedule.com for the live, updated listing Sunday, November 8 5:00am – Family Matters (TBS) 5:00am – NCIS: New Orleans (Thanksgiving) (TNT) 6:00am – Once Upon a Holiday (2015, Briana Evigan, Paul Campbell) (Hallmark) 6:00am – A Christmas Miracle (2019, Tamera Mowry, Brooks Darnell) (Hallmark Movies) 7:00am – The Mistle-Tones (2012, Tori Spelling) (Freeform) 8:00am – 12 Gifts of Christmas (2015, Katrina Law, Aaron O’Connell) (Hallmark) 8:00am – Lucky Christmas (2011, Elizabeth Berkley, Jason Gray-Stanford) (Hallmark Movies) 9:00am – Prancer Returns (2001, John Corbett) (Freeform) 10:00am – A Christmas Detour (2015, Candace Cameron-Bure, Paul Greene) (Hallmark) 10:00am – The Christmas Train (2017, Dermont Mulroney, Kimberly Williams-Paisley) (Hallmark Movies) 10:00am – Sweet Mountain Christmas (2019, Megan Hilty, Marcus Rosner) (Lifetime) 12:00pm – Pride, Prejudice, and Mistletoe (2018, Lacey Chabert, Brendan Penny) (Hallmark) 12:00pm – Christmas in Montana (2019, Kellie Martin, Colin Ferguson) (Hallmark Movies) 12:00pm – Forever Christmas (2018, Chelsea Hobbs, Christopher Russell) (Lifetime) 2:00pm – Holiday Baking Championship (Thanksgiving) (Food) 2:00pm – Snow Bride (2013, Katrina Law, Patricia -
CASSIAN ELWES to LAUNCH CROWDFUNDED PRODUCTION COMPANY MOVIE COLLECTIVE Submitted By: Orchid PR Thursday, 12 April 2018
CASSIAN ELWES TO LAUNCH CROWDFUNDED PRODUCTION COMPANY MOVIE COLLECTIVE Submitted by: Orchid PR Thursday, 12 April 2018 One of Hollywood’s most prolific independent producers seeks to democratise Hollywood Leading independent film producer Cassian Elwes has announced a brand new crowdfunding film venture, Movie Collective, inviting fans to invest in a slate of upcoming film projects and help democratise Hollywood. Until now, the studios and powers have shied away from opening up finance opportunities to the masses, instead focusing on traditional avenues of banks, pre-sales and large private equity investors. Having been involved with over 450 films, Cassian Elwes is arguably the most experienced producer in the independent film industry, and is now looking to challenge the status quo by calling on members of the public, from film buffs to high net worth investors to the first-time backers, to join his team and help bring more independent films to the big screen. Movie Collective, a joint venture with self-distribution expert and independent filmmaker Marcus Markou, is unlike conventional crowdfunding campaigns offered by the film industry and aims to disrupt the norm. The principle is simple; finance raised during the forthcoming Crowdcube campaign will be used to produce Movie Collective’s slate of films, with shareholders investing from as little as £10. It is the intention of the company to pay prospective profits as a dividend to equity stakeholders, with remaining profits used to help finance other projects on the slate. The first Movie Collective project, feature film Utopia Road, has been greenlit and is expected to shoot this summer. -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
'Boulevard' Featuring Robin
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE TO PRESENT SPECIAL PREVIEW SCREENING OF ‘BOULEVARD’ FEATURING ROBIN WILLIAMS IN HIS FINAL SCREEN ROLE With director Dito Montiel in person; presented as part of a trio of films starring Robin Williams, also including Awakenings and Popeye Thursday, July 9, 2015 Astoria, New York (June 23, 2015)—While Robin Williams (1951–2014) was best known for his dazzling comic improvisations, his film work showed remarkable range. On Thursday, July 9, Museum of the Moving Image will present a preview screening of Boulevard, featuring Williams in his remarkable final performance, as a quiet man whose life changes dramatically after a charismatic young hustler forces him to rethink his own identity. This special screening in advance of its theatrical release will be followed by a discussion with director (and Astoria, Queens native) Dito Montiel (A Guide to Recognizing Your Saints) in person. The Museum will precede this program, on June 27, with screenings of two additional films starring Williams in dramatic roles: Robert Altman’s Popeye (1980) and Penny Marshall’s Awakenings (1990). Boulevard opens in New York on Friday, July 10 at the Sunshine Landmark theater. “In his finest roles, Robin Williams was able to convey a deep inner life and a wide range of feelings, and despite his high-energy persona, he could also work beautifully in a lower key,” said Chief Curator David Schwartz. “In Popeye, he beautifully brings a comic-book character to life. Awakenings is one of his most finely tuned dramatic performances. And in Boulevard, which sadly became his final dramatic film, he touchingly and realistically plays a man who finds a new lease on life.” Boulevard follows married but closeted 60-year-old bank employee Nolan (Williams) whose spontaneous turn down an unknown street upends his monotonous life and crumbling marriage. -
The Armenian
FEBRUARY 8, 2014 MirTHErARoMENr IAN -Spe ctator Volume LXXXIV, NO. 29, Issue 4323 $ 2.00 NEWS IN BRIEF The First English Language Armenian Weekly in the United States Since 1932 Armenians Wounded in Czech President Aleppo Explosions ALEPPO, Syria (Armenpress) — On February 3 two Says That Ottoman Armenians were wounded in the result of the explo - sions in the New Village district of Aleppo. Sources Killings Constitute from Aleppo told Armenpress that the injuries are not serious and, that Armenians are not among the ‘Genocide dead. The source also stated that about 13-15 explosions were heard in the New Village district PRAGUE (RFE/RL and Armenpress) — and the damages are mainly material. Czech President Milos Zeman said this Another Armenian was slightly wounded as a week that the mass killings of Armenians in result of the explosions on February 2. Concerning Ottoman Turkey amounted to “genocide.” the current situation in the city, our source noted “Next year it will be 100 years since the that explosions sound but relatively less. genocide of the Armenian people in the During the Syrian conflict the number of the vic - year of 1915, when 1.5 million of tims has reached 120,000, including more than 70 Armenians died,” Zeman said during Armenians. Armenian President Serge Sargisian’s offi - cial visit to Prague on January 30. The Czech Republic, a member of the Tobacco Production in European Union and NATO, is not among Armenia Increases YEREVAN (Armenpress) — The production and export of tobacco have registered a considerable growth in Armenia in 2013. In 2013 the volumes of the production, in comparison with the previous year, have increased by 25.6 percent. -
Foxcatcher Directed by Bennett Miller
Sony Pictures Classics Presents An Annapurna Pictures Production Foxcatcher Directed by Bennett Miller Cannes Film Festival 2014 Telluride Film Festival 2014 Toronto International Film Festival 2014 New York Film Festival 2014 Winner - Best Director, Cannes Film Festival 2014 134 mins | Rated R | Opens 11/14/14 (NY/LA) East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street Blair Bender Maya Anand 12th floor 6100 Wilshire Blvd., 550 Madison Ave New York, NY 10036 Ste. 170 New York, NY 10022 212-277-7555 Los Angeles, CA 90048 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax FOXCATCHER The Cast John du Pont STEVE CARELL Mark Schultz CHANNING TATUM Dave Schultz MARK RUFFALO Jean du Pont VANESSA REDGRAVE Nancy Schultz SIENNA MILLER Jack ANTHONY MICHAEL HALL Henry Beck GUY BOYD Documentary Filmmaker DAVE “DOC” BENNETT The Filmmakers Director BENNETT MILLER Written by E. MAX FRYE DAN FUTTERMAN Producers MEGAN ELLISON BENNETT MILLER JON KILIK ANTHONY BREGMAN Executive Producers CHELSEA BARNARD RON SCHMIDT MARK BAKSHI MICHAEL COLEMAN TOM HELLER JOHN P. GUIRA Co-Producer SCOTT ROBERTSON Director of Photography GREIG FRASER Production Designer JESS GONCHOR Editor STUART LEVY CONOR O’NEILL JAY CASSIDY Costume Designer KASIA MAIMONE WALICKA Music ROB SIMONSEN Additional Music WEST DYLAN THORDSON Valley Forge Theme MYCHAEL DANNA Casting Director JEANNE McCARTHY Makeup Designer BILL CORSO Hair Department Head KATHRINE GORDON Wrestling Coordinator JOHN GUIRA Wrestling Choreographer JESSE JANTZEN 2 FOXCATCHER Synopsis Based on true events, FOXCATCHER tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers. -
Rebecca Mader, De Once Upon a Time, Retorna À CCXP 2017
Rebecca Mader, de Once Upon a Time, retorna à CCXP 2017 Atriz confirma sua segunda participação na CCXP em painéis especiais e encontro com os fãs A CCXP - Comic Con Experience (www.ccxp.com.br), que se tornou a maior comic con do planeta em 2016 ao reunir um público recorde de 196 mil pessoas, anuncia a presença da Rebecca Mader na CCXP 2017, que acontece de 07 a 10 de dezembro no São Paulo Expo. A atriz é conhecida pelo papel de a Bruxa Má do Oeste (Zelena), na série Once Upon a Time. Ela estará no evento todos os dias em painéis especiais e na área de Fotos & Autógrafos. A programação será divulgada em breve. Essa é a segunda participação de Rebecca na CCXP. Ela já esteve na primeira edição do evento, em 2014, quando revelou um pouco de suas experiências em dois grandes seriados norte-americanos: Lost e Once Upon a Time. A atriz abordou a experiência de entrar em ambos os programas quando eles já estavam bem estabelecidos e contou como era lidar com a constante expectativa da morte de suas personagens. Nascida em Cambridge, na Inglaterra, Rebecca começou sua carreira como modelo em Nova Iorque, trabalhando para grandes marcas. Na televisão, iniciou no canal ABC Family como Morgan Gordon na série All My Children e em One Life to Live como Margaret Cochran, aparecendo também em Guiding Light, em 2003. Ainda na ABC, participou de duas temporadas de Lost em 2008 e 2009 e em dois episódios em 2010. Depois de outras participações, entrou no elenco regular de Once Upon a Time em 2013, vivendo a Bruxa Má do Oeste, nova antagonista da terceira temporada da série. -
Mediaflo Operations Center Tour Script
MediaFLO USA Operations Center Tour Script I. Introduction/Overview [4:30] Welcome to the MediaFLO Operations Center tour. My name is [ ] and I’ll be your guide for this tour, which should last about 40 minutes. A. Before we start, a few reminders: 1. You’re welcome to take one of the MediaFLO USA brochures. They have information and diagrams to supplement the content of our tour. 2. Please set your cell phones to silent or meeting mode. B. A few minutes on what MediaFLO USA is MediaFLO USA is a wholly owned subsidiary of Qualcomm that aggregates and delivers premium, TV-quality entertainment and information services to mobile phones over its dedicated, nationwide wireless network via the FLO TV service. We are wholesalers, providing wireless carriers a full, end-to-end service. We have agreements in place with content providers; NBC, CBS, ESPN, FOX Comedy Central, Nickeloden and MTV Networks to package and distribute their programming. We’ve built in the capacity to accommodate advertising. We encode the programs, ads, and guides in this building, and we have agreements with two of the top US wireless carriers; Verizon Wireless and AT&T/Cingular to transmit the programming over the air to their subscribers. The subscribers are using phones with a special chipset that can receive and decode the MediaFLO signal, allowing them to unleash the power of TV on their cell phones. We describe ourselves as a wholesaler because we offer all of these services to wireless carriers, who in turn offer them at retail to their customers. Currently you can get the FLO TV service via Verizon’s VCast Mobile TV for $15 a month. -
Tortured and Beyond a Reasonable Doubt, Opposite Michael Douglas
‘CHESAPEAKE SHORES’ Cast Bios JESSE METCALFE (Trace Riley) – One of the busiest actors in Hollywood, Jesse Metcalfe is clearly among its most coveted stars. Most recently, Metcalfe was seen as the lead in the action-packed thriller Hard Kill opposite Bruce Willis, which released globally on August 25th. Metcalfe stars and executive produces the “Martha’s Vineyard Mysteries” movie franchise for Hallmark Movies & Mysteries and also starred in Hallmark Channel’s “Christmas Under the Stars” opposite Autumn Reeser and Clark Peters in 2019. In 2018, his presence drew audiences to two action films: the enjoyable Lionsgate thriller Escape Plan 2: Hades with Sylvester Stallone, and the horror flick The Ninth Passenger. As an actor and producer, Metcalfe currently has two other projects in the pipeline, the family drama In Stranger Company alongside Danny Trejo and the forthcoming New York City drama Steps. Metcalfe recently reprised his role as a gritty investigative reporter turned zombie-apocalypse vigilante in Dead Rising: Endgame, the sequel to the 2015 cult classic Dead Rising: Watchtower. He previously starred in the indie film Destined and the critically acclaimed God’s Not Dead 2. In 2006, Metcalfe showcased his comedy chops as the title character in the 20th Century Fox feature John Tucker Must Die. The film, which stars Sophia Bush, Brittany Snow and Ashanti, follows three friends who set out to break the heart of a serial cheater by setting him up with the new girl in town. His other film roles include Insanitarium, The Other End of the Line, The Tortured and Beyond a Reasonable Doubt, opposite Michael Douglas. -
Once Upon a Time in Hollywood
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE SUMMER MOVIE ISSUE IN THIS ISSUE Once Upon a Time in Hollywood PLUS John Wick: Chapter 3 – Parabellum Rocketman Toy Story 4 AND MUCH MORE! US $8.95 / Canada $8.95 QTR 2 / 2019 / VOL 69 FOR YOUR EMMY ® CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES - STEVE SINGLETON FYC.NETFLIX.COM CINEMA EDITOR MAGAZINE COVER 2 ISSUE: SUMMER BLOCKBUSTERS EMMY NOMINATION ISSUE NETFLIX: BODYGUARD PUB DATE: 06/03/19 TRIM: 8.5” X 11” BLEED: 8.75” X 11.25” PETITION FOR EDITORS RECOGNITION he American Cinema Editors Board of Directors • Sundance Film Festival T has been actively pursuing film festivals and • Shanghai International Film Festival, China awards presentations, domestic and international, • San Sebastian Film Festival, Spain that do not currently recognize the category of Film • Byron Bay International Film Festival, Australia Editing. The Motion Picture Editors Guild has joined • New York Film Critics Circle with ACE in an unprecedented alliance to reach out • New York Film Critics Online to editors and industry people around the world. • National Society of Film Critics The organizations listed on the petition already We would like to thank the organizations that have recognize cinematography and/or production design recently added the Film Editing category to their Annual Awards: in their annual awards presentations. Given the essential role film editors play in the creative process • Durban International Film Festival, South Africa of making a film, acknowledging them is long • New Orleans Film Festival overdue. We would like to send that message in • Tribeca Film Festival solidarity.